Read Poems That Make Grown Men Cry Online

Authors: Anthony and Ben Holden

Poems That Make Grown Men Cry (5 page)

The force of a father’s love has enabled the poet to find his true and immortal voice. It is desperately poignant, both in its eloquence and in the fact that
such moments were so few for
Coleridge.

I read this poem at my daughter’s christening.

Frost at Midnight

The Frost performs its secret ministry,

Unhelped by any wind. The owlet’s cry

Came loud – and hark, again! loud as before.

The inmates of my cottage, all at rest,

Have left me to that solitude, which suits

Abstruser musings:
save that at my side

My cradled infant slumbers peacefully.

’Tis calm indeed! so calm, that it disturbs

And vexes meditation with its strange

And extreme silentness. Sea, hill, and wood,

This populous village! Sea, and hill, and wood,

With all the numberless goings-on of life,

Inaudible as dreams! the thin blue flame

Lies on my low-burnt
fire, and quivers not;

Only that film, which fluttered on the grate,

Still flutters there, the sole unquiet thing.

Methinks, its motion in this hush of nature

Gives it dim sympathies with me who live,

Making it a companionable form,

Whose puny flaps and freaks the idling Spirit

By its own moods interprets, every where

Echo or mirror
seeking of itself,

And makes a toy of Thought.

 

But O! how oft,

How oft, at school, with most believing mind,

Presageful, have I gazed upon the bars,

To watch that fluttering
stranger
! and as oft

With unclosed lids, already had I dreamt

Of my sweet birth-place, and the old church-tower,

Whose bells, the poor man’s only music, rang

From morn to evening, all the hot Fair-day,

So sweetly, that they stirred and haunted me

With a wild pleasure, falling on mine ear

Most like articulate sounds of things to come!

So gazed I, till the soothing things, I dreamt,

Lulled me to sleep, and sleep prolonged my dreams!

And so I brooded
all the following morn,

Awed by the stern preceptor’s face, mine eye

Fixed with mock study on my swimming book:

Save if the door half opened, and I snatched

A hasty glance, and still my heart leaped up,

For still I hoped to see the
stranger’s
face,

Townsman, or aunt, or sister more beloved,

My play-mate when we both were clothed alike!

 

Dear Babe, that sleepest cradled by my side,

Whose gentle breathings, heard in this deep calm,

Fill up the intersperséd vacancies

And momentary pauses of the thought!

My babe so beautiful! it thrills my heart

With tender gladness, thus to look at thee,

And think that thou shalt learn far other lore,

And
in far other scenes! For I was reared

In the great city, pent ’mid cloisters dim,

And saw nought lovely but the sky and stars.

But
thou
, my babe! shalt wander like a breeze

By lakes and sandy shores, beneath the crags

Of ancient mountain, and beneath the clouds,

Which image in their bulk both lakes and shores

And mountain crags: so shalt
thou see and hear

The lovely shapes and sounds intelligible

Of that eternal language, which thy God

Utters, who from eternity doth teach

Himself in all, and all things in himself.

Great universal Teacher! he shall mould

Thy spirit, and by giving make it ask.

 

Therefore all seasons shall be sweet to thee,

Whether the summer clothe the general earth

With greenness, or the redbreast sit and sing

Betwixt the tufts of snow on the bare branch

Of mossy apple-tree, while the nigh thatch

Smokes in the sun-thaw; whether the eave-drops fall

Heard only in the trances of the blast,

Or if the secret ministry of frost

Shall hang them up in silent icicles,

Quietly shining to the quiet Moon.

(1798)

The novelist Sebastian Faulks (b. 1953) made his name with his historical French trilogy,
The Girl at the Lion d’Or
(1989),
Birdsong
(1993), and
Charlotte
Gray
(1998). His dozen other novels include
A Fool’s Alphabet
(1992),
Human Traces
(2005),
Engleby
(2007) and
A Week in December
(2009). He
has also published
authorised sequels to Ian Fleming’s James Bond cycle in
Devil May Care
(2008) and P. G. Wodehouse’s Jeeves and Wooster series in
Jeeves and the Wedding Bells
(2013).

Character of the Happy Warrior

WILLIAM WORDSWORTH
(1770–1850)

HAROLD EVANS

In 1988, the family of Sir Denis Hamilton (1918–1988) asked if I’d speak these verses at his memorial service. When I read them again, I knew that I’d be in
trouble holding back tears. Hamilton was an idealist whose ideals, in the end, were betrayed. Stanza after stanza, I was
moved by lines so very appropriate to his life as the soldier I never knew
and the journalist who was my mentor for some twenty years.

