Now the Mad Mariner was wringing Brownie by the hand and saying:
‘Take care of her, Brown my boy.’
Which caused Brownie to burst out laughing, and the Mad Mariner dropped the straightforward manly tones and returned to normal and said:
‘Now be my guest everyone. We’ll nip up into the “Mayfair” and drink to the happy couple.’
It was ten o’clock the same night. The wedding reception was going apace—drinks in the bed-sit, food in the kitchen, dancing on the balcony, the last thanks to the taxi-driver from the next flat who had loaned his radiogram and records, brought his girl friend and joined the festivities. Everything was going well. Joey and the landlady’s daughter had not yet had the fight with which they always enlivened parties. The Mad Mariner had so far successfully been prevented from making a speech that started: ‘I knew these two dear young people when they were living in a cabin aboard the old
Dalton.’
Lola’s mother had delighted all who knew her by having one decorous sip of champagne and refusing hard liquor for the rest of the evening, and she and the Mad Mariner had just performed a Charleston that was considered a great triumph by one and all. Said the Mad Mariner:
‘Didn’t I say, Brownie boy, that I’d dance at your wedding when you and Lola were down in Melbourne—’
‘Have a drink bosun,’ said Brownie, wondering if there were any precedent for doping the best man’s grog.
Lola was standing by herself at the edge of the balcony, looking down at Elizabeth Bay. She was, for a moment, isolated in one of those little seas of silence that can close around one at a party. She was very happy and very tired. She had been up early; she had spent all the afternoon cleaning the flat, helping with the savouries and so on, and she had been rocking and rolling almost non-stop for a couple of hours. She bent down and pulled off the lovely wedding shoes. She felt the cool of the tesselated floor strike through her stockings, and she sighed blissfully.
Brownie came up to her and put his hand on her arm.
‘Let’s shoot through for a while,’ he said.
‘Where to?’
‘Anywhere—just to be alone together on our wedding day. Get into something comfortable and we’ll blow.’
Lola looked down at the crumpled golden sheath with love.
‘Oh, Brownie,’ she said, ‘I couldn’t take this off. I want to be buried in it.’
Brownie laughed. ‘O.K., but let’s go.’
So Lola slipped into comfortable scuffs and put Brownie’s duffle jacket across her shoulders and they went into the kitchen and told Mrs. Lovell they were going. She nodded.
‘A good idea,’ she said. ‘I’ll handle this crowd here.’
Once in the street they caught a taxi and then had no idea where they wanted to go.
‘I’ll run you down to the ferry and you can go across to Manly,’ said the taxi-driver. ‘That’s where all the lovers go, isn’t it, eh?’
He turned around and smiled at them.
‘Lovers!’ scoffed Lola. ‘We’re an old married couple.’
The taxi-driver’s smile broadened.
‘Lady,’ he said, ‘wipe the confetti out of your eyelashes.’
So they went to Manly where all the lovers go, but it was a little early in the season for lovers, and they strolled along in the darkness all alone, the way Brownie wanted it. They sat beneath the pine trees and looked out at the immensity of the Pacific, black that night because there was no moon, black with lines of white where the surf rolled shorewards. Lola turned round so that she could lean against Brownie and stretch her legs along the rest of the seat. He put his arms around her and drew her closer to him. She was silent for a while and then she said:
‘You know what, Brownie, we’ve got responsibilities now and, just think, you’re twenty-one, I’m nearly twenty.’
‘Well, I hadn’t noticed any actual senile decay.’
‘No, but no longer do we have the old teen-ager excuse.’
‘I was a teen-age werewolf.’
‘I just mean no one is going to feel sentimental about us any more.’
‘I never noticed anyone ever did.’
‘No, but we were a fashionable section of society and now we’re not. We’re old married squares.’
Brownie kissed the top of her head.
‘Feels good doesn’t it?’ he said.
‘You ridiculous boy, I’m trying to be serious.’
‘The young matron, of course.’
‘Yes, I am, and what I’m saying is we’re married, responsible people. You might be a father by this time next year. How do you feel about that? Scared, eh?’
‘No, of course not.’
‘Darling Brownie, you’re never scared.’
Brownie rose to his feet and took her by the hand. Together they walked to where the edge of the surf hissed up along the sand. Far across the water, making for North Head, the lights of a steamer shone through the dark. They stood without speaking for a moment then Lola linked her arm through Brownie’s.
‘Oh, darling,’ she said, ‘it’s terrible to end this day. Why must we get tired? But I am tired, sweetheart, so take me home to bed.’
Brownie nodded.
‘Yes,’ he said. ‘I’ll take you home.’
And still looking out at the ship that glowed in the night he took a two-shilling piece from his pocket and flung it far into the surf.
‘The sea buys your gear,’ he said, ‘and the sea and I are going to look after you until the day I die.’
