Plate 40
Design for a Standing Cup,
by Hans Holbein the younger. Anne’s falcon badge is visible between the left and centre satyrs. Oeffentliche Kunstsammlung Basel, Kupferstichkabinett.
Plate 41
Design for a Table Fountain,
by Hans Holbein the younger. Oeffentliche Kunstsammlung Basel, Kupferstichkabinett.
Plate 42
Solomon and the Queen of Sheba,
by Hans Holbein the younger. The Royal Collection © 2004, Her Majesty Queen Elizabeth II.
Plate 43
Solomon and the Queen of Sheba,
attributed to Gallion Hone. King’s College Chapel, window 4D. Originally, in the top corner above the queen, was a putto holding a shield with the monogram ‘HR’ (now misplaced). King’s College, Cambridge.
Plate 44
The Ambassadors; Jean de Dinteville and George de Selve by
Hans Holbein the younger. National Gallery, London.
Plate 45 Frontispiece and title-page of
Le Pasteur évangelique,
Royal MS 16E. British Library, London. Anne Boleyn’s falcon badge hangs from the wreath below her arms. The silver (white) is oxidized.
Plate 46 A detail of the valance from the hangings of a bed, decorated with the monogram ‘HA’ and a design of honeysuckle and acorns (white satin and black velvet appliqué). Burrell Collection, Glasgow Museums.
Plate 47 A carving of Anne Boleyn’s shield of arms in the Beauchamp Tower, Tower of London. The adjacent carvings were made by later prisoners in the sixteenth century. Crown Copyright: Historic Royal Palaces.
Plate 48 ‘Antique’ terracotta plaque by Giovanni da Maiano at Hanworth Park, formerly at Anne’s house at Hanworth. Reproduced by permission of English Heritage, NMR.
Plate 49 (A brass of Thomas Boleyn from Hever Church. V&A Picture Library.
Plate 50
Princess Mary,
attributed to Lucas Hornebolte. Private collection.
Plate 51
Jane Seymour
, attributed to Lucas Hornebolte. Sudeley Castle.