The Illustrated Gormenghast Trilogy (61 page)

 

For a few moments there were only some scrabbling sounds and the occasional clinking of metal, but the noise mounted, and for two minutes there was intense activity. Steerpike believed in working fast, especially in nefarious matter. When at last he emerged he dusted himself carefully and it might have been noticed, had there been anyone there to notice it, that although he still carried the lumpy roll of cloth, the netting was no longer with him. Had this same hypothetical watcher glanced under the table from any part of the room he would have noticed nothing extraordinary, for there would have been nothing to see; but had he taken the trouble to have crawled between the table legs and then gazed upwards, he would have noticed that, stretching down the centre of the low ‘roof’ was a very comfortable hammock.

And it is in this hammock that Steerpike is now reclining at full length, in semi-darkness, hedged in with a close up panorama of seventeen legs and one wooden stump, or to be exact with sixteen, for Fuchsia is sitting with one of hers curled up under her. He had left the Twins hurriedly on his way down with them and had managed to be the first to slip into the hall. The oak of the table is within a few inches of his face. He has had very little satisfaction, so much of the time having been spent above him in fantastic dumb shows invisible to him. There is, in fact, no conversation and all he has heard during the seemingly interminable meal is the loveless, didactic voice of Barquentine, reeling out the time-worn, legendary phrases; the irritating, and apologetic coughing of Irma, and the slight creaking of Fuchsia’s chair every time she moves. Occasionally the Countess mutters something which no one can hear, which is invariably followed by Nannie rubbing her ankles nervously together. Her feet are at least twenty inches from the floor and it is a great temptation to Steerpike to give them a twitch.

Finding he is going to gain no advantage at all by having secreted himself so cunningly, and yet seeing also that it is impossible to get away, he begins to think like a machine, over-hauling in his mind his position in the Castle.

Saving Sepulchrave and Titus, whose cardinal interests are still limited to the worlds of whiteness and blackness – of milk and sleep – there is very little for the remainder of the company to do other than to brood, for there is no conversation, and there is very little chance of eating the breakfast so lavishly spread before them, for no one passes anything along the table. And so the company brood through the wasted meal. The dry, ancient voice at the end of the table has had an almost hypnotic effect, even at this early hour, and as their minds move to and fro and in and out the rain continues to beat upon the high roof overhead, and to drip, drip, drip, into the pool in the far centre of the long dining-hall.

No one is listening to Barquentine. The rain has drummed for ever. His voice is in the darkness – and the darkness in his voice, and there is no end at all.

THE REVERIES
THE REVERIE OF CORA

… and it’s so cold, hands and cold feet but nice ones mine are nicer than Clarice’s which she pricks with her embroidery clumsy thing but hers are also cold I hope but I want Gertrude’s to be colder than the ice in dreadful places she’s so fat and proud and far too big and I desire her frozen with her stupid bosom and when we’re stronger in power we will tell her so Clarice and I when he lets us with his cleverness which is more clever than all the Castle and our thrones will make us regal but I’m the one to sit highest and I wonder where he is and stupid Gertrude thinks I’m frightened and I am but she doesn’t know and I wish she would die and I’d see her big ugly body in a coffin because I’m of the blood and poor Sepulchrave looks different which she’s done to him ugly woman with fat bosom and carrots hair the vegetable thing so cold here cold and my hands and feet which is what Clarice is feeling like I suppose she’s so slow compared with me she looks so silly with her mouth open not like me my mouth isn’t open yes it is I’ve left it open but now I’ve shut it and it’s closed up and my face must be perfect like I’ll be when I get my power and the West Wing is raging with glory why was the fire so big when I don’t understand and we are made to be in darkness and one day perhaps I will banish Steerpike when he’s done everything for us and perhaps I won’t for it’s not time to know yet and I’ll wait and see because he isn’t really of good stock like us and ought to be a servant but he’s so clever and sometimes treats me with reverence which is due to me of course for I’m Lady Cora of Gormenghast I am and there’s only me and my sister who are like that and she’s not got the character I have and must take advice from me it is so cold and Barquentine is so long and he is so nasty but I will bow a little to him not too much but about an inch to show that he’s done his work adequately not well but adequately with his voice and his wooden crutch which is so unnecessarily stupid to have instead of a leg and perhaps I’ll look at it so that he sees me while I look just for a little moment to show him I am me and he mustn’t forget my blood and what is poor Sepulchrave looking like that for with his mouth slipping down on one side and upon the other while he looks at her and she looks so frightened poor stupid Fuchsia who is still too young to understand anything yet she never comes to visit us when she could be taught but her cruel mother has turned her against us with her evil I feel hungry but nobody will pass me anything for the narrow squeaky. Doctor is asleep or very nearly and Swelter never notices nor does anyone except the clever boy.