Dancing on Coral
Glenda Adams
Introduced by Susan Wyndham
The Commandant
Jessica Anderson
Introduced by Carmen Callil
Homesickness
Murray Bail
Introduced by Peter Conrad
Sydney Bridge Upside Down
David Ballantyne
Introduced by Kate De Goldi
Bush Studies
Barbara Baynton
Introduced by Helen Garner
The Cardboard Crown
Martin Boyd
Introduced by Brenda Niall
A Difficult Young Man
Martin Boyd
Introduced by Sonya Hartnett
Outbreak of Love
Martin Boyd
Introduced by Chris Womersley
When Blackbirds Sing
Martin Boyd
Introduced by Chris Wallace-Crabbe
The Australian Ugliness
Robin Boyd
Introduced by Christos Tsiolkas
All the Green Year
Don Charlwood
Introduced by Michael McGirr
They Found a Cave
Nan Chauncy
Introduced by John Marsden
The Even More Complete
Book of Australian Verse
John Clarke
Diary of a Bad Year
J. M. Coetzee
Introduced by Peter Goldsworthy
Wake in Fright
Kenneth Cook
Introduced by Peter Temple
The Dying Trade
Peter Corris
Introduced by Charles Waterstreet
They’re a Weird Mob
Nino Culotta
Introduced by Jacinta Tynan
The Songs of a Sentimental Bloke
C. J. Dennis
Introduced by Jack Thompson
Careful, He Might Hear You
Sumner Locke Elliott
Introduced by Robyn Nevin
Fairyland
Sumner Locke Elliott
Introduced by Dennis Altman
The Explorers
Edited and introduced by
Tim Flannery
Terra Australis
Matthew Flinders
Introduced by Tim Flannery
Owls Do Cry
Janet Frame
Introduced by Margaret Drabble
My Brilliant Career
Miles Franklin
Introduced by Jennifer Byrne
Such is Life
Joseph Furphy
Introduced by David Malouf
The Fringe Dwellers
Nene Gare
Introduced by Melissa Lucashenko
Cosmo Cosmolino
Helen Garner
Introduced by Ramona Koval
Wish
Peter Goldsworthy
Introduced by James Bradley
Dark Places
Kate Grenville
Introduced by Louise Adler
The Idea of Perfection
Kate Grenville
Introduced by Neil Armfield
The Quiet Earth
Craig Harrison
Introduced by Bernard Beckett
Down in the City
Elizabeth Harrower
Introduced by Delia Falconer
The Long Prospect
Elizabeth Harrower
Introduced by Fiona McGregor
The Catherine Wheel
Elizabeth Harrower
Introduced by Ramona Koval
The Watch Tower
Elizabeth Harrower
Introduced by Joan London
Out of the Line of Fire
Mark Henshaw
Introduced by Stephen Romei
The Long Green Shore
John Hepworth
Introduced by Lloyd Jones
The Mystery of a Hansom Cab
Fergus Hume
Introduced by Simon Caterson
The Unknown Industrial Prisoner
David Ireland
Introduced by Peter Pierce
The Glass Canoe
David Ireland
Introduced by Nicolas Rothwell
A Woman of the Future
David Ireland
Introduced by Kate Jennings
Eat Me
Linda Jaivin
Introduced by Krissy Kneen
Julia Paradise
Rod Jones
Introduced by Emily Maguire
The Jerilderie Letter
Ned Kelly
Introduced by Alex McDermott
Bring Larks and Heroes
Thomas Keneally
Introduced by Geordie Williamson
Strine
Afferbeck Lauder
Introduced by John Clarke
The Young Desire It
Kenneth Mackenzie
Introduced by David Malouf
Stiff
Shane Maloney
Introduced by Lindsay Tanner
The Middle Parts of Fortune
Frederic Manning
Introduced by Simon Caterson
Selected Stories
Katherine Mansfield
Introduced by Emily Perkins
The Home Girls
Olga Masters
Introduced by Geordie Williamson
Amy’s Children
Olga Masters
Introduced by Eva Hornung
The Scarecrow
Ronald Hugh Morrieson
Introduced by Craig Sherborne
The Dig Tree
Sarah Murgatroyd
Introduced by Geoffrey Blainey
A Lifetime on Clouds
Gerald Murnane
Introduced by Andy Griffiths
The Plains
Gerald Murnane
Introduced by Wayne Macauley
The Odd Angry Shot
William Nagle
Introduced by Paul Ham
Life and Adventures 1776–1801
John Nicol
Introduced by Tim Flannery
Death in Brunswick
Boyd Oxlade
Introduced by Shane Maloney
Swords and Crowns and Rings
Ruth Park
Introduced by Alice Pung
The Watcher in the Garden
Joan Phipson
Introduced by Margo Lanagan
Maurice Guest
Henry Handel Richardson
Introduced by Carmen Callil
The Getting of Wisdom
Henry Handel Richardson
Introduced by Germaine Greer
The Fortunes of Richard Mahony
Henry Handel Richardson
Introduced by Peter Craven
The Delinquents
Criena Rohan
Introduced by Nick Earls
Rose Boys
Peter Rose
Introduced by Brian Matthews
Hills End
Ivan Southall
Introduced by James Moloney
Ash Road
Ivan Southall
Introduced by Maurice Saxby
To the Wild Sky
Ivan Southall
Introduced by Kirsty Murray
Lillipilly Hill
Eleanor Spence
Introduced by Ursula Dubosarsky
The Women in Black
Madeleine St John
Introduced by Bruce Beresford
The Essence of the Thing
Madeleine St John
Introduced by Helen Trinca
Jonah
Louis Stone
Introduced by Frank Moorhouse
An Iron Rose
Peter Temple
Introduced by Les Carlyon
1788
Watkin Tench
Introduced by Tim Flannery
The House that Was Eureka
Nadia Wheatley
Introduced by Toni Jordan
Happy Valley
Patrick White
Introduced by Peter Craven
I for Isobel
Amy Witting
Introduced by Charlotte Wood
I Own the Racecourse!
Patricia Wrightson
Introduced by Kate Constable