At twenty-two he was a junior officer shoulder-deep in the waves at Dunkirk, trying to save the one hundred sixty survivors of the thousand-strong battalion of his beloved Durham Light Infantry
that he’d taken into battle. In his forties, he was the editorial
genius of the [London]
Sunday Times
. ‘What knowledge can perform’ he was diligent to learn, determined to
apply an unashamed curiosity not simply to events but also to the elevation of public standards, taste and enlightenment. He remained the King’s Scout he’d been as a boy in
Middlesbrough. The commonest question he had for me, as the editor who succeeded him, was ‘Have you done your good
deed for the day, Harold?’ He meant it. His moral being was his prime
concern.

Character of the Happy Warrior

Who is the happy Warrior? Who is he

That every man in arms should wish to be?

– It is the generous Spirit, who, when brought

Among the tasks of real life, hath wrought

Upon the plan that pleased his childish thought:

Whose
high endeavours are an inward light

That makes the path before him always bright;

Who, with a natural instinct to discern

What knowledge can perform, is diligent to learn;

Abides by this resolve, and stops not there,

But makes his moral being his prime care;

Who, doomed to go in company with Pain,

And Fear, and Bloodshed, miserable train!

Turns his necessity to glorious gain;

In face of these doth exercise a power

Which is our human nature’s highest dower:

Controls them and subdues, transmutes, bereaves

Of their bad influence, and their good receives:

By objects, which might force the soul to abate

Her feeling, rendered more compassionate;

Is placable – because occasions
rise

So often that demand such sacrifice;

More skilful in self-knowledge, even more pure,

As tempted more; more able to endure,

As more exposed to suffering and distress;

Thence, also, more alive to tenderness.

– ’Tis he whose law is reason; who depends

Upon that law as on the best of friends;

Whence, in a state where men are tempted
still

To evil for a guard against worse ill,

And what in quality or act is best

Doth seldom on a right foundation rest,

He labours good on good to fix, and owes

To virtue every triumph that he knows:

– Who, if he rise to station of command,

Rises by open means; and there will stand

On honourable terms, or else retire,

And
in himself possess his own desire;

Who comprehends his trust, and to the same

Keeps faithful with a singleness of aim;

And therefore does not stoop, nor lie in wait

For wealth, or honours, or for worldly state;

Whom they must follow; on whose head must fall,

Like showers of manna, if they come at all:

Whose powers shed round him in the common
strife,

Or mild concerns of ordinary life,

A constant influence, a peculiar grace;

But who, if he be called upon to face

Some awful moment to which Heaven has joined

Great issues, good or bad for human kind,

Is happy as a Lover; and attired

With sudden brightness, like a Man inspired;

And, through the heat of conflict, keeps the law

In calmness made, and sees what he foresaw;

Or if an unexpected call succeed,

Come when it will, is equal to the need:

– He who, though thus endued as with a sense

And faculty for storm and turbulence,

Is yet a Soul whose master-bias leans

To homefelt pleasures and to gentle scenes;

Sweet images! which, wheresoe’er he be,

Are at his heart; and such fidelity

It is his darling passion to approve;

More brave for this, that he hath much to love: –

’Tis, finally, the Man, who, lifted high,

Conspicuous object in a Nation’s eye,

Or left unthought-of in obscurity, –

Who, with a toward or untoward lot,

Prosperous or adverse, to his wish or not –

Plays, in the
many games of life, that one

Where what he most doth value must be won:

Whom neither shape or danger can dismay,

Nor thought of tender happiness betray;

Who, not content that former worth stand fast,

Looks forward, persevering to the last,

From well to better, daily self-surpast:

Who, whether praise of him must walk the earth

For
ever, and to noble deeds give birth,

Or he must fall, to sleep without his fame,

And leave a dead unprofitable name –

Finds comfort in himself and in his cause;

And, while the mortal mist is gathering, draws

His breath in confidence of Heaven’s applause:

This is the happy Warrior; this is he

That every man in arms should wish to be.

(1806)

Sir Harold Evans (b. 1928) is regarded as Britain’s foremost postwar newspaper editor, above all for his stewardship of
The Sunday Times
from
1967 to 1981. Since moving to New York in 1984 he has been the founding editor of
Condé Nast Traveler
, president and publisher of the Random House group, and held several executive
roles in journalism,
currently editor-at-large for Reuters. He has also published books ranging from autobiography and journalism manuals to American history, notably
The American Century
(1998).

Surprised by Joy

WILLIAM WORDSWORTH
(1770–1850)

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