Romola (10 page)

Bardo had stretched out his aged white hand, and Tito immediately placed his dark but delicate and supple fingers within it. Bardo's cramped fingers closed over them, and he held them for a few minutes in silence. Then he said—

"Romola, has this young man the same complexion as thy brother—fair and pale?"

"No, father," Romola answered, with determined composure, though her heart began to beat violently with mingled emotions. "The hair of Messere is dark—his complexion is dark." Inwardly she said, "Will he mind it? will it be disagreeable? No, he looks so gentle and good–natured." Then aloud again—

"Would Messere permit my father to touch his hair and face?"

Her eyes inevitably made a timid entreating appeal while she asked this, and Tito's met them with soft brightness as he said, "Assuredly," and, leaning forward, raised Bardo's hand to his curls, with a readiness of assent, which was the greater relief to her, because it was unaccompanied by any sign of embarrassment.

Bardo passed his hand again and again over the long curls and grasped them a little, as if their spiral resistance made his inward vision clearer; then he passed his hand over the brow and cheek, tracing the profile with the edge of his palm and fourth finger, and letting the breadth of his hand repose on the rich oval of the cheek.

"Ah," he said, as his hand glided from the face and rested on the young man's shoulder. "He must be very unlike thy brother, Romola: and it is the better. You see no visions, I trust, my young friend?"

At this moment the door opened, and there entered, unannounced, a tall elderly man in a handsome black silk lucco, who, unwinding his becchetto from his neck and taking off his cap, disclosed a head as white as Bardo's. He cast a keen glance of surprise at the group before him—the young stranger leaning in that filial attitude, while Bardo's hand rested on his shoulder, and Romola sitting near with eyes dilated by anxiety and agitation. But there was an instantaneous change: Bardo let fall his hand, Tito raised himself from his stooping posture, and Romola rose to meet the visitor with an alacrity which implied all the greater intimacy, because it was unaccompanied by any smile.

"Well, god–daughter," said the stately man, as he touched Romola's shoulder; "Maso said you had a visitor, but I came in nevertheless."

"It is thou, Bernardo," said Bardo. "Thou art come at a fortunate moment. This, young man," he continued, while Tito rose and bowed, "is one of the chief citizens of Florence, Messer Bernardo del Nero, my oldest, I had almost said my only friend—whose good opinion, if you can win it, may carry you far. He is but three–and–twenty, Bernardo, yet he can doubtless tell thee much which thou wilt care to hear; for though a scholar, he has already travelled far, and looked on other things besides the manuscripts for which thou hast too light an esteem."

"Ah, a Greek, as I augur," said Bernardo, returning Tito's reverence but slightly, and surveying him with that sort of glance which seems almost to cut like fine steel. "Newly arrived in Florence, it appears. The name of Messere—or part of it, for it is doubtless a long one?"

"On the contrary," said Tito, with perfect good–humour, "it is most modestly free from polysyllabic pomp. My name is Tito Melema."

"Truly?" said Bernardo, rather scornfully, as he took a seat; "I had expected it to be at least as long as the names of a city, a river, a province, and an empire all put together. We Florentines mostly use names as we do prawns, and strip them of all flourishes before we trust them to our throats."

"Well, Bardo," he continued, as if the stranger were not worth further notice, and changing his tone of sarcastic suspicion for one of sadness, "we have buried him."

"Ah!" replied Bardo, with corresponding sadness, "and a new epoch has come for Florence—a dark one, I fear. Lorenzo has left behind him an inheritance that is but like the alchemist's laboratory when the wisdom of the alchemist is gone."

"Not altogether so," said Bernardo. "Piero de' Medici has abundant intelligence; his faults are only the faults of hot blood. I love the lad—lad he will always be to me, as I have always been `little father' to him."

"Yet all who want a new order of things are likely to conceive new hopes," said Bardo. "We shall have the old strife of parties, I fear."

"If we could have a new order of things that was something else than knocking down one coat of arms to put up another," said Bernardo, "I should be ready to say, `I belong to no party: I am a Florentine.' But as long as parties are in question, I am a Medicean, and will be a Medicean till I die. I am of the same mind as Farinata degli Uberti: if any man asks me what is meant by siding with a party, I say, as he did, `To wish ill or well, for the sake of past wrongs or kindnesses.'"

