Read The Collected Poems of Ted Berrigan Online
Authors: Alice Notley
For I knew I would not be able to raise the fine
Lady who sits wrapped in her amber shawl
Mrs. of everything that’s mine right now, an interior
Noon smokes in its streets, as useless as
Mein host’s London Fog, and black umbrella, & these pills
Is it Easter? Did we go? All around the purple heather?
Go fly! my dears. Go fly! I’m in the weather.
There is no windshield.
FOR DICK JEROME
How terrible a life is
And you’re crazy all the time
Because the words don’t fit
The heart isn’t breakable
And it has a lot of dirt on it
The white stuff doesn’t clean it & it can’t
be written on
Black doesn’t go anywhere
Except away & there isn’t any
Just a body very wet & chemistry
which can explode like salt & snow
& does so, often.
If I didn’t feel so
bad, I’d feel so good!
FOR ALLEN GINSBERG
Go in Manhattan,
Suffer Death’s dream Armies in battle!
Wake me up naked:
Solomon’s Temple The Pyramids & Sphinx sent me here!
The tent flapped happily spacious & didn’t fall down—
Mts. rising over the white lake 6 a.m.—mist drifting
between water & sky—
Middle-aged & huge of frame, Martian, dim, nevertheless I
flew from bunk
into shoe of brown & sock of blue, up into shining morning
light, by suns,
landed, & walked outside me, & the bomb’d dropped
all over the Lower East Side! What new element
Now borne in Nature?, I cried. If I had heart attack now
Am I ready to face my mother? What do? Whither go?
How choose now?, I cried. And, Go in Manhattan, Brew Moore
replied.
THE SENDER OF THIS
POSTCARD IS SECRETLY
(STILL) UNSURE OF YOUR WORTH
AS (EITHER) A FRIEND OR A
HUMAN BEING. YOU COCKSUCKER
.
FOR GEORGE SCHNEEMAN
Oh, George—that
utter arrogance! So
that people can’t tell that
you’re any good—
“chases dirt”, for Chrissakes!!
“Truth is that which,
Being so, does do its
work.”
(I said That.)
July 11, 1982
Dear Alice,
The reason I love
you so much is because
you’re very
beautiful & kind. I
also appreciate your
intelligence, though what
“intelligence” is I’m not
sure, & your wit, which
resembles nothing I’ve
ever thought about.
Your loving husband,
Ted Berrigan
(AFTER FREDDY FENDER)
I met her in The Stone Age,
riding shotgun—I can
Still recall that neon sign she
wore—She was
Cramlin’ through the prairie near
the off-ramp, & I
Knew that she was rotten to the core.
I screamed, in pain, I’d live off her
forever—She
Sd to me, she’d have a ham-on-
rye—but who’d have
Thought she’d yodel, while in labor?
I never had a chance
To say Good-bye!
For love of Megan I danced all night,
fell down, and broke my leg in two places.
I didn’t want to go to the doctor.
Felt like a goddam fool, that’s why.
But Megan got on the phone, called
my mother. Told her, Dick’s broken
his leg, & he won’t go to the doctor!
Put him on the phone, said my mother.
Dickie, she said, you get yourself
up to the doctor right this minute!
Awwww, Ma, I said. All right, Ma.
Now I’ve got a cast on my leg from
hip to toe, and I lie in bed all day
and think. God, how I love that girl!
There is a shoulder in New York City
Lined, perfectly relaxed, quoted really, quite high
Only in the picture by virtue of getting in
to hear Allen Ginsberg read, 1961
And though the game is over it’s beginning lots of
years ago,
And all your Cities of Angels, & San Francisco’s are
going to have to fall, & burn again.
Let the heart of the young
exile the heart of the old: Let the heart of the old
Stand exiled from the heart of the young: Let
other people die: Let Death be inaugurated.
Let there be Plenty Money. & Let the
Darktown Strutters pay their way in
To The Gandy-Dancers Ball. But Woe unto you, O
Ye Lawyers, because I’ll be there, and
I’ll be there.
Nothing stands between us
except Flying Tigers
Future Funk
The Avenue B Break Boys
and
The Voidoids—
Sometimes,
Time gets in the way, &
sometimes, lots of sometimes,
We get in its way, so,
Love, love me, do.
FOR HARRIS SCHIFF
They killed all the whales
now they’re killing all the acorns
I’m almost the last Rhinoceros
I guess I’d better kill them.
You will dream about me
All the months of your life.
You won’t know whether
That means anything to me or not.
You will know that.
It’s about time
You know something.
FOR BERNADETTE MAYER
The wicked will tremble, the food will rejoice
When he & I grow young again
For an hour or two on
Second Avenue, at Tenth
About 35 days from now—
Although that will not get it;
And that will not be that.
With Faith we shall be able . . .
There will be peace on earth . . .
& Capricious day . . .
maybe we’ll be there, or true.
Speed the day then.
You took a wrong turn in
1938. Don’t worry about it.
The sun shines brightest when
the others are sleeping.
There is a Briss in your
immediate future.
Take heart. Shakespeare was
probably an asshole too.
Your life is rare and precious
& it has no mud. Stay with it.
You have strange friends, but
they are going to be strangers.
Everything is Maya, but
you will never know it.
Your gaiety is not cowardice,
but it may be hepatitis.
