Shatterday (3 page)

Read Shatterday Online

Authors: Harlan Ellison

Tags: #Science Fiction, #General, #Fiction, #Speculative Fiction

What I mean by five years old is not that Jeffty was retarded. I don't think that's what it was. Smart as a whip for five years old; very bright, quick, cute, a funny kid.

But he was three feet tall, small for his age, and perfectly formed: no big head, no strange jaw, none of that. A nice, normal-looking five-year-old kid. Except that he was the same age as I was: twenty-two.

When he spoke it was with the squeaking, soprano voice of a five-year-old; when he walked it was with the little hops and shuffles of a five-year-old; when he talked to you it was about the concerns of a five-year-old … comic books, playing soldier, using a clothespin to attach a stiff piece of cardboard to the front fork of his bike so the sound it made when the spokes hit was like a motorboat, asking questions like
why does that thing do that like that
, how high is up, how old is old, why is grass green, what's an elephant look like? At twenty-two, he was five.


Jeffty's parents were a sad pair. Because I was still a friend of Jeffty's, still let him hang around with me, sometimes took him to the county fair or miniature golf or the movies, I wound up spending time with
them
. Not that I much cared for them, because they were so awfully depressing. But then, I suppose one couldn't expect much more from the poor devils. They had an alien thing in their home, a child who had grown no older than five in twenty-two years, who provided the treasure of that special childlike state indefinitely, but who also denied them the joys of watching the child grow into a normal adult.

Five is a wonderful time of life for a little kid … or it
can
be, if the child is relatively free of the monstrous beastliness other children indulge in. It is a time when the eyes are wide open and the patterns are not yet set; a time when one has not yet been hammered into accepting everything as immutable and hopeless; a time when the hands can not do enough, the mind can not learn enough, the world is infinite and colorful and filled with mysteries. Five is a special time before they take the questing, unquenchable, quixotic soul of the young dreamer and thrust it into dreary schoolroom boxes. A time before they take the trembling hands that want to hold everything, touch everything, figure everything out, and make them lie still on desktops. A time before people begin saying "act your age" and "grow up" or "you're behaving like a baby." It is a time when a child who acts adolescent is still cute and responsive and everyone's pet. A time of delight, of wonder, of innocence.

Jeffty had been stuck in that time, just five, just so.

But for his parents it was an ongoing nightmare from which no one—not social workers, not priests, not child psychologists, not teachers, not friends, not medical wizards, not psychiatrists, no one—could slap or shake them awake. For seventeen years their sorrow had grown through stages of parental dotage to concern, from concern to worry, from worry to fear, from fear to confusion, from confusion to anger, from anger to dislike, from dislike to naked hatred, and finally, from deepest loathing and revulsion to a stolid, depressive acceptance.

John Kinzer was a shift foreman at the Balder Tool & Die plant. He was a thirty year man. To everyone but the man living it, his was a spectacularly uneventful life. In no way was he remarkable … save that he had fathered a twenty-two-year-old five-year-old.

John Kinzer was a small man; soft, with no sharp angles; with pale eyes that never seemed to hold mine for longer than a few seconds. He continually shifted in his chair during conversations, and seemed to see things in the upper corners of the room, things no one else could see … or wanted to see. I suppose the word that best suited him was
haunted
. What his life had become … well,
haunted
suited him.

Leona Kinzer tried valiantly to compensate. No matter what hour of the day I visited, she always tried to foist food on me. And when Jeffty was in the house she was always at
him
about eating: "Honey, would you like an orange? A nice orange? Or a tangerine? I have tangerines. I could peel a tangerine for you." But there was clearly such fear in her, fear of her own child, that the offers of sustenance always had a faintly ominous tone.

Leona Kinzer had been a tall woman, but the years had bent her. She seemed always to be seeking some area of wallpapered wall or storage niche into which she could fade, adopt some chintz or rose-patterned protective coloration and hide forever in plain sight of the child's big brown eyes, pass her a hundred times a day and never realize she was there, holding her breath, invisible. She always had an apron tied around her waist, and her hands were red from cleaning. As if by maintaining the environment immaculately she could pay off her imagined sin: having given birth to this strange creature.