During this short dialogue, Tito had been standing, and now took his leave.

"But come again at the same hour to–morrow," said Bardo, graciously, before Tito left the room, "that I may give you Bartolommeo's answer."

"From what quarter of the sky has this pretty Greek youngster alighted so close to thy chair, Bardo?" said Bernardo del Nero, as the door closed. He spoke with dry emphasis, evidently intended to convey something more to Bardo than was implied by the mere words.

"He is a scholar who has been shipwrecked and has saved a few gems, for which he wants to find a purchaser. I am going to send him to Bartolommeo Scala, for thou knowest it were more prudent in me to abstain from further purchases."

Bernardo shrugged his shoulders and said, "Romola, wilt thou see if my servant is without? I ordered him to wait for me here." Then, when Romola was at a sufficient distance, he leaned forward and said to Bardo in a low, emphatic tone—

"Remember, Bardo, thou hast a rare gem of thy own; take care no one gets it who is not likely to pay a worthy price. That pretty Greek has a lithe sleekness about him, that seems marvellously fitted for slipping easily into any nest he fixes his mind on."

Bardo was startled: the association of Tito with the image of his lost son had excluded instead of suggesting the thought of Romola. But almost immediately there seemed to be a reaction which made him grasp the warning as if it had been a hope.

"But why not, Bernardo? If the young man approved himself worthy—he is a scholar—and—and there would be no difficulty about the dowry, which always makes thee gloomy."

Bartolommeo Scala, secretary of the Florentine Republic, on whom Tito Melema had been thus led to anchor his hopes, lived in a handsome palace close to the Porta Pinti, now known as the Casa Gherardesca. His arms— an azure ladder transverse on a golden field, with the motto
Gradatim
placed over the entrance—told all comers that the miller's son held his ascent to honours by his own efforts a fact to be proclaimed without wincing. The secretary was a vain and pompous man, but he was also an honest one: he was sincerely convinced of his own merit, and could see no reason for feigning. The topmost round of his azure ladder had been reached by this time: he had held his secretaryship these twenty years— had long since made his orations on the
ringhiera
, or platform of the Old Palace, as the custom was, in the presence of princely visitors, while Marzocco, the republican lion, wore his gold crown on the occasion, and all the people cried, "Viva Messer Bartolommeo!"—had been on an embassy to Rome, and had there been made titular Senator, Apostolical Secretary, Knight of the Golden Spur; and had, eight years ago, been Gonfaloniere—last goal of the Florentine citizen's ambition. Meantime he had got richer and richer, and more and more gouty, after the manner of successful mortality; and the Knight of the Golden Spur had often to sit with helpless cushioned heel under the handsome loggia he had built for himself, overlooking the spacious gardens and lawn at the back of his palace.

He was in this position on the day when he had granted the desired interview to Tito Melema. The May afternoon sun was on the flowers and the grass beyond the pleasant shade of the loggia; the too stately silk lucco was cast aside, and the light loose mantle was thrown over his tunic; his beautiful daughter Alessandra and her husband, the Greek soldier–poet Marullo, were seated on one side of him: on the other, two friends not oppressively illustrious, and therefore the better listeners. Yet, to say nothing of the gout, Messer Bartolommeo's felicity was far from perfect: it was embittered by the contents of certain papers that lay before him, consisting chiefly of a correspondence between himself and Politian. It was a human foible at that period (incredible as it may seem) to recite quarrels, and favour scholarly visitors with the communication of an entire and lengthy correspondence; and this was neither the first nor the second, time that Scala had asked the candid opinion of his friends as to the balance of right and wrong in some half–score Latin letters between himself and Politian, all springing out of certain epigrams written in the most playful tone in the world. It was the story of a very typical and pretty quarrel, in which we are interested, because it supplied precisely that thistle of hatred necessary, according to Nello, as a stimulus to the sluggish paces of the cautious steed, Friendship. Politian, having been a rejected pretender to the love and the hand of Scala's daughter, kept a very sharp and learned tooth in readiness against the too prosperous and presumptuous secretary, who had declined the greatest scholar of the age for a son–in–law. Scala was a meritorious public servant, and, moreover, a lucky man—naturally exasperating to an offended scholar; but then—O beautiful balance of things!—he had an itch for authorship, and was a bad writer—one of those excellent people who, sitting in gouty slippers, "penned poetical trifles" entirely for their own amusement, without any view to an audience, and, consequently, sent them to their friends in letters, which were the literary periodicals of the fifteenth century. Now Scala had abundance of friends who were ready to praise his writings: friends like Ficino and Landino—amiable browsers in the Medicean park along with himself—who found his Latin prose style elegant and masculine; and the terrible Joseph Scaliger, who was to pronounce him totally ignorant of Latinity, was at a comfortable distance in the next century. But when was the fatal coquetry inherent in superfluous authorship ever quite contented with the ready praise of friends? That critical supercilious Politian—a fellow–browser, who was far from amiable—must be made aware that the solid secretary showed, in his leisure hours, a pleasant fertility in verses, which indicated pretty clearly how much he might do in that way if he were not a man of affairs.

