Pictures at a Revolution (66 page)

27.
Richardson, Robert. “‘Burn, Baby, Burn' Slogan Used as Firebugs Put Area to Torch.”
Los Angeles Times
, August 15, 1965.

28.
“Character Notes and Step Outline,” Stirling Silliphant Collection, UCLA, op. cit.

29.
Jewison, Norman.
This Terrible Business Has Been Good to Me
(New York: St. Martin's Press, 2005), p. 75.

30.
Ibid., p. 87.

31.
Ibid., pp. 92–93.

32.
AI with Jewison.

33.
Weddle, David.
“If They Move…Kill 'Em!”: The Life and Times of Sam Peckinpah
(New York: Grove Press, 1994), pp. 258–261.

34.
Schumach, Murray. “Producer Decries Movie Nudity Ban.”
New York Times
, March 19, 1964.

35.
Jewison,
This Terrible Business Has Been Good to Me
, op. cit., p. 114.

36.
Balio,
United Artists: The Company That Changed the Film Industry
, op. cit., pp. 168, 185–187.

37.
AI with Mirisch.

38.
Bart, Peter. “Where the Action Isn't.”
New York Times
, July 31, 1966.

39.
This and all subsequent notes on this draft of the screenplay come from “In the Heat of the Night, First Draft” by Stirling Silliphant, dated “January–February 1966,” Stirling Silliphant Collection, UCLA.

40.
“Dialogue on Film: Stirling Silliphant.”
American Film
, (March 1988).

41.
AI with Jewison.

CHAPTER 12

1.
Author interview with Penn.

2.
Penn, Arthur. “Making Waves: The Directing of
Bonnie and Clyde
.” In
Arthur Penn's Bonnie and Clyde
, edited by Lester D. Friedman (Cambridge: Cambridge University Press, 2000).

3.
Reed, “Penn: And Where Did All the Chase-Ing Lead?”, op. cit.

4.
AI with York.

5.
Ibid.

6.
Reed, Rex. “Will the Real Warren Beatty Please Shut Up.”
Esquire
, August 1967.

7.
Finstad,
Warren Beatty: A Private Man
, op. cit., p. 356.

8.
AI with Beatty.

9.
Ibid.

10.
AI with Benton.

11.
AI with Dutton.

12.
Bart, Peter. “N.B.C.-TV Is Sued by Film Director.”
New York Times
, October 27, 1965.

13.
———. “‘Place in the Sun' Is Spared Scissors.”
New York Times
, February 14, 1966.

14.
“Stevens Loses Suit over His Film on TV.”
New York Times
, May 24, 1967.

15.
AI with Beatty.

16.
AI with Towne.

17.
AI with Beatty.

18.
AI with Pollack.

19.
Rose, Frank.
The Agency: William Morris and the Hidden History of Show Business
(New York: HarperBusiness, 1995), p. 295.

20.
Penn, “Making Waves,” op. cit.

21.
AI with Penn.

22.
AI with Beatty.

23.
Letter and attachment from Frank H. Ferguson to Jack Schwartzman, with an executed copy of Christopher Plummer's termination agreement dated March 22, 1966, Jacobs Collection.

24.
Walker, Alexander.
No Bells on Sunday: The Rachel Roberts Journals
(New York: Harper & Row, 1984).

25.
AI with Zanuck.

26.
“Notes on Proposed Script and Score Revisions Resulting from London Meetings with Rex Harrison,” memo by Leslie Bricusse, January 1966, Jacobs Collection.

27.
20th Century-Fox internal memo from Stan Hough to Bob Daniel, January 11, 1966, Jacobs Collection.