There is a thud on the table beyond the Doctor, to her right.

REVERIE OF ALFRED PRUNESQUALLOR

… and although it is patent that he hasn’t very long I can’t keep pumping hydrophondoramischromatica of ash into him every five hours or so and he’ll need it even more frequently than that his mouth is slipping already devil take it which is too near the mark by all that’s gruesome it is but the stuff will wipe him out unless I go easy and what will happen god knows if the owl crops up again but we or rather I must be prepared for anything and make tentative plans to meet contingencies for the others have no responsibilities except to the ritual of the place and never have had a case of this transference kind so unpleasantly actual for though the depersonalization has set in for good that is the lesser thing for the hooting is outside the range of science yet what started the whole thing was the burning undoubtedly oh yes undoubtedly for it was only melancholia up till then but thanks and praise be to all the bottle gods and powder princes that I had the drugs and that I guessed the strength well enough for the moment but he must go back to bed immediately the breakfast is over and have someone in the room with him whenever I have to go for meals but they might be brought to me in his room better idea still and perhaps Fuchsia might do it though the sight of her father might be too much for her but we cannot tell yet and must be careful bless her dear heart poor girl she looks so mournful and she is holding my finger so sadly I would rather she gripped it desperately it would be more symptomatic of an honest panic in her. I must comfort her if I can though what in the name of tact can I say to calm an intelligent and sensitive child who has seen her father hooting from a mantelpiece but care must be taken great care and perhaps Irma will get a room ready for her in the house but the next few hours will tell and I must be on the alert for the Countess is no help with her mind in the clouds, and Irma is of course Irma and nothing but undiluted Irma for now and ever and must be left where she is, and Steerpike remains who is an enigma to me and of whom I have doubts very definitely and in whose presence I find less and less amusement and more and more a sense of evil which I can base upon no power of rational reasoning save that he is obviously out for himself and himself alone but who isn’t? and I will bear him in mind and dispense with him if I can but a brain is a brain and he has one and it may be necessary to borrow it at short notice but no no I will not by all that’s instinctive I will not and that settles it I’ll handle whatever needs to be handled myself well well I don’t remember quite such a strong presentiment in my old carcase for a long time we must wait and see and the waiting won’t be long and we’ll hope the seeing won’t be long either for there is something very unhealthy about all this by all that’s bursting into flower in an April dell there most undeniably is and my languorous days seem to be over for the time being but bless me the gipsy girl is squeezing a bit harder and what on earth is she staring at his mouth is slipping and it’s coming on again …

There is a thud on the table beside him …

REVERIE OF FUSCHIA

… what can I do oh what can I do he is so ill and pale like the thin face that he has got that is broken all alone but he is better better than he was oh no the sickness in me no I mustn’t think of eyes oh who will help me who will you must look now Fuchsia be brave you must look Fuchsia look how he is better now while he is here at table he is quite close to me my father and so sad why does he smile smile oh who will save him who will save me who will be the power to help us father who will not let me be near and let me understand which I could and he is better remember he is better than oh Fuchsia be brave for the roundness of his eyes is gone gone but oh no I mustn’t why were they round round and yellow I do not understand oh tell me my trees tell me my trees and rocks for Nannie won’t know oh doctor dear you must tell me and I will ask you when we’re alone oh quick quick this horrible breakfast quickly go and I will take care of him for I understand because the tower was there the tower was over his long lines of books his books and its shadow fell across his library at morning always always father dear the Tower of Flints that the owls live in oh no I do not understand but I know dear father let me comfort you and you must never be like that again never never never and I will be your sentry for always always your sentry and will never talk to other people never only you my dear pale man and none will come near you only perhaps the doctor when you want him but only when you do and I will bring you flowers of every kind of colour and shape and speckled stones that look like frogs and ferns and all the beautiful things I can find and I will find books for you and will read to you all day and all night and never let you know I’m tired and we shall go for walks when you are better and you will become happy happy if only you could be if only sad thin broken face so pale and none else would be there not my mother nor anyone not Steerpike no no not him, he is too hard and clever not like you who are more clever but with kindness and not quick with clever words. I can see his mouth his mouth oh Dr Prune quick quick the blackness and he’s going far away and the voice Dr Prune quick the voice is going far away of Barquentine is going far away I cannot see no no oh black my Dr Prune the black is swaying … swaying …

