Selected Stories (11 page)

“Whose house is that?” my father said, pointing.

It was ours, I knew it after a minute. We had come around in a half-circle and there was the side of the house that nobody saw in winter, the front door that went unopened from November to April and was still stuffed with rags around its edges, to keep out the east wind.

“That’s no more’n half a mile away and downhill. You can easy walk home. Soon we’ll see the light in the dining room where your momma is.”

On the way I said, “Why did he have an axe?”

“Now listen,” my father said. “Are you listening to me? He don’t mean any harm with that axe. It’s just his habit, carrying it around. But don’t say anything about it at home. Don’t mention it to your momma or Mary, either one. Because they might be scared about it. You and me aren’t, but they might be. And there is no use of that.”

After a while he said, “What are you not going to mention about?” and I said, “The axe.”

“You weren’t scared, were you?”

“No,” I said hopefully. “Who is going to burn him and his bed?”

“Nobody. Less he manages it himself like he did last time.”

“Who is the Silases?”

“Nobody,” my father said. “Just nobody.”

“W
E FOUND
the one for you today, Mary. Oh, I wisht we could’ve brought him home.”

“We thought you’d fell in the Wawanash River,” said Mary McQuade furiously, ungently pulling off my boots and my wet socks.

“Old Joe Phippen that lives up in no-man’s-land beyond the bush.”

“Him!” said Mary like an explosion. “He’s the one burned his house down, I know him!”

“That’s right, and now he gets along fine without it. Lives in a hole in the ground. You’d be as cozy as a groundhog, Mary.”

“I bet he lives in his own dirt, all right.” She served my father his supper and he told her the story of Joe Phippen, the roofed cellar, the boards across the dirt floor. He left out the axe but not the whisky and the cat. For Mary, that was enough.

“A man that’d do a thing like that ought to be locked up.”

“Maybe so,” my father said. “Just the same I hope they don’t get him for a while yet. Old Joe.”

“Eat your supper,” Mary said, bending over me. I did not for some time realize that I was no longer afraid of her. “Look at her,” she said. “Her eyes dropping out of her head, all she’s been and seen. Was he feeding the whisky to her too?”

“Not a drop,” said my father, and looked steadily down the table at me. Like the children in fairy stories who have seen their parents make pacts with terrifying strangers, who have discovered that our fears are based on nothing but the truth, but who come back fresh from marvellous escapes and take up their knives and forks, with humility and good manners, prepared to live happily ever after—like them, dazed and powerful with secrets, I never said a word.

“ANYWAY, HE KNOWS
how to fascinate the women,” said Et to Char. She could not tell if Char went paler, hearing this, because Char was pale in the first place as anybody could get. She was like a ghost now, with her hair gone white. But still beautiful, she couldn’t lose it.

“No matter to him the age or the size,” Et pressed on. “It’s natural to him as breathing, I guess. I only hope the poor things aren’t taken in by it.”

“I wouldn’t worry,” Char said.

The day before, Et had taken Blaikie Noble up on his invitation to go along on one of his tours and listen to his spiel. Char was asked too, but of course she didn’t go. Blaikie Noble ran a bus. The bottom part of it was painted red and the top part was striped, to give the effect of an awning. On the side was painted:
LAKESHORE TOURS, INDIAN GRAVES, LIMESTONE GARDENS, MILLIONAIRE’S MANSION, BLAIKIE NOBLE, DRIVER, GUIDE
. Blaikie had a room at the hotel, and he also worked on the grounds, with one helper, cutting grass and clipping hedges and digging the borders. What a comedown, Et had said at the beginning of the summer when they first found out he was back. She and Char had known him in the old days.

So Et found herself squeezed into his bus with a lot of strangers, though before the afternoon was over she had made friends with a
number of them and had a couple of promises of jackets needing letting out, as if she didn’t have enough to do already. That was beside the point, the thing on her mind was watching Blaikie.

