Authors: Cath Staincliffe
T
he jury file in and I watch the parade as they walk through the court to their seats. Mousy moves with her eyes cast down, her shoulders rounded;
Dolly has strappy shoes, which cause her to wobble a little; the Prof strides along and the Callow Youth bobs after him. The Cook and the Artist and the Sailor take their places in the second row.
The only woman on this row is young and trim. She wears her hair scraped back into a ponytail and she has lovely skin – either that or she’s a makeup wizard. She reminds me of a PA we
had at the big interior design firm so I’ll call her PA. Hilda and Flo settle in on the back row, sandwiched between the only black juror and an overweight woman with ginger hair. The man
wears a crisp blue shirt and a suit and has been following the proceedings with an intent and unchanging expression. He looks a bit flash – estate agent or media man, perhaps? Yes, Media Man.
Earning plenty, I guess, with a canal-side apartment, a beautiful girlfriend and all the latest gadgets.
At the other end of the row, the last juror couldn’t be more different from him. She’s probably in her early twenties, her hair is long and she wears an Alice band. Alice has a wide,
freckled face and her large size is emphasized by the tight clothes she wears. She smiles a lot, laughs a lot, nods as if she agrees with whoever’s speaking.
When they go home at night, these twelve peers of mine, do they confide in anyone? Does any of them have an audience clustered round the family tea-table, clinging to their every word, or are
they alone with their thoughts from the day, or oblivious, shrugging off my case with their courtroom clothes and heading out to see friends?
The court usher calls Sophie Draper and my bowels turn to water. I would give anything to stop this, to shield her from the amphitheatre. I had asked Latimer if he would refrain from
cross-examining her. He gave me a pitying smile, murmured some words of sympathy and assured me he would be gentle with her. There would be nothing to gain if the jury witnessed him ripping into a
tender sixteen-year-old.
Sophie had the option of giving evidence by video link but only the real McCoy would do for my girl. My jaw is clamped so tight I think my teeth will shatter. Saliva clogs my throat.
She comes in and I am so happy to see her. How daft is that? My maternal instincts kick in and override all other considerations. She is here, my girl is here. It is almost six months since I
have seen her. That was at Neil’s funeral. This flush of pleasure, the quickening of my heart, is swiftly replaced by a bitter sadness, an impotent desire to protect her.
She steps into the witness box and tucks her hair behind her ears. A gesture that betrays her youth. The sympathy emanating from the jury box is almost palpable. I wonder if any of them have
children, teenagers, and daughters. Can they make sense of this rift?
Sophie’s hair is different, longer, layered, the highlights bolder. By this time of year her hair has usually darkened to the colour of toffee. She wears clothes I don’t recognize: a
plain cornflower blue long-sleeved top, black boot-cut trousers. Who went with her to buy them? A wave of jealousy grips my neck. Did Briony Webber have a hand in it? Counselling her witnesses as
to what apparel would best create the right image? The prospect that Sophie and I might never do these things together again, shopping, ordering things online, that she will never wander into my
room and ask me if she can borrow my eyeliner or if she should put her hair up or leave it down, kicks me in the belly.
All I have lost.
Sophie does not look at me; she does not look at her brother in the gallery. She concentrates on Miss Webber and the jury.
‘You are Sophie Draper?’
‘Yes.’ Sophie’s voice is small but not timid.
Neil chose the name Sophie. I wanted to call her Rachel but he wasn’t keen. He’d gone out with a girl called Rachel at school; she’d been horribly clingy when he broke up with
her. All those years later the name still conjured her up. So we settled on Sophie. Adam had my surname and we gave Sophie Neil’s. We had no plan for how we would name a third child.
Sophie affirms, which I’m relieved about. She’d had a religious phase as a younger teen and challenged Neil and me when we made any anti-religious comments. I think I’d been
worrying that staying with Veronica might have sent her looking for comfort in God.
‘You are the daughter of Neil Draper and Deborah Shelley?’
‘Yes.’
‘And on the twenty-fourth of June, nine days after your father’s death, you made a phone call to the police?’
‘Yes, I did.’
‘What did you tell the police?’
