Authors: Robert Bryndza
T
he incident room
at Lewisham Row had been set up as the response centre for the appeal, which would be going out live on the BBC, Sky and other rolling news channels. Six uniformed officers had been drafted in to man the phones.
Erika, Sparks, Marsh and Colleen had left Lewisham Row an hour before, to go over to the Thistle Hotel near Marble Arch, where the appeal would be taking place.
Moss and Peterson were using the time before the appeal to work on the whereabouts of their prime suspect, Marco Frost. They had been working off address and payroll information from the Caffè Nero where he had worked in Old Compton Street. This had proved to be a dead end; Marco had quit working for them a year ago. They had tried his parents’ address, but Marco’s parents had died within six months of each other the previous year. Marco had been living with them in a rented flat, but had now moved. Moss had just been given a phone number from the landlord. Marco was now living with his aunt and uncle. Moss dialled the phone number, and the uncle answered after only a couple of rings.
T
he conference room
at the Thistle Hotel in Marble Arch was huge and windowless. An endless patterned carpet covered the floor, and the rows of chairs in front of a small platform were almost full. Members of the press waited with their cameras. Lights were being set up, and already a couple of TV journalists were standing practising their pieces to camera. Two large flat-screen televisions were on stands at the side of the room, and they showed live feeds from the BBC News Channel and Sky News. The sound was muted, but across both screens was a banner, trailing that there would shortly be a live press conference and police appeal about the murder of Andrea Douglas-Brown.
On the platform was a long table, dotted at intervals with small microphones. A woman from the hotel staff moved along with a tray, placing a glass and a small carafe of water at each chair. Behind were three video screens showing the blue Met Police logo against a white background.
It never failed to make Erika feel uncomfortable, the relationship the police had with the media; one day pushing them away, accusing them of intruding and twisting the facts, and the next inviting them to a press conference which had all the hallmarks of a theatrical performance.
On cue, Colleen appeared at Erika’s side and asked her to come to the staging area for make-up.
‘Just a little powder to take the shine off your face,’ she added. But the way she looked at her watch indicated it might take a lot longer to get Erika to look half-decent on live television.
T
he hotel had set aside a smaller
conference room next door for police and family. A group of sofas had been pushed together and there was a table with water and orange juice.
Marsh sat wearing his Chief Superintendent uniform. A young girl was working on his face with a tube of foundation and a triangular-shaped sponge. Beside him, another young girl was making up DCI Sparks. They were deep in conversation with Simon and Diana, who sat opposite. Again, Andrea’s parents were both clad in black, and whilst Simon did most of the talking, Diana held on to his hand, nodding and dabbing at her eyes. They looked across and Erika nodded respectfully. Diana nodded back, but Simon ignored her and turned back to Marsh and Sparks.
‘They shouldn’t be a moment, then it’s your turn,’ said Colleen. Erika went over to get a glass of water from the table, which was under a window looking out over the traffic grinding its way around Marble Arch. Linda and David appeared through the door at the back of the room, and approached the table.
‘Hello,’ said Erika, pouring herself some water.
‘Hi,’ said David. He held out his glass and let Erika fill it. He was dressed in jeans and a royal blue jumper and looked very white. Linda wore a long black skirt and a bright red sweater with a plastic moulded panel on the front, depicting a row of thin white cats standing on their hind legs, wearing can-can dresses. Above them was written, ‘WE’RE DOING THE CAT-CAT!’ It seemed garish and inappropriate.
Colleen came back and told Erika they were almost ready.
‘I hate wearing make-up, too,’ said Linda, pouring herself a glass of orange juice.
‘You're not going to be on telly,’ said David, sipping his water.
‘Did you know Jimmy Savile always refused to wear make-up on television? He said he wanted people to see the real him . . . A horrible irony, don’t you think?’ said Linda, flicking her fringe away from her eyes with a twitch. Erika didn’t know what to say, and just nodded.
‘I wrote to his show when I was seven,’ Linda continued. ‘I wanted him to fix it for me to visit the Disney studios and draw a cat for an animation film. You know, they make animations with loads of pictures drawn with tiny differences . . .’
‘I’m sure DCI Foster knows how animation works,’ said David, rolling his eyes at Erika conspiratorially.
‘Of course, I never got a reply . . . Even Jimmy Savile rejected me.’ Linda laughed dryly.
‘Jesus. Can you just try and be normal for once? You come wearing that stupid jumper, making sick jokes!’ snapped David. Linda jumped as he slammed his empty glass on the table and walked away.