Neither of them watched television very much. The house was usually dead silent, not even the sibilant whispering of water in the pipes, the creaking of timbers settling, the humming of the refrigerator. Awfully silent, as if time itself had taken a detour around that house.

As for Jeffty, he was inoffensive. He lived in that atmosphere of gentle dread and dulled loathing, and if he understood it, he never remarked in any way. He played, as a child plays, and seemed happy. But he must have sensed, in the way of a five-year-old, just how alien he was in their presence.

Alien. No, that wasn't right. He was too human, if anything. But out of phase, out of sync with the world around him, and resonating to a different vibration than his parents, God knows. Nor would other children play with him. As they grew past him, they found him at first childish, then uninteresting, then simply frightening as their perceptions of aging became clear and they could see he was not affected by time as they were. Even the little ones, his own age, who might wander into the neighborhood, quickly came to shy away from him like a dog in the street when a car backfires.

Thus, I remained his only friend. A friend of many years. Five years. Twenty-two years. I liked him; more than I can say. And never knew exactly why. But I did, without reserve.

But because we spent time together, I found I was also—polite society—spending time with John and Leona Kinzer. Dinner, Saturday afternoons sometimes, an hour or so when I'd bring Jeffty back from a movie. They were grateful: slavishly so. It relieved them of the embarrassing chore of going out with him, of having to pretend before the world that they were loving parents with a perfectly normal, happy, attractive child. And their gratitude extended to hosting me. Hideous, every moment of their depression, hideous.

I felt sorry for the poor devils, but I despised them for their inability to love Jeffty, who was eminently lovable.

I never let on, of course, even during the evenings in their company that were awkward beyond belief.

We would sit there in the darkening living room—
always
dark or darkening, as if kept in shadow to hold back what the light might reveal to the world outside through the bright eyes of the house—we would sit and silently stare at one another. They never knew what to say to me.

"So how are things down at the plant?" I'd say to John Kinzer.

He would shrug. Neither conversation nor life suited him with any case or grace. "Fine, just fine," he would say, finally.

And we would sit in silence again.

"Would you like a nice piece of coffee cake?" Leona would say. "I made it fresh just this morning." Or deep dish green apple pie. Or milk and tollhouse cookies. Or a brown betty pudding.

"No, no, thank you, Mrs. Kinzer; Jeffty and I grabbed a couple of cheeseburgers on the way home." And again, silence.

Then, when the stillness and the awkwardness became too much even for them (and who knew how long that total silence reigned when they were alone, with that thing they never talked about any more hanging between them), Leona Kinzer would say, "I think he's asleep."

John Kinzer would say, "I don't hear the radio playing."

Just so, it would go on like that, until I could politely find excuse to bolt away on some flimsy pretext. Yes, that was the way it would go on, every time, just the same … except once.


"I don't know what to do any more," Leona said. She began crying. "There's no change, not one day of peace."

Her husband managed to drag himself out of the old easy chair and went to her. He bent and tried to soothe her, but it was clear from the graceless way in which he touched her graying hair that the ability to be compassionate had been stunned in him. "Shhh, Leona, it's all right. Shhh." But she continued crying. Her hands scraped gently at the antimacassars on the arms of the chair.

Then she said, "Sometimes I wish he had been stillborn."

John looked up into the corners of the room. For the nameless shadows that were always watching him? Was it God he was seeking in those spaces? "You don't mean that," he said to her, softly, pathetically, urging her with body tension and trembling in his voice to recant before God took notice of the terrible thought. But she meant it; she meant it very much.

I managed to get away quickly that evening. They didn't want witnesses to their shame. I was glad to go.


And for a week I stayed away. From them, from Jeffty, from their street, even from that end of town.

I had my own life. The store, accounts, suppliers' conferences, poker with friends, pretty women I took to well-lit restaurants, my own parents, putting antifreeze in the car, complaining to the laundry about too much starch in the collars and cuffs, working out at the gym, taxes, catching Jan or David (whichever one it was) stealing from the cash register. I had my own life.

