Authors: Denise Sewell
PENGUIN BOOKS
Denise Sewell grew up in Cavan town. Before becoming a full-time writer, she worked variedly in Ireland and the US as a telegram girl, substitute teacher, hot-dog vendor, waitress, nurse's aid and post office clerk. She now lives in County Monaghan with her husband and two children.
The Fall Girl
is her second novel.
For Leo and Nuala McGrath
(Mum and Dad)
There are no excuses for what I've done.
It's 24 August 1999: almost midnight. I've just spoken to my father on the phone. He's very upset; I've let him down again.
âIt'll be the shock,' Sergeant Hennessy says. âGive him time, he'll come round.'
I have to spend the night in a cell at the Garda Station, but I don't care; a bed is a bed and at this stage my body feels shaky with exhaustion. As soon as the bangharda opens the door leading to the cells, a vile smell fills my nostrils and my stomach churns.
âI'm not going in there,' I whimper, taking a panicky step back. âIt smells of piss and shit.'
âI'm sorry,' she shrugs. âThere's nowhere else to put you. This is it, I'm afraid.'
Someone lets out a string of obscenities from behind a cell door.
âAre there
men
in there?'
âJust one man so far: the night is young. But, don't worry, you've a cell to yourself. Now, come on,' she tugs my elbow, âyou'll be grand.'
âCan I stay in the interview room?'
âNo, Frances, you can't. That room could be used several times before the night is out.'
âYou can put her in beside me,' the gruff-tongued man shouts. âI'll keep her company. Is she good-lookin'?'
âShut up, Packie,' she tells him.
But he doesn't. âAre you good-lookin'?' he shouts a little louder.
We're standing at a cell door now. The bangharda is turning the key. âDon't mind him,' she says, âhe's a regular guest in here.'
As she opens the door, the smell thickens and my stomach retches.
âToilet,' I cry, putting my hand over my mouth.
âOK, come on.' She leads me back to the Ladies, where I vomit several times.
Afterwards, she gets me a cup of water and I stand with my back against the cubicle wall, sipping and sobbing.
âIt's only for one night, Frances,' she says.
âWhy? Where will I be tomorrow night?'
âI don't know, but it won't be as dirty as this kip here, I can promise you that.'
âI can't go back in there. Can I not stay in the other room where I saw the doctor?'
She shakes her head.
âPlease let me.'
âI can't.'
âIf you take me back there, I'm going to throw up again.'
âThen you're going to have to do it inside the cell. You can't keep coming out to the toilet all night.'
âIs there no toilet in there?'
âNo, but there is an alternative. Come on,' she sighs, taking
the empty plastic cup from my hand, âlet's go. The eyes are hanging out of your head; you need to sleep.' She opens the door. âAfter you.'
âOh no, oh Jesus!' I groan, dragging myself down the corridor a reluctant pace ahead of her.
âIf it's any consolation,' she says, âI find the stink revolting too, and I'm in and out of here several times a week.'
âSo where's the alternative?' I ask as soon as I step inside the cell.
âThere.' She's pointing to what looks like a shallow sink built into the floor.
âYou're joking.'
âI'm not.'
âBut â'
The man in the next cell lets out an unmerciful belch.
âI need a drink, youse shower of fuckin' bastards,' he roars. âIf youse don't get me one now, I'll kick this fuckin' door down.'
âSorry, I have to go,' the bangharda says. âJust try to get some sleep, will you?'
Before I have time to draw breath, she's out the door and turning the key in the lock.
I'm alone now, heart banging inside my ribcage like a mad animal. I look around me. The walls and floor are grimy. There's a dirty blanket flung across a thin, stained mattress. The toilet is a dip in the ground with a plughole that is clogged with all sorts of grot.
My God! What have I done?
A buzzer goes off and I yelp, staggering as I take a step back. Within a few seconds, I hear whistling and a key turn in the outer door. It's not the bangharda this time.
