Selected Stories (29 page)

The old people sat on the bench, still as statues. Never mind, there was always the crowd to watch. To and fro, in front of the flower-beds and the band rotunda, the couples and groups paraded, stopped to talk, to greet, to buy a handful of flowers from the old beggar who had his tray fixed to the railings. Little children ran among them, swooping and laughing; little boys with big white silk bows under their chins; little girls, little French dolls, dressed up in velvet and lace. And sometimes a tiny staggerer came suddenly rocking into the open from under the trees, stopped, stared, as suddenly sat down “flop,” until its small high-stepping mother, like a young hen, rushed scolding to its rescue. Other people sat on the benches and green chairs, but they were nearly always the same, Sunday after Sunday, and—Miss Brill had often noticed—there was something funny about nearly all of them. They were odd, silent, nearly all old, and from the way they stared they looked as though they'd just come from dark little rooms or even—even cupboards!

Behind the rotunda the slender trees with yellow leaves down drooping, and through them just a line of sea, and beyond the blue sky with gold-veined clouds.

Tum-tum-tum tiddle-um! tiddle-um! tum tiddley-um tum ta! blew the band.

Two young girls in red came by and two young soldiers in blue met them, and they laughed and paired and went off arm in arm. Two peasant women with funny straw hats passed, gravely, leading beautiful smoke-coloured donkeys. A cold, pale nun hurried by. A beautiful woman came along and dropped her bunch of violets, and a little boy ran after to hand them to her, and she took them and threw them away as if they'd been poisoned. Dear me! Miss Brill didn't know whether to admire that or not! And now an ermine toque and a gentleman in grey met just in front of her. He was tall, stiff, dignified, and she was wearing the ermine toque she'd bought when her hair was yellow. Now everything, her hair, her face, even her eyes, was the same colour as the shabby ermine, and her hand, in its cleaned glove, lifted to dab her lips, was a tiny yellowish paw. Oh, she was so pleased to see him—delighted! She rather thought they were going to meet that afternoon. She described where she'd been—everywhere, here, there, along by the sea. The day was so charming—didn't he agree? And wouldn't he, perhaps? . . . But he shook his head, lighted a cigarette, slowly breathed a great deep puff into her face and, even while she was still talking and laughing, flicked the match away and walked on. The ermine toque was alone; she smiled more brightly than ever. But even the band seemed to know what she was feeling and played more softly, played tenderly, and the drum beat “The Brute! The Brute!” over and over. What would she do? What was going to happen now? But as Miss Brill wondered, the ermine toque turned, raised her hand as though she'd seen someone else, much nicer, just over there, and pattered away. And the band changed again and played more quickly, more gaily than ever, and the old couple on Miss Brill's seat got up and marched away, and such a funny old man with long whiskers hobbled along in time to the music and was nearly knocked over by four girls walking abreast.

Oh, how fascinating it was! How she enjoyed it! How she loved sitting here, watching it all! It was like a play. It was exactly like a play. Who could believe the sky at the back wasn't painted? But it wasn't till a little brown dog trotted on solemnly and then slowly trotted off, like a little “theatre” dog, a little dog that had been drugged, that Miss Brill discovered what it was that made it so exciting. They were all on the stage. They weren't only the audience, not only looking on; they were acting. Even she had a part and came every Sunday. No doubt somebody would have noticed if she hadn't been there; she was part of the performance, after all. How strange she'd never thought of it like that before! And yet it explained why she made such a point of starting from home at just the same time each week—so as not to be late for the performance—and it also explained why she had quite a queer, shy feeling at telling her English pupils how she spent her Sunday afternoons. No wonder! Miss Brill nearly laughed out loud. She was on the stage. She thought of the old invalid gentleman to whom she read the newspaper four afternoons a week while he slept in the garden. She had got quite used to the frail head on the cotton pillow, the hollowed eyes, the open mouth and the high pinched nose. If he'd been dead she mightn't have noticed for weeks; she wouldn't have minded. But suddenly he knew he was having the paper read to him by an actress! “An actress!” The old head lifted; two points of light quivered in the old eyes. “An actress—are ye?” And Miss Brill smoothed the newspaper as though it were the manuscript of her part and said gently: “Yes, I have been an actress for a long time.”

