The Last Samurai (3 page)

The fact was that their father was Viennese and had very high standards. The children could all play five or six instruments with flair but they hated to practice: They emerged from each piece either bloody but unbowed or miraculously unscathed, and they had all assumed they would be musicians. Buddy was the first to find they would not. Mr. Konigsberg thought that either you had talent or you did not; none of his children played like a Heifetz or a Casals or a Rubinstein, therefore they did not have the talent to be professionals; therefore they would be better off just enjoying their music, and he explained when Buddy finished high school that he thought he should be an accountant.

Buddy said to my father: You know at the time I didn’t want to upset my father, I didn’t want to make a big thing of it, I thought who am I to say I could be a singer, but then all the others gave in without an argument. I keep thinking, what if it’s my fault? If I’d put my foot down maybe my father would have gotten used to the idea whereas instead they all thought they didn’t have a choice, I keep thinking what if it’s all my fault?

& he waited hopefully—

& my father said: Of course it’s your fault. Why didn’t you stand up to him? You let the whole side down. The
least
you can do is make sure it doesn’t happen again.

My father knew that he would always hate himself for respecting his own father’s wishes, and he now thought that at least someone else could avoid this mistake.

Does she have a place? he asked.

No, said Buddy.

Well she should go for an audition, said my father, and he went into the front room followed by Buddy to argue for this point of view.

In the front room was a 17-year-old girl with fierce black hair, fierce black eyes & ferocious red lipstick. She did not look up because she was halfway through her 41st consecutive rendition of Chopin’s Prelude No. 24 in D minor.

My father stood by the piano and he suddenly thought What would be the odds against going to a seminary and going to
synagogue
and learning to play
pool
, just suppose he fell in love with a Jewish girl from Philadelphia and made a fortune in motels and lived happily ever after, say the odds were a billion to one that was still not the same as impossible so it was not actually impossible that his father had not, in fact—

Linda plunged down to the bass and hammered out three bitter low notes. Doom. Doom. Doom.

The piece was over. She looked up before starting again.

Who are you? she said.

Buddy introduced my father.

Oh, the atheist, said my mother.

–
Let’s make bamboo spears! Let’s kill all the bandits!

–
You can’t
.

–
That’s impossible
.

A small village is yearly invaded by bandits and the farmers lose their crops and sometimes their lives. This year the elders decide to do something about it. They have heard of a village which once hired masterless samurai and was saved. They decide to do the same and send some of their number to search for willing samurai. Since there is no pay, merely food, a place to sleep, and the fun of fighting, the farmers are fortunate that they first meet Kambei (Takashi Shimura), a strong and dedicated man who decides to make their cause his own. A young
ronin
, Katsushiro (Ko Kimura) joins him, then he accidentally meets an old friend, Shichiroji (Daisuke Kato). He himself chooses Gorobei (Yoshio Inaba) who in turn chooses Heihachi (Minoru Chiaki). A master swordsman, Kyuzo (Seiji Miyoguchi) joins, and so, eventually, does Kikuchiyo (Toshiro Mifune), a farmer’s son himself, who has been following them around for some time, attracted—as all of them are—by Kambei.

Once in the village they prepare for war. Not waiting for the first attack, they storm the bandits’ fort, burn it and kill a number of the bandits—though Heihachi is also killed. The bandits attack the village and they repulse them, though Gorobei is killed. Then they hit upon the plan of allowing a few in and spearing them to death. In the final battle both Kyuzo and Kikuchiyo are killed—but the bandits are all dead.

It is spring, once more the rice-planting season has come. Of the original seven samurai, only three are left and they soon will go their separate ways.

There are 60 million people in Britain. There are 200 million in America. (Can that be right?) How many millions of English-speakers other nations might add to the total I cannot even guess. I would be willing to bet, though, that in all those hundreds of millions not more than 50, at the outside, have read A. Roemer,
Aristarchs Athetesen in der Homerkritik
(Leipzig, 1912), a work untranslated from its native German and destined to remain so till the end of time.