My throat is tight and there’s a burning around my ears. I concentrate on my breathing, taking air in slowly through my nose.
‘That I thought my mum had something to do with my dad dying.’
There are gasps and sharp intakes of breath from around the court. Dolly puts her hand over her mouth in shock. Sophie blinks, tightens her lips with resolve.
‘Please can you tell us what happened on the afternoon of June the fifteenth?’
‘I was on my way home from school when Mum rang me, to tell me Dad had died.’
‘Were you surprised?’
‘Yes, he’d been fine that morning.’ There are tears in her voice and my heart rips. Resentment ripples through me. I want to leap across the space and gag Miss Webber, free
Sophie from the ordeal.
‘You’d seen him earlier in the day?’
‘I said goodbye before school.’
‘You got the phone call. What did you do next?’
Her voice is firmer. ‘I went home. Mum was there and we went upstairs.’
‘You saw your father?’
‘Yes.’
Callow Youth is following Sophie’s testimony carefully. Perhaps he relates to her because she’s closer to his age than any of the other witnesses. And she’s gorgeous, of
course.
‘And then?’
‘I asked her if we could do anything, like the kiss of life and she said it was too late. There was an ambulance coming. Then I rang Grandma and Grandpa to tell them.’
‘Your mother hadn’t called them?’
‘No.’
I am neglect on legs.
‘And your brother?’
‘She said his phone was off.’
I sense rather than see Adam flinch. It had been another few hours before he had come barrelling home to find the sky had fallen. His absence he saw as another failure to carry with him, another
brick in the basket.
‘How did your mother appear?’
‘A bit upset.’
‘She was crying?’
‘A bit.’
‘Did she tell you anything about events that day?’
‘Just that she had gone upstairs and couldn’t wake him.’
‘Nine days later you called the police. You told them you suspected your mother of involvement in your father’s death. Why did you think that?’
‘Well, he died really suddenly. He was okay when I went to school. They’d told us about MND and what would happen and it wasn’t like that at all.’
‘Was that the only reason?’
‘No. I knew Mum had been looking on the Internet at sites about assisted suicide, euthanasia.’
‘How did you know this?’
‘She never deletes her browsing history.’
Flo narrows her eyes; perhaps she’s not a silver surfer. But Miss Webber is prepared for this and has a follow-up question. ‘So when you went on the computer you could see a list of
previous websites that had been visited?’
‘Yes.’
‘Perhaps your father had been looking them up?’
Not unless he’d regained the use of his legs, got himself down there without help.
‘It’s her computer – it’s a Mac for her work. He didn’t really go on it.’
‘And was there anything else that alerted your suspicions?’
Sophie swallows. She licks her lips. My hands hurt: my fists are bunched, my nails cutting into my palms. I uncurl them, clasp my hands tight together.
‘Well, when I first got back and I wanted to know if we could do anything I asked her if she had tried the breathing space kit – I thought maybe that might help. She just said it was
too late, but later when I went to look for the breathing space kit I couldn’t find it.’
‘You knew where it was usually kept?’
‘Yes, in the kitchen, in the middle cupboard. We all knew where it was and what to do if Dad was choking or couldn’t breathe.’
‘And this kit was missing?’
‘Yes.’
‘Do you know what drugs it contained?’
‘It was morphine, I think, and something else, a sedative but I don’t know what it was called.’
Midazolam. We hadn’t used that. If Neil had taken it as well, might the end have been different? My mind veers away from the memory.
‘What did you think had happened to the kit?’
‘I thought she’d hidden it, my mum.’
‘Why?’
‘Because she’d given him the drugs but she didn’t want anyone to know.’ Her answer is fluent, logical.
‘Can you tell us what happened after you phoned the police?’
‘They wanted to talk to me in person.’
‘And you agreed?’
‘Yes.’
‘You made a visit to the police station the following day?’
My mind flew back, dipping around dates and memories. Ten days after – she’d have still been at home, wouldn’t she? But everything became hazy in those days after Neil’s
death. What had she told me? That she was going into school? I couldn’t recall.
‘You spoke to the police and they asked you if you would be prepared to make a statement?’
‘Yes.’
‘They asked you whether you would be prepared to testify, if the case came to court?’
