The Line of Polity (13 page)

"I got careless," Thorn managed.

Stanton acknowledged this with a snort, then reached out and pressed the injector against Thorn's neck. Immediately something cool suffused Thorn's body and he felt his limbs freeing up.

"It'll take a minute or two. That paralytic of Brom's is a curare derivative. You may find you've received some nerve damage."

"Does this mean you're on my side?" Thorn asked. "I thought you were here selling arms."

Stanton grinned nastily. "That's what they think, too."

Suddenly Thorn found he no longer needed the support of the table. "Some other contract?" he asked.

"You've met Dorth?" Stanton asked, and now there was a hardness in his expression that had not been there even while he had tried to twist Lutz's head off.

"The Deacon? Yes, briefly."

Stanton turned and gazed somewhere distant. "Well he comes from my home world and I have been tracking him for the last year. When I knew him way back, he was just one of the Theocracy's proctors. He was my mother's lover and he had her accuse my father of heresy, supposedly to expedite a divorce. Once she signed the papers, the bastard took my father outside and shot him through the face."

"Your mother?" asked Thorn, studying the man.

"Died under questioning."

"Personal, then," said Thorn, now flexing his torso and wondering if the numbness in the ends of his fingers might ever go away.

With a flat expression, Stanton turned back to him. "I would guess you're here to retire our friend Brom. So, let's be about it. Brom is in his cabin and the Deacon is there as well." He turned and stepped towards the door, drawing a large pulse-gun.

Now more confident in his body, Thorn moved away from the table and stooped down by Lutz, pushing the dead man over onto his back, which incidentally put him onto his face. A quick search yielded a gas-system pulse-gun — not quite as effective as the weapon Stanton carried, firing as it did ionized gas rather than aluminium dust and consequently not having the range, but good enough for close work.

"You don't really need me," Thorn observed, standing. "Why did you risk this?"

Stanton glanced round. "Let's just say that after Viridian I have the greatest respect for Ian Cormac, and that my perspective has changed somewhat."

"Doesn't really answer my question."

"It's all the answer you'll get," Stanton replied, opening the door.

Once they were outside, Stanton removed a small cylinder from under his jacket, twisted the timer on its end, and tossed it back into the cell. Moving on, he led them up the stairs and through a hatch, out onto the deck. It was night, and Thorn realized he must have been out of it for longer than he had thought. Now they moved into the moon-shadows of a tower supporting some odd oblate device.

Stanton pointed at this and whispered, " 'ware generator," and placed another cylinder next to the wall of the low building below it.

"What timings?" Thorn whispered.

"Ten minutes. Can't get a low-power signal out while that thing's up, and I'll need to. There's two or three hundred of Brom's people aboard and I can't take them all."

They moved on until Brom's cabin came into sight. Between them and it, all the structures on the deck were well lit. One of these was a long cabin with light glaring through its wide windows. Stanton pointed beyond it. "I've got a nice planar load in their middle hold. That'll go in" — he glanced at his wristcom — "six minutes. The one I have on their pile should go ... shortly." He squatted down and Thorn squatted beside him.

"What's your route out?" Thorn asked.

"Same way as I came in," Stanton replied, gesturing to the right of Brom's cabin, where Thorn had earlier seen him supervising the unloading of the catamaran.

The first of the explosives blew, ripping the side out of the barge, some distance from them. Thorn observed hot metal flung across the sea, then sinking in clouds of steam, next the orange glow of fires lighting the sky as all the lights on the ship went out. He pressed his hand to the deck and felt the vibration of its engines stutter to a halt. Glancing at Stanton, he nodded back at the tower they had just passed.

"Independent power supply — U-charger I think," Stanton explained, rising to his feet.

Some of the crew were now rushing towards the source of the explosion. Others were quite wisely not moving in that direction at all, but arming themselves. The two men broke into a trot to match this frenetic activity.

"Hey, you're—" one man managed, hesitating in his rush to join a group of his comrades. Thorn shot him in the face, then quickly dragged the corpse to a nearby dark hatch and shoved it down below.