I joined the tiny band in 1985. I was 23.

The first sentence of this little-known work runs as follows:

Es ist wirklich Brach- und Neufeld, welches der Verfasser mit der Bearbeitung dieses Themas betreten und durchpflügt hat, so sonderbar auch diese Behauptung im ersten Augenblick klingen mag.

I had taught myself German out of
Teach Yourself German
, and I recognised several words in this sentence at once:

It is truly something and something which the something with the something of this something has something and something, so something also this something might something at first something.

I deciphered the rest of the sentence by looking up the words Brachfeld, Neufeld, Verfasser, Bearbeitung, Themas, betreten, durchpflügt, sonderbar, Behauptung, Augenblick and klingen in Langenscheidt’s German-English dictionary.

This would have been embarrassing if I had been reading under the eyes of people I knew, since I should have been on top of German by now; I should not have frittered away my time at Oxford infiltrating classes on Akkadian, Arabic, Aramaic, Hittite, Pali, Sanskrit and Dialects of the Yemen (not to mention advanced papyrology and intermediate hieroglyphics) instead of advancing the frontiers of human knowledge. The problem is that if you have grown up in the type of place that is excited to be getting its first motel, the type of place that is only dimly (if, indeed, at all) aware of the very
existence
of the Yemen, you want to study dialects of the Yemen if you can because you think you may well not get another chance. I had lied about everything but my height and my weight to get into Oxford (my father, after all, had shown what can happen if you let other people supply your references and your grades) and I wanted to make the most of my time.

The fact that I had completed an undergraduate degree and gone on to get a scholarship to do research just showed how much more appropriate the grades and references were which I had provided myself (straight As, natürlich; lines like ‘Sibylla has wide-ranging interests and an extraordinarily original mind; she is a joy to teach’) than anything anyone I knew would have come up with. The only problem was that now I had to do the research. The only problem was that when a member of the scholarship committee had said, ‘You’re on top of German of course,’ I had said airily, ‘Of course.’ It
could
have been true.

Roemer, anyway, was too obscure to be on the open shelves of the Lower Reading Room with more frequently consulted classical texts. Year after year the book gathered dust in the dark, far below ground. Since it had to be called up from the stacks it could be sent to any reading room in the Bodleian, and I had had it sent to Reserve in the Upper Reading Room of the Radcliffe Camera, a library in a dome of stone in the centre of a square. I could read unobserved.

I sat in the gallery looking out across a bell of air, or at the curving walls crammed with extraordinarily interesting-looking books on non-classical subjects, or out the window at the pale stone of All Souls, or, of course, at
Aristarchs Athetesen in der Homerkritik
(Leipzig, 1912). There was not a classicist in sight.

I formed the impression that the sentence meant: It is truly a fallow and new field which the author has trod and ploughed through in handling this subject, so especially might this statement sound in the first moment.

This did not really seem worth the trouble it had taken to work it out, but I had to go on so I went on, or rather I was about to go on when I glanced up and I happened to see, on a shelf to my left, a book on the Thirty Years War which looked extraordinarily interesting. I took it down and it really was extraordinarily interesting and I looked up presently and it was time for lunch.

I went to the Covered Market and spent an hour looking at sweaters.

There are people who think contraception is immoral because the object of copulation is procreation. In a similar way there are people who think the only reason to read a book is to write a book; people should call up books from the dust and the dark and write thousands of words to be sent down to the dust and the dark which can be called up so that other people can send further thousands of words to join them in the dust and the dark. Sometimes a book can be called from the dust and the dark to produce a book which can be bought in shops, and perhaps it is interesting, but the people who buy it and read it because it is interesting are not serious people, if they were serious they would not care about the interest they would be writing thousands of words to consign to the dust and the dark.

There are people who think death a fate worse than boredom.

