The Best American Travel Writing 2011 (17 page)

"Is there any other place that has that?" I asked. "Different rules for different drivers?"

Hatoyama chewed his sandwich slowly. When he answered, finally, with a single word, there was a certain satisfaction in his tone. "China," he said.

 

A few years ago, Moscow tried to institute paid parking in the city center. It was odd, after all, that one of the most expensive cities in the world should let you park for free. The authorities deployed men in orange vests to accept payment for parking on the street. Very quickly, fake parking men appeared, also in orange vests, and then the press reported that the real parking men were delivering only a portion of the parking revenues to the city. In the end, Mayor Luzhkov gave in to public pressure and canceled paid parking on the city's streets.

Moscow is now a riot of parking. Cars park in crosswalks, on traffic islands, in many of the quiet courtyards of the city center, in historic squares. Vuchic, of the University of Pennsylvania, compares it to Austria in the 1970s. "You would go to Salzburg to look at the Mozart statue," he said. "But you couldn't see it, because Salzburg was a big parking lot." The Austrians have since taken care of the problem, with zoning, signage, enforcement. In Moscow, things are getting worse. Throughout the city are signs indicating no-parking zones, but the rules are only occasionally enforced, and the fines are paltry. As a result, the Moscow pedestrian spends a lot of time scrambling over cars, or around them, sometimes being forced out into the street, even, because the cars have climbed onto the sidewalk.

 

Blinkin sees the parking troubles as a symbol of the city's general lack of a legal and planning culture. "Try that in Munich or Boston!" he says of parking on the sidewalk. For Blinkin, the author of a legendary paper titled "The Etiology and Pathogenesis of Moscow Traffic," there are profound social and structural issues preventing Moscow cars from moving. The broad avenues, for example, are good only for military parades. In New York, by contrast, there is an elegant two-tiered road system: street tier, on which pedestrians are primary and cars secondary, and freeway tier (the FDR Drive, the Brooklyn-Queens Expressway), where cars rule and there are no pedestrians at all. According to Blinkin, there isn't a single proper freeway in Moscow. Even the outermost ring, which should serve as a beltway for cars trying to bypass the city entirely, has, since its expansion a decade ago, sprouted dozens of shopping centers, each with several exits and entrances onto the highway. The proposed Fourth Ring is not going to solve any of this. "You can't just keep sending people in circles!" Blinkin exclaims. "They need to get off eventually, and then what?" The deeper problem—or, rather, the only way that the many deep problems can begin to be solved—is political: Luzhkov, who has been the ruler of Moscow for nearly twenty years now, needs to go.

Blinkin is a slim, energetic man in his early sixties with a bristly gray mustache. He was trained in the prestigious math department of Moscow State University, but then, after underperforming on the final exam on the history of the Communist Party, could find work only at a research institute on traffic. "At first, I was disappointed," he told me. "But then I read some more and realized, Some very smart, respectable people have worked on this stuff." He spent nearly twenty years at two Soviet research institutes devoted to "urban planning," and in 1990 started a private think tank on traffic. Blinkin loves driving, and, when we first got in touch, owned a silver 1999 E-series Mercedes. But I could never get him to take me for a drive in it. "I'm taking the metro today," he'd say when I called. "You'd have to be an idiot to drive in these conditions."

In the past few years, as he has spoken out more and more, Blinkin has come to resemble a classic dissident—the Sakharov of traffic. Yet in a country where opposition figures are systematically shut out of the media, Blinkin has more exposure than he can handle. "During the past week, I've been on TV four times," he told me when we first met, "and I've lost count of how many print interviews." In the current political climate, traffic is a problem everyone is willing to discuss: the Kremlin-controlled media because it makes Luzhkov look bad; Luzhkov because he's obsessed with it. Vuchic, who was born in Belgrade, was amused to note that he'd been interviewed by the old Party mouthpiece
Izvestia.
"Never in my life did I think I'd be printed in
Izvestia!
" he said.