And what did he have to show? A few mounds with grass growing on them, covering dead Indians, a plot full of odd-shaped, grayish-white, dismal-looking limestone things—farfetched imitations of plants (there could be the cemetery, if that was what you wanted)—and an old monstrosity of a house built with liquor money. He made the most of it. A historical discourse on the Indians, then a scientific discourse on the Limestone. Et had no way of knowing how much of it was true. Arthur would know. But Arthur wasn’t there; there was nobody there but silly women, hoping to walk beside Blaikie to and from the sights, chat with him over their tea in the Limestone Pavilion, looking forward to having his strong hand under their elbows, the other hand brushing somewhere around the waist when he helped them down off the bus (“I’m not a tourist,” Et whispered sharply when he tried it on her).

He told them the house was haunted. The first Et had ever heard of it, living ten miles away all her life. A woman had killed her husband, the son of the millionaire, at least it was believed she had killed him.

“How?” cried some lady, thrilled out of her wits.

“Ah, the ladies are always anxious to know the means,” said Blaikie, in a voice like cream, scornful and loving. “It was a slow—poison. Or that’s what they said. This is all hearsay, all local gossip.” (Local my foot, said Et to herself.) “She didn’t appreciate his lady friends. The wife didn’t. No.”

He told them the ghost walked up and down in the garden, between two rows of blue spruce. It was not the murdered man who walked, but the wife, regretting. Blaikie smiled ruefully at the busload. At first Et had thought his attentions were all false, an ordinary commercial flirtation, to give them their money’s worth. But gradually she was getting a different notion. He bent to each woman he talked to—it didn’t matter how fat or scrawny or silly she was—as if there was one thing in her he would like to find. He had a gentle and laughing but ultimately serious, narrowing look (was that the look
men finally had when they made love, that Et would never see?) that made him seem to want to be a deep-sea diver diving down, down through all the emptiness and cold and wreckage to discover the one thing he had set his heart on, something small and precious, hard to locate, as a ruby maybe on the ocean floor. That was a look she would like to have described to Char. No doubt Char had seen it. But did she know how freely it was being distributed?

C
HAR AND
A
RTHUR
had been planning a trip that summer to see Yellowstone Park and the Grand Canyon, but they did not go. Arthur suffered a series of dizzy spells just at the end of school, and the doctor put him to bed. Several things were the matter with him. He was anemic, he had an irregular heartbeat, there was trouble with his kidneys. Et worried about leukemia. She woke at night, worrying.

“Don’t be silly,” said Char serenely. “He’s overtired.”

Arthur got up in the evenings and sat in his dressing gown. Blaikie Noble came to visit. He said his room at the hotel was a hole above the kitchen, they were trying to steam-cook him. It made him appreciate the cool of the porch. They, played the games that Arthur loved, schoolteacher’s games. They played a geography game, and they tried to see who could make the most words out of the name Beethoven. Arthur won. He got thirty-four. He was immensely delighted.

“You’d think you’d found the Holy Grail,” Char said.

They played “Who Am I?” Each of them had to choose somebody to be—real or imaginary, living or dead, human or animal—and the others had to try to guess it in twenty questions. Et got who Arthur was on the thirteenth question. Sir Galahad.

“I never thought you’d get it so soon.”

“I thought back to Char saying about the Holy Grail.”

“My strength is as the strength often
” said Blaikie Noble,
“because my heart is pure
. I didn’t know I remembered that.”

“You should have been King Arthur,” Et said. “King Arthur is your namesake.”

“I should have. King Arthur was married to the most beautiful woman in the world.”

“Ha,” said Et. “We all know the end of that story.”

Char went into the living room and played the piano in the dark.

When Et arrived, out of breath, that past June, and said, “Guess who I saw downtown on the street?” Char, who was on her knees picking strawberries, said, “Blaikie Noble.”

“You’ve seen him.”

“No,” said Char. “I just knew. I think I knew by your voice.”

A name that had not been mentioned between them for thirty years. Et was too amazed then to think of the explanation that came to her later. Why did it need to be a surprise to Char? There was a postal service in this country, there had been all along.