Ineffable moment! when the man you secretly hate sends you a Latin epigram with a false gender—hendecasyllables with a questionable elision, at least a toe too much—attempts at poetic figures which are manifest solecisms. That moment had come to Politian: the secretary had put forth his soft head from the official shell, and the terrible lurking crab was down upon him. Politian had used the freedom of a friend, and pleasantly, in the form of a Latin epigram, corrected the mistake of Scala in making the
culex
(an insect too well–known on the banks of the Arno) of the inferior or feminine gender. Scala replied by a bad joke, in suitable Latin verses, referring to Politian's unsuccessful suit. Better and better. Politian found the verses very pretty and highly facetious: the more was the pity that they were seriously incorrect, and inasmuch as Scala had alleged that he had written them in imitation of a Greek epigram, Politian, being on such friendly terms, would enclose a Greek epigram of his own, on the same interesting insect—not, we may presume, out of any wish to humble Scala, but rather to instruct him; said epigram containing a lively conceit about Venus, Cupid, and the
culex
, of a kind much tasted at that period, founded partly on the zoological fact that the gnat, like Venus, was born from the waters. Scala, in reply, begged to say that his verses were never intended for a scholar with such delicate olfactories as Politian, nearest of all living men to the perfection of the ancients, and of a taste so fastidious that sturgeon itself must seem insipid to him; defended his own verses, nevertheless, though indeed they were written hastily, without correction, and intended as an agreeable distraction during the summer heat to himself and such friends as were satisfied with mediocrity, he, Scala, not being like some other people, who courted publicity through the booksellers. For the rest, he had barely enough Greek to make out the sense of the epigram so graciously sent him, to say nothing of tasting its elegances; but—the epigram was Politian's: what more need be said? Still, by way of postscript, he feared that his incomparable friend's comparison of the gnat to Venus, on account of its origin from the waters, was in many ways ticklish. On the one hand, Venus might be offended; and on the other, unless the poet intended an allusion to the doctrine of Thales, that cold and damp origin seemed doubtful to Scala in the case of a creature so fond of warmth; a fish were perhaps the better comparison, or, when the power of flying was in question, an eagle, or indeed, when the darkness was taken into consideration, a bat or an owl were a less obscure and more apposite parallel, etcetera, etcetera. Here was a great opportunity for Politian. He was not aware, he wrote, that when he had Scala's verses placed before him, there was any question of sturgeon, but rather of frogs and gudgeons: made short work with Scala's defence of his own Latin, and mangled him terribly on the score of the stupid criticisms he had ventured on the Greek epigram kindly forwarded to him as a model. Wretched cavils, indeed! for as to the damp origin of the gnat, there was the authority of Virgil himself, who had called it the "
alumnus
of the waters;" and as to what his dear dull friend had to say about the fish, the eagle, and the rest, it was "nihil ad rem;" for because the eagle could fly higher, it by no means followed that the gnat could not fly at all, etcetera, etcetera. He was ashamed, however, to dwell on such trivialities, and thus to swell a gnat into an elephant; but, for his own part, would only add that he had nothing deceitful or double about him, neither was he to be caught when present by the false blandishments of those who slandered him in his absence, agreeing rather with a Homeric sentiment on that head—which furnished a Greek quotation to serve as powder to his bullet.

