Pictures at a Revolution (71 page)

20.
AI with Trundy.

21.
Walker,
Fatal Charm
, op. cit., p. 336.

22.
AI with Holder.

23.
Ibid.

24.
Letter from Jack Schwartzman to Richard Zanuck, March 9, 1967, Jacobs Collection.

25.
Fleischer,
Just Tell Me When to Cry
, op. cit., pp. 264, 270–271.

26.
Variety
, April 19, 1967,

27.
“Fleischer: Other Awards Hurtful to Acad Oscars.”
Variety
, April 12, 1967.

28
“20th's $11,000,000 Budget for ‘Dolittle.'”
Variety
, September 13, 1967.

29.
Bart, Peter. “Movies: A Sweet Young Thing.”
New York Times
, July 17, 1966.

30.
Davidson, Bill. “The Entertainer.”
New York Times Magazine
, March 16, 1975.

31.
Alpert, Hollis. “Offbeat Director in Outer Space.”
New York Times Magazine
, January 16, 1966.

CHAPTER 22

1.
Penn and Allen, speaking at an Academy of Motion Picture Arts and Sciences tribute to Allen in New York City, November 7, 2006.

2.
Author interview with Penn.

3.
Crist, Judith.
New York World Journal Tribune
, March 24, 1967.

4.
Variety
, February 15, 1967.

5.
Crowther, Bosley. “The Significance of Sidney.”
New York Times
, August 6, 1967.

6.
AI with Jewison; also Archerd, Army. “Just for Variety.”
Variety
, November 14, 1966.

7.
Wexler, on commentary track for
In the Heat of the Night
, op. cit.

8.
Interoffice memo from Harold J. Mirisch to Oscar Steinberg, August 23, 1967, Jewison Collection.

9.
Memo from Nadine Phinney to Ashby and Jewison, January 13, 1967, Jewison Collection.

10.
AI with Jewison.

11.
O'Steen,
Cut to the Chase
, op. cit.

12.
AI with Joel Schiller.

13.
AI with Hoffman.

14.
The Graduate
by Buck Henry,
Best American Screenplays
, op. cit.

15.
AI with Hoffman.

16.
AI with Henry.

17.
AI with Hoffman.

18.
AI with Henry.

19.
AI with Nichols.

20.
AI with Wilson.

21.
AI with Nichols.

22.
AI with Wilson.

23.
Rollin, Betty. “Mike Nichols: Wizard of Wit.”
Look
, April 2, 1968.

24.
Lester, Elenore. “Dustin's Shrinker Will Let Him Know.”
New York Times
, March 12, 1967.

25.
AI with Hoffman.

26.
AI with Hoffman and Nichols.

27.
AI with Daniels.

28.
AI with Henry, Nichols, and Wilson.

CHAPTER 23

1.
Author interview with Houghton.

2.
AIs with Katharine Houghton, Robert C. Jones, Karen Kramer, and Marshall Schlom; also Assistant Director's Daily Production Reports, Kramer Collection, UCLA.

3.
Manners, Dorothy.
Los Angeles Herald-Examiner
, March 22, 1967.

4.
AI with Houghton.

5.
Frook, John. “Hepburn Comes Back Big, Bringing a Niece Who Calls Her Aunt Kat.”
Life
, January 7, 1968; Edwards, Anne.
A Remarkable Woman: A Biography of Katharine Hepburn
(New York: William Morrow & Co., Inc., 1985).

6.
Berg, A. Scott.
Kate Remembered
(New York: G. P. Putnam's Sons, 2003).

7.
Newquist,
A Special Kind of Magic
, op. cit.

8.
Ibid.

9.
Kramer, Stanley. “He Could Wither You with a Glance.”
Life
, June 30, 1967.

10.
Davidson,
Spencer Tracy: Tragic Idol
, op. cit.

11.
Kramer,
A Mad, Mad, Mad, Mad World
, op. cit.

12.
AI with Kramer.

13.
AI with Mead.

14.
Kramer, “He Could Wither You with a Glance”, op. cit.

15.
Hamilton, Jack. “A Last Visit with Two Undimmed Stars.”
Look
, July 11, 1967.

16.
Frook, “Hepburn Comes Back Big,” op. cit.

17.
Newquist,
A Special Kind of Magic
, op. cit., p. 62.

18.
AI with Houghton.

19.
Israel, Lee. “Last of the Honest-to-God Ladies.”
Esquire
, November 1967.

20.
Ibid.

21.
Hamilton, “A Last Visit with Two Undimmed Stars,” op. cit.

22.
Newquist,
A Special Kind of Magic
, op. cit.

23.
Hamilton, “A Last Visit with Two Undimmed Stars,” op. cit.

24.
Ager, Cecilia. “Katharine Hepburn: ‘Come, I Want You to Meet My Niece.'”
New York Times
, June 18, 1967.

25.
AI with Schlom.

26.
AI with Houghton.

27.
Newquist,
A Special Kind of Magic
, op. cit.

28.
Salary memo, November 11, 1966, Gordon Collection, Margaret Herrick Library.

29.
Handwritten note on early draft of William Rose's script, Kramer Collection.

30.
Goudsouzian,
Sidney Poitier: Man, Actor, Icon
, op. cit., p. 246.

31.
Salary sheets and cast contact lists, Stalmaster Co., Jewison Collection, op. cit.

32.
The quotations from Richards, Davis, and Silvera, and valuable background on Richards's life and career, come from the documentary
Beah: A Black Woman Speaks
, produced by Neda Armian, Jonathan Demme, LisaGay Hamilton, and Joe Viola and written and directed by Hamilton (Clinica Estetico, Ltd., and LisaGay, Inc., copyright 2003).

33.
AI with Houghton.

34.
Assistant Director's Daily Production Reports, Kramer Collection, UCLA.

35.
Letter from George Glass to Roy Newquist, May 10, 1967, Kramer Collection, UCLA.

36.
AI with Schlom.

37.
Letter from Geoffrey Shurlock to Mike Frankovich, February 20, 1967, Production Code Files, Margaret Herrick Library.

38.
Poitier,
This Life
, op. cit., pp. 286–287.

39.
AI with Jones, Karen Kramer, and Schlom.

40.
Kanin, Garson. “Tracy: He Did His Job Before He Died.”
New York Times
, June 25, 1967.

41.
Final draft,
Guess Who's Coming to Dinner
, February 15, 1967, Kramer Collection, UCLA.

42.
Kramer, in
Conversations with the Great Moviemakers of Hollywood's Golden Age at the American Film Institute
, op. cit., p. 572.

43.
AI with Jones.

44.
Assistant Director's Daily Production Reports, Kramer Collection, UCLA.

45.
Kramer,
A Mad, Mad, Mad, Mad World
, op. cit., pp. 227–228; AI with Karen Kramer and Schlom.

46.
Swindell,
Spencer Tracy: A Biography
, op. cit., p. 271.

47.
AI with Kramer; also Kanin, “Tracy: He Did His Job Before He Died”, op. cit.

CHAPTER 24

1.
Author interview with Daniels.

2.
AI with Hoffman.

3.
The four-line exchange between Hoffman and Nichols comes from Zeitlin, “A Homely Non-Hero…,”
Life
, op. cit.

4.
Williams, Michael. “Tales of Hoffman in ‘The Graduate.'”
Los Angeles Times
, December 31, 1967.

5.
AI with Hoffman.

6.
AI with Nichols.

7.
AI with Henry.

8.
AI with Schiller.

9.
Day, Barry, “It Depends on How You Look at It.”
Films and Filming
, November 1968.