‘Yes.’
‘You agreed to those requests. You are here today. Can you tell the jury why you decided to help the police?’
‘It was the right thing to do.’ She is simple in her certainty, steadfast. My Antigone. I could use exactly the same words in my own defence – except I have to pretend that
what I did was very much the wrong thing. And as for Antigone, after defying the authorities to honour her dead brother with a burial she was walled up and hanged herself.
‘Sophie, can you tell us how your mother seemed in the months leading up to June last year?’
Sophie hesitates a moment. I don’t think she’s unsure. I think she’s choosing her words carefully. ‘The same as usual.’
‘Did she complain of strain or stress?’
‘No.’
‘Did she seem withdrawn or depressed?’
‘No.’
We are getting to the heart of the matter. This is what the trial pivots around – was I off my trolley or not? Ms Gleason summed it up: battle of the shrinks. And Sophie is the opener, the
first line of attack who may be sacrificed but serves to expose chinks in the enemy’s line, root out weaknesses and gaps, to illuminate the pattern for the next assault.
‘Had she exhibited any signs of anxiety, any panic attacks?’
‘No.’
‘Did your mother behave in any way that made you think she was mentally ill?’
‘No.’
Each ‘no’ rings out calm and clear. Sophie tucks her hair back again.
‘Did she continue to care for you and your brother in those months?’
‘Yes.’
‘And she was working?’
‘Yes.’
‘And running the house?’
Isn’t that little lot reason enough to go doo-lally? Or are we running along the lines of the Protestant work ethic here? Busy hands equal a healthy life.
‘Would you say your mother coped well with your father’s illness?’
Stupid question. How can anyone know how I coped? That’s what coping’s about, isn’t it, swallowing the trouble and soldiering on?
‘Yes.’
‘Thank you.’
As Mr Latimer rises to his feet, adjusting his robe around him, I push my feet into the floor and grip the edge of my seat. Some of the jury stiffen too. Mousy’s chin goes up, her
expression sombre, and Media Man straightens his shoulders, uncrosses his legs.
‘Miss Draper, is it true that your mother suffered from insomnia?’ Mr Latimer jumps in without any preamble, though his tone is soft enough. He even stutters a little on
‘insomnia’.
‘Yes.’
‘Was this a constant problem?’
‘No.’
‘But your mother had insomnia in the months leading up to your father’s death?’
‘Yes.’
‘In your estimate, how often did your mother have broken nights?’
‘I’m not sure.’ There’s a trace of a frown. Sophie is always so concerned to be honest, to get things right.
‘Once a month?’
‘More than that.’
‘Once a week?’
‘At least.’
‘And after sleepless nights how did your mother seem?’
‘Tired,’ Sophie says drily, and a little ripple of laughter runs around the room. Dolly snorts and Alice smiles and I feel a rill of pride at Sophie’s wit.
‘Did she ever snap at you?’
Did I? Well – yeah!
‘Yes.’
‘Lose her composure?’
‘Yes.’
‘Can you remember seeing her distressed during this period?’
‘No.’
That’s not what Mr Latimer hoped for and he changes tack. ‘Is it true your brother Adam has had mental-health problems?’
‘Yes.’
‘This pre-dated your father’s diagnosis?’
‘Yes.’
‘And Adam also has a history of drug abuse?’
Adam’s face has reddened; the spots on his forehead look angry. Jane’s expression is heavy with disappointment. I am grinding my teeth.
‘Yes.’
‘Can you tell the court how this impacted on the family?’
‘It was difficult. They worried about him – they never knew what would happen next.’
‘A stressful situation?’
‘Yes,’ she says quickly, aware that he’s getting close to what he’s trying to prove.
‘Miss Draper, does your mother usually confide in you about her problems?’
Sophie blinks, swallows. ‘No, not really.’
‘She is quite a private person?’
‘Yes.’
‘So, it might be hard for you to know how circumstances are affecting her.’
Sophie doesn’t know what to say and I hate it. ‘Maybe.’
‘Did you discuss your decision to go to the police with anyone?’
‘With my grandmother.’
‘Veronica Draper?’
‘Yes.’
‘Did your grandmother encourage you to go to the police?’