Pictures at a Revolution (69 page)

16.
Champlin, Charles. “Tracy and Hepburn to Rekindle That Old Magic.”
Los Angeles Times
, September 26, 1966.

17.
Davidson,
Spencer Tracy: Tragic Idol
, op. cit., p. 206.

18.
AI with Karen Kramer.

19.
Unpublished transcript of Roy Newquist interview with Stanley Kramer, Kramer Collection, UCLA.

20.
Undated early draft,
Guess Who's Coming to Dinner
, Kramer Collection, UCLA.

21.
AI with Marshall Schlom.

22.
“Hepburn and Tracy Will Co-Star Again.”
New York Times
, September 26, 1966.

23.
Internal salary memo, Columbia Pictures, November 11, 1966, and Columbia interoffice memo from Seymour Steinberg to M. Milo Mandel, Nov. 22, 1966, William Gordon Collection, Margaret Herrick Library.

24.
Deposition by Stanley Kramer in
Joseph Than and Elick Moll v. Columbia Pictures Corporation
, November 20, 1969, Kramer Collection, UCLA.

25.
Canby, Vincent. “Appeal by ‘Alfie' Wins a Movie Code Certificate; Review Panel Votes to Waive Ban Against Mention of Abortion in Pictures.”
New York Times
, August 3, 1966.

26.
———. “A New Movie Code Ends Some Taboos.”
New York Times
, September 21, 1966.

27.
Production Code Files,
Guess Who's Coming to Dinner
correspondence and “Analysis of Film Content,” dated February 20, March 7, and March 16, 1967, Margaret Herrick Library.

28.
“The Code of Self-Regulation: Standards for Production,” reprinted in Steinberg,
Reel Facts
, op. cit., p. 406.

29.
Canby, “A New Movie Code Ends Some Taboos,” op. cit.

30.
AI with Henry.

31.
Nichols, commentary track on
Who's Afraid of Virginia Woolf?
, op. cit.

32.
Lambert, Gavin.
Natalie Wood: A Life
(New York: Alfred A. Knopf, 2004), p. 224.

33.
AI with Nichols.

34.
Olsen, Mark. “Francois Ozon, Always a Leading Ladies' Man.”
Los Angeles Times
, July 30, 2006.

35.
AI with Nichols.

36.
AI with Turman.

37.
Neal, Patricia.
As I Am
(New York: Simon & Schuster, 1988), p. 290.

38.
AI with Nichols.

39.
Ibid.

40.
“Debonair Rex Now a Celebrated Doctor.”
Life
, September 30, 1966.

41.
AI with Trundy; get-well cards and cables from Elizabeth Taylor and Richard Burton, Darryl Zanuck, Richard Zanuck, Anthony Newley, and Leslie Bricusse, Jacobs Collection.

42.
AI with Trundy.

43.
Memo from Arthur Jacobs to Pat Newcomb, November 16, 1966, Jacobs Collection.

44.
AI with Trundy.

45.
AI with Reiss.

46.
AI with Eggar.

47.
Bart, Peter. “He Grew Accustomed to Rex.”
New York Times
, October 2, 1966.

48.
20th Century-Fox memo from Stan Hough to Jack Smith, September 6, 1966, Jacobs Collection.

49.
Cable from William Eckhardt to Stan Hough, October 24, 1966, Jacobs Collection.

50.
Bricusse,
The Music Man
, op. cit., p. 189.

51.
AI with Eggar.

52.
Fleischer, in Bardsley,
Stop the World
, op. cit.

53.
AI with Holder.

54.
AI with Eggar.

55.
AI with Abrahams.

56.
AI with Holder and Eggar.

57.
Fleischer,
Just Tell Me When to Cry
, op. cit., pp. 262–263.

58.
Walker,
Fatal Charm
, op. cit., pp. 334–335.

59.
Cable, recipient unknown, November 21, 1966, Jacobs Collection.

60.
Cable from Joan Collins to Anthony Newley, November 25, 1966, Newley Collection.

61.
Cable from Arthur Jacobs to Anthony Newley, November 26, 1966, Newley Collection.

62.
AI with Abrahams.

63.
Memo from Arthur Jacobs to Mort Abrahams, November 22, 1966, Jacobs Collection.

64.
Letter from Leslie Bricusse to Anthony Newley, November 24, 1966, Newley Collection.

65.
Bricusse,
The Music Man
, op. cit., p. 190.

66.
Letter from Leslie Bricusse to Arthur Jacobs, November 25, 1966, Jacobs Collection.

67.
Undated, by Leslie Bricusse, Jacobs Collection.

CHAPTER 19

1.
This chapter's account of the production of
Bonnie and Clyde
comes from interviews with Warren Beatty, John C. Dutton, Morgan Fairchild, Elaine Michea, Estelle Parsons, Arthur Penn, Michael J. Pollard, Robert Solo, Dean Tavoularis, Robert Towne, and Theadora Van Runkle, among others.

2.
Advertisement,
Denton Record-Chronicle
, 1966 undated, Warner Bros. Collection, USC.

3.
Author interview with Parsons.

4.
Towne, Robert. “A Trip with Bonnie and Clyde.”
Cinema
, III, no. 5.

5.
AI with Towne.

6.
AI with Beatty.

7.
Ibid.

8.
AI with Parsons.

9.
AI with Dutton.

10.
Beatty, to Curtis Hanson in Wake and Hayden,
The Bonnie and Clyde Book
, op. cit., p. 180.

11.
Ibid., p. 179.

12.
AI with Tavoularis.

13.
AI with Beatty, Dutton, Penn, and Tavoularis.

14.
AI with Penn and Towne.

15.
Hebron, Sandra. “Curtis Hanson (part 2).”
Guardian
, November 16, 2002.

16.
AI with Penn.

17.
Dunaway,
Looking for Gatsby
, op. cit., p. 58.

18.
AI with Van Runkle.

19.
AI with Dutton and Michea.

20.
“Faye Dunaway: Frank Words from a Cult Goddess,”
Interview
, November 2002.

21.
Dunaway,
Looking for Gatsby
, op. cit., pp. 131–133.

22.
AI with Parsons.

23.
Dunaway,
Looking for Gatsby
, op. cit., pp. 118–119.

24.
Finstad,
Warren Beatty: A Private Man
, op. cit., p. 372.

25.
AI with Penn.

26.
AI with Tavoularis.

27.
AI with Dutton.

28.
Goldstein, “Blasts From the Past,”
Los Angeles Times
, op. cit.

29.
AI with Beatty.

30.
AI with Towne.

31.
“In the Cards.”
Time
, September 30, 1966.

32.
AI with Michea, Parsons, and Van Runkle.

33.
AI with Pollard.

34.
AI with Parsons.

35.
AI with Fairchild.

36.
AI with Dutton.

37.
Beatty to Curtis Hanson,
The Bonnie and Clyde Book
, op. cit., p. 178.

38.
AI with Towne.

39.
Labarthe, Andre and Jean-Louis Comolli. “The Arthur Penn Interview.”
Cahiers du Cinéma
, December 1967.

40.
AI with Beatty.

41.
AI with Tavoularis.

42.
Ibid.

43.
AI with Beatty.

44.
AI with Parsons.

45.
Benton and Newman's screenplay for
Bonnie and Clyde
is reprinted in its entirety in both
The Bonnie and Clyde Book
(op. cit.) and
Best American Screenplays: First Series
, edited by Sam Thomas (New York: Crown, 1986).

46.
AI with Penn.

47.
Ibid.

48.
Gilman, Richard. “Gangsters on the Road to Nowhere.”
The New Republic
, November 4, 1967.