Sicilian Carousel (28 page)

Loftus said: “After dinner I must put you on a tape recording of a dinner party we had once here; she wanted to ask me some questions about Theocritos and Pindar, and then she forgot to take the tape. I found it long afterwards. It's pleasant to hear her voice again.”

So it was, and the setting was not the less pleasant, this warm olive grove steepening towards the sea. The
chink of plates and the little rushes of laughter or the clash of people all talking together. Martine's swift Italian. Somewhere she said that she had given instructions to her lawyers to let her lie in state one whole night on the beach at Naxos, close to the sea, so that like a seashell she could absorb the sighing of the sea and take it with her wherever she was going. “I don't know if she did,” said Loftus, “but the idea struck me as typical of her and I dreamed about it for several nights. Martine, all dressed in white, lying in her beautiful coffin which was like a Rolls, lying on the beach almost within reach of the waves, under the stars.”

It was late when the chauffeur finally dropped me back in Taormina, but despite the lateness of the hour there were cafes open and I felt sufficiently elated by my evening to want to prolong it for a while; to have a quiet drink and think before turning in with my Pliny. I had, in a manner of speaking, recovered contact with Martine. It was reassuring to feel that she was, in a sense, still there, still bright in the memory of her friends. On the morrow I had promised to return and lunch with Loftus, bathe, and work out an itinerary for my last few days in Sicily. He on his part would have the little Morris serviced and fixed up for my journey on which he would have accompanied me had it not been for his ankle. I must say I was glad, for though he was good company, I still felt a little bit as if I was on a pilgrimage and wanted to spend the time alone before I took off once more for France.

I sat long over my drink, tasting the cool balm of the midnight air and listening to the occasional chaffering voices in the dark street. Taormina had fallen asleep like a rooks' nest; occasionally there was a little movement, a few voices—as if a dream had troubled the communal sleep. Then everything subsided once more into a hush. My waiter was almost asleep on his feet. I must really finish up, I thought, and have pity on him. Yet I lingered, and if I reflected upon Martine the thoughts were relatively down to earth and free from all the nostalgias which tend to lie in wait for one when the mysterious matter of death comes to the front of the stage. I was still very conscious of that tiny chuckle with which my friend had always demolished anything slack or sentimental, anything sloppy in style or insipid. Truth to tell, I hardly dared to mourn the girl so much did I dread the memory of that chuckle. For her even death had its own rationale, its strictness, and inevitability. It was thus. It was so. And it must be accepted with good nature, good grace, good humor.

Even Loftus,
homo beatus
as he used to call himself (sitting in the garden in a deck chair looking out to sea through an old brass telescope)—even he could not speak of her without a smile, as if of recognition. “You know,” he said, during our dinner, and apropos of the tape recording of her voice, “the English can be disappointing in so many ways, but in friendship they have no peers.” Due, I think, to this quality of smiling good
sense which made it easy to confront life and death without a false Roman stoicism.

I spared the waiter at last and walked slowly back to my lodgings, savoring the soft airs of the invisible dawn with delectation. I did not feel a bit sleepy, and indeed it was almost too late to go to bed. I was sorry not to be on the beach at Naxos, for I should have bathed and waited for the light to break before making myself some breakfast. I compromised with a tepid shower and a lie down of an hour which was interrupted by the breakfast gong.

That morning I had some shopping to do, and a suit to get cleaned. At the post office I ran into the two French ladies. They had had a great shock, and they gobbled like turkeys as they told me about it. As usual they had been sending off clutches of postcards to their friends and relations in France—they seemed to have no other occupation or thought in mind. But peering through the grille after posting a batch they distinctly saw the clerk sweep the contents of the box into the lap of his overall and walk into the yard in order to throw all the mail on to a bonfire which was burning merrily on the concrete, apparently fed by all the correspondence of Taormina. They were aghast and shouted out to him—as a matter of fact they could hardly believe their eyes at first. They thought they had to do with a madman—but no, it was only a striker. He was burning mail as fast as it was posted. When they protested he said “
Niente Niente … questo e tourismo
.…”

I transcribe phonetically and consequently inaccurately—but that is what they said he said; and I took him to be telling them something like “It's nothing at all, my little ladies, just a clutch of tourist junk.”

