Authors: Christina Lauren
Tags: #Literature & Fiction, #Genre Fiction, #United States, #Women's Fiction, #New Adult & College, #Contemporary Fiction, #Sagas, #Romantic Comedy, #Coming of Age, #Contemporary Women, #Contemporary, #General, #Romance, #Fiction, #dpgroup pyscho
“You’ve been working,” I say on an exhale as he basically repeats my conversation with Harlow back to me.
He reaches for my hand, kisses the back of my knuckles, my ring, before twisting his fingers with mine. “I want to show you off.”
Okay. Meeting friends. Being introduced as his wife. This is real life. This is what married couples do. “Okay,” I say lamely. “That sounds fun.”
He grins and leans forward, placing a kiss against my lips. “Thank you, Mrs. Guillaume.” And wow, the dimple, too. I am toast.
The waitress stops at our table and I sit back in my seat while Ansel orders our coffee. There’s a group of young girls—around eight or nine years old—dancing to a man playing the guitar just outside. Their laughter bounces off the cramped buildings, above the sound of occasional cars or the fountain splashing just across the street.
One of them is spinning and tips over, landing just below the small deck we’re sitting on.
“Are you okay?” I ask, stepping down to help her.
“Oui,”
she says, brushing the dirt from the front of her checkered dress. Her friend crosses to us, and though I’m not sure what she says, the way she stretches her arms to the side, and speaks to her in a scolding tone, I think she’s telling her she did her turn wrong.
“Are you trying to turn?” I ask, but she doesn’t respond, merely watches me with a confused expression. “
Pirouette?
”
At this she lights up.
“Oui,”
she says excitedly.
“Pirouette. Tourner.”
“Spin,” Ansel offers.
She straightens her arms to the side, points her toe, and spins, so quickly she almost falls down again.
“Whoa,” I say, both of us laughing as I catch her. “Maybe if you . . . um.” Straightening, I pat my stomach. “Tighten.”
I turn to Ansel, who translates,
“Contracte tes abdominaux
.
”
The little girl makes a face of concentration, one I can only imagine means she’s clenching her stomach muscles.
More of the girls have gathered to listen and so I take a second, moving them so they’ll have enough room. “Fourth position,” I say, holding up four fingers. I point my left foot out, my right foot next to and behind. “Arms up, one to the side, one out front. Good. Now
plié
? Bend?” They each bend at the knees and I nod, subtly guiding their posture. “Yes! Good!” I point to my eyes and then to a spot off in the distance, partially aware of Ansel translating behind me.
“You have to spot. Find one place and don’t look away. So when you turn”—I straighten, bend at the knees, and then push up off the ball of my foot before spinning, landing on
plié
—“you’re back where you started.” It’s such a familiar movement, one I haven’t felt my body do for so long that I almost miss the sound of cheering, the loudest of them coming from Ansel. The girls are practically giddy and taking turns, encouraging each other and asking me for help.
It’s getting late and eventually, the girls have to leave. Ansel takes my hand, smiling, and I glance over my shoulder as we walk away. I feel like I could have watched them all night.
“That was fun,” he says.
I look over at him, still smiling. “What part?”
“Seeing you dancing like that.”
“That was one turn, Ansel.”
“It might be the single sexiest thing I’ve ever seen.
That
is what you should be doing.”
I sigh. “Ansel—”
“Some people go to business school and run movie theaters or restaurants. Some own their own bakery, or dance studio.”
“Not you, too.” I’ve heard this before, from Lorelei, from Harlow’s entire family. “I wouldn’t know the first thing about that.”
He makes a point of looking over his shoulder, back in the direction we just came. “I respectfully disagree.”
“Those things take money. I hate taking money from my father.”
“Then why do you take money from him if you hate it?” he asks.
I throw the question back at him. “You don’t take money from
your
father?”
“I do,” he admits. “But I decided long ago it’s the only thing he’s good for. And a few years ago, when I was your age, I didn’t want my mother to feel like she needed to support me.”
“I don’t have enough money to live in Boston without his help,” I tell him. “And I guess in a way . . . I feel like he owes me this, since in the end I’m doing what he wants.”
