Pygmalion and Three Other Plays (Barnes & Noble Classics Series) (2 page)

In the 1890s, deeply influenced by the dramatic writings of Henrik Ibsen, Shaw spurned the conventions of the stage in “unpleasant” plays, such as
Mrs. Warren’s Profession,
and in “pleasant” ones like
Arms and the Man
and
Candida.
His drama shifted attention from romantic travails to the great web of society, with its hypocrisies and other ills. The burden of writing seriously strained Shaw’s health; he suffered from chronic migraine headaches. Shaw married fellow Fabian and Irish heiress Charlotte Payne-Townshend.
By the turn of the century, Shaw had matured as a dramatist with the historical drama
Caesar and Cleopatra,
and his master-pieces
Man and Superman
and
Major Barbara.
In all, he wrote more than fifty plays, including his antiwar
Heartbreak House
and the polemical
Saint Joan,
for which he was awarded the Nobel Prize. Equally prolific in his writings about music and theater, Shaw was so popular that he signed his critical pieces with simply the initials GBS. (He disliked his first name, George, and never used it except for the initial.) He remained in the public eye throughout his final years, writing controversial plays until his death. George Bernard Shaw died at his country home on November 2, 1950.
THE WORLD OF GEORGE BERNARD SHAW AND HIS PLAYS
1856
George Bernard Shaw is born on July 26, at 33 Upper Synge Street in Dublin, to George Carr Shaw and Lucinda Elizabeth Gurly Shaw.
1865
George John Vandeleur Lee, Mrs. Shaw’s singing instructor, moves into the Shaw household. Known as Vandeleur Lee, he has a reputation as an unscrupulous character.
1869
Embarrassed by controversy and gossip related to his mother’s relationship with Vandeleur Lee, young “Sonny,” as Shaw was called by his family, leaves school.
1871
He begins work in a Dublin land agent’s office.
1873
Shaw’s mother, now a professional singer, follows Van deleur Lee to London, where they establish a household that includes Shaw’s sisters, Elinor Agnes and Lucille Frances (Lucy). Shaw’s mother tries to earn a living per forming and teaching Vandeleur Lee’s singing method.
1876
Elinor Agnes dies on March 27. Shaw joins his mother, his sister Lucy, and Vandeleur Lee in London. Although he tries to support himself as a writer, for the next five years Shaw remains financially dependent on his mother.
1877
Shaw ghostwrites music reviews that appear under Van deleur Lee’s byline in his column for the Hornet, a London newspaper. This first professional writing “job” lasts until the editor discovers the subterfuge.
1879
Shaw completes and serializes his first novel,
Immaturity.
He works for the Edison Telephone Company and later
will record his experience in his second novel, The
Irrational
Knot. Henrik Ibsen’s play A
Doll’s
House premieres.
1880
Shaw completes
The Irrational Knot.
1881
He becomes a vegetarian in the hope that the change in his diet will relieve his migraine headaches. He completes
Love Among Artists. The Irrational Knot
is serialized in
Our Corner,
a monthly periodical.
1882
Shaw hears Henry George’s lecture on land nationaliza tion, which inspires some of his socialist ideas. He attends meetings of the Social Democratic Federation and is intro duced to the works of Karl Marx.
1883
The Fabian Society—a middle-class socialist debating group advocating progressive, nonviolent reform rather than the revolution supported by the Social Democratic Federation—is founded in London. Shaw completes the novel
Cashel Byron’s Profession,
drawing on his experience as an amateur boxer. He writes his final novel,
An Unsocial Socialist.
1884
Shaw joins the fledgling Fabian Society; he contributes to many of its pamphlets, including
The Fabian Manifesto
(1884),
The Impossibilities of Anarchism
(1893), and
Socialism for Millionaires
(1901), and begins speaking publicly around London on social and political issues.
An Unsocial Socialist
is serialized in the periodical
Today.