But not even
that
evening could keep me from Jeffty. He called me at the store and asked me to take him to the rodeo. We chummed it up as best a twenty-two-year-old with other interests
could
… with a five-year-old. I never dwelled on what bound us together; I always thought it was simply the years. That, and affection for a kid who could have been the little brother I never had. (Except I
remembered
when we had played together, when we had both been the same age; I
remembered
that period, and Jeffty was still the same.)

And then, one Saturday afternoon, I came to take him to a double feature, and things I should have noticed so many times before, I first began to notice only that afternoon.


I came walking up to the Kinzer house, expecting Jeffty to be sitting on the front porch steps, or in the porch glider, waiting for me. But he was nowhere in sight.

Going inside, into that darkness and silence, in the midst of May sunshine, was unthinkable. I stood on the front walk for a few moments, then cupped my hands around my mouth and yelled, "Jeffty? Hey, Jeffty, come on out, let's go. We'll be late."

His voice came faintly, as if from under the ground.

"Here I am, Donny."

I could hear him, but I couldn't see him. It was Jeffty, no question about it: as Donald H. Horton, President and Sole Owner of The Horton TV & Sound Center, no one but Jeffty called me Donny. He had never called me anything else.

(Actually, it isn't a lie. I
am
, as far as the public is concerned, Sole Owner of the Center. The partnership with my Aunt Patricia is only to repay the loan she made me, to supplement the money I came into when I was twenty-one, left to me when I was ten by my grandfather. It wasn't a very big loan, only eighteen thousand, but I asked her to be a silent partner, because of when she had taken care of me as a child.)

"Where are you, Jeffty?"

"Under the porch in my secret place."

I walked around the side of the porch, and stooped down and pulled away the wicker grating. Back in there, on the pressed dirt, Jeffty had built himself a secret place. He had comics in orange crates, he had a little table and some pillows, it was lit by big fat candles, and we used to hide there when we were both … five.

"What'cha up to?" I asked, crawling in and pulling the grate closed behind me. It was cool under the porch, and the dirt smelled comfortable, the candles smelled clubby and familiar. Any kid would feel at home in such a secret place: there's never been a kid who didn't spend the happiest, most productive, most deliciously mysterious times of his life in such a secret place.

"Playin'," he said. He was holding something golden and round. It filled the palm of his little hand.

"You forget we were going to the movies?"

"Nope. I was just waitin' for you here."

"Your mom and dad home?"

"Momma."

I understood why he was waiting under the porch. I didn't push it any further. "What've you got there?"

"Captain Midnight Secret Decoder Badge," he said, showing it to me on his flattened palm.

I realized I was looking at it without comprehending what it was for a long time. Then it dawned on me what a miracle Jeffty had in his hand. A miracle that simply could
not
exist.

"Jeffty," I said softly, with wonder in my voice, "where'd you get that?"

"Came in the mail today. I sent away for it."

"It must have cost a lot of money."

"Not so much. Ten cents an' two inner wax seals from two jars of Ovaltine."

"May I see it?" My voice was trembling, and so was the hand I extended. He gave it to me and I held the miracle in the palm of my hand. It was
wonderful
.

You remember.
Captain Midnight
went on the radio nationwide in 1940. It was sponsored by Ovaltine. And every year they issued a Secret Squadron Decoder Badge. And every day at the end of the program, they would give you a clue to the next day's installment in a code that only kids with the official badge could decipher. They stopped making those wonderful Decoder Badges in 1949. I remember the one I had in 1945: it was beautiful. It had a magnifying glass in the center of the code dial.
Captain Midnight
went off the air in 1950, and though I understand it was a short-lived television series in the mid-fifties, and though they issued Decoder Badges in 1955 and 1956, as far as the
real
badges were concerned, they never made one after 1949.

Other books

Love or Luxury by Heather Thurmeier
The Kirilov Star by Mary Nichols
BLAZE by Jessica Coulter Smith
Fuego mental by Mathew Stone
The King's Dogge by Nigel Green
Wildwood Dancing by Juliet Marillier