I saw several interesting sweaters in the Market but they seemed to be rather expensive.

I tore myself away at last and returned to the fray.

It is truly a fallow and new field which the author has trod and ploughed through in handling this subject, so especially might this statement sound in the first moment
, I reminded myself.

It seemed extraordinarily uninteresting.

I went on to work through the second sentence, ratio of profit to expense as before, and the sentence after that and the one after that. It took five to ten minutes to read a sentence—an hour a page. Slowly the outlines of the argument loomed out of the mist, like Debussy’s drowned cathedral sortant peu à peu de la brume.

In La Cathédrale Engloutie chords of melancholy grandeur break out, at last,
ff
!!!! But when, after some 30 hours or so, I began at last to understand—

49 people in the English-speaking world know what lay in wait. No one else knows or cares. And yet how much hangs on this moment of revelation! It is only if we can conceive of the world without Newton, without Einstein, without Mozart, that we can imagine the difference between this world and the world in which I close
Aristarchs Athetesen
after two sentences and take out
Schachnovelle
in cool disregard of the terms of my scholarship. If I had not read Roemer I would not have known I could not be a scholar, I would never have met Liberace (no, not the) and the world would be short a—

I am saying more than I know. One thing at a time. I read Roemer day after day, and after 30 hours or so enlightenment came not in an hour of gold but an hour of lead.

Some 2,300 years ago Alexander the Great set out from Macedonia to conquer everything in his path. He conquered his way down to Egypt and founded the city of Alexandria, then went on to conquer his way east and die, leaving his followers to fight over his conquests. Ptolemy was already governor of Egypt, and kept it. He ruled the country from Alexandria, and it was he who set up one of the many splendours of the city: a Library built up through an acquisitions policy of singleminded ruthlessness.

The invention of the printing press lay as far ahead of them as the wonders of the 3700s from us; all books were copied out by hand. Mistakes crept in, especially if you were copying a copy of a copy of a copy; sometimes the copyist would have a bright idea and add bogus lines or even entire bogus passages, and then everyone after him would innocently copy the bright idea along with the rest. One solution was to get as close to the original as you could. The Library paid the Athenian public record office a massive deposit to borrow the original manuscripts of the whole of Greek tragedy (Aeschylus, Sophocles, Euripides, the lot) and make copies. It then made sure of having the best possible version by the simple expedient of keeping the originals, returning the copies and forfeiting the deposit.

So far, so not wildly exciting, and yet so much could be said, all fascinating, about the Library and Alexandria and the mad people who lived there, for the writers alone must be the most perverse and wilful the world has ever known. There are people who, needing a place to put umbrellas, go to Ikea and purchase an umbrella stand for easy home assembly—and there are people who drive 100 miles to an auction in the heart of Shropshire and spot the potential in an apparently pointless 17th-century farming implement. The Alexandrians would have been bidding against each other at the auction. They loved to rifle the works of the past (conveniently available in a Library built up by a ruthless acquisitions policy), turn up rare words which were no longer understood let alone used, and deploy them as more interesting alternatives to words people might actually understand. They loved myths in which people went berserk or drank magic potions or turned into rocks in moments of stress; they loved scenes in which people who had gone berserk raved in strange, fractured speeches studded with unjustly neglected vocabulary; they loved to focus on some trivial element of a myth and spin it out and skip the myth—they could make a
Rosencrantz and Guildenstern
of any
Hamlet
. As scholars, as scientists, as mathematicians, as poets who led the flower of Roman youth astray, they crowd their way into books not mainly about them; given a book to themselves they burst out at once into a whole separate volume of footnotes—I speak of course of Fraser’s
Ptolemaic Alexandria
, a book I would come back from the grave to possess (I asked for it on my deathbed once and didn’t get it). But time is short—the Boy Wonder is watching the video, who knows for how long—what was Roemer’s contribution to this marvellous subject?