Staten Island Noir (32 page)

In New York, and in Jim's apartment.

And in his bed. She turned, saw him lying motionless beside her, and slipped out of bed, moving with instinctive caution. She walked quietly out of the bedroom, found the bathroom. She used the toilet, peeked behind the shower curtain. The tub was surprisingly clean for a bachelor's apartment and looked inviting. She didn't feel soiled, not exactly that, but something close. Stale, she decided. Stale, and very much in need of freshening.

She ran the shower, adjusted the temperature, stepped under the spray.

She hadn't intended to stay over, had fallen asleep in spite of her intentions. Rohypnol, she thought. Roofies, the date-rape drug. Puts you to sleep, or the closest thing to it, and leaves you with no memory of what happened to you.

Maybe that was it. Maybe she'd gotten a contact high.

She stepped out of the tub, toweled herself dry, and returned to the bedroom for her clothes. He hadn't moved in her absence and lay on his back beneath the covers.

She got dressed, checked herself in the mirror, found her purse, put on lipstick but no other makeup, and was satisfied with the results. Then, after another reflexive glance at the bed, she began searching the apartment.

His wallet, in the gray slacks he'd tossed over the back of a chair, held almost three hundred dollars in cash. She took that but left the credit cards and everything else. She found just over a thousand dollars in his sock drawer, and took it, but left the mayonnaise jar full of loose change. She checked the refrigerator, and the set of brushed-aluminum containers on the kitchen counter, but the fridge held only food and drink, and one container held tea bags while the other two were empty.

That was probably it, she decided. She could search more thoroughly, but she'd only be wasting her time.

And she really ought to get out of here.

But first she had to go back to the bedroom. Had to stand at the side of the bed and look down at him. Jim, he'd called himself. James John O'Rourke, according to the cards in his wallet. Forty-seven years old. Old enough to be her father, in point of fact, although the man in Hawley who'd sired her was his senior by eight or nine years.

He hadn't moved.

Rohypnol, she thought. The love pill.

"Maybe," she had said, "we should have one more drink after all."

I'll have what you're having, she'd told him, and it was child's play to add the drug to her own drink, then switch glasses with him. Her only concern after that had been that he might pass out before he got his clothes off, but no, they kissed and petted and found their way to his bed, and got out of their clothes and into each other's arms, and it was all very nice, actually, until he yawned and his muscles went slack and he lay limp in her arms.

She arranged him on his back and watched him sleep. Then she touched and stroked him, eliciting a response without waking the sleeping giant. Rohypnol, the wonder drug, facilitating date rape for either sex. She took him in her mouth, she mounted him, she rode him. Her orgasm was intense, and it was hers alone. He didn't share it, and when she dismounted his penis softened and lay upon his thigh.

 

* * *

 

In Hawley her father took to coming into her room at night. "Jenny? Are you sleeping?" If she answered, he'd kiss her on the forehead and tell her to go back to sleep.

Then half an hour later he'd come back. If she was asleep, if she didn't hear him call her name, he'd slip into the bed with her. And touch her, and kiss her, and not on her forehead this time.

She would wake up when this happened, but somehow knew to feign sleep. And he would do what he did.

Before long she pretended to be asleep whenever he came into the room. She'd hear him ask if she was asleep, and she'd lie there silent and still, and he'd come into her bed. She liked it, she didn't like it. She loved him, she hated him.

Eventually they dropped the pretense. Eventually he taught her how to touch him, and how to use her mouth on him. Eventually, eventually, there was very little they didn't do.

 

* * *

 

It took some work, but she got Jim hard again and made him come. He moaned audibly at the very end, then subsided into deep sleep almost immediately. She was exhausted, she felt as if she'd taken a drug herself, but she forced herself to go to the bathroom and look for some Listerine. She couldn't find any, and wound up gargling with a mouthful of his Irish whiskey.

She stopped in the kitchen, then returned to the bedroom. When she'd done what she needed to do, she decided it wouldn't hurt to lie down beside him and close her eyes. Just for a minute . . .