1885
The author’s father, a longtime alcoholic, dies; neither his estranged wife nor his children attend his funeral. Shaw himself never drinks or smokes. He begins writing criticism of music, art, and literature for the
Pall Mall Gazette,
the
Dramatic Review,
and
Our Corner. Cashel Byron’s Profession
is serialized in the periodical
Today.
1886
Shaw begins writing art and music criticism for the
World. Cashel Byron’s Profession
is published.
1887
Swedish dramatist and writer August Strindberg’s play
The Father
is performed. The Social Democratic Federation’s
planned march on Trafalgar Square ends in bloodshed as police suppress the protesters; Shaw is a speaker at the event. His novel
An Unsocial Socialist
is published in book form.
1888
Shaw begins writing music criticism in the
Star
under the pen name Corno di Bassetto (“basset horn,” perhaps a ref erence to the pitch of his voice).
1889
He edits the volume
Fabian Essays in Socialism,
to which he contributes “The Economic Basis of Socialism” and “The Transition to Social Democracy.”
1890
Ibsen completes
Hedda Gabler.
1891
Ibsen’s
Ghosts
is performed in London. Shaw publishes The
Quintessence
of
Ibsenism,
a polemical pamphlet that cele brates Ibsen as a rebel for leftist causes.
1892
Sidney Webb, a founder and close associate of Shaw, is elected to the London City Council along with five other Fabian Society members.
Widowers’ Houses,
Shaw’s first “unpleasant” play, is performed on the London stage.
1893
Shaw writes
The Philanderer
and
Mrs. Warren’s Profession,
his two other “unpleasant” plays. The latter is refused a license by the royal censor because its subject is prostitution; as a result, the play is not performed until 1902.
Widowers’ Houses
is published.
1894
Seeking a wider audience, Shaw begins a series of “pleas ant” plays with
Arms and the Man,
produced this year, and
Candida,
a successful play about marriage greatly influ enced by Ibsen’s
A Doll’s House.
1895
Shaw writes another “pleasant” play,
The Man of Destiny,
a one-act about Napoleon, and drama criticism for the
Saturday Review.
1896
Shaw completes the fourth “pleasant” play,
You Never Can Tell.
He meets Charlotte Payne-Townshend, a wealthy Irish heiress and fellow Fabian. The Nobel Prizes are established for physics, medicine, chemistry, peace, and literature.
1897
Candida
is produced.
The Devil’s Disciple,
a drama set dur ing the American Revolution, is successfully staged in New York. Shaw is elected as councilor for the borough of St. Pancras, London; he will serve in this position until 1903.
1898
Shaw writes
Caesar and Cleopatra
and publishes
Mrs. Warren’s Profession
and
The Perfect Wagnerite.
His first anthology of plays,
Plays Pleasant and Unpleasant,
is published. He falls ill and, believing his illness fatal, marries his friend and nurse Charlotte Payne-Townshend; his wife’s fortune makes Shaw wealthy.
1899
You Never Can Tell
premieres. Shaw writes
Captain Brass bound’s Conversion.
1900
The Fabian Society, the Independent Labour Party, and the Social Democratic Federation join forces to form the Labour Representation Party, which is politically allied to the trade union movement. The party wins two seats in the House of Commons.
Captain Brasshound’s Conversion
is pro duced.
Three Plays for Puritans
collects
The Devil’s Disciple, Caesar and Cleopatra,
and
Captain Brassbound’s Conversion.
1901
Strindberg’s
Dance of Death
is completed. The Social Revo lutionary Party, instrumental in the Bolshevik Revolution, is formed in Russia. Shaw writes about the eternal obsta cles in male-female relations in his epic
Man and Superman,
which he subtitles “A Comedy and a Philosophy.” He also publishes
The Devil’s Disciple
and sees
Caesar and Cleopatra
produced for the first time.
1902
A private production of
Mrs. Warren’s Profession
is staged at the New Lyric Theatre in London.
1903
Shaw publishes
Man and Superman. The Admirable Bashville is
produced.
1904
John Bull’s Other Island
premieres in London.