“But if you’re doing what
you
want—”
“It’s
not
what I want.”
He pulls us to a stop and holds up a hand, not even a little fazed by the weight of this conversation. “I know. And I’m not really thrilled at the idea that you will leave me soon. But putting that aside, if you went to school, did something
you
wanted to do with it, you would make the decision yours, not his.”
I sigh, looking back down the street.
“Just because you can’t dance professionally doesn’t mean you have to stop dancing for a living. Find the spot in the distance and don’t look away, isn’t that what you told those girls? What is your ‘spot’? Finding a way to keep dance in your life?”
I blink away, back down the block to where the girls are still twirling and laughing. His spot is teaching law. He hasn’t taken his eyes off that point since he started.
“Okay, then.” He appears to take my silence as passive agreement. “Do you train to be a teacher? Or do you learn to run your own business? Those are two different paths.”
The idea of having a dance studio makes a warring reaction explode in my belly: elation, and dread. I can barely imagine anything more fun, but nothing would cut off my relationship with my family more thoroughly than that.
“Ansel,” I say, shaking my head. “Even if I
want
my own studio, it’s still about getting
started
. He was going to pay for my apartment for two years while I got my degree. Now he’s not speaking to me and there is no way he’d get on board with that plan. There’s something about dance for him . . . it’s as if he doesn’t like it on a visceral level. I’m realizing now that, whatever I do, I’ll have to make it work without his help.” I close my eyes and swallow thickly. I’ve taken such a profound mental vacation from the reality of my future that I’m already exhausted after only this tiny discussion. “I’m glad I came here. In some ways it’s the best decision I ever made. But it’s made things more complicated in some ways, too.”
He leans back, studies me. I adore playful Ansel, the one who winks at me across the room for no reason, or talks lovingly to my thighs and breasts. But I think I might
love
this Ansel, the one who seems to really want what’s best for me, the one who is clearly brave enough for both of us. “You’re married, no?” he asks. “You have a husband?”
“Yes.”
“A husband who makes a good living now.”
I shrug and look away. Money talk is exceedingly awkward.
As playful and goofy as he can be sometimes, there is nothing but sincerity in his voice when he asks, “Then why would you need to depend on your father to do what
you
want?”
UPSTAIRS IN OUR
apartment I follow him into the kitchen and lean against the counter as he reaches into the cabinet for a bottle. Ansel turns, shakes two ibuprofen tablets into my palm, and hands me a glass of water. I stare at my hands and then up at him.
“It’s what you do,” he says, offering a tiny shrug. “After two glasses of wine you always take ibuprofen with a big glass of water. You’re a lightweight.”
I’m reminded again how observant he is, and how he manages to catch things when I don’t even think he’s paying attention. He stands, watching as I swallow the pills and put the empty glass on the counter by my hip.
With each second that ticks by when we aren’t kissing or touching, I’m terrified the easy comfort we have tonight will evaporate and he’ll turn to his desk and I’ll turn to the bedroom alone.
But tonight, while we stare at each other in the muted light provided by the single bulb above the stove, the energy between us seems to only grow more electric. This feels real.
He scratches his jaw and then tilts his chin to me. “You’re the most beautiful woman I’ve ever seen.”
My stomach flips. “I’m not sure I believe that I’m—”
“Stay,”
he interrupts in a tight whisper. “I’m dreading the day you leave. I’m losing my mind thinking about it.”
I close my eyes. This is half what I’ve wanted him to say, and half what I was most afraid to hear. I pull my lip between my teeth, biting down my smile when I look back at him. “I thought you just told me to go to school to open my own business someday.”
“Maybe I think you should wait until I’m done with this case. Then we can go together. Live together. I work, you study.”
“How could I stay here until the spring? What would I do?” It’s been wonderful, but I can’t imagine another nine months living idly as a tourist.
“You can find work, or you can just research what’s involved in opening a studio. We’ll leave together, and you can defer school for one year.”
If possible, this is even more insane than my coming here in the first place. Staying means there is no end to
us
—no annulment, no fake marriage—and there is an entirely new trail blazed ahead.
“I don’t think I can stay here and be alone so much of the time . . .”
He winces, dragging a hand through his hair. “If you want to start now, go and I’ll come next spring. I just . . .
