Read So Many Ways to Begin Online
Authors: Jon McGregor
60
Biscuit tin, rusted, used as money
box or for keepsakes, c.1944
When Mary's husband died, her eldest daughter persuaded her to move into town, into a small bungalow just around the corner from her, so that she'd be closer to other people if anything should happen. She hadn't liked it at first. She'd missed the open fire, the view across the fields, the smooth shine of the worn stone floor. She'd missed the smell of their clothes hanging together in the wardrobe. The weekly steaming ritual of the bath being filled. The photos and drawings pinned up across the walls, the tools hanging up on the back of the door, all the familiar bits and pieces of a home she had spent a lifetime making her own. The walls were thin in the new place, the doors hollow, and the electric heaters took so long to warm up and cool down that she had to watch the weather forecast just to know when to turn them on.
You're only lonely without Daddy, her children told her, when she said she wanted to go back, and she didn't think they were right but they were. You'll get used to it, they said, you'll like it there soon enough, and she found it hard to believe but she eventually did. She started to like sitting by the window, watching people walk in and out of town, waving back at anyone who smiled or waved. She started to like not having to worry so much about dust and draughts and smoke and ash. She liked being able to put her wet clothes into a machine and take them out as dry as if they'd been on the line for a week. And now that she had two rooms she didn't need, she liked having the children come to stay, bringing their own children with them, and boxes of toys, and new photographs for her to put up on the wall, filling her front room with stories of their new lives and jobs in the places they'd settled now, retelling old stories of the life they remembered growing up with.
And one day, barely stopping to think what she was doing, she told her eldest daughter what had happened all those years ago, when she worked in the big house in London, and got into trouble, and had to come home with her hands empty and her heart broken. You can understand why I didn't tell you before, can't you? she said, when her daughter had finished asking questions, and Sarah nodded, and shook her head, and said well of course, I suppose I do.
She'd thought that would be the end of it, a sad story to add to the collection, but Sarah began to ask more questions, and write things down, and to ignore her when she said that was enough she didn't want to talk about it any more it was done it was finished. And one day Sarah came round saying something about the internet, explaining things which were hard to take in for a soul who'd grown up with no telephone and no electricity and a postman who only came once a week if at all. I've found him, Sarah kept saying, and it took her some minutes to understand what her daughter meant.
I've found him. He's coming over to see you.
She wondered if it really could be as simple as that. She wondered if she was ready, having imagined it and prepared for it all those years, to finally open the door and say hello to him after all. She asked Sarah if she was sure, if there wasn't some mix up with the dates, if it wasn't odd that he was asking for her by her name and not by the name she'd given all those years ago, but Sarah said no it had to be right, it had to be him, he must have discovered the real name somehow and it was surprising what computers could do these days.
Aren't you excited? she kept asking. Aren't you pleased?
61
Paper package of selected
photographs (reprints), c. 1950-2000
Well. Now. This is something, isn't it so. She stood in the doorway, looking up at him, her hands clasped together, a short white-haired woman with taut reddened skin and soft blue eyes, smiling faintly and saying well, well, right then.
Mrs Carr? he asked.
Ah, call me Mary, she retorted, laughing briefly and shaking her head. So, she said again. You'll be David. He nodded, and when he tried to say yes, that's me, I'm David Carter, his mouth went numb and only the first cracked half of his name came out. He nodded again.
She nodded back, as if agreeing with him, and unclasped her hands. Well, now, she said. He had no idea what to say. He just looked at her. Her mouth was small, the corners pulled tightly back into her cheeks. Her nose was very slightly turned to one side. She had a dark brown mole on the side of her face, just lower than her ear, with two thick hairs springing out of it. Her eyebrows were thick, and neatly arched, blackened with a little make up.
A voice called out from behind her in the house somewhere: Mummy, will you not invite the poor man inside? He heard quick, clipped footsteps, and a woman a few years younger than him appeared, smiling nervously, touching Mary's arm, saying I'm sorry, please, come inside would you?
I've got some things in the car, he said, half turning away, gesturing over his shoulder.
Oh, leave those for now, the younger woman said, get yourself inside and sit down. You must be tired. That's an awful long way to drive. Most people fly these days. She backed away from the door, as though drawing him in. Mary didn't move, looking up at him, squinting slightly, not quite smiling.
Well, he said. We thought we'd make the most of the journey. Enjoy the scenery, you know. He caught himself, and indicated Eleanor, saying sorry, this is my wife, Eleanor. The three of them said hello to each other, Mary's daughter introducing herself as Sarah and asking them again to come inside. Mary backed away, following her daughter into the lounge without actually turning away from him, her smile beginning to broaden. They wiped their feet on the mat and followed her.
There was a table by the window, set out with a spread of sandwiches and cakes, home-made biscuits and shortbread and soda bread, cups and saucers, a jug of milk, a bowl of sugar. He heard the younger woman's voice from somewhere, and saw her silhouette through the frosted glass panels which divided the kitchen from the lounge. Is tea okay for you both? she asked.
