The Dog Said Bow-Wow (20 page)

She could tell from Mr. Tarblecko’s voice that he was standing right behind her. “If I told you to jump, Eleanor Voigt, would you do so?”

“Yes,” she squeaked.

“What kind of person jumps to her death simply because she’s been told to do so?”

“A…a slave!”

“Then what are you?”

“A slave! A slave! I’m a slave!” She was weeping openly now, as much from humiliation as from fear. “I don’t want to die! I’ll be your slave, anything, whatever you say!”

“If you’re a slave, then what kind of slave should you be?”

“A…a…
good
slave.”

“Come back inside.”

Gratefully, she twisted around, and climbed back into the office. Her knees buckled when she tried to stand, and she had to grab at the windowsill to keep from falling. Mr. Tarblecko stared at her, sternly and steadily.

“You have been given your only warning,” he said. “If you disobey again — or if you ever try to quit — I will order you out the window.”

He walked into the closet and closed the door behind him.

There were two hours left on her shift — time enough, barely, to compose herself. When the disheveled young poet showed up, she dropped her key in her purse and walked past him without so much as a glance. Then she went straight to the nearest hotel bar and ordered a gin and tonic.

She had a lot of thinking to do.

Eleanor Voigt was not without resources. She had been an executive secretary before meeting her late husband, and everyone knew that a good executive secretary effectively runs her boss’s business for him.

Before the Crash, she had run a household with three servants. She had entertained. Some of her parties had required weeks of planning and preparation. If it weren’t for the Depression, she was sure she’d be in a much better-paid position than the one she held.

She was
not
going to be a slave.

But before she could find a way out of her predicament, she had to understand it. First, the closet. Mr. Tarblecko had left the office and then, minutes later, popped up inside it. A hidden passage of some kind? No — that was simultaneously too complicated and not complicated enough. She had heard machinery, just before she opened the door. So…some kind of transportation device, then. Something that a day ago she would have sworn couldn’t exist. A teleporter, perhaps, or a time machine.

The more she thought of it, the better she liked the thought of the time machine. It was not just that teleporters were the stuff of Sunday funnies and Buck Rogers serials, while
The Time Machine
was a distinguished philosophical work by Mr. H. G. Wells. Though she had to admit that figured in there. But a teleportation device required a twin somewhere, and Mr. Tarblecko hadn’t had the time even to leave the building.

A time machine, however, would explain so much! Her employer’s long absences. The necessity that the device be watched when not in use, lest it be employed by Someone Else. Mr. Tarblecko’s abrupt appearance today, and his possession of a coercive power that no human being on Earth had.

The fact that she could no longer think of Mr. Tarblecko as human.

She had barely touched her drink, but now she found herself too impatient to finish it. She slapped a dollar bill down on the bar and, without waiting for her change, left.

During the time it took to walk the block and a half to the office building and ride the elevator up to the ninth floor, Ellie made her plans. She strode briskly down the hallway and opened the door without knocking. The unkempt young man looked up, startled, from a scribbled sheet of paper.

“You have a watch?”

“Y-yes, but…Mr. Tarblecko…”

“Get out. Come back in forty minutes.”

With grim satisfaction, she watched the young man cram his key into one pocket and the sheet of paper into another and leave.
Good slave
, she thought to herself. Perhaps he’d already been through the little charade Mr. Tarblecko had just played on her. Doubtless every employee underwent ritual enslavement as a way of keeping them in line. The problem with having slaves, however, was that they couldn’t be expected to display any initiative… Not on the master’s behalf, anyway.

Ellie opened her purse and got out the key. She walked to the closet.

For an instant she hesitated. Was she really sure enough to risk her life? But the logic was unassailable. She had been given no second chance. If Mr. Tarblecko
knew
she was about to open the door a second time, he would simply have ordered her out the window on her first offense. The fact that he hadn’t meant that he didn’t know.

She took a deep breath and opened the door.

There was a world inside.