A darkness is closing its midnight curtains across her mind and the shapes before her of her mother, Nannie, Clarice and the Earl recede into floating fragments, while like the echo of an echo the voice of Barquentine stammers on and on. Fuchsia cannot feel the Doctor’s finger any longer in her palm except as an infinitely far away sensation, as though she were holding a thin tube of air. In a final wave the blackness descends once and for all, and her dark head, falling forward, strikes the table with a thud.

REVERIE OF IRMA PRUNESQUALLOR

… and I’d very much like to know what advantage I am getting out of having spent so long a time in the bath and preparing myself for them so exquisitely for my swan-white throat is the most perfect one in Gormenghast though I wish my nose weren’t quite so pointed, but it is velvet white like the rest of my skin and it’s a pity I wear spectacles with black lenses too I suppose but I am positive my skin is snow white not only because I can see it dimly in the mirror when I take my spectacles off although it hurts my eyes but also because my writing paper is perfectly white when I’ve got my glasses on and look at my face and throat in the mirror and then hold a piece of my white writing paper next to my face I can see that my skin and the stationery are exactly the same tone of grey and everything else in the mirror all around me is darker and very often black but what’s the use of writing-paper with crinkled edges to me for there’s no one to write to us there used to be when I was younger not that I was more attractive then for after all I am still a virgin but there was Spogfrawne who had had so many beautiful adventures among the people he redeemed from sin and he appreciated me and wrote me three letters on tissue paper although it was a pity that his pen-nib used to go right through it so often and make it difficult for me to read the passionate parts where he told me of his love in fact I couldn’t read them at all and when I wrote and asked him to try and remember them and write me a fourth letter just putting in only the passionate sentences which I couldn’t read in the first three of his beautiful letters he wouldn’t answer me and I think it was because I asked him in my last message to him to either write more carefully on the tissue paper or to use ordinary paper that he became shy poor silly stupid glamorous Mr Spogfrawne who I will always remember but he hasn’t been heard of since and I am still a virgin and who is there to make love to me tenderly and to touch the tip of my snowy hands and perhaps just a tiny touch on my hip bone which juts out so magnificently as Steerpike mentioned that evening when Alfred was called away to get a fly out of that Slagg woman’s eye for Steerpike bless the boy has always been most observant and I know how it broke my heart to see him so miserable on the day he left us and now I never see him and it is a pity that he is not a little older and taller but once he speaks to me and fastens his eye on me in that respectful way he has noticing the beauty of my skin and hair and the way my hips come out so excitingly then I do not wish him any different but feel a little queer and realize how impelling he is for what is age anyway but years and years are nothing if not silly and ridiculous man made things which do not understand the way of delicate women with the years coming so unkindly and how could they be so many in my case all forty of them that have never had their due or why I am unmarried I do not know when I take so much care over my cleanliness but who is there who is there oh my emptiness is all alone and with Alfred who can be so silly though he’s really clever but doesn’t listen to me and falls asleep like he is doing now and I wish he wouldn’t keep looking at the Earl who after all isn’t someone to be stared at although there is something very strange about him tonight and how chilly it is in this big and empty and horrible hall which is so famous but what use is it if we don’t talk to each other and there are no men to watch every gracious movement of my throat and I will be glad to be back in my house again where I will go on reading my book, and it won’t be so cold and perhaps I can write a note to Steerpike and ask him to supper yes I will do that Alfred said he won’t be in tomorrow evening and …

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