The Complete Novels of Mark Twain and the Complete Biography of Mark Twain (2 page)

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Authors: A. B. Paine (pulitzer Prize Committee),Mark Twain,The Complete Works Collection

 

With a sort of mock pride, Clemens referred at times to the ancestral glories of his house, the judge who condemned Charles I., and all those other notables, of Dutch and English breeds, who shed lustre upon the name of Clemens. Yet he claimed that he had not examined into these traditions, chiefly because "I was so busy polishing up this end of the line and trying to make it showy." His mother, a "Lambton with a p," of Kentucky, married John Marshall Clemens, of Virginia, a man of determination and force, in Lexington, in 1823; but neither was endowed with means, and their life was of the simplest. From Jamestown, in the mountain solitudes of East Tennessee, they removed in 1829, much as Judge Hawkins is said to have done in 'The Gilded Age', settling at Florida, Missouri. Here was born, on November 30, 1835, a few months after their arrival, Samuel Langhorne Clemens. Long afterwards he stated that he had increased by one per cent the population of this village of one hundred inhabitants, thereby doing more than the best man in history had ever done for any other town.

Although weak and sickly, the child did not suffer from the hard life, and survived two other children, Margaret and Benjamin. At different times his life was in danger, the local doctor always coming to the rescue. He once asked his mother, after she had reached old age, if she hadn't been uneasy about him. She admitted she had been uneasy about him the whole time. But when he inquired further if she was afraid he would not live, she answered after a reflective pause—as if thinking out the facts—that she had been afraid he would!

His sister Pamela afterwards became the mother of Samuel E. Moffett, the writer; and his brother Orion, ten years his senior, afterwards was intimately associated with him in life and found a place in his writings.

In 1839, John Marshall Clemens tired of the unpromising life of Florida and removed to Hannibal, Missouri. He was a stern, unbending man, a lawyer by profession, a merchant by vocation; after his removal to Hannibal he became a Justice of the Peace, an office he filled with all the dignity of a local autocrat. His forum was a "dingy" office, furnished with "a dry-goods box, three or four rude stools, and a puncheon bench." The solemnity of his manner in administering the law won for him, among his neighbours, the title of Judge.

One need but recall the scenes in which Tom Sawyer was born and bred to realize in its actuality the model from which these scenes were drawn. "Sam was always a good-hearted boy," his mother once remarked, "but he was a very wild and mischievous one, and, do what we would, we could never make him go to school. This used to trouble his father and me dreadfully, and we were convinced that he would never amount to as much in the world as his brothers, because he was not near so steady and sober-minded as they were." At school, he "excelled only in spelling"; outside of school he was the prototype of his own Huckleberry Finn, mischievous and prankish, playing truant whenever the opportunity afforded. "Often his father would start him off to school," his mother once said, "and in a little while would follow him to ascertain his whereabouts. There was a large stump on the way to the schoolhouse, and Sam would take his position behind that, and as his father went past would gradually circle around it in such a way as to keep out of sight. Finally, his father and the teacher both said it was of no use to try to teach Sam anything, because he was determined not to learn. But I never gave up. He was always a great boy for history, and could never get tired of that kind of reading; but he hadn't any use for schoolhouses and text books."

Hannibal has been aptly described as a "loafing, out-at-elbows, down-at-the-heels, slaveholding Mississippi river town." Young Clemens accepted the institution of slavery as a matter of course, for his father was a slave-owner; and his mother's wedding dowry consisted in part of two or three slaves. Judge Clemens was a very austere man; like so many other slave-holders, he silently abhorred slavery. To his children, especially to Sam, as well as to his slaves, he was, however, a stern taskmaster. Mark Twain has described the terms on which he and his father lived as a sort of armed neutrality. If at times this neutrality was broken and suffering ensued, the breaking and the suffering were always divided up with strict impartiality between them, his father doing the breaking and he the suffering! Sam claimed to be a very backward, cautious, unadventurous boy. But this modest estimate is subject to modification when we learn that once he jumped off a two-story stable; another time he gave an elephant a plug of tobacco, and retired without waiting for an answer; and still another time he pretended to be talking in his sleep, and got off a portion of every original conundrum in hearing of his father. He begs the curious not to pry into the result as it was of no consequence to anyone but himself!

