Selected Stories (28 page)

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Authors: Katherine Mansfield

Tags: #Fiction classics

“Oh yes, yes. I see what you mean,” stammered the little Countess. “May I try it again?”

“Certainly. Do not be afraid. Let yourself go. Confess yourself. Make proud surrender!” he called above the music. And she sang.

“Yes; better that time. But I still feel you are capable of more. Try it with me. There must be a kind of exultant defiance as well—don't you feel?” And they sang together. Ah! now she was sure she understood. “May I try once again?”

“You love me. Yes, I
know
you love me.”

The lesson was over before that phrase was quite perfect. The little foreign hands trembled as they put the music together.

“And you are forgetting your violets,” said Reginald softly.

“Yes, I think I will forget them,” said the Countess, biting her underlip. What fascinating ways these foreign women have!

“And you will come to my house on Sunday and make music?” she asked.

“Dear lady, I shall be only too charmed!” said Reginald.

“Weep ye no more, sad fountains,
Why need ye flow so fast?”

sang Miss Marion Morrow, but her eyes filled with tears and her chin trembled.

“Don't sing just now,” said Reginald. “Let me play it for you.” He played so softly.

“Is there anything the matter?” asked Reginald. “You're not quite happy this morning.”

No, she wasn't; she was awfully miserable.

“You don't care to tell me what it is?”

It really was nothing particular. She had those moods sometimes when life seemed almost unbearable.

“Ah, I know,” he said; “if I could only help!”

“But you do; you do! Oh, if it were not for my lessons I don't feel I could go on.”

“Sit down in the arm-chair and smell the violets and let me sing to you. It will do you just as much good as a lesson.”

Why weren't all men like Mr. Peacock?

“I wrote a poem after the concert last night—just about what I felt. Of course, it wasn't
personal
. May I send it to you?”

“Dear lady, I should be only too charmed!”

By the end of the afternoon he was quite tired and lay down on a sofa to rest his voice before dressing. The door of his room was open. He could hear Adrian and his wife talking in the dining-room.

“Do you know what that teapot reminds me of, mummy? It reminds me of a little sitting-down kitten.”

“Does it, Mr. Absurdity?”

Reginald dozed. The telephone bell woke him.

“Ænone Fell is speaking. Mr. Peacock, I have just heard that you are singing at Lord Timbuck's to-night. Will you dine with me, and we can go on together afterwards?” And the words of his reply dropped like flowers down the telephone.

“Dear lady, I should be only too charmed.”

What a triumphant evening! The little dinner
tête-à-tête
with Ænone Fell, the drive to Lord Timbuck's in her white motor-car, when she thanked him again for the unforgettable joy. Triumph upon triumph! And Lord Timbuck's champagne simply flowed.

“Have some more champagne, Peacock,” said Lord Timbuck. Peacock, you notice—not Mr. Peacock—but Peacock, as if he were one of them. And wasn't he? He was an artist. He could sway them all. And wasn't he teaching them all to escape from life? How he sang! And as he sang, as in a dream he saw their feathers and their flowers and their fans, offered to him, laid before him, like a huge bouquet.

“Have another glass of wine, Peacock.”

“I could have any one I liked by lifting a finger,” thought Peacock, positively staggering home.

But as he let himself into the dark flat his marvellous sense of elation began to ebb away. He turned up the light in the bedroom. His wife lay asleep, squeezed over to her side of the bed. He remembered suddenly how she had said when he had told her he was going out to dinner: “You might have let me know before!” And how he had answered: “Can't you possibly speak to me without offending against even good manners?” It was incredible, he thought, that she cared so little for him—incredible that she wasn't interested in the slightest in his triumphs and his artistic career. When so many women in her place would have given their eyes . . . Yes, he knew it. . . . Why not acknowledge it? . . . And there she lay, an enemy, even in her sleep. . . . Must it ever be thus? he thought, the champagne still working. Ah, if we only were friends, how much I could tell her now! About this evening; even about Timbuck's manner to me, and all that they said to me and so on and so on. If only I felt that she was here to come back to—that I could confide in her—and so on and so on.