For what seemed like forever, Ellie stood staring at the bleak metropolis so completely unlike New York City. Its buildings were taller than any she had ever seen — miles high! — and interlaced with skywalks, like those in
Metropolis
. But the buildings in the movie had been breathtaking, and these were the opposite of beautiful. They were ugly as sin: windowless, grey, stained, and discolored. There were monotonous lines of harsh lights along every street, and under their glare trudged men and women as uniform and lifeless as robots. Outside the office, it was a beautiful bright day. But on the other side of the closet, the world was dark as night.

And it was snowing.

Gingerly, she stepped into the closet. The instant her foot touched the floor, it seemed to expand to all sides. She stood at the center of a great wheel of doors, with all but two of them — to her office and to the winter world — shut. There were hooks beside each door, and hanging from them were costumes of a hundred different cultures. She thought she recognized togas, Victorian opera dress, kimonos… But most of the clothing was unfamiliar.

Beside the door into winter, there was a long cape. Ellie wrapped it around herself, and discovered a knob on the inside. She twisted it to the right, and suddenly the coat was hot as hot. Quickly, she twisted the knob to the left, and it grew cold. She fiddled with the thing until the cape felt just right. Then she straightened her shoulders, took a deep breath, and stepped out into the forbidding city.

There was a slight electric sizzle, and she was standing in the street.

Ellie spun around to see what was behind her: a rectangle of some glassy black material. She rapped it with her knuckles. It was solid. But when she brought her key near its surface, it shimmered and opened into that strange space between worlds again.

So she had away back home.

To either side of her rectangle were identical glassy rectangles faceted slightly away from it. They were the exterior of an enormous kiosk, or perhaps a very low building, at the center of a large, featureless square. She walked all the way around it, rapping each rectangle with her key. Only the one would open for her.

The first thing to do was to find out where — or, rather,
when —
she was. Ellie stepped in front of one of the hunched, slow-walking men. “Excuse me, sir, could you answer a few questions for me?”

The man raised a face that was utterly bleak and without hope. A ring of grey metal glinted from his neck. “Hawrzat dagtiknut?” he asked.

Ellie stepped back in horror and, like a wind-up toy temporarily halted by a hand or a foot, the man resumed his plodding gait.

She cursed herself. Of
course
language would have changed in the however-many-centuries future she found herself in. Well…that was going to make gathering information more difficult. But she was used to difficult tasks. The evening of John’s suicide, she had been the one to clean the walls and the floor. After that, she’d known that she was capable of doing anything she set her mind to.

Above all, it was important that she not get lost. She scanned the square with the doorways in time at its center — mentally, she dubbed it Times Square — and chose at random one of the broad avenues converging on it. That, she decided would be Broadway.

Ellie started down Broadway, watching everybody and everything. Some of the drone-folk were dragging sledges with complex machinery on them. Others were hunched under soft, translucent bags filled with murky fluid and vague biomorphic shapes. The air smelled bad, but in ways she was not familiar with.

She had gotten perhaps three blocks when the sirens went off — great piercing blasts of noise that assailed the ears and echoed from the building walls. All the streetlights flashed off and on and off again in a one-two rhythm. From unseen loudspeakers, an authoritative voice blared, “
Akgang! Akgang! Kronzvarbrakar! Zawzawkstrag! Akgang! Akgang…
”

Without hurry, the people in the street began turning away, touching their hands to dull grey plates beside nondescript doors and disappearing into the buildings.

“Oh, cripes!” Ellie muttered. She’d best —

There was a disturbance behind her. Ellie turned and saw the strangest thing yet.

It was a girl of eighteen or nineteen, wearing summer clothes — a man’s trousers, a short-sleeved flower-print blouse — and she was running down the street in a panic. She grabbed at the uncaring drones, begging for help. “Please!” she cried. “Can’t you help me? Somebody! Please…you have to help me!” Puffs of steam came from her mouth with each breath. Once or twice she made a sudden dart for one of the doorways and slapped her hand on the greasy plates. But the doors would not open for her.

Now the girl had reached Ellie. In a voice that expected nothing, she said, “Please?”

“I’ll help you, dear,” Ellie said.

The girl shrieked, then convulsively hugged her. “Oh, thank you, thank you, thank you,” she babbled.