 

* * *

 

And now it was morning, time for her to get out of there. She stood looking down at him, and for an instant she seemed to see his chest rise and fall with his slow even breathing, but that was just her mind playing a trick, because his chest was in fact quite motionless, and he wasn't breathing at all. His breathing had stopped forever when she slid the kitchen knife between two of his ribs and into his heart.

He'd died without a sound.
La petite mort
, the French called an orgasm. The little death. Well, the little death had drawn a moan from him, but the real thing turned out to be soundless. His breathing stopped, and never resumed.

She laid a hand on his upper arm, and the coolness of his flesh struck her as a sign that he was at peace now. She thought, almost wistfully, how very serene he had become.

In a sense, there'd been no need to kill the man. She could have robbed him just as effectively while he slept, and the drug would ensure that he wouldn't wake up before she was out the door. She'd used the knife in response to an inner need, and the need had been an urgent one; satisfying it had shuttled her right off to sleep.

She had never used a knife, or anything else, in Hawley. She'd considered it, and more than once. But in the end all she did was leave. No final scene, no note, nothing. Out the door and on the first Trailways bus out of there, and that was that.

Maybe everything else would have been different if she'd left her father as peaceful as she was leaving James John O'Rourke. But had that ever been an option? Could she have done it, really?

Probably not.

 

* * *

 

She let herself out of the apartment, drew the door shut, and made sure it locked behind her. The building was a walk-up, four apartments to the floor, and she walked down three flights and out the door without encountering anyone.

Time to think about moving.

Not that she'd established a pattern. The man last week, in the posh loft near the Javits Center, she had smothered to death. He'd been huge, and built like a wrestler, but the drug rendered him helpless, and all she'd had to do was hold the pillow over his face. He didn't come close enough to consciousness to struggle. And the man before that, the advertising executive, had shown her why he'd feel safe in any neighborhood, gentrification or no. He kept a loaded handgun in the drawer of the bedside table, and if any burglar was unlucky enough to drop into his place, well—

When she was through with him, she'd retrieved the gun, wrapped his hand around it, put the barrel in his mouth, and squeezed off a shot. They could call it a suicide, just as they could call the wrestler a heart attack, if they didn't look too closely. Or they could call all three of them murders, without ever suspecting they were all the work of the same person.

Still, it wouldn't hurt her to move. Find another place to live before people started to notice her on the streets and in the bars. She liked it here, in Clinton, or Hell's Kitchen, whatever you wanted to call it. It was a nice place to live, whatever it may have been in years past. But, as she and Jim had agreed, the whole of Manhattan was a nice place to live. There weren't any bad neighborhoods left, not really.

Wherever she went, she was pretty sure she'd feel safe.

 

End of Excerpt

 

More about
Manhattan Noir

 

The
Manhattan Noir
e-book (eisbn 9781936070374) is available from Amazon Kindle, Barnes & Noble Nook, the iTunes store, Kobo, the Sony eReader store, Google Play, and from the websites of participating independent bookstores. The print edition ($15.95, ISBN-13:9781888451955) is availabe on our website and in online and brick & mortar bookstores everywhere.

 

Mystery writing titan Lawrence Block takes a bite into Manhattan crime.

 

Brand new crime fiction stories from:
Jeffery Deaver, Lawrence Block, Charles Ardai, Carol Lea Benjamin, Thomas H. Cook, Jim Fusilli, Robert Knightly, John Lutz, Liz Martinez, Maan Meyers, Martin Meyers, S.J. Rozan, Justin Scott, C.J. Sullivan, and Xu Xi.

 

From the introduction by Lawrence Block:

 

Readers of
Brooklyn Noir
will recall that its contents were labeled by neighborhood—Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn't presume to define noir—if we could define it, we wouldn't need to use a French word for it— but it seems to me that it's more a way of looking at the world than what one sees.

 

Lawrence Block
has won most of the major mystery awards and has been called the quintessential New York writer, although he insists the city's far too big to have a quintessential writer. His series characters— Matthew Scudder, Bernie Rhodenbarr, Evan Tanner, Chip Harrison, and Keller— all live in Manhattan; like their creator, they wouldn't really be happy anywhere else.