 

Like other major cities, Moscow has a traffic center, with banks of large monitors showing many of the city's intersections. Several dozen traffic officers keep an eye on the situation, calling their men in the traffic booths to let them know what they should do. I got a short tour of the facility earlier this year, and it was impressive. The huge monitors; the policemen in uniform before them; the traffic moving, or sitting still, as the policemen watched—it gave a measure of the megalopolis, made it seem a manageable thing. But this was in some sense an illusion: although the police can watch, they are helpless. My guide pointed out the monitor banks for the poorer southern and eastern areas of the city, which are said to have the heaviest traffic. "Are those the worst parts?" I asked him.

He considered this, not wanting, perhaps, to offend the southern and eastern routes. "It's
all
the worst part," he said at last.

The police's main competitor in the realm of traffic information is Yandex, which began monitoring traffic on its website in 2006 and in 2008 set up a separate "analytical center," Yandex Probki (
probka
means traffic jam). Yandex Probki issues periodic white papers on the state of traffic, and maintains a blog with interesting traffic highlights, but its main task is to keep perpetually updated a now iconic three-color street map of the city, showing real-time traffic flow on a number of routes. Above the map is a rating of the overall traffic at that moment, from 1 ("The streets are clear") to 9 ("The city has stopped") and 10 ("You're better off on the metro"). Probki now has around half a million daily visitors in Moscow, putting it neck and neck with News and Images, with Weather just around the bend.

When I visited this past winter, Yandex occupied a low- slung modern office building behind the Kursk train station. Though in the center of town, it was too far to walk from the metro, and a white Yandex shuttle took me there. The tricolor Yandex Probki map played on a large plasma screen above the receptionist. Upstairs, one small room was given over to three men who represented the old guard of traffic-watching: as if in a miniature version of the traffic police center, they sat before computer monitors and kept track of nearly a hundred camera feeds from the streets of the city, swiveling the cameras where necessary to keep up with events, and checked what they saw against the big map. But the center has more sophisticated tools at its disposal. As Maria Laufer, the head of Yandex Maps, explained, setting up cameras all over the megalopolis would be prohibitively expensive. Other cities use sensors embedded in the pavement to measure traffic flow; in Moscow these have a hard time surviving both the weather and the road repairs the weather necessitates. So Yandex, Laufer said, came up with "something like communism—in the good sense of the word." Her colleague Leonid Mednikov updated the formulation: "It's a Wiki." At first, drivers had sent information by phone or by text. As more and more drivers started using GPS-enabled smart-phones, Yandex asked them to download Yandex software onto their devices, so that information about their movements could be sent automatically to the Yandex servers. As the program grows, it is able to give an increasingly accurate and encompassing picture of the traffic situation at any given moment. While I was touring the office, it began to snow. Some time later, Mednikov entered the conference room, carrying his laptop before him like a lantern. "It's at 10!" he announced of the traffic index. "It went from 5 to 10 in an hour and a half!" And so it was that the Yandex shuttle, making its way back to the metro with me as its only passenger, got stuck in traffic as it approached the Garden Ring.

 

In more poetic moments, Blinkin will invoke Julio Cortázar's "Highway of the South," a 1964 story about people stuck in a massive traffic jam on their way back into Paris after the weekend, stuck in it for so long that they begin to live in it. ("At first the girl in the Dauphine had insisted on keeping track of time," the story begins, "though for the engineer in the Peugeot 404 it no longer held any importance.") Hearing this, I recalled Vladimir Sorokin's novella "The Queue," from the era of the Brezhnev stagnation, which is also about a line—a line of people waiting to buy something (it's never clear what, and they themselves do not know), the line so long, so complex, that they, too, begin to live in it.

We've been here before. The cars standing in endless lines on the crowded Moscow streets: they resemble nothing so much as the people who used to wait in endless lines outside the Moscow stores for Polish coats, Czech shoes, and, famously, toilet paper. Now, more comfortably, they wait for the light. They are willing to endure all manner of humiliation to keep driving. Recently, my friend Lyonya, a corporate lawyer, was stopped by the police and accused of drunk driving, even though he hadn't had a drop of alcohol in fifteen years. Another time, Lyonya found his car trapped in a courtyard where he'd parked, because its residents had put up a gate while he was gone; unable to find anyone to ask about it, Lyonya finally dismantled the gate with some tools he always keeps in his car.