The band had been having a rest. Now they started again. And what they played was warm, sunny, yet there was just a faint chill—a something, what was it?—not sadness—no, not sadness—a something that made you want to sing. The time lifted, lifted, the light shone; and it seemed to Miss Brill that in another moment all of them, all the whole company, would begin singing. The young ones, the laughing ones who were moving together, they would begin, and the men's voices, very resolute and brave, would join them. And then she too, she too, and the others on the benches—they would come in with a kind of accompaniment—something low, that scarcely rose or fell, something so beautiful—moving. . . . And Miss Brill's eyes filled with tears and she looked smiling at all the other members of the company. Yes, we understand, we understand, she thought—though what they understood she didn't know.

Just at that moment a boy and a girl came and sat down where the old couple had been. They were beautifully dressed; they were in love. The hero and heroine, of course, just arrived from his father's yacht. And still soundlessly singing, still with that trembling smile, Miss Brill prepared to listen.

“No, not now,” said the girl. “Not here, I can't.”

“But why? Because of that stupid old thing at the end there?” asked the boy. “Why does she come here at all—who wants her? Why doesn't she keep her silly old mug at home?”

“It's her fu-fur which is so funny,” giggled the girl. “It's exactly like a fried whiting.”

“Ah, be off with you!” said the boy in an angry whisper. Then: “Tell me, ma petite chère—”

“No, not here,” said the girl. “Not
yet
.”

On her way home she usually bought a slice of honey-cake at the baker's. It was her Sunday treat. Sometimes there was an almond in her slice, sometimes not. It made a great difference. If there was an almond it was like carrying home a tiny present—a surprise—something that might very well not have been there. She hurried on the almond Sundays and struck the match for the kettle in quite a dashing way.

But to-day she passed the baker's by, climbed the stairs, went into the little dark room—her room like a cupboard—and sat down on the red eiderdown. She sat there for a long time. The box that the fur came out of was on the bed. She unclasped the necklet quickly; quickly, without looking, laid it inside. But when she put the lid on she thought she heard something crying.

A BIRTHDAY

Andreas Binzer woke slowly. He turned over on the narrow bed and stretched himself—yawned—opening his mouth as widely as possible and bringing his teeth together afterwards with a sharp “click.” The sound of that click fascinated him; he repeated it quickly several times, with a snapping movement of the jaws. What teeth! he thought. Sound as a bell, every man jack of them. Never had one out, never had one stopped. That comes of no tomfoolery in eating, and a good regular brushing night and morning. He raised himself on his left elbow and waved his right arm over the side of the bed to feel for the chair where he put his watch and chain overnight. No chair was there—of course, he'd forgotten, there wasn't a chair in this wretched spare room. Had to put the confounded thing under his pillow. “Half-past eight, Sunday, breakfast at nine—time for the bath”—his brain ticked to the watch. He sprang out of bed and went over to the window. The venetian blind was broken, hung fan-shaped over the upper pane. . . . “That blind must be mended. I'll get the office boy to drop in and fix it on his way home tomorrow—he's a good hand at blinds. Give him twopence and he'll do it as well as a carpenter. . . . Anna could do it herself if she was all right. So would I, for the matter of that, but I don't like to trust myself on rickety step-ladders.” He looked up at the sky: it shone, strangely white, unflecked with cloud; he looked down at the row of garden strips and back yards. The fence of these gardens was built along the edge of a gully, spanned by an iron suspension bridge, and the people had a wretched habit of throwing their empty tins over the fence into the gully. Just like them, of course! Andreas started counting the tins, and decided, viciously, to write a letter to the papers about it and sign it—sign it in full.