Is
that what you want?”
I shake my head, but I can see in his eyes he correctly reads my gesture to be
I don’t know.
My first few weeks here I felt both like I was completely free, and also a bit of a leech. But Ansel didn’t invite me here only to be generous or save me from a summer at home or spent psyching myself up to start school. He did it for those reasons and because he
wanted
me.
“Mia?”
“Mmm?”
“I like you,” he says in a whisper, and from the slight shake of his voice, I think I know what he’s really saying. I feel the words like a warm breath across my neck, but he hasn’t stepped any closer. He’s not even touching me. His hands are braced on the counter behind him, at his hips. This bare admission is somehow more intimate from a few feet away, without the safety of kisses or faces pressed into necks. “I don’t want you to leave without me. A wife belongs with her husband, and he belongs with her. I’m always selfish with you, asking you to move here, asking you to wait until it’s good for my career before you leave, but there it is.”
There it is.
I tear my eyes from his and look down at my bare feet on the floor, letting the heavy drumming of my heart take over my senses for a beat. I’m relieved, terrified . . . but mostly I’m euphoric. He told me he couldn’t play the other night if I said it out loud, and maybe it’s the same fear again, that we can’t keep it light, can’t let it go in a few weeks if one of us says
love
.
“Do you think you could ever,” he starts after a few beats of silence, his lips pulled up to one side in a smile, “like
me
?”
My chest squeezes at the earnest vulnerability in his expression. I nod, swallowing what feels like a bowling ball in my throat before saying, “I’m already in like with you.”
His eyes flame with relief, and the words tumble out in a long, jumbled string. “I’ll get you a new ring. We’ll do it all over again. We can find a new flat with memories that are only ours . . .”
I laugh through an unexpected sob. “I
like
this flat. I like my gold band. I like my fractured memories of our wedding. I don’t need anything new.”
He tilts his head and smiles at me, dimple flirting shamelessly, and it’s all I can take. Reaching out, I hook a finger through a belt loop on his pants and tug. “Come here.”
Ansel takes the two steps to me, pressing the length of his body so closely to mine I need to tilt my chin to look up at him.
“Done talking, then?” he asks, hands slipping around my waist, bracketing me.
“Yeah.”
“What do you feel like doing now?” His eyes manage to look both amused and ravenous.
I slip a hand between us and palm him through his jeans, wanting to feel him come to life under my touch.
But he’s already hard, and grunts when I press into him, his eyes falling closed. His hands slide up my over my chest, around my shoulders and higher, cupping my neck.
The sweep of his thumb across my bottom lip is like a trigger: a warmth spreads through me and it turns nearly immediately to a hunger so hot, my legs grow weak. I open my mouth, lick the pad of his thumb until he slides it inside and, with dark eyes, watches me suck. In my palm, he lengthens further, twitching.
He steers me to my right, walking me backward out of the kitchen, but stops after only a few steps, cupping my face to kiss me. “Say it again?”
I search his eyes for his meaning before I understand. “That I like you?”
He nods and smiles, eyes closing as he bends to lick the tip of his tongue across my lips. “That you
like
me.” Ansel looks down at me from under the heavy fall of his hair over his brow, tilting my head back with his hand on my jaw. “Let me see your neck. Show me all of that gorgeous skin.”
I arch my neck and his fingertips skim along my collarbone, strong but gentle.
He undresses me first, in no particular hurry. But once my skin is exposed to the cool air in the flat and the heat of his attention, I pull at his shirt, fumble with his belt. I want my hands on every inch of him at once, but they always gravitate to the smooth expanse of his chest. Everything in the world I find sexy, I find there: The firm, warm skin. The heavy drum of his heart. The sharp spasms of his abdomen when I scratch my short nails over his ribs. The line of soft hair that always tempts my hands lower.
Even in the small flat, the bedroom feels too far away. His fingers drift down my chest, breezing past my breasts as if it isn’t where they intend to be. Over my stomach and lower, past where I expect him to slide two fingers and play with me. Instead, his hand smooths down my thigh, his eyes watching my face as his fingertips linger on my scar, on skin that’s not quite sensitive, not quite numb.