 

Table of Contents

 

Introduction

 

"The Good Samaritan" by Charles Ardai (Midtown)

"The Last Supper" by Carol Lea Benjamin (Greenwich Village)

"If You Can't Stand the Heat" by Lawrence Block (Clinton)

"Rain" by Thomas H. Cook (Battery Park)

"A Nice Place to Visit" by Jeffery Deaver (Hell's Kitchen)

"The Next Best Thing" by Jim Fusilli (George Washington Bridge)

"Take the Man's Pay" by Robert Knightly (Garment District)

"The Laundry Room" by John Lutz (Upper West Side)

"Freddie Prinze Is My Guardian Angel" by Liz Mart'nez (Washington Heights)

"The Organ Grinder" by Maan Meyers (Lower East Side)

"Why Do They Have to Hit?" by Martin Meyers (Yorkville)

"Building" by S.J. Rozan (Harlem)

"The Most Beautiful Apartment in New York" by Justin Scott (Chelsea)

"The Last Round" by C.J. Sullivan (Inwood)

"Crying with Audrey Hepburn" by Xu Xi (Times Square)

Bronx Noir
Excerpt

The following is editor S.J. Rozan's contribution to
Bronx Noir
.

 

 

___________________

 

 

HOTHOUSE

BY
S.J. R
OZAN

Botanical Garden

A week on the lam.

The beginning, not so bad. In the first day's chilly dusk, a mark handed up his wallet at the flash of cold steel. Blubbering, “Please don't hurt me,” he tried to pull off his wedding ring too; for that Kelly punched him, broke his nose. But didn't knife him. Kelly didn't need it, a body. He'd jumped the prisoner transport at the courthouse. A perforated citizen a mile away might announce he hadn't left the Bronx.

Which he'd have done, heading south, heading home, risking the
Wanted
flyers passed to every cop, taped to every cop house in every borough, if he hadn't found the woods.

Blubber's overcoat hid his upstate greens until Blubber's cash bought him coveralls and a puffy jacket at a shabby Goodwill. Coffee and a Big Mac were on Blubber too, as Kelly kept moving, just another zombie shuffling through the winter twilight.
Don't look at me, I won't look at you
. His random shamble brought him up short at a wrought-iron fence. Behind him, on Webster, a wall of brick buildings massed, keeping an eye on the trees jailed inside, in case one tried to bolt.
You and me, guys
. Winter's early dark screened Kelly's vault over. traffic's roar veiled the scrunch of his steps through leaves, the crack of broken branches.

Five nights he slept bivouacked into the roots of a monster oak, blanketed with leaves, mummied in a sleeping bag and tarp from that sorry Goodwill. Five mornings he buried the bag and tarp, left each day through a different gate after the park opened. One guard gave him a squint, peered after with narrowed eyes; he kept away from that gate after that. None of the others even looked up at him, just some fellow who liked a winter morning stroll through the Botanical Garden.

The grubby Bronx streets and the dirty January days hid him in plain sight, his plan until the heat was off. He thought of it that way on purpose, trying to use the cliché to keep warm. Because it was cold here. Damn cold, bone-cold, eye-watering cold. Colder than in years, the papers said. Front-page cold. Popeye's, KFC, a
cuchifritos
place, they sold him chicken and
café con leche
, kept his blood barely moving. Under the pitiless fluorescents and the stares of people with nothing else to do, he didn't stay. The tips of his ears felt scalded; he got used to his toes being numb.

The first day, late afternoon, he came to a library, was desperate enough to enter. A scruffy old branch, but he wasn't the only human tumbleweed in it; the librarians, warm-hearted dreamers, didn't read
Wanted
posters and were accustomed to men like him. They let him thaw turning the pages of a Florida guidebook. The pictures made him ache. Last thing he needed, a guidebook: pelicans, palmettos, Spanish moss, longleaf pines, oh he could rattle it off. But he couldn't risk the trip until he wasn't news anymore, until they were sure he was already long gone.