Stanton was meanwhile twisting the timer on another explosive, while staring in the direction of the group the dead man had been about to join. He stooped and rolled the cylinder along the deck towards them, then gestured to the nearby long cabin. "We go through here."

Thorn was not sure that was such a good idea, but was not about to argue — his companion certainly seemed to know what he was doing.

Stanton explained anyway. "There's a camera down that side, and you can guarantee Brom'll be watching his screens right now." He kicked open the door, they stepped through. The door closed on explosions and screams from the deck behind them. Inside the cabin were a man at some sort of console, a woman screwing a power pack onto a pulse-rifle, a second man sitting on the side of a bunk, pulling on his boots. Both Stanton and Thorn hit the woman first — the greatest immediate danger — and she toppled back over a bench strewn with weaponry, leaving most of her head on the bench itself. The man at the console was groping for something just to his right when Stanton's shots blew him backwards, still in his swivel chair, then threw him jerking out of the chair, to sprawl beyond it. Thorn meanwhile shot the man on the bunk before he could get his other boot on.

"Back window," urged Stanton, as they ran down the length of the cabin.

To their right, crouching by some lockers, a man still in his underpants, unarmed. Stanton aimed at him, then changed his mind and stepped in, ready to knock the man out. Thorn shot the guy when he made a grab for something in the locker. He went over, clutching a heavy rail-gun, its attached cable and power pack falling on top of him as it fired, taking away half the ceiling and opening the cabin to the night.

"Shit," said Stanton flatly.

Thorn gave him a berating look.

Stanton shrugged. "In his underpants?" he said.

Four shots — not being sufficient to shatter the tough chainglass — blew the window out of its surrounding seal in one piece. Stanton, for such a heavily built man, went through in a graceful swan-dive, rolled, turned, and fired at something Thorn could not see as he stepped through the gap. Soon he spotted the two guards outside the door to Brom's cabin. One of them was down, but the other — boosted like Stanton — was trying to drag his rail-gun round on target, despite having lost his right arm. Stanton and Thorn fired together, repeatedly. The guard went backwards through the door, and the two men followed him through, stepping over what remained of their victim into Brom's so luxurious accommodation. Behind them came two further explosions, the light of which cast their shadows ahead of them as they entered.

"Leave it!" Thorn ordered.

Brom was sunk in his otter-hide armchair, a screen opened up from the pedestal table beside him. His feet were bare and Thorn was fascinated to note that his toenails were painted lavender. His hand was poised over the organic-looking weapon he had used earlier, which was now resting on the arm of the chair. He stared back at them with the intensity of a snake, and slowly moved his hand away from the weapon to his lap.

"Where's the Deacon?" Stanton snapped.

Brom shifted his gaze from Thorn and said not a word. Out of the corner of his eye, Thorn saw Stanton hold out his free hand and as if by magic, a dagger slapped into it. Again, Thorn felt some fascination — the dagger was a Tenkian, and Stanton had summoned it to his hand from somewhere else about his person.

"I won't ask so nicely, next time," said Stanton.

Brom blinked and smiled. "Well, I'm afraid you've missed the fellow. He's on his way home."

"Fuck," said Stanton. He stared at Brom. "When did he go, and by what route?"

Brom shrugged, a hint of a smile on his face as he grew more confident. "He went by AGC about four hours ago. Should be on the shuttle to Cereb even now, if he hasn't already shipped out."

Stanton seemed lost for words for a moment, then flung Thorn a glare of accusation. Thorn looked back from him to Brom, and noted that the Separatist had a slight tilt to his head and an abstracted expression.

"His aug," he said.

Stanton returned his attention to Brom and threw. The dagger entered the seated man below the chin. Brom's eyes grew wide as he choked, then he stood and groped at the dagger with fingers soon bloody. He managed a step before he went over.

Just to make sure, Thorn fired down once, excavating a cavity in the back of the man's head. "Let's get out of here," he then said.

Stanton nodded, held up his hand, and did something with the ring on one of his fingers. Brom's body jerked as the dagger pulled free, arced through the air, and slapped its handle into Stanton's hand. He stooped and wiped it on Brom's clothing. Now there came an explosion that rocked the entire barge.

