________
The figure persisted. Someone else. A bent-over woman dragging one leg onerously. She must be on her way elsewhere.
Sai went inside to the kitchen. "I’ll make you tea," she told the cook, who was covered in slipper marks.
She put on the kettle, struggled with a soggy match. Finally it flared and she lit the balled newspaper under the sticks.
________
Then they heard the gate being rattled. Oh dear, thought Sai with dread, perhaps it was the same begging woman again, the one whose husband had been blinded.
Again the gate rattled.
"I’ll go," said the cook and he got up slowly, dusted himself off.
He walked through the drenched weeds to the gate.
At the gate, peeping through the black lace wrought iron, between the mossy canonballs, was the figure in a nightgown.
"
Pitaji?
"
said the figure, all ruffles and colors.
Kanchenjunga appeared above the parting clouds, as it did only very early in the morning during this season.
"Biju?" whispered the cook—
"
Biju!
"
yelled, demented—
Sai looked out and saw two figures leaping at each other as the gate swung open.
The five peaks of Kanchenjunga turned golden with the kind of luminous light that made you feel, if briefly, that truth was apparent.
All you needed to do was to reach out and pluck it.
My Salaams
To my editor, Joan Bingham, and my agent, Michael Carlisle, for their unstinting enthusiasm and generosity regarding everything to do with
The
Inheritance of Loss.
Also, to Rose Marie Morse, David Davidar, and David Godwin. To Adelaide Docx for additional editing help.
To the Santa Maddalena Foundation, the Eastern Frontier Society, to Bunny Gupta and Doma Rai of
Sukhtara,
each for a desk with a view during three vital stages in the writing of this book.