In his emotion he pulled off his evening boot and simply hurled it in the corner. The noise woke his wife with a terrible start. She sat up, pushing back her hair. And he suddenly decided to have one more try to treat her as a friend, to tell her everything, to win her. Down he sat on the side of the bed and seized one of her hands. But of all those splendid things he had to say, not one could he utter. For some fiendish reason, the only words he could get out were: “Dear lady, I should be so charmed—so charmed!”

THE LUFT BAD

I think it must be the umbrellas which make us look ridiculous.

When I was admitted into the enclosure for the first time, and saw my fellow-bathers walking about very nearly “in their nakeds,” it struck me that the umbrellas gave a distinctly “Little Black Sambo” touch.

Ridiculous dignity in holding over yourself a green cotton thing with a red parroquet handle when you are dressed in nothing larger than a handkerchief.

There are no trees in the “Luft Bad.” It boasts a collection of plain, wooden cells, a bath shelter, two swings and two odd clubs—one, presumably the lost property of Hercules or the German army, and the other to be used with safety in the cradle.

And there in all weathers we take the air—walking, or sitting in little companies talking over each other's ailments and measurements and ills that flesh is heir to.

A high wooden wall compasses us all about; above it the pine trees look down a little superciliously, nudging each other in a way that is peculiarly trying to a
débutante
. Over the wall, on the right side, is the men's section. We hear them chopping down trees and sawing through planks, dashing heavy weights to the ground, and singing part songs. Yes, they take it far more seriously.

On the first day I was conscious of my legs, and went back into my cell three times to look at my watch, but when a woman with whom I had played chess for three weeks cut me dead, I took heart and joined a circle.

We lay curled on the ground while a Hungarian lady of immense proportions told us what a beautiful tomb she had bought for her second husband.

“A vault it is,” she said, “with nice black railings. And so large that I can go down there and walk about. Both their photographs are there, with two very handsome wreaths sent me by my first husband's brother. There is an enlargement of a family group photograph, too, and an illuminated address presented to my first husband on his marriage. I am often there; it makes such a pleasant excursion for a fine Saturday afternoon.”

She suddenly lay down flat on her back, took in six long breaths, and sat up again.

“The death agony was dreadful,” she said brightly; “of the second, I mean. The ‘first' was run into by a furniture wagon, and had fifty marks stolen out of a new waistcoat pocket, but the ‘second' was dying for sixty-seven hours. I never ceased crying once—not even to put the children to bed.”

A young Russian, with a “bang” curl on her forehead, turned to me.

“Can you do the ‘Salome' dance?” she asked. “I can.”

“How delightful,” I said.

“Shall I do it now? Would you like to see me?”

She sprang to her feet, executed a series of amazing contortions for the next ten minutes, and then paused, panting, twisting her long hair.

“Isn't that nice?” she said. “And now I am perspiring so splendidly. I shall go and take a bath.”

Opposite to me was the brownest woman I have ever seen, lying on her back, her arms clasped over her head.

“How long have you been here to-day?” she was asked.

“Oh, I spend the day here now,” she answered. “I am making my own ‘cure,' and living entirely on raw vegetables and nuts, and each day I feel my spirit is stronger and purer. After all, what can you expect? The majority of us are walking about with pig corpuscles and oxen fragments in our brain. The wonder is the world is as good as it is. Now I live on the simple, provided food”—she pointed to a little bag beside her—”a lettuce, a carrot, a potato, and some nuts are ample, rational nourishment. I wash them under the tap and eat them raw, just as they come from the harmless earth—fresh and uncontaminated.”

“Do you take nothing else all day?” I cried.

“Water. And perhaps a banana if I wake in the night.” She turned round and leaned on one elbow. “You overeat yourself dreadfully,” she said; “shamelessly! How can you expect the Flame of the Spirit to burn brightly under layers of superfluous flesh?”

I wished she would not stare at me, and thought of going to look at my watch again when a little girl wearing a string of coral beads joined us.

“The poor Frau Hauptmann cannot join us to-day,” she said; “she has come out in spots all over on account of her nerves. She was very excited yesterday after having written two postcards.”

“A delicate woman,” volunteered the Hungarian, “but pleasant. Fancy, she has a separate plate for each of her front teeth! But she has no right to let her daughters wear such short sailor suits. They sit about on benches, crossing their legs in a most shameless manner. What are you going to do this afternoon, Fräulein Anna?”