(
DICK JEROME
, 3/4 View)
ink on paper
God:
perhaps, ‘The being worshipped. To
whom sacrifice is offered.
Not
allied to
‘good’, (which is an adjective, not a
‘being.’
Godwit:
a bird, or, more recently,
a ‘twittering-machine’; (from the Anglo-Saxon,
God-wiht:
just possibly meaning, ‘worthy creature.’
Viz. Isle of Wight—Isle of Creatures. See, also,
Song, folk
; Childe Ballad # 478: “I’ve been
a creature for a thousand years.” . . . .)
(TO THE GODS)
He is guardian to the small kitten.
He looks so determined.
He has a graceful hunch.
Light swirls around his crown,
wispy, blondish, round.
Three shades of blue surround
him—denim,
Doorway, sky. His hands are up,
His eyes are in his head. He’s
my brother, Jack;
Kill him & I kill you.
FOR ROSINA KUHN
I stand by the window
In the top I bought to please you
As green rain falls across Chinatown
You are blissed out, wired, & taping,
15 blocks uptown
When I am alone in the wet & the wind
Flutes of rain hire me
Boogie-Men drop in to inspire me
FOR TOM CAREY
“I know where I’m going
“& I know where I came from
“& I know who I love
“but the Dear knows who I’ll marry . . . . ”
I bought that
striped polo shirt,
long-sleeves, for 75 cents,
& wore it every minute, that year
I got a sunburn
on my face & hands
I hadn’t noticed it.
But when someone pointed it out
I said it felt good.
I was over
a year in that
Park. Never did
feel in a hurry.
I was “in love.”
All my friends in the
park speak Latin: when
they see me coming, they
say, “Valium?”
FOR JEFF WRIGHT
I watch the road: I am a line-
man for the County. City streets
await me, under lustrous purple skies, purple
light,
each night. Manhattan is a needle
in the wall. While
it’s true, the personal, insistent, instant-
myth music cuts
a little close to the bone
& I have to get up early for work tomorrow, still
there’s
lots of quail in Verona, & I am
jubilant with horror
because I’m searching for pain underneath
another overload.
I hear you singing in the wires.
is when you walk around a corner
& I see you see me across Second Avenue
You’re dressed in identifiable white
over your jeans & I’m wearing Navy—
Jacob Riis is beams of sunlight as
I cross against the light & we intercept
at the Indian Candy Store. The
Family has gone off to Parkersburg, W. Virginia
The Chrysler Building is making the Empire State
stand tall, & friendly it leans your way
There’s appointments for everybody
They don’t have to be kept, either.
We are the dresses for Alice.
We go on, or off, for solace.
FOR MICHAEL BROWNSTEIN
Two cops cruise East 9th
between First and A. Talk
about schedules, they’re on
the Graveyard Shift: 11 to 7
in the morning. They are definitely
not boring. As they pass, I waver,
with my pepsis, two beers, & paper:
what am I doing here?
Shouldn’t I be home, or them?
But I guess I’m on this case, too . . . .
When I see Birches, I think
of my father, and I can see him.
He had a pair of black shoes & a pair of
brown shoes,
bought when he was young and prosperous.
“And he polished those shoes, too, Man!”
“Earth’s the right place for Love,”
he used to say. “It’s no help,
but it’s better than nothing.”
We are flesh of our flesh,
O, blood of my blood; and we,
We have a Night Tie all our own; & all
day & all night it is dreaming, unaware
that for all its blood, Time is the Sandpaper;
that The Rock can be broken; that
Distance is like Treason. Something
There is that doesn’t love a wall: I
am that Something.
FOR DICK GALLUP
like carrying a gun
like ringing a doorbell
like kidnapping Hitler
like just a little walk in the warm Italian sun . . .
like, “a piece of cake.”
like a broken Magnavox
like the refrigerator on acid
like a rope bridge across the Amazon in the rain
like looking at her for a long few seconds
like going to the store for a newspaper
like a chair in a dingy waiting-room
like marriage
like bleak morning in a rented room in a pleasant, new city
like nothing else in the world now or ever
“This is the only language you understand, Ass-Face!”
the bear eats honey
between the harbored sighs
inside my heart
where you were
no longer exists
blank bitch
Strings like stories shine
And past the window flakes of paper
Testimony to live valentine
A gracious start then hand to the chest
in pain
And looking out that window.
What is it all about—this endless
Talking & walking a night away—
Smoking—then sleeping half the day?
Typing a résumé, you say, smilingly.
Who’s gonna kiss your pretty little
feet?
Who’s gonna hold your hand?
Who’s gonna kiss your red, ruby
lips?
Who’s gonna be your man, love,
Who’s gonna be yr
man? Why,
I am. Don’tcha know? Why, I am.
Christmas in July, or
Now in November in
Montreal
Where the schools are closed,
& the cinnamon girls
Sing in the sunshine
Just like Yellowman:
The soldiers shoot the old woman
down
They shoot the girl-child on
the ground: we
Steal & sell the M-16s, use
The money to buy the weed
The sky is blue & the Erie is
Clean;
Come to us with your M-16:
Soldier, sailor, Policeman, Chief,
Your day is here & you have come
to Grief.
Sing the songs, & smoke the weed;
The children play & the wind is green.