28.
AI with Zanuck.

29.
Fleischer,
Just Tell Me When to Cry
, op. cit., pp. 252–257.

30.
Ibid.

31.
Letter from Rex Harrison to Richard Fleischer, March 7, 1966, Fleischer Collection, USC.

32.
Letter from Richard Fleischer to Rex Harrison, March 11, 1966, Fleischer Collection, USC.

33.
Sheet music with lyrics, by Michael Flanders and Donald Swann, circa March 1966, Jacobs Collection.

34.
Letter from Owen McLean to Sandy Bresler at William Morris Agency, March 14, 1966, Jacobs Collection.

35.
Reed, Rex. “Will They Dig ‘Dr. Dolittle'?”
New York Times
, September 4, 1966.

36.
20th Century-Fox internal memo, February 18, 1966, Jacobs Collection.

37.
AI with Eggar.

38.
Ibid.

39.
Morley's salary: Telegram from Jacobs to Fleischer, February 19, 1966, Fleischer Collection.

40.
A memo from Stuart Lyons to Owen McLean dated February 9, 1966, stated that Bull would accept $4,000, but a Fox budget memo from February 18, 1966, indicated that his salary would be $11,600. Jacobs Collection.

41.
Fox internal memo, Hough to Daniel, January 11, 1966, op. cit.

42.
Fleischer,
Just Tell Me When to Cry
, op. cit., p. 257.

43.
Ibid., pp. 258–259; undated press release by Arthur Jacobs, Jacobs Collection.

44.
Canby, Vincent. “Poitier, as Matinee Idol, Is Handsomely Rewarded.”
New York Times
, November 18, 1967.

45.
Motion Picture Association of America promotional mailing for
A Patch of Blue
, New York Public Library for the Performing Arts.

46.
Canby, Vincent. “‘A Patch Of Blue' Draws in South.”
New York Times
, April 5, 1966.

47.
Variety
, December 8, 1965.

48.
Ibid.

49.
Crist, Judith. Review of
A Patch of Blue. New York Herald-Tribune
, December 16, 1965.

50.
Gill, Brendan. “The Current Cinema.”
The New Yorker
, December 25, 1965.

51.
Film Quarterly
(spring 1966).

52.
Review of
A Patch of Blue. Saturday Review
, January 8, 1966.

53.
“KKK, Freshly Laundered, Pickets ‘Patch of Blue.'”
Variety
, May 11, 1966.

54.
“Poitier, Belafonte Score Hit with East Harlem Students.”
New York World-Telegram and Sun
, February 17, 1966.

55.
“Belafonte & Poitier Bail 5 Held in Sit-In.”
New York Post
, March 21, 1966.

56.
Barthel, Joan. “He Doesn't Want to Be Sexless Sidney.”
New York Times
, August 6, 1967.

57.
Goudsouzian,
Sidney Poitier: Man, Actor, Icon
, op. cit., p. 252.

58.
Barthel, “He Doesn't Want to Be Sexless Sidney,” op. cit.

CHAPTER 13

1.
Klemesrud, Judy. “Dustin Hoffman: From ‘Graduate' to Ratzo Rizzo, Super Slob.”
New York Times
, July 14, 1968.

2.
Author interview with Hoffman.

3.
Ibid.

4.
Klemesrud, July 14, 1968, op. cit.

5.
AI with Anspach.

6.
Schwartz, Tony. “Dustin Hoffman vs. Nearly Everybody.”
New York Times
, December 16, 1979.

7.
AI with Hoffman.

8.
AI with Anspach.

9.
Miller, Arthur.
Timebends: A Life
(New York, Grove Press, 1987), p. 373.

10.
AI with Anspach.

11.
AIs with Wynn Handman, Ronald Ribman, and Michael Tolan all provided useful background about the early history of the American Place Theatre.

12.
AI with Hoffman.

13.
AI with Ribman.

14.
AI with Hoffman.

15.
AI with Henry.

16.
AI with Ribman.

17.
AI with Handman.

18.
“Faye Dunaway: The Farmer's Granddaughter.”
Look
, December 13, 1966.

19.
Dunaway, Faye, with Betsy Sharkey.
Looking for Gatsby: My Life
(New York: Simon & Schuster, 1995), pp. 77 and 79.

20.
Schickel, Richard.
Elia Kazan: A Biography
(New York: HarperCollins, 2005), pp. 407–417.