The servant girl came out of their back door into the yard, carrying his boots. She threw one down on the ground, thrust her hand into the other, and stared at it, sucking in her cheeks. Suddenly she bent forward, spat on the toecap, and started polishing with a brush rooted out of her apron pocket. . . . “Slut of a girl! Heaven knows what infectious disease may be breeding now in that boot. Anna must get rid of that girl—even if she has to do without one for a bit—as soon as she's up and about again. The way she chucked one boot down and then spat upon the other! She didn't care whose boots she'd got hold of.
She
had no false notions of the respect due to the master of the house.” He turned away from the window and switched his bath towel from the wash-stand rail, sick at heart. “I'm too sensitive for a man—that's what's the matter with me. Have been from the beginning, and will be to the end.”

There was a gentle knock at the door and his mother came in. She closed the door after her and leant against it. Andreas noticed that her cap was crooked, and a long tail of hair hung over her shoulder. He went forward and kissed her.

“Good morning, mother; how's Anna?”

The old woman spoke quickly, clasping and unclasping her hands.

“Andreas, please go to Doctor Erb as soon as you are dressed.”

“Why,” he said, “is she bad?”

Frau Binzer nodded, and Andreas, watching her, saw her face suddenly change; a fine network of wrinkles seemed to pull over it from under the skin surface.

“Sit down on the bed a moment,” he said. “Been up all night?”

“Yes. No, I won't sit down, I must go back to her. Anna has been in pain all night. She wouldn't have you disturbed before because she said you looked so run down yesterday. You told her you had caught a cold and been very worried.”

Straightway Andreas felt that he was being accused.

“Well, she made me tell her, worried it out of me; you know the way she does.”

Again Frau Binzer nodded.

“Oh yes, I know. She says, is your cold better, and there's a warm undervest for you in the left-hand corner of the big drawer.”

Quite automatically Andreas cleared his throat twice.

“Yes,” he answered. “Tell her my throat certainly feels looser. I suppose I'd better not disturb her?”

“No, and besides,
time
, Andreas.”

“I'll be ready in five minutes.”

They went into the passage. As Frau Binzer opened the door of the front bedroom, a long wail came from the room.

That shocked and terrified Andreas. He dashed into the bathroom, turned on both taps as far as they would go, cleaned his teeth and pared his nails while the water was running.

“Frightful business, frightful business,” he heard himself whispering. “And I can't understand it. It isn't as though it were her first—it's her third. Old Schäfer told me, yesterday, his wife simply ‘dropped' her fourth. Anna ought to have had a qualified nurse. Mother gives way to her. Mother spoils her. I wonder what she meant by saying I'd worried Anna yesterday. Nice remark to make to a husband at a time like this. Unstrung, I suppose—and my sensitiveness again.”

When he went into the kitchen for his boots, the servant girl was bent over the stove, cooking breakfast. “Breathing into that, now, I suppose,” thought Andreas, and was very short with the servant girl. She did not notice. She was full of terrified joy and importance in the goings-on upstairs. She felt she was learning the secrets of life with every breath she drew. Had laid the table that morning saying, “Boy,” as she put down the first dish, “Girl,” as she placed the second—it had worked out with the saltspoon to “Boy.” “For two pins I'd tell the master that, to comfort him, like,” she decided. But the master gave her no opening.

“Put an extra cup and saucer on the table,” he said; “the doctor may want some coffee.”

“The doctor, sir?” The servant girl whipped a spoon out of a pan, and spilt two drops of grease on the stove. “Shall I fry something extra?” But the master had gone, slamming the door after him. He walked down the street—there was nobody about at all—dead and alive this place on a Sunday morning. As he crossed the suspension bridge a strong stench of fennel and decayed refuse streamed from the gully, and again Andreas began concocting a letter. He turned into the main road. The shutters were still up before the shops. Scraps of newspaper, hay and fruit skins strewed the pavement; the gutters were choked with the leavings of Saturday night. Two dogs sprawled in the middle of the road, scuffling and biting. Only the public-house at the corner was open; a young barman slopped water over the doorstep.

Fastidiously, his lips curling, Andreas picked his way through the water. “Extraordinary how I am noticing things this morning It's partly the effect of Sunday. I loathe a Sunday when Anna's tied by the leg and the children are away. On Sunday a man has the right to expect his family. Everything here's filthy, the whole place might be down with the plague, and will be, too, if this street's not swept away. I'd like to have a hand on the government ropes.” He braced his shoulders. “Now for this doctor.”