"Seems like a good idea," Stanton opined, as he stood upright again.

5

Boy and woman bowed over the book as over a very complicated jigsaw puzzle. The text provided the bare bones of the story, but the picture filled out that story to such an extent it had to be studied for some minutes before moving on to the next.

"Presently, little Molly Redcap knocked on the door. 'Who is it?' inquired a gruff voice. At first the voice frightened her, but thinking her grandma might be ill she replied, 'I bring you potato bread and wine from my mother.' Softly the voice replied, 'Come in, come in, you are welcome to come in.' When she entered, Father Siluroyne hid himself under the heat sheet. 'Put the bread and wine in a fridge and come sit on the bed with me.' Molly took off her mask and bottle and skipped over to the bed where she was much surprised at the change in her grandma."

The woman leant back with her hand over her mouth for a moment — already she was beginning to recognize the change of tone. When the boy glanced round at her impatiently, she continued:

"Grandma, what big motion sensors you've got."

"All the better to follow you wherever you go."

"Grandma, what a lot of eyes you've got."

"All the better to see you my little morsel."

"Grandma, what big teeth you've got."

"The very same I used to chew up your friend with the axe."

"Oh, please don't eat me. I'm a God-loving child!"

The woman glanced at the child on her knee, who was staring at the picture of the thing in the bed in wide-eyed fascination.

"I'm beginning to see a pattern here," said the woman.

" 'Underground' is misleading in a number of ways," Fethan explained as they trudged on out of the stand of flute grass onto drier ground cloaked with mosses, wild rhubarb and black plantains. "It makes you think of a singular secret resistance organization, when in fact it's the aim of most people there merely to survive — not to overthrow the Theocracy. You could also be misled into thinking the word has nothing to do with 'ground' and 'under' when in reality it has everything to do with those words." Fethan stabbed a finger downwards. "Below us there's about ten metres of loose and highly organic soil — the creation of millions of years of tricone burrowing and feeding. Below that is a layer of chalk over fifty metres thick — created by tricone shells sinking through the soil and slowly conglomerating and compressing." Fethan stopped and pointed towards some current movement in the damp ground that was shaking the big purplish leaves of the rhubarb and causing disc molluscs to drop from their undersides like scatterings of silver coins. The ground humped up, and briefly the spiked end of a tricone broke the surface before retracting. "Industrious little soil makers those. The inhabitants here could make a fortune exporting tricones — and the concomitant ecology — to Polity-run terraforming projects. Of course that'll never happen with the Theocracy in control."

"You were saying about the Underground," Eldene reminded him — part machine or not, Fethan did tend to ramble.

"Oh yeah." Fethan looked about himself, then led the way to where the ground rose beyond yet more flute grass. "Underneath the chalk you've got layers of limestone — which is probably the result of the tricone's distant ancestors — with occlusions of basalt and obsidian and other volcanic rocks. You know the geology of this place is fascinating."

"The Underground," Eldene reminded.

"Yeah, well, the water flow of this landmass is also fascinating. As it soaks down, it wears the limestone away, making caverns and underground rivers, till eventually reaching the deeps where it's heated by geo-thermal energy and pushed out again in hot springs, about fifteen hundred kilometres from here. There are cave systems down there that are thousands of kilometres long, some as big as space habitats — room for cities if you wanted 'em.
That's
the Underground, and that's where, over the last couple of centuries, your people went when they fled the Theocracy."

Through this second stand of flute grass they moved onto higher ground clad in blister mosses and the occasional tricone shell blued by algae. Eldene considered asking what basalt and obsidian were, and how big exactly was a space habitat, but her scole was now shivering against her body, she herself was beginning to pant, and the air tasted like iron in her mouth. They reached a bank, which they climbed, and looked around. To their right a mechanical digger stood tilted into the ground, its windows broken and its entire surface orange with rust. Ahead of them stretched row upon row of low twisted black trees with yellow leaves and a peppering of nodular green fruit, growing out of ground thick with vegetation so green it made Eldene's eyes ache.