‘It wasn’t a joke. I really did want to visit the Disney studios,’ said Linda, blushing and twitching her hair off her forehead. Erika was glad when Colleen appeared and took her to the make-up girl.
Marsh and Sparks were now standing near the door to the larger conference room with Simon and Diana. The make-up girl worked fast on Erika, and just as she finished, a young guy wearing earphones approached and said there were two minutes to go. Erika’s phone rang.
‘Sorry, I need your phone off, it interferes with the sound,’ he said.
‘I’ll just take this quickly,’ said Erika, seeing Moss’s name flash. She moved over to the window and answered the call.
‘Boss, it’s me,’ Moss said. ‘Are you there with the Super and Sparks? I’ve been trying their phones . . .’
‘They’ve switched them off; something to do with the microphones and sound,’ said Erika, realising she’d been third on Moss’s list.
‘We’ve tracked down Marco Frost. He lives with his uncle in North London.’
Erika could see the press conference was about to start. Moss went on, ‘Marco Frost was in Puglia in Italy until two days ago. He went with his uncle and aunt for an extended Christmas break to visit relatives. They drove in the uncle’s car. The uncle owns a convenience store near Angel, and they brought back a shedload of olive oil and meats, etcetera, etcetera.’
‘So Marco Frost has an alibi,’ said Erika, the excitement rising in her.
‘Yup. He even used his credit card when he was abroad. He can’t have killed Andrea.’
Colleen appeared at Erika’s elbow. ‘We have to go, DCI Foster, and that has to be turned off,’ she said.
‘Good work, Moss.’
‘Is it? This means we’re none the wiser about who killed Andrea . . . Well, there’s your theory.’
‘I’ve got to go Moss, I’ll talk to you later,’ said Erika, and hung up. She switched off her phone as she saw the others move towards the conference room. Simon went first, followed by Marsh, then Sparks.
So Marco Frost didn’t kill Andrea,
thought Erika.
Sparks’s theory has just fallen apart.
The conversations she’d had with The Glue Pot barmaid and Ivy needled at her brain.
Andrea had been seen with a dark-haired man and a blonde woman
. . .
They were still out there.
Whoever did this was still out there.
Marsh, Sparks and Simon had now disappeared into the press conference. Diana remained on the sofa. She was crying again and was being comforted by Linda and David.
‘We need you in there,
now
,’ hissed Colleen to Erika.
Giles Osborne burst through the door at the back. He was rugged up in a huge winter coat. He rushed over to Diana, unwinding his scarf and apologising for being late.
‘Have I missed the appeal?’ he said. Diana shook her head through her tears.
‘Now, DCI Foster!’ said Colleen.
Erika made a decision – a decision which would have far reaching consequences . . . She took a deep breath, smoothed down her hair, and went into the press conference.
M
oss
, Peterson, Crane, and the rest of the team were back at Lewisham Row, gathered around a large flat-screen television. The BBC News channel counted down to the hourly bulletin, and then a wide shot of the press conference came onto the screen. Seated at the long table were DCI Sparks, DCI Foster and Chief Superintendent Marsh. Next to Marsh sat Simon Douglas-Brown, who looked haunted and drawn.
Simon read his statement from the prepared script, and footage of him was interspersed with the driving licence photo of Andrea that had been doing the rounds in the press, plus a newer photo: Andrea on her last family holiday with Linda, David and their parents. They were all smiling at the camera, with a backdrop of the sea behind. David smiled bashfully. Linda’s face remained set in the same pudgy-faced scowl.
‘DCI Foster was right, this is all very touching,’ said Crane. ‘But it’s like a well-packaged display of grief. Will it prompt anyone to call in?’
On the screen, Simon Douglas-Brown finished his statement, and the camera pulled out to a wide shot. Chief Superintendent Marsh was about to speak, when Erika leaned over and shifted his microphone towards her. She addressed the camera and started to speak.
‘The events leading up to the disappearance of Andrea are confusing, and we need your help. We would appreciate anyone coming forward who saw Andrea on the night of the eighth of January. It was a Thursday night. We believe Andrea spent some time between eight pm and midnight in a pub called The Glue Pot on London Road – that’s South London, in Forest Hill. Andrea was seen by a member of the bar staff talking to a dark-haired man and a blonde-haired girl. Members of the public may have also seen Andrea walking up London Road between eight pm and midnight, towards the Horniman Museum, where her body was found. If you have any information, however small, please come forward. Phone the incident room number which will be coming up shortly.’