“Oh,” said the Coral Necklace, “the Herr Oberleutnant has asked me to go with him to Landsdorf. He must buy some eggs there to take home to his mother. He saves a penny on eight eggs by knowing the right peasants to bargain with.”

“Are you an American?” said the Vegetable Lady, turning to me.

“No.”

“Then you are an Englishwoman?”

“Well, hardly—”

“You must be one of the two; you cannot help it. I have seen you walking alone several times. You wear your—”

I got up and climbed on to the swing. The air was sweet and cool, rushing past my body. Above, white clouds trailed delicately through the blue sky. From the pine forest streamed a wild perfume, the branches swayed together, rhythmically, sonorously. I felt so light and free and happy—so childish! I wanted to poke my tongue out at the circle on the grass, who, drawing close together, were whispering meaningly.

“Perhaps you do not know,” cried a voice from one of the cells, “to swing is very upsetting for the stomach? A friend of mine could keep nothing down for three weeks after exciting herself so.”

I went to the bath shelter and was hosed.

As I dressed, someone tapped on the wall.

“Do you know,” said a voice, “there is a man who
lives
in the Luft Bad next door? He buries himself up to the armpits in mud and refuses to believe in the Trinity.”

The umbrellas are the saving grace of the Luft Bad. Now, when I go, I take my husband's “storm” gamp and sit in a corner, hiding behind it.

Not that I am in the least ashamed of my legs.

MISS BRILL

Although it was so brilliantly fine—the blue sky powdered with gold and the great spots of light like white wine splashed over the Jardins Publiques—Miss Brill was glad that she had decided on her fur. The air was motionless, but when you opened your mouth there was just a faint chill, like a chill from a glass of iced water before you sip, and now and again a leaf came drifting—from nowhere, from the sky. Miss Brill put up her hand and touched her fur. Dear little thing! It was nice to feel it again. She had taken it out of its box that afternoon, shaken out the moth-powder, given it a good brush, and rubbed the life back into the dim little eyes. “What has been happening to me?” said the sad little eyes. Oh, how sweet it was to see them snap at her again from the red eiderdown! . . . But the nose, which was of some black composition, wasn't at all firm. It must have had a knock, somehow. Never mind—a little dab of black sealing-wax when the time came—when it was absolutely necessary. . . . Little rogue! Yes, she really felt like that about it. Little rogue biting its tail just by her left ear. She could have taken it off and laid it on her lap and stroked it. She felt a tingling in her hands and arms, but that came from walking, she supposed. And when she breathed, something light and sad—no, not sad, exactly—something gentle seemed to move in her bosom.

There were a number of people out this afternoon, far more than last Sunday. And the band sounded louder and gayer. That was because the Season had begun. For although the band played all the year round on Sundays, out of season it was never the same. It was like someone playing with only the family to listen; it didn't care how it played if there weren't any strangers present. Wasn't the conductor wearing a new coat, too? She was sure it was new. He scraped with his foot and flapped his arms like a rooster about to crow, and the bandsmen sitting in the green rotunda blew out their cheeks and glared at the music. Now there came a little “flutey” bit—very pretty!—a little chain of bright drops. She was sure it would be repeated. It was; she lifted her head and smiled.

Only two people shared her “special” seat: a fine old man in a velvet coat, his hands clasped over a huge carved walking-stick, and a big old woman, sitting upright, with a roll of knitting on her embroidered apron. They did not speak. This was disappointing, for Miss Brill always looked forward to the conversation. She had become really quite expert, she thought, at listening as though she didn't listen, at sitting in other people's lives just for a minute while they talked round her.

She glanced, sideways, at the old couple. Perhaps they would go soon. Last Sunday, too, hadn't been as interesting as usual. An Englishman and his wife, he wearing a dreadful Panama hat and she button boots. And she'd gone on the whole time about how she ought to wear spectacles; she knew she needed them; but that it was no good getting any; they'd be sure to break and they'd never keep on. And he'd been so patient. He'd suggested everything—gold rims, the kind that curved round your ears, little pads inside the bridge. No, nothing would please her. “They'll always be sliding down my nose!” Miss Brill had wanted to shake her.

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