The Crime at Black Dudley

MARGERY ALLINGHAM

To
‘THE GANG'

Chapter I
Candle-Light

Chapter II
The Ritual of the Dagger

Chapter III
In the Garage

Chapter IV
Murder

Chapter V
The Mask

Chapter VI
Mr Campion Brings the House Down

Chapter VII
Five o'clock in the Morning

Chapter VIII
Open Warfare

Chapter IX
Chris Kennedy Scores a Try Only

Chapter X
The Impetuous Mr Abbershaw

Chapter XI
One Explanation

Chapter XII ‘
Furthermore
…'
said Mr Campion

Chapter XIII
Abbershaw Sees Red

Chapter XIV
Abbershaw Gets His Interview

Chapter XV
Doctor Abbershaw's Deductions

Chapter XVI
The Militant Mrs Meade

Chapter XVII
In the Evening

Chapter XVIII
Mr Kennedy's Council

Chapter XIX
Mr Campion's Conjuring Trick

Chapter XX
The Round-Up

Chapter XXI
The Point of View of Benjamin Dawlish

Chapter XXII
The Darkest Hour

Chapter XXIII
An Error in Taste

Chapter XXIV
The Last of Black Dudley

Chapter XXV
Mr Watt Explains

Chapter XXVI ‘
Cherchez la Femme
'

Chapter XXVII
A Journey by Night

Chapter XXVIII
Should a Doctor Tell?

Chapter XXIX
The Last Chapter

A Note on the Author

The view from the narrow window was dreary and inexpressibly lonely. Miles of neglected park-land stretched in an unbroken plain to the horizon and the sea beyond. On all sides it was the same.

The grey-green stretches were hayed once a year, perhaps, but otherwise uncropped save by the herd of heavy-shouldered black cattle who wandered about them, their huge forms immense and grotesque in the fast-thickening twilight.

In the centre of this desolation, standing in a thousand acres of its own land, was the mansion, Black Dudley; a great grey building, bare and ugly as a fortress. No creepers hid its nakedness, and the long narrow windows were dark-curtained and uninviting.

The man in the old-fashioned bedroom turned away from the window and went on with his dressing.

‘Gloomy old place,' he remarked to his reflection in the mirror. ‘Thank God it's not mine.'

He tweaked his black tie deftly as he spoke, and stood back to survey the effect.

George Abbershaw, although his appearance did not indicate it, was a minor celebrity.

He was a smallish man, chubby and solemn, with a choir-boy expression and a head of ridiculous bright-red curls which gave him a somewhat fantastic appearance. He was fastidiously tidy in his dress and there was an air of precision in everything he did or said which betrayed an amazingly orderly mind. Apart from this, however, there was nothing about him to suggest that he was particularly distinguished or even mildly interesting, yet in a small and exclusive circle of learned men Dr George Abbershaw was an important person.

His book on pathology, treated with special reference to fatal wounds and the means of ascertaining their probable causes, was a standard work, and in view of his many services to the police in the past his name was well known and his opinion respected at the Yard.

At the moment he was on holiday, and the unusual care which he took over his toilet suggested that he had not come down to Black Dudley solely for the sake of recuperating in the Suffolk air.

Much to his own secret surprise and perplexity, he had fallen in love.

He recognized the symptoms at once and made no attempt at self-deception, but with his usual methodical thoroughness set himself to remove the disturbing emotion by one or other of the only two methods known to mankind – disillusionment or marriage. For that reason, therefore, when Wyatt Petrie had begged him to join a week-end party at his uncle's house in the country, he had been persuaded to accept by the promise that Margaret Oliphant should also be of the party.

Wyatt had managed it, and she was in the house.

George Abbershaw sighed, and let his thoughts run on idly about his young host. A queer chap, Wyatt: Oxford turned out a lot of interesting young men with bees in their bonnets. Wyatt was a good lad, one of the best. He was profoundly grateful to Wyatt. Good Lord, what a profile she had, and there was brain there too, not empty prettiness. If only … ! He pulled himself together and mentally rebuked himself.

This problem must be attacked like any other, decently and in order.

He must talk to her; get to know her better, find out what she liked, what she thought about. With his mind still on these things the booming of the dinner gong surprised him, and he hurried down the low-stepped Tudor staircase as nearly flurried as he had ever been in his life.

However bleak and forbidding was Black Dudley's exterior, the rooms within were none the less magnificent.
Even here there were the same signs of neglect that were so evident in the Park, but there was a certain dusty majesty about the dark-panelled walls with the oil-paintings hanging in their fast-blackening frames, and in the heavy, dark-oak furniture, elaborately carved and utterly devoid of polish, that was very impressive and pleasing.

The place had not been modernized at all. There were still candles in the iron sconces in the hall, and the soft light sent great shadows, like enormous ghostly hands, creeping up to the oak-beamed ceiling.

George sniffed as he ran down the staircase. The air was faintly clammy and the tallow smelt a little.

‘Damp!' said he to himself. ‘These old places need a lot of looking after … shouldn't think the sanitary system was any too good. Very nice, but I'm glad it's not mine.'