‘Was that planned?’ asked Peterson, back in the incident room.
‘Nope,’ said Moss.
On screen there was a moment where Chief Superintendent Marsh couldn’t find his place, or what to say next. He shot Erika a look and pulled back the microphone. ‘We’d like to, erm, add that this is, um, er . . . it’s a lead that Andrea was seen . . . We also believe that Andrea could have been on her way to a party at the Rivoli Ballroom, which is close to Forest Hill Station, where she alighted on the night of the eighth of January,’ countered Marsh, more forcefully. There was a moment of silence. The camera cut again to a wide shot of the press conference.
‘Jeez, he’s making a mess of it. It’s like he’s making it up, not Foster,’ said Moss.
The cameras flicked between wide shots of the conference room and the gathered press, which added to the confusion, before settling back onto Chief Superintendent Marsh, who finally got back on track and finished the scripted appeal. He ended with: ‘We have officers standing by now to answer your calls and emails. Thank you.’
The camera then cut away from the press conference to the anchor in the BBC News studio. The screen behind her was filled with the contact number and email address for the incident room. She read out the details, asking again for anyone who had information, and repeating the name of both The Glue Pot and the Rivoli Ballroom, apologising that they only had a photo of the Rivoli Ballroom.
T
he officers
back in the incident room at Lewisham Row looked at each other uneasily, and then the phones started to ring.
T
he moment
the press conference disbanded and the live camera feed was off, Erika stood up. Her heart was pounding. The journalists and photographers were crowding towards the exits. Simon turned to Marsh, a furious look in his brown eyes,
‘What were you lot fucking playing at?’ he hissed. ‘I thought we were clear about this and how it would work?’ He looked out, almost despairingly, at the press leaving.
Marsh and Sparks stood up. ‘DCI Foster, a word, now,’ said Marsh. Erika took a deep breath and left the platform, ignoring their voices behind her as she crossed the carpet, speeding up towards the doors at the back of the conference room. Once through, she found a fire exit and clattered down three flights of stairs before bursting outside onto a side street.
She stood and caught her breath, the rain pricking at her clammy skin. She knew there would be consequences for what she had just done, but didn’t she always stand by her convictions? Her convictions had told her this was the right thing to do. She had done something good, something for Andrea, who didn’t have the right to reply.
She started to walk, not noticing the rain, and joined the bumping and jostling of the crowds on Oxford Street, lost in a cocoon of thoughts. Her gut feeling, the certainty she’d felt, began to fade. She should have stayed and faced the music. In her absence, they would be discussing what she had done, reaching conclusions. They were making decisions without her, planning what they would do next.
She hesitated, then stopped. The rain pounded down on the pavements, and people streamed around her, their heads down, hoods and umbrellas up. They tutted and cursed as their smooth passage to the bus or tube was blocked. It was now the peak of rush hour. Erika needed to think, to plan what she would do next. If she went back, it would look weak. She set off again, moving with the crowd.
B
ehind her
, a few people back, followed a figure. The same figure that had watched Erika smoking at her window. This time, the figure wasn’t completely clad in black, but easily blended in amongst the crowd with their hoods and umbrellas. The crowd seemed to swell and slow as they approached Marble Arch tube station, the figure shadowing Erika with a gap of just two people between them.
Erika was one of the few people on the street without a hood, and was walking with her head down, the collar of her leather jacket up.
She is, indeed, a worry to me. She’s been to that fucking pub and talked to people.
She knows a great deal more than I thought. Has it been an act, all that angst and despair? Until that press conference I thought she was damaged goods. The burnt-out wreck of a once brilliant cop.
The figure was close to Erika now. All that separated them was a burly businessman in a pale raincoat mottled with drips of water. Erika pulled her collar closer, so that it touched the blonde hair at the nape of her neck.
She’s single and alone. Grieving. She could be suicidal. So many people are. I’d love to pay her a call, the scrawny bitch – surprise her in bed. Hold that skinny throat where the tendons bulge out and watch her eyes go dark. But there’s someone else who is due a visit . . .
The crowds reached Bond Street tube station and ground to a halt. Erika inched forward so she could just get under the large awning as she waited for the crowds to move forward. The figure edged closer, amongst the packed-in crowd, and slipped a neat white envelope into the pocket of Erika’s leather jacket. Seconds later, the blockage at the station entrance cleared. The figure left Erika and moved on through the crowd, blending in: just another person eager to get somewhere fast.