But the links of our friendship had, I observed, begun to weaken already for I had forgotten their names. I racked my brains to recall them. Anyway they were leaving in the morning and were half nostalgic and half irritated by the high price of things and the general slipshodness and insolence of the small shopkeepers. But it is ever thus in tourist centers.

Soon I was to begin my solitary journeys in the little borrowed car, trying, in the days which were left me, to fill in the jigsaw of names and strike up a nodding acquaintance with so many of the places mentioned in the letters of Martine and in the guide. It was rather a breathless performance. I realized then that Sicily is not just an island; it is a sub-continent whose variegated history and variety of landscapes simply overwhelms the traveler who has not set aside at least three months to deal with it and its overlapping cultures and civilizations. But such a certainty rendered me in the event rather irresponsible and lighthearted. I took what I could get so to speak, bit deeply into places like Tyndarus, revisited Segesta, crossed the hairy spine of the island for another look at Syracuse; but this time on different roads, deserted ones. In some obscure quarry I came upon half-carved temple drums which had not yet been extracted from the rock. I had a look at the
baby volcanoes in their charred and stenchy lands. Islands whose names I did not know came up out of the mist like dogs to watch me having a solitary bathe among the sea lavender and squill of deserted estuaries near Agrigento. But everywhere there came the striking experience of the island—not just the impact of the folklorique or the sensational. Impossible to describe the moth-soft little town of Besaquino with its deserted presbytery where once there had been live hermits in residence. Centuripe with its jutting jaw and bronzed limestone—an immense calm necropolis where the rock for hundreds of yards was pitted like a lung with excavated tombs. Pantalica I think it was called.

But time was running out. I had decided, after a chance meeting with Roberto in the tavern of the Three Springs, to keep Etna for my last night—the appropriate send off. He had promised to escort me to the top to watch the sun come up, and thence down to the airport to catch the plane.

I burnt Martine's letters on a deserted beach near Messina—she had asked me to do so; and I scattered the ashes. I regretted it rather, but people have a right to dispose of their own productions as they wish.

It was the end of a whole epoch; and appropriately enough I spent a dawn in the most beautiful theater in the world—an act of which Etna itself appeared to approve because once, just to show me that the world was right side up, she spat out a mouthful of hot coals, and then dribbled a small string of blazing diamonds
down her chin. Roberto had been a little wistfully drunk in the tavern; he was recovering from his heart attack over the girl Renata, but he was rather bitter about tourism in general and tourists in particular—there was a new Carousel expected in a few days. I wondered about Deeds, what he was doing with himself; and then I had the queer dissolving feeling that perhaps he had never existed or that I had imagined him. Roberto was saying: “Traveling isn't honest. Everyone is trying to get away from something or else they would stay at home. The old get panicky because they can't make love any more, and they feel death in the air. The others, well, I bet you have your own reasons too. In the case of the officer Deeds you know his young brother is buried in that little cemetery where he told us about the locust beans—one of the commandos he mentioned. Much younger than him I gather.” He went on a while in a desultory fashion, while we drank off a bit of blue-black iron-tasting wine—I wondered if our insides would rust. I had done my packing; I had bought my postcards and guides. I wondered vaguely what Pausanias had been trying to get away from as he trudged round Athens taking notes. A Roman villa on the Black Sea, a nagging wife, the solitary consular life to which he had, as an untalented man, doomed himself?