The dining-hall might have made him change his mind. All down one side of the long, low room was a row of stained-glass windows. In a great open fireplace a couple of faggots blazed whole, and on the long refectory table, which ran nearly the entire length of the flagged floor, eight seven-branched candlesticks held the only light. There were portraits on the walls, strangely differing in style, as the artists of the varying periods followed the fashions set by the masters of their time, but each face bearing a curious likeness to the next – the same straight noses, the same long thin lips, and above all, the same slightly rebellious expression.

Most of the party had already assembled when Abbershaw came in, and it struck him as incongruous to hear the babble of bright young conversation in this great tomb of a house with its faintly musty air and curiously archaic atmosphere.

As he caught sight of a gleam of copper-coloured hair on the other side of the table, however, he instantly forgot any sinister dampness or anything at all mysterious or unpleasant about the house.

Meggie Oliphant was one of those modern young women who manage to be fashionable without being ordinary in any way. She was a tall, slender youngster with a clean-cut white
face, which was more interesting than pretty, and dark-brown eyes, slightly almond-shaped, which turned into slits of brilliance when she laughed. Her hair was her chief beauty, copper-coloured and very sleek; she wore it cut in a severe ‘John' bob, a straight thick fringe across her forehead.

George Abbershaw's prosaic mind quivered on the verge of poetry when he looked at her. To him she was exquisite. He found they were seated next to each other at table, and he blessed Wyatt for his thoughtfulness.

He glanced up the table at him now and thought what a good fellow he was.

The candle-light caught his clever, thoughtful face for an instant, and immediately the young scientist was struck by the resemblance to the portraits on the wall. There was the same straight nose, the same wide thin-lipped mouth.

Wyatt Petrie looked what he was, a scholar of the new type. There was a little careful disarrangement in his dress, his brown hair was not quite so sleek as his guests', but he was obviously a cultured, fastidious man: every shadow on his face, every line and crease of his clothes indicated as much in a subtle and elusive way.

Abbershaw regarded him thoughtfully and, to a certain degree, affectionately. He had the admiration for him that one first-rate scholar always has for another out of his own line. Idly he reviewed the other man's record. Head of a great public school, a First in Classics at Oxford, a recognized position as a minor poet, and above all a good fellow. He was a rich man, Abbershaw knew, but his tastes were simple and his charities many. He was a man with an urge, a man who took life, with its problems and its pleasures, very seriously. So far as the other man knew he had never betrayed the least interest in women in general or in one woman in particular. A month ago Abbershaw would have admired him for this attribute as much as for any other. Today, with Meggie at his side, he was not so sure that he did not pity him.

From the nephew, his glance passed slowly round to the
uncle, Colonel Gordon Coombe, host of the week-end.

He sat at the head of the table, and Abbershaw glanced curiously at this old invalid who liked the society of young people so much that he persuaded his nephew to bring a houseful of young folk down to the gloomy old mansion at least half a dozen times a year.

He was a little man who sat huddled in his high-backed chair as if his backbone was not strong enough to support his frame upright. His crop of faded yellow hair was now almost white, and stood up like a hedge above a narrow forehead. But by far the most striking thing about him was the flesh-coloured plate with which clever doctors had repaired a war-mutilated face which must otherwise have been a horror too terrible to think upon. From where he sat, perhaps some fourteen feet away, Abbershaw could only just detect it, so skilfully was it fashioned. It was shaped roughly like a one-sided half-mask and covered almost all the top right-hand side of his face, and through it the Colonel's grey-green eyes peered out shrewd and interested at the tableful of chattering young people.

George looked away hastily. For a moment his curiosity had overcome his sense of delicacy, and a wave of embarrassment passed over him as he realized that the little grey-green eyes had rested upon him for an instant and had found him eyeing the plate.

He turned to Meggie with a faint twinge of unwanted colour in his round cherubic face, and was a little disconcerted to find her looking at him, a hint of a smile on her lips and a curious brightness in her intelligent, dark-brown eyes. Just for a moment he had the uncomfortable impression that she was laughing at him.

He looked at her suspiciously, but she was no longer smiling, and when she spoke there was no amusement or superiority in her tone.

‘Isn't it a marvellous house?' she said.

He nodded.

‘Wonderful,' he agreed. ‘Very old, I should say. But it's very lonely,' he added, his practical nature coming out in
spite of himself. ‘Probably most inconvenient … I'm glad it's not mine.'

The girl laughed softly.

‘Unromantic soul,' she said.

Abbershaw looked at her and reddened and coughed and changed the conversation.

‘I say,' he said, under the cover of the general prittle-prattle all around them, ‘do you know who everyone is? I only recognize Wyatt and young Michael Prenderby over there. Who are the others? I arrived too late to be introduced.'

The girl shook her head.

‘I don't know many myself,' she murmured. ‘That's Anne Edgeware sitting next to Wyatt – she's rather pretty, don't you think? She's a Stage-cum-Society person; you must have heard of her.'