Please, he replied, glancing at Eleanor, that'd be great, thanks.
Take a seat there, she said, appearing in the doorway, I'll be right through. He sat at the table, and when he turned to smile at Mary, to perhaps say something, he realised she'd slipped away to the kitchen. He could see her silhouette through the thick glass. Eleanor was still holding the bag of cakes she'd brought in from the car. I, well, I brought these, she said, stepping towards the kitchen, lifting one of the cakes out of the bag. I didn't realise you'd - and she gestured towards the table, so covered with home-baking that there was little room for anything else more than a pot of tea. There was a moment's silence, and he heard Sarah say oh before she caught herself and took the bag from Eleanor. Oh well that's smashing of you, she said; we'll certainly not go hungry now, will we?; laughing a little too loudly and saying thanks again. Eleanor turned to him, pulling a brief embarrassed face, and edged round the table to sit in front of the window, and when he sat down beside her she reached across and squeezed his hand.
It was a large room, made larger by the wide open screen of the window which took up the entire end wall. There was a gas fire set into the redbricked chimney breast, turned on low, a broad mantelpiece crowded with framed photographs and painted china figures. He looked at the photos and wondered how long it might be before he knew who all those faces were, knew their names and their stories, if he would meet them, if he would come to think of them as brothers and sisters and cousins. He wondered if it would come to that at all.
Right then, here we go, said Sarah, carrying a teapot and a place-mat into the room, sorry to keep you waiting there. Mary followed, staying close to her daughter.
Not at all, David said, standing up without really knowing why, this is great, thanks. She looked at him, smiling.
Oh, it's only a pot of tea now, she said, it's not all that much. He smiled, dropping his head, embarrassed. Anyway, she said. Sit yourself down. I'm going to keep quiet now. I'm sure you and Mummy have a lot to be talking about.
Mary looked up at Sarah, and at David and Eleanor, and leant forward to serve the teas. She trickled a little milk into each cup, and then took the pot in both hands to pour out the tea before sliding a cup across the table to each of them. She looked up at David, finally, and smiled. They looked at each other for what felt like a long time, taking in the details of each other's faces, the folds and creases and colours of the skin, the shape of the eyes, the way that the light coloured and shone in the eyes, the cut of the hair, the weight of the hair, the way the hair fell across the other's face or down the sides of the head, the line of the jaw, the shape of the chin, the colour and shape and tiny movements of the mouth and lips.
Well, she said. Now. Here we are then. So.
He smiled. Yes, he said. Here we are. It's been a long time, he said, smiling, and they both tried to laugh.
It has, said Mary, holding his gaze, it has.
Longer for you though, he said, saying it half as a question but knowing it was true. She considered the thought for a moment.
Aye, I suppose so, she said, a few years more at least, in a way. He hesitated and pushed on.
No, a lot longer I'd say, he said. I didn't know until I was an adult. I was twenty-two when I found out. Her eyes widened a little. She put her teacup down and peered at him. Sarah leant forward in her chair.
Is that so? Mary asked. Well, there's a thing. I'd never thought of that. She picked up her teacup again. Well, she said, shaking her head, well, there's something.
Didn't you ever wonder? asked Sarah. Did it never cross your mind? He looked at her. I mean, sorry, she said, it's not really my business, but. She sat back in her chair. I wonder why they waited so long to tell you, she said, I wonder what it was - Mary turned to her, frowning, and Sarah stopped herself. Sorry, she said. Look at me now. It's not my place, I'm sorry. She pulled the collar of her blouse away from her neck and looked towards the gas fire. Are you too warm there? she said, to David and Eleanor, and they both shook their heads.
No, he said, it's okay, I'm fine, thanks. He glanced across at Mary, her face patient and impassive. He was surprised by how calm everything had been so far, how formal. He had thought, on the many many occasions he had imagined this scene in his mind, that by now there would have been tears, garbled explanations, tentative embraces. He realised, already, that this was unlikely.
They didn't tell me, he said, answering Sarah's question but looking at Mary as he spoke. My father died before I found out, I'm not sure that he knew either. As he said the word father he noticed something flicker across Mary's face, some slight pinch of the lips, a turn of the head, and he realised that there was going to be an awkward uncertainty around their use of these words. A friend of my mother's told me, he said. It was an accident. She was getting old, and forgetful, and one day she lost sight of it being a secret at all, and told me as though I'd always known. He was surprised by how easily the words were coming. He had the sense that now he'd started he'd be able to talk until the light failed outside, and on until the sun came up again.
Well now, Mary said. That must have been some surprise. He laughed, nodding, covering his eyes for a moment, clearing his throat. She looked at him, smiling faintly, pleased with her own understatement.
Yes, he said, you could say that. It was something of a surprise. He finished his tea, and she immediately reached over to refill his cup.