The quarrel could not end there. The logic could hardly get worse, but the secretary got more pompously self–asserting, and the scholarly poet's temper more and more venomous. Politian had been generously willing to hold up a mirror, by which the too–inflated secretary, beholding his own likeness, might be induced to cease setting up his ignorant defences of bad Latin against ancient authorities whom the consent of centuries had placed beyond question,—unless, indeed, he had designed to sink in literature in proportion as he rose in honours, that by a sort of compensation men of letters might feel themselves his equals. In return, Politian was begged to examine Scala's writings: nowhere would he find a more devout admiration of antiquity. The secretary was ashamed of the age in which he lived, and blushed for it.
Some
, indeed, there were who wanted to have their own works praised and exalted to a level with the divine monuments of antiquity; but he, Scala, could not oblige them. And as to the honours which were offensive to the envious, they had been well earned: witness his whole life since he came in penury to Florence. The elegant scholar, in reply, was not surprised that Scala found the Age distasteful to him, since he himself was so distasteful to the Age; nay, it was with perfect accuracy that he, the elegant scholar, had called Scala a branny monster, inasmuch as he was formed from the off–scourings of monsters, born amidst the refuse of a mill, and eminently worthy the long–eared office of turning the paternal millstones (
in pistrini sordibus natus et quidem pistrino dignissimus
)!

It was not without reference to Tito's appointed visit that the papers containing this correspondence were brought out to–day. Here was a new Greek scholar whose accomplishments were to be tested, and on nothing did Scala more desire a dispassionate opinion from persons of superior knowledge than on that Greek epigram of Politian's. After sufficient introductory talk concerning Tito's travels, after a survey and discussion of the gems, and an easy passage from the mention of the lamented Lorenzo's eagerness in collecting such specimens of ancient art to the subject of classical tastes and studies in general and their present condition in Florence, it was inevitable to mention Politian, a man of eminent ability indeed, but a little too arrogant—assuming to be a Hercules, whose office it was to destroy all the literary monstrosities of the age, and writing letters to his elders without signing them, as if they were miraculous revelations that could only have one source. And after all, were not his own criticisms often questionable and his tastes perverse? He was fond of saying pungent things about the men who thought they wrote like Cicero because they ended every sentence with "esse videtur:" but while he was boasting of his freedom from servile imitation, did he not fall into the other extreme, running after strange words and affected phrases? Even in his much–belauded `Miscellanea' was every point tenable? And Tito, who had just been looking into the `Miscellanea,' found so much to say that was agreeable to the secretary—he would have done so from the mere disposition to please, without further motive—that he showed himself quite worthy to be made a judge in the notable correspondence concerning the
culex
. Here was the Greek epigram which Politian had doubtless thought the finest in the world, though he had pretended to believe that the "transmarini," the Greeks themselves, would make light of it: had he not been unintentionally speaking the truth in his false modesty?

Tito was ready, and scarified the epigram to Scala's content. O wise young judge! He could doubtless appreciate satire even in the vulgar tongue, and Scala—who, excellent man, not seeking publicity through the booksellers, was never unprovided with "hasty uncorrected trifles," as a sort of sherbet for a visitor on a hot day, or, if the weather were cold, why then as a cordial—had a few little matters in the shape of Sonnets, turning on well–known foibles of Politian's, which he would not like to go any farther, but which would, perhaps, amuse the company.

Enough: Tito took his leave under an urgent invitation to come again. His gems were interesting; especially the agate, with the
lusus naturae
in it—a most wonderful semblance of Cupid riding on the lion; and the "Jew's stone," with the lion–headed serpent enchased in it; both of which the secretary agreed to buy—the latter as a reinforcement of his preventives against the gout, which gave him such severe twinges that it was plain enough how intolerable it would be if he were not well supplied with rings of rare virtue, and with an amulet worn close under the right breast. But Tito was assured that he himself was more interesting than his gems. He had won his way to the Scala Palace by the recommendation of Bardo de' Bardi, who, to be sure, was Scala's old acquaintance and a worthy scholar, in spite of his overvaluing himself a little (a frequent foible in the secretary's friends); but he must come again on the ground of his own manifest accomplishments.

The interview could hardly have ended more auspiciously for Tito, and as he walked out at the Porta Pinti that he might laugh a little at his ease over the affair of the
culex
, he felt that fortune could hardly mean to turn her back on him again at present, since she had taken him by the hand in this decided way.