“I asked him about his wife,” she said. “The one with the dolls.” (As if Char wouldn’t remember.) “He says she died a long time ago. Not only that. He married another one and she’s dead. Neither could have been rich. And where is all the Nobles’ money, from the hotel?”

“We’ll never know,” said Char, and ate a strawberry.

T
HE HOTEL
had just recently been opened up again. The Nobles had given it up in the twenties and the town had operated it for a while as a hospital. Now some people from Toronto had bought it, renovated the dining room, put in a cocktail lounge, reclaimed the lawns and garden, though the tennis court seemed to be beyond repair. There was a croquet set put out again. People came to stay in the summers, but they were not the sort of people who used to come. Retired couples. Many widows and single ladies. Nobody would have walked a block to see them get off the boat, Et thought. Not that there was a boat anymore.

That first time she met Blaikie Noble on the street she had made a point of not being taken aback. He was wearing a creamy suit and his hair, that had always been bleached by the sun, was bleached for good now, white.

“Blaikie. I knew either it was you or a vanilla ice-cream cone. I bet you don’t know who I am.”

“You’re Et Desmond and the only thing different about you is you cut off your braids.” He kissed her forehead, nervy as always.

“So you’re back visiting old haunts,” said Et, wondering who had seen that.

“Not visiting. Haunting.” He told her then how he had got wind of the hotel opening up again, and how he had been doing this sort of thing, driving tour buses, in various places, in Florida and Banff. And when she asked he told her about his two wives. He never asked was she married, taking for granted she wasn’t. He never asked if Char was, till she told him.

E
T REMEMBERED
the first time she understood that Char was beautiful. She was looking at a picture taken of them, of Char and herself and their brother who was drowned. Et was ten in the picture, Char fourteen and Sandy seven, just a couple weeks short of all he would ever be. Et was sitting in an armless chair and Char was behind her, arms folded on the chair back, with Sandy in his sailor suit cross-legged on the floor—or marble terrace, you would think, with the effect made by what had been nothing but a dusty, yellowing screen, but came out in the picture a pillar and draped curtain, a scene of receding poplars and fountains. Char had pinned her front hair up for the picture and was wearing a bright blue, ankle-length silk dress—of course the color did not show—with complicated black velvet piping. She was smiling slightly, with great composure. She could have been eighteen, she could have been twenty-two. Her beauty was not of the fleshy timid sort most often featured on calendars and cigar boxes of the period, but was sharp and delicate, intolerant, challenging.

Et took a long look at this picture and then went and looked at Char, who was in the kitchen. It was washday. The woman who came to help was pulling clothes through the wringer, and their mother was sitting down resting and staring through the screen door (she never got over Sandy; nobody expected her to). Char was starching their father’s collars. He had a tobacco and candy store on the Square
and wore a fresh collar every day. Et was prepared to find that some metamorphosis had taken place, as in the background, but it was not so. Char, bending over the starch basin, silent and bad-humored (she hated washday, the heat and steam and flapping sheets and chugging commotion of the machine—in fact, she was not fond of any kind of housework), showed in her real face the same almost disdainful harmony as in the photograph. This made Et understand, in some not entirely welcome way, that the qualities of legend were real, that they surfaced where and when you least expected. She had almost thought beautiful women were a fictional invention. She and Char would go down to watch the people get off the excursion boat, on Sundays, walking up to the hotel. So much white it hurt your eyes, the ladies’ dresses and parasols and the men’s summer suits and panama hats, not to speak of the sun dazzling on the water and the band playing. But looking closely at those ladies, Et found fault. Coarse skin or fat behind or chicken necks or dull nests of hair, probably ratted. Et did not let anything get by her, young as she was. At school she was respected for her self-possession and her sharp tongue. She was the one to tell you if you had been at the blackboard with a hole in your stocking or a ripped hem. She was the one who imitated (but in a safe corner of the schoolyard, out of earshot, always) the teacher reading “The Burial of Sir John Moore.”