Yet he continues to drive, and, driving with him in his long black Mercedes CL ("Comfort Leicht"), you can see why. The car is so intelligent, so solicitous, that it will not let you slam the doors entirely closed, for fear that you'll hurt your fingers. It waits a little, letting you get to safety, and only then does it shut the door. You get a different perspective on things from Lyonya's Mercedes. Outside, the city is filthy, muddy, filled with exhaust; the Mercedes rides smoothly, swaddling you in leather. The city is violent and chaotic and antidemocratic; in the Mercedes, you can listen to the liberals arguing, subtly, intelligently, on the last redoubt of independent Russian mass media, Ekho Moskvy. In Moscow, there are far worse places to be trapped.

Over the past few years, Moscow drivers have become one of the city's most active social groups, organizing to eliminate the corrupt meter maids and lobbying for more roads. After the death of the two doctors in the collision with the Lukoil Mercedes, a group of drivers began attaching blue sandbox buckets to the roofs of their cars, in imitation of sirens, as a protest against the abuse of the siren by the city's bankers and oil executives. It's been one of the most successful civic actions in years. And it makes sense: "car owner" is the one social category that has actually been created in the past twenty years, as opposed to all the social categories that have been destroyed. Perhaps this is the emergence, finally, of a propertied, stakeholding—and frustrated, selfish, neurotic—middle class.

 

On the morning of the subway bombings in Moscow, the city was thrown into disarray; only the emergency services managed to get anywhere. Photographs of the subway platform taken just minutes after the explosion showed medics among the debris, crouching over the wounded. When Blinkin, writing on an anti-Kremlin website, praised the emergency response, the commenters turned on him. "I was also impressed by the speed," one said, raising the old oppositionist dogma about a Kremlin conspiracy. "It seems they knew in advance what was going to happen, and where."

I asked my friends at Yandex what the traffic was like that day. They answered in a detailed e-mail. "After the first explosion, at Lubyanka (7:56), traffic jams began to form gradually at the adjacent streets," they wrote. "After the second explosion (8:36), congestion continued to increase and remained at a high level until 11 o'clock. By contrast, on a regular weekday congestion reaches its peak at 9
A.M.
and then begins to drain off."

The next two days were more congested than usual, as many people who usually took the metro decided to drive to work instead. But Moscow could not function this way forever. "By Thursday," the Yandex analysts concluded, "the city had returned to normal."

It was true. Before long, the papers were reporting that the sons of two Moscow bureaucrats had been involved in an altercation. The son of a city prefect was stuck in traffic in his Lexus; the son of a municipal notary officer was riding his bicycle, weaving through the traffic, when he accidentally nicked the Lexus. The son of the prefect got out of his car and pushed the notary's son (a poli-sci student) to the ground. Humiliated, the notary's son went off and found a baseball bat somewhere—whether at home or at a sporting goods store the reports hadn't yet determined—and returned to find the prefect's son
still stuck in traffic.
He began smashing the windows of the Lexus with the baseball bat. When the prefect's son got out of the car again, the notary's son hit him, too, breaking his hand. Moscow's leading tabloid,
LifeNews
, posted a photograph of the prefect's son sporting a cast. A nice-looking young man, he was wearing a pink T-shirt that said "
Dolce & Gabbana.
"

Famous
Tom Ireland

FROM
The Missouri Review

O
N THE NIGHT
of November 26, 2008, two men walked into Chhatrapati Shivaji Terminus in Mumbai, India, and started shooting and throwing grenades into the crowds of travelers "indiscriminately," as reported in the official Indian account of the attack. In a railway station that accommodates 2 million passengers every day, a place where one can hardly stand during peak hours without being swept into a river of people, they couldn't very well have missed. In minutes the dead and dying lay throughout the concourse, their limbs splayed in grotesque postures, and blood pooled on the station's concrete floor.

The younger of the two, twenty-one-year-old Mohammad Ajmal Amir Kasab, a native of the Punjab region of Pakistan, became famous when pictures of him taken during and after the attack circulated in the media. Sebastian D'Souza, a photographer with the
Mumbai Mirror
, was in the office that night when he heard gunfire from the train station and ran across the street with a camera. He ducked into a train standing at one of the platforms while the two gunmen stalked the concourse, taking turns shooting and reloading as they went.

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