And have a cake there, she said, pushing the plate across the table towards him. She refilled her own cup, and the pot trickled empty. She turned to her daughter; would you make us another pot Sarah? she asked. Sarah stood up and moved towards the kitchen, taking the pot with her, keeping her eyes on David as she left the room. Eleanor stood up as well, suddenly, and said I'll give you a hand, touching David's shoulder as she edged back round him and followed Sarah into the kitchen.
Well then, Mary said, here we are. Let me get a look at you, properly. He turned more fully towards her, feeling his face colouring under the fixed attention of her gaze. She sat back in her chair, slowly looking him over, measuring him out as an artist might measure out a life model before setting the pencil against the page. Stand up, she said softly. He stood, moving away from the table, aware of Sarah standing close to the frosted glass. Mary got up from her chair and stepped back a little, looking up at his face, moving around him. He followed her with his eyes, watching her steadily taking him in, and realised with a hard inward jolt what she was doing. The tears came then, at last, hot and stinging at the corners of his eyes, and he did his best to keep them hidden there, blinking them back, biting the inside of his cheeks. He saw that the rims of her eyes were reddening as well, and her small bony hands were curling into red-knuckled fists. I'm just wondering who it is you look like, she said, whispering.
Before Julia had let things slip, it had never occurred to him to wonder who he looked like. He had the same colour hair as his father, and the same colour eyes as his mother, and that seemed enough. He grew at about the same rate as his sister, and when they were younger and had their hair cut the same way there had been a similarity between them, and so there had never been a reason to think about it. He'd wondered, once he knew, if his mother had ever worried about these things as he was growing up, if she ever checked his growing hair for telltale signs of redness, or scanned his face for freckles, or looked into his eyes for any giveaway flecks of green. He wondered how she might have explained these things away if they had appeared, or if she might perhaps have used them as reasons to tell him the truth.
When he'd found out, he'd stood in front of the mirror with a family photograph held up beside him, looking for similarities, astonished at how few there were. It had never occurred to him before. But why would it? he asked Eleanor angrily, when he told her and she asked him this. Did you never look at yourself next to them and wonder? she said. Why would I think to do that Eleanor? he'd almost shouted, angry that she seemed to be implying some fault of his own, some blindness, some weakness in the ease with which he'd been taken in. That my parents spent my whole life lying to me? he said, shaking his hands in the air, why would that cross my bloody mind Eleanor?
I've got a few things in the car, he said later, as they were finishing the second pot of tea. I brought a few things with me. Mary and her daughter both looked at him, not sure what he meant. He stumbled over his words anxiously. I brought some things, in the car, he said, I mean, just some photos and things, I thought you might like to have a look, you know. Sarah looked at her mother. Her mother looked at David. I mean, only if you want to, he said. I thought you might like to see what I looked like growing up, where I lived, that kind of thing. Mary didn't say anything for a moment. He could feel sweat forming in the folds of the palms of his hands. He saw, from the corner of his eyes, Eleanor looking at Sarah, their eyes meeting, some understanding passing between them.
Well, Mary said, smiling. It would be one way to begin, wouldn't it? Her voice caught slightly as she spoke. Please, she said. I'd like that very much.
And at first it was just as he'd always imagined it would be. Mary and Sarah standing back while he opened the albums and the scrapbook and laid them on the table, pushing back the plates of cakes and biscuits, the basket of bread, leafing through the pages: photographs of him as a child, of the house in Coventry, of his mother and father in the garden; photographs of Julia, of her house in London, of Laurence glowering at the camera; photographs of summer holidays with his grandparents in Suffolk. A page of wedding photographs. A photo of Kate, taken when she was a baby. Another one of her eighth birthday, and of her leaving for university. And, tucked loosely into the pages of the scrapbook, his birth certificate, the hospital admissions card he'd found at Julia's, a map of all the places he'd been to the first time he'd come to Donegal.
He turned the pages backwards and forwards, looking at Mary, not knowing where to start, not knowing if he should say something. Eventually, he stepped back, gesturing vaguely at the opened albums as if to say here, help yourself, please.
She stood in front of it all, uncertainly, resting her weight on the edge of the table, her glance scattering from the album to the scrapbook and back to the album again. Sarah stood in the kitchen doorway, her back half turned, and Eleanor sat on the sofa. David watched her, this woman, as she looked over his life. She was so very different from his own mother was all he could think. Quieter. Shorter. Fuller in the face. Her voice, when she spoke, seemed lighter, calmer, more ready to listen. He wondered how the two of them would react to each other if they ever did meet. He wondered if it would ever come to that.
She turned to him, the rims of her eyes reddening again, opening and closing her mouth as if she wasn't quite sure what to say. Perhaps you should tell me about some of these, she said. He nodded, and stood a little closer. He reached across the table and started to point things out. Here, this is my mother. My father. Me. My sister. Our house. My first day at school. My first day in my job at the museum. That's Eleanor, of course, and our daughter. She leant over each photograph as he described it for her, peering at it closely, tilting the pages towards the bright light from the window, touching her finger, once or twice, against the face of the person pictured.