âWhat do you want now, Packie?'
âA fuckin' drink.'
âWill water do you?'
âWater me arse. I want a real drink.'
âIf you call me in here again to ask me for booze, I'm switching that buzzer off for the night, got it?'
âYou can't do that; it's against the law. I'll report you.'
âReport whatever the fuck you like. If you don't stop wasting my time, the buzzer is going off, end of story.'
âExcuse me, Guard, excuse me, Guard,' I splutter, bolting towards the cell door and knocking frantically.
The hatch opens. âYes?' Two angry eyes are glaring at me.
âEh, eh â¦' I swallow hard, fighting back the tears.
âWhat? Spit it out, I haven't got all night.'
âI don't want to stay in here,' I sob. âPlease.'
The man in the other cell starts shouting, âThis little piggy went to market, oink oink. This little piggy stayed at home â¦'
âThat's it, Packie,' the Guard tells him, âyour buzzer's going off.' He looks back at me. âWhat did you expect, the Hilton?'
â⦠and this poor piggy got none,' the man roars.
âNo, but â'
âLook, it's a cell you're in, not a honeymoon suite, so get used to it, cos there's nothing I or anyone else can do for you.'
âTom, Tom the piper's son, stole a pig and away did run. Yah-fuckin'-hoo,' the man howls.
âChrist, such a night!' the Guard groans, slamming the hatch shut.
As I back away from the door towards the bed, it begins to hit me â the depth of the trouble I'm in. I have committed a serious crime. It can't be undone. I'm a prisoner. My father doesn't want to know me. My life will never be the same again.
I lift the manky blanket and wrap it around my shoulders.
Surrendering to the dirt and the smell, I lie down on the mattress and curl up. My feet are swollen, my back aches. I'm still trembling.
Why did I listen to that woman in the jeweller's shop? Why do I always let other people's comments get to me? Why did I do it?
My head is swimming. When I shut my eyes, I see myself back in Dublin, chin up, all business. I'm happy, and why not? It's my daughter's eighteenth birthday â a milestone. I walk into a jeweller's shop in Henry Street and pick out a gold chain â a T-bar chain, eighteen inches. An inch for every year.
âGood choice,' the assistant says. âIs it for yourself ?'
âNo,' I smile. âIt's for my daughter.'
âLucky girl. How old?'
âEighteen.'
âSame age as my own,' she says, fixing the chain in the velvet-lined gift box and holding it up for my approval.
I nod.
âI must say, I love gold myself, though you'd not see
my
young one wearing it. They're all into silver nowadays. Still, as far as I'm concerned â¦'
I run out the door and into the middle of the street, where I stop short. She calls out after me, âAre you all right, missus?'
There are throngs of people walking in all directions. What's wrong with me? Why didn't
I
think of that? I should have known â silver, not gold. My cover's blown. I can't even fool myself any longer. She isn't eighteen. She hasn't grown up. I lost her. No! Stop! Don't think about it, not today. Don't go, Baby Fall. Be, for me. Get back in my head. Get back in my womb. And kick.
People brush past me, bump into me, tread on my toes. They've no manners. Can they not see me? Someone nearly
knocks me down. I try to walk away, but I can't find a passage: I'm surrounded. A mother with a pram crosses the street in front of me: âExcuse me, excuse me.' Everyone makes way. Like a disciple, I follow her, just to get out of the maze, to breathe. She stops outside a boutique, puts her foot down on the brake of the pram and walks in the door, a bag slung over her shoulder, high heels, lipstick. She has her hungry eyes on the merchandise, on the price tags. Never mind the baby.
When I peep inside the pram, I clamp my hand over my mouth and gasp. Although she's bigger than my baby was, she still looks new.
The security guard is watching the shapely mother flicking through the rails. Tight jeans, tight bum.
I could have been anyone â a nutter, a killer, one of those child-traffickers, just waiting for the right opportunity. You can't be careful enough these days.