“Follow close behind me.” Ellie strode up behind one of the lifeless un-men and, just after he had slapped his hand on the plate, but before he could enter, grabbed his rough tunic and gave it a yank. He turned.

“Vamoose!” she said in her sternest voice, and jerked a thumb over her shoulder.

The un-man turned away. He might not understand the word, but the tone and the gesture sufficed.

Ellie stepped inside, pulling the girl after her. The door closed behind them.

“Wow,” said the girl wonderingly. “How did you do that?”

“This is a slave culture. For a slave to survive, he’s got to obey anyone who acts like a master. It’s that simple. Now, what’s your name and how did you get here?” As she spoke, Ellie took in her surroundings. The room they were in was dim, grimy — and vast. So far as she could see, there were no interior walls, only the occasional pillar and here and there a set of functional metal stairs without railings.

“Nadine Shepard. I…I…there was a door! And I walked through it and I found myself
here!
I…”

The child was close to hysteria. “I know, dear. Tell me, when are you from?”

“Chicago. On the North Side, near —”

“Not where, dear, when? What year is it?”

“Uh…two thousand and four. Isn’t it?”

“Not here. Not now.” The grey people were everywhere, moving sluggishly, yet always keeping within sets of yellow lines painted on the concrete floor. Their smell was pervasive, and far from pleasant. Still…

Ellie stepped directly into the path of one of the sad creatures, a woman. When she stopped, Ellie took the tunic from her shoulders and then stepped back. Without so much as an expression of annoyance, the woman resumed her plodding walk.

“Here you are.” She handed the tunic to young Nadine. “Put this on, dear, you must be freezing. Your skin is positively blue.” And, indeed, it was not much warmer inside than it had been outdoors. “I’m Eleanor Voigt. Mrs. Eleanor Voigt.”

Shivering, Nadine donned the rough garment. But instead of thanking Ellie, she said, “You look familiar.”

Ellie returned her gaze. She was a pretty enough creature though, strangely, she wore no makeup at all. Her features were regular, intelligent— “You look familiar too. I can’t quite put my finger on it, but…”

“Okay,” Nadine said, “now tell me. Please. Where and when am I, and what’s going on?”

“I honestly don’t know,” Ellie said. Dimly, through the walls, she could hear the sirens and the loudspeaker-voice. If only it weren’t so murky in here! She couldn’t get any clear idea of the building’s layout or function.

“But you must know! You’re so…so capable, so in control. You…”

“I’m a castaway like you, dear. Just figuring things out as I go along.” She continued to peer. “But I can tell you this much: We are far, far in the future. The poor degraded beings you saw on the street are the slaves of a superior race — let’s call them the Aftermen. The Aftermen are very cruel, and they can travel through time as easily as you or I can travel from city to city via inter-urban rail. And that’s all I know. So far.”

Nadine was peering out a little slot in the door that Ellie hadn’t noticed. Now she said, “What’s this?”

Ellie took her place at the slot, and saw a great bulbous street-filling machine pull to a halt a block from the building. Insectoid creatures that might be robots or might be men in body armor poured out of it, and swarmed down the street, examining every door. The sirens and the loudspeakers cut off. The streetlights returned to normal. “It’s time we left,” Ellie said.

An enormous artificial voice shook the building.
Akbang! Akbang! Zawzawksbild! Alzowt! Zawzawksbild! Akbang!

“Quickly!”

She seized Nadine’s hand, and they were running.

Without emotion, the grey folk turned from their prior courses and unhurriedly made for the exits.

Ellie and Nadine tried to stay off the walkways entirely. But the air began to tingle, more on the side away from the walkways than the side toward, and then to burn and then to sting. They were quickly forced between the yellow lines. At first they were able to push their way past the drones, and then to shoulder their way through their numbers. But more and more came dead-stepping their way down the metal stairways. More and more descended from the upper levels via lifts that abruptly descended from the ceiling to disgorge them by the hundreds. More and more flowed outward from the building’s dim interior.

Passage against the current of flesh became first difficult, and then impossible. They were swept backwards, helpless as corks in a rain-swollen river. Outward they were forced and through the exit into the street.