The cave, so graphically described in Tom Sawyer, was one of Sam's favourite haunts; and his first sweetheart was Laura Hawkins, the Becky Thatcher of Tom's admiration. "Sam was always up to some mischief," this lady once remarked in later life, when in reminiscential mood. "We attended Sunday-school together, and they had a system of rewards for saying verses after committing them to memory. A blue ticket was given for ten verses, a red ticket for ten blue, a yellow for ten red, and a Bible for ten yellow tickets. If you will count up, you will see it makes a Bible for ten thousand verses. Sam came up one day with his ten yellow tickets, and everybody knew he had not said a verse, but had just got them by trading with the boys. But he received his Bible with all the serious air of a diligent student!"

Mark Twain, save when in humorous vein, has never pretended that his success was due to any marvellous qualities of mind, any indefatigable industry, any innate energy and perseverance. I have good reason to recall his favourite theory, which he was fond of expounding, to the effect that circumstance is man's master. He likened circumstance to the attraction of gravity; and declared that while it is man's privilege to argue with circumstance, as it is the honourable privilege of the falling body to argue with the attraction of gravity, it does no good: man has to obey. Circumstance has as its working partner man's temperament, his natural disposition. Temperament is not the creation of man, but an innate quality; over it he has no authority; for its acts he cannot be held responsible. It cannot be permanently changed or even modified. No power can keep it modified. For it is inherent and enduring, as unchanging as the lines upon the thumb or the conformation of the skull. Throughout his life, circumstance seemed like a watchful spirit, switching his temperament into those channels of experience and development leading unerringly to the career of the author.

The death of Judge Clemens was the first link in the long chain of circumstance for his son was at once taken from school and apprenticed to the editor and proprietor of the Hannibal Courier. He was allowed the usual emolument of the office apprentice, "board and clothes, but no money"; and even at that, though the board was paid, the clothes rarely materialized. Several weeks later his brother Orion returned to Hannibal, and in 1850 brought out a little paper called the 'Hannibal Journal.' He took Sam out of the Courier office and engaged him for the Journal at $3.50 a week—though he was never able to pay a cent of the wages. One of Mark's fellow-townsmen once confessed: "Yes, I knew him when he was a boy. He was a printer's devil—I think that's what they called him—and they didn't miss it." At a banquet some years ago, Mark Twain aptly described at length his experiences as a printer's apprentice. There were a thousand and one menial services he was called upon to perform. If the subscribers paid at all, it was only sometimes—and then the town subscribers paid in groceries, the country subscribers in cabbages and cordwood. If they paid, they were puffed in the paper; and if the editor forgot to insert the puff, the subscriber stopped the paper! Every subscriber regarded himself as assistant editor, ex officio; gave orders as to how the paper was to be edited, supplied it with opinions, and directed its policy. Of course, every time the editor failed to follow his suggestions, he revenged himself by stopping the paper!

After some financial stress, the paper was moved into the Clemens home, a "two-story brick"; and here for several years it managed to worry along, spasmodically hovering between life and death. Life was easy with the editors of that paper; for if they pied a form, they suspended until the next week. They always suspended anyhow, every now and then, when the fishing was good; and always fell back upon the illness of the editor as a convenient excuse, Mark admitted that this was a paltry excuse, for the all-sufficing reason that a paper of that sort was just as well off with a sick editor as a well one, and better off with a dead one than with either of them. At the age of fifteen he considered himself a skilled journeyman printer; and his faculty for comedic portrayal had already betrayed itself in occasional clumsy efforts. In 'My First Literary Venture', he narrates his experiences, amongst others how greatly he increased the circulation of the paper, and incensed the "inveterate woman-killer," whose poetry for that week's paper read, "To Mary in Hl" (Hannibal). Mark added a "snappy footnote" at the bottom, in which he agreed to let the thing pass, for just that once; but distinctly warning Mr. J. Gordon Runnels that the paper had a character to sustain, and that in future, when Mr. Runnels wanted to commune with his friends in hl, he must select some other medium for that communication! Many were the humorous skits, crudely illustrated with cuts made from wooden blocks hacked out with his jack-knife, which the mischievous young "devil" inserted in his brother's paper. Here we may discern the first spontaneous outcroppings of the genuine humorist. "It was on this paper, the 'Hannibal Journal'," says his biographer, Mr. Albert B. Paine, "that young Sam Clemens began his writings burlesques, as a rule, of local characters and conditions usually published in his brother's absence, generally resulting in trouble on his return. Yet they made the paper sell, and if Orion had but realized his possession he might have turned his brother's talent into capital even then."