âShe was lucky it was me and not one of them.' That's what I tell Sergeant Hennessy.
âI suppose it's one way of looking at it, but you still did wrong.'
âI never meant to hurt anyone. I'm sorry.'
âI can see that.'
âCan I go home now?'
âIt's not that simple, I'm afraid.'
âWhy not?'
âThere are procedures.'
âProcedures?'
âIn cases like this.'
âHow do you mean?'
âYou kidnapped a baby, Frances.'
âYou're making me out to be some sort of criminal.'
âTechnically, you are.'
Can you believe that? Me, Mousy Fall â a criminal. Put that in your celestial pipe, Mother, and smoke it.
Mousy Fall was my nickname at school. I hated it. I used to feel grateful if someone called me by my name, especially Lesley. I was always Frances to Lesley.
It's my first day at secondary school. I'm waiting for the school bus. My mother's poking her head in and out of the front door, keeping an eye on me. I'm pretending not to see her. The twins â Angelina and Attracta Reilly â say she's like one of those ornamental storks on a pendulum, long pointy hooter and all. Hurry up, bus.
My uniform skirt is hanging inches below my gabardine to half-way down my calves. I'm wearing white knee-high socks, no flesh exposed. I look hideous. There are only two other girls from the village attending the Mercy Convent, but they're in third year and are wearing blazers and knee-length skirts.
My schoolbag feels a ton weight. The straps are digging into the tops of my shoulders. I'm too warm. I'd love to throw my bag down on the ground where the other students have thrown theirs and undo the belt and buttons of my gabardine, but my mother is probably still watching me. Best to leave it the way it is.
With all the pushing and shoving to get on the bus, I stand
back and wait. I don't mind being last. What about it? Blessèd are the meek and all that. I get the front seat. For they shall inherit the front seat. No one else wants it.
âOi, look, Frances,' one of the boys shouts down the bus, âyour mother's waving at ya.'
Big laugh.
âYour man back there gave your mother the fingers,' Attracta tells me.
It's all right for the rest of them. They're used to it â the rowdiness, the slagging, the crude language.
Every time the bus stops to pick up more students, there's an uproar.
âHurry up, Jones, ya huare ya.'
âShut it, Four-eyes, or I'll bate the head off ya.'
And it isn't just the boys. When I hear someone strike a match, I turn and see Susan Scully, in the seat behind me, light a cigarette like a seasoned smoker.
âWant a drag, Mousy?' she says, sticking out her chin and blowing a thin line of smoke in my direction.
Mousy! Is she talking to me? She is!
âHere, Mousy Mousy, want a nibble of my cheese sandwich?'
âWhere's your hole, Mousy?'
I don't react. If I ignore them, they'll get fed up and pick on someone else. But they don't.
By the time we arrive at the convent, I'm well and truly christened. Mousy Fall. It sticks. I think it's funny how my mother often turns out to be right about people, hard as I find her scornfulness to swallow.
I don't expect to see Lesley there. There was no sign of her at the enrolment months earlier, but it's her for sure. Apart from
her height, she hasn't changed much. But there's something different about her. I can't put my finger on it.
A couple of days later, our eyes meet in the corridor, she walking in one direction, me walking in the other. There's a group of girls with her. I'm on my own. I smile at her, hopeful of rekindling our friendship. She smiles back, nostalgically I think. A that-was-then-this-is-now look on her face. The moment passes. There's definitely something different about her. What? An air of tragedy? Eyes that have seen darkness? I'm drawn to her again, but I can't go where I'm not invited. I wouldn't dare. Besides, she has her new friends, lots of them. Smitten just like I was. Am.
It isn't long before Lesley is earning a reputation for herself, and not a great one at that. She doesn't turn up to all her classes. One day she doesn't show up at all and she's not ill. Sister Marie-Therese, the principal, has phoned her mother, who has confirmed that she's not at home sick. We're not in the same class, though, so I only hear rumours.