We walked slowly back to my hotel in the fine afternoon light; and there another surprise awaited me. In my bedroom sat an extraordinary figure which I had, to the best of my knowledge, never seen before. A bald
man with a blazing, glazed-looking cranium which was so white that it must have been newly cropped. It was when he removed his dark glasses and grinned that I recognized, with sinking heart, my old traveling companion Beddoes. “Old boy,” he said, with a kind of fine elation, “they are on my trail, the carabinieri. Interpol must have lit a beacon. So I had to leave my hotel for a while.” I did not know what to say. “But I am sneaking off tonight on the Messina ferry and Roberto has arranged to have me cremated, so to speak.”

“Cremated?”

“Tonight, old boy, I jump into Etna like old Empedocles, with a piercing eldritch shriek. And you and Roberto at dawn scatter some of my belongings round the brink, and the Carousel announces my death to the press.”

“You take my breath away. Roberto said nothing to me. And I have just left him.”

“You can't be too discreet in these matters. Anyway it is just Sicilian courtesy. They often let people disappear like that.”

“Beddoes, are you serious?”

It sounded like the sudden intrusion of an
opera bouffe
upon the humdrum existence of innocent tourists. And then that amazing glazed dome, glittering and resplendent. It looked sufficiently new to attract curiosity and I was relieved to see that he covered it up with a dirty ski cap. Clad thus he looked like a madly determined Swiss concierge. “Roberto asked me to
leave my belongings here with you. When he calls for you at midnight just carry them along; he will know what to do. And it's quite a neat parcel.”

“Very well,” I said reluctantly, and he beamed and shook my hand as he said goodbye. Then, turning at the door, he said: “By the way, old scout, I forgot to ask you if you could loan me a few quid. I am awfully pushed for lolly. I had to buy a spare pair of boots and an overcoat to complete my disguise. Cost the earth.” I obliged with pardonable reluctance and he took himself off, whistling “Giovanezza” under his breath.

His belongings consisted of a sleeping bag and a mackintosh, plus a pair of shapeless navvy's boots. The suitcase was empty save of a copy of a novel entitled
The Naked Truth
.

Roberto was punctual and accepted full responsibility for the plot concerning Beddoes's disappearance. Apparently the authorities often turned a blind eye to the disappearance of people into Etna. He said: “There's only one other volcano where one can arrange that sort of thing for hopeless lovers or bankrupts or schoolmasters on the run like Beddoes. It's in Japan.”

The car drummed and whined its way into the mountains and I began to feel the long sleep of this hectic fortnight creep upon me. I had a drink and pulled myself together for we had to envisage a good walk at the other end, from the last point before the crater, the observatory. It became cooler and cooler. Then lights and mountain air with spaces of warmth
and the smell of acid and sulphur as we walked up the slopes of the crater. Somewhere near the top we lit a bonfire and carefully singed Beddoes's affairs before consigning them to the care of a carabinieri friend who would declare that he had found them on the morrow. The boots burned like an effigy of wax—he must have greased them with something. Poor old Beddoes!

Then the long wait by a strange watery moonlight until an oven lid started to open in the east and the “old shield bearer” stuck its nose over the silent sea. “There it is,” said Roberto, as if he had personally arranged the matter for me. I thanked him. I reflected how lucky I was to have spent so much of my life in the Mediterranean—to have so frequently seen these incomparable dawns, to have so often had sun and moon both in the sky together.

Autumn Lady: Naxos

Under spiteful skies go sailing on and on,

All canvas soaking and all iron rusty,

Frail as a gnat, but peerless in her sadness,

My poor ship christened by an ocean blackness,

Locked into cloud or planet-sharing night.

The primacy of longing she established.

They called her Autumn Lady, with two wide

Aegean eyes beneath the given name,

Sea-stressed, complete, a living wife.

She'll sink at moorings like my life did once,

In a night of piercing squalls, go swaying down,

In an island without gulls, wells, walls,

In a time of need, all stations fading, fading.

She will lie there in the calm cathedrals

Of the blood's sleep, not speaking of love,

Or the last graphic journeys of the mind.

Let tides drum on those unawakened flanks

Whom all the soft analysis of sleep will find.