One evening in 1858, the boy, consumed with wanderlust, asked his mother for five dollars to start on his travels. He failed to receive the money, but he defiantly announced that he would go "anyhow." He had managed to save a tiny sum, and that night he disappeared and fled to St Louis. There he worked in the composing-room of the Evening News for a time, and then started out "to see the world"—New York, where a little World's Fair was in progress. He was somewhat better off than was Benjamin Franklin when he entered Philadelphia—for he had two or three dollars in pocket-change, and a ten-dollar bank-bill concealed in the lining of his coat. For a time he sweltered in a villainous mechanics' boarding-house in Duane Street, and worked at starvation wages in the printing-office of Gray & Green. Being recognized one day by a man from Hannibal, he fled to Philadelphia where he worked for some months as a "sub" on the 'Inquirer' and the 'Public Ledger'. Next came a flying trip to Washington "to see the sights there," and then back he went to the Mississippi Valley. This journey to the "vague and fabled East" really opened his eyes to the great possibilities that the world has in store for the traveller.

Meantime, Orion had gone to Muscatine, Ohio, and acquired a small interest there; and, after his marriage, he and his wife went to Keokuk and started a little job printing-office. Here Sam worked with his brother until the winter of 1856-7, when circumstance once again played the part of good fairy. As he was walking along the street one snowy evening, his attention was attracted by a piece of paper which the wind had blown against the wall. It proved to be a fifty-dollar bill; and after advertising for the owner for four days, he stealthily moved to Cincinnati in order "to take that money out of danger." Now comes the second crucial event in his life!

For long the ambition for river life had remained with him—and now there seemed some possibility of realizing these ambitions. He first wanted to be a cabin boy; then his ideal was to be a deck hand, because of his splendid conspicuousness as he stood on the end of the stage plank with a coil of rope in his hand. But these were only day-dreams—he didn't admit, even to himself, that they were anything more than heavenly impossibilities. But as he worked during the winter in the printing-office of Wrightson & Company of Cincinnati, he whiled away his leisure hours reading Lieutenant Herndon's account of his explorations of the Amazon, and became greatly interested in his description of the cocoa industry. Now he set to work to map out a new and thrilling career. The expedition sent out by the government to explore the Amazon had encountered difficulties and left unfinished the exploration of the country about the head-waters, thousands of miles from the mouth of the river. It mattered not to him that New Orleans was fifteen hundred miles away from Cincinnati, and that he had only thirty dollars left. His mind was made up he would go on and complete the work of exploration. So in April, 1857, he set sail for New Orleans on an ancient tub, called the Paul Jones. For the paltry sum of sixteen dollars, he was enabled to revel in the unimagined glories of the main saloon. At last he was under way—realizing his boyhood dream, unable to contain himself for joy. At last he saw himself as that hero of his boyish fancy—a traveller.

When he reached New Orleans, after the prolonged ecstasy of two weeks on a tiny Mississippi steamer, he discovered that no ship was leaving for Para, that there never had been one leaving for Para and that there probably would not be one leaving for Para that century. A policeman made him, move, on, threatening to run him in if he ever caught him reflecting in the public street again. Just as his money failed him, his old friend circumstance arrived, with another turning-point in his life—a new link. On his way down the river he had met Horace Bixby; he turned to him in this hour of need. It has been charged against Mark Twain that he was deplorably lazy—apocryphal anecdotes are still narrated with much gusto to prove it. Think of a lazy boy undertaking the stupendous task of learning to know the intricate and treacherous secrets of the great river, to know every foot of the route in the dark as well as he knew his own face in the glass! And yet he confesses that he was unaware of the immensity of the undertaking upon which he had embarked.

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