1905
Shaw writes the play
Major Barbara,
through which he at tempts to communicate many of his moral and economic theories, including the need for a more fair distribution of
wealth. It is produced this year, as is
Man and Superman.
In New York City,
Mrs. Warren’s Profession
is publicly staged for the first time. Oscar Wilde’s
De Profundis
is published posthumously. The Sinn Fein party, dedicated to Irish in dependence, is founded in Dublin.
1906
The Labour Representation Party wins twenty-nine seats and shortens its name to the Labour Party. Henrik Ibsen dies. Shaw’s
The Doctor’s Dilemma,
a satire on the medical profession, is produced.
1909
Shaw writes
The Shewing-Up of Blanco Posnet
and the one act farce
Press Cuttings,
both banned by the royal censor.
1910
Shaw writes
Misalliance,
which he compares to Shake speare’s
The Taming of the Shrew.
1912
He publishes
Misalliance,
and his satire
Androcles and the Lion
is staged for the first time.
1913
A German language version of
Pygmalion,
another satire Shaw wrote in 1912, premieres in Vienna.
1914
With World War I imminent, Shaw publishes a polemical antiwar tract,
Common Sense About the War,
which provokes a popular backlash and public denouncement.
Pygmalion
is produced for the first time in English.
1917
Dejected over the war, Shaw writes
Heartbreak House.
1919
Heartbreak House
is published in NewYork.
1920
The canonization of Joan of Arc gives Shaw the idea for a new play.
Heartbreak House
is produced in New York.
1921
Shaw publishes five linked plays begun during the war under the title
Back to Methuselah,
a dramatic work that begins in the Garden of Eden and ends in the year A.D. 31,920.
1923
Shaw writes
Saint Joan,
which is produced and hailed as a masterpiece.
1924
Saint Joan
is published.
1925
Shaw is awarded the Nobel Prize for Literature for
Saint Joan.
He donates the prize money to fund an English trans lation of the works of August Strindberg.
1928
Shaw publishes his nonfiction
The Intelligent Women’s Guide to Socialism and Capitalism
and writes
The Apple Cart,
a dra matic comedy set in the future.
1929
The Apple Cart
is produced.
1931
Shaw visits Russia, where he meets Josef Stalin and Maxim Gorky. He completes the play
Too True to Be Good,
which explores how war can undermine established morals.
1932
Too True to Be Good
is staged for the first time.
1933
An international celebrity, Shaw makes his first trip to America.
On the Rocks
and
Village Wooing
are produced.
1934
Shaw writes the plays
The Simpleton of the Unexpected Isles, The Six of Calais,
and the first draft of
The Millionairess
dur ing a cruise to New Zealand.
Simpleton
is produced this year.
1938
Geneva,
a play that imagines a successful League of Na tions, premieres.
1939
Shaw writes
Good King Charles’s Golden Days,
which is pro duced this year. He wins an Academy Award for the screenplay for
Pygmalion,
over which he exercised tight control.
1943
His wife, Charlotte, dies after a long illness.
1947
Shaw completes the play The Buoyant Billions.
1948
The Buoyant Billions
is produced in Zurich.
1949
Shaw’s puppet play,
Shakes Versus Shav,
is produced.
1950
George Bernard Shaw dies on November 2 from compli cations related to a fall from a ladder. He bequeaths funds for a competition to create a new English alphabet based on phonetics rather than Roman letters. The competition, won in 1958 by Kingsley Read, results in the Shavian al phabet.
INTRODUCTION
In one of Katharine Hepburn’s early films,
Morning Glory
(from a 1933 play by Zoe Akins), Hepburn plays a self-confident, self-reliant, fearless, and outspoken young woman, ambitious to become a great actress in New York—in short, Hepburn plays herself. In the film, in an exchange with a producer (played by the ever-dapper Adolphe Menjou), Hepburn explains that she has done several major roles back home in her local Vermont theater company, including a role “in Shaw’s
You Never Can Tell.”
Menjou then asks,
“Bernard Shaw?”
and she replies, “The one and only.” They continue:

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