And yet Hans Castorp did hold himself upright and resist his craving to lie down. He could see nothing, but he struggled, he came forward. Whether to the purpose or not, he could not tell; but he did his part, and moved on despite the weight the cold more and more laid upon his limbs. The present slope was too steep to ascend directly, so he slanted a little, and went on thus awhile without much heed whither. Even to lift his stiffened lids to peer before him was so great and so nearly useless an effort as to offer him small incentive. He merely caught glimpses: here clumps of pines that merged together; there a ditch or stream, a black line marked out between overhanging banks of snow. Now, for a change, he was going downhill, with the wind in his face, when, at some distance before him, and seeming to hang in the driving wind and mist, he saw the faint outline of a human habitation.
Ah, sweet and blessed sight! Verily he had done well, to march stoutly on despite all obstacles, until now human dwellings appeared, in sign that the inhabited valley was at hand. Perhaps there were even human beings, perhaps he might enter and abide the end of the storm under shelter, then get directions, or a guide if the dark should have fallen. He held toward this chimerical goal, that often quite vanished in mist, and took an exhausting climb against the wind before it was reached; finally drew near it—to discover, with what staggering astonishment and horror may be imagined, that it was only the hay-hut with the weighted roof, to which, after all his striving, by all his devious paths, he had come back.
That was the very devil. Hans Castorp gave vent to several heart-felt curses—of which his lips were too stiff to pronounce the labials. He examined the hut, to get his bearings, and came to the conclusion that he had approached it from the same direction as before—namely, from the rear; and therefore, what he had accomplished for the past hour—as he reckoned it—had been sheer waste of time and effort. But there it was, just as the books said. You went in a circle, gave yourself endless trouble under the delusion that you were accomplishing something, and all the time you were simply describing some great silly arc that would turn back to where it had its beginning, like the riddling year itself. You wandered about, without getting home. Hans Castorp recognized the traditional phenomenon with a certain grim satisfaction—and even slapped his thigh in astonishment at this punctual general law fulfilling itself in his particular case.
The lonely hut was barred, the door locked fast, no entrance possible. But Hans Castorp decided to stop for the present. The projecting roof gave the illusion of shelter, and the hut itself, on the side turned toward the mountains, afforded, he found, some little protection against the storm. He leaned his shoulder against the roughhewn timber, since his long skis prevented him from leaning his back. And so he stood, obliquely to the wall, having thrust his staff in the snow; hands in pockets, his collar turned up as high as it would go, bracing himself on his outside leg, and leaning his dizzy head against the wood, his eyes closed, but opening them every now and then to look down his shoulder and across the gully to where the high mountain wall palely appeared and disappeared in mist.
His situation was comparatively comfortable. “I can stick it like this all night, if I have to,” he thought, “if I change legs from time to time, lie on the other side, so to speak, and move about a bit between whiles, as of course I must. I’m rather stiff, naturally, but the effort I made has accumulated some inner warmth, so after all it was not quite in vain, that I have come round all this way. Come round—not coming round—that’s the regular expression they use, of people drowned or frozen to death.—I suppose I used it because I arn not quite so clear in the head as I might be. But it is a good thing I can stick it out here; for this frantic nuisance of a snow-storm can carry on until morning without a qualm, and if it only keeps up until dark it will be quite bad enough, for in the dark the danger of going round and round and
not
coming round is as great as in a storm. It must be toward evening already, about six o’clock, I should say, after all the time I wasted on my circular tour. Let’s see, how late is it?” He felt for his watch; his numbed fingers could scarcely find and draw it from his pocket. Here it was, his gold hunting-watch, with his monogram on the lid, ticking faithfully away in this lonely waste, like Hans Castorp’s own heart, that touching human heart that beat in the organic warmth of his interior man.
It was half past four. But deuce take it, it had been nearly as much before the storm burst. Was it possible his whole bewildered circuit had lasted scarcely a quarter of an hour? ” ‘Coming round’ makes time seem long,” he noted. “And when you
don’t
‘
come round’—does it seem longer? But the fact remains that at five or half past it will be regularly dark. Will the storm hold up in time to keep me from running in circles again? Suppose I take a sip of port—it might strengthen me.”
He had brought with him a bottle of that amateurish drink, simply because it was always kept ready in flat bottles at the Berghof, for excursions—though not, of course, excursions like this unlawful escapade. It was not meant for people who went out in the snow and got lost and night-bound in the mountains. Had his senses been less befogged, he must have said to himself that if he were bent on getting home, it was almost the worst thing he could have done. He did say so, after he had drunk several swallows, for they took effect at once, and it was an effect much like that of the Kulmbacher beer on the evening of his arrival at the Berghof, when he had angered Settembrini by his ungoverned prattle anent fish-sauces and the like—Herr Ludovico, the pedagogue, the same who held madmen to their senses when they would give themselves rein. Hans Castorp heard through thin air the mellifluous sound of his horn; the orator and schoolmaster was nearing by forced marches, to rescue his troublesome nursling, life’s delicate child, from his present desperate pass and lead him home.—All which was of course sheer rubbish, due to the Kulmbacher he had so foolishly drunk. For of course Herr Settembrini had no horn, how could he have? He had a hand-organ, propped by a sort of wooden leg against the pavement, and as he played a sprightly air, he flung his humanistic eyes up to the people in the houses. And furthermore he knew nothing whatever of what had happened, as he no longer lived in House Berghof, but with Lukaçek the tailor, in his little attic room with the water-bottle, above Naphta’s silken cell. Moreover, he would have no right nor reason to interfere—no more than upon that carnival night on which Hans Castorp had found himself in a position quite as mad and bad as this one, when he gave the ailing Clavdia Chauchat back
son crayon
—his, Pribislav Hippe’s, pencil. What position was that? What position could it be but the horizontal, literally and not metaphorically the position of all long-termers up here? Was not he himself used to lie long hours out of doors, in snow and frost, by night as well as day? And he was making ready to sink down when the idea seized him, took him as it were by the collar and fetched him up standing, that all this nonsense he was uttering was still inspired by the Kulmbacher beer and the impersonal, quite typical and traditional longing to lie down and sleep, of which he had always heard, and which would by quibbling and sophistry now betray him.
“That was the wrong way to go to work,” he acknowledged to himself. “The port was not at all the right thing; just the few sips of it have made my head so heavy I cannot hold it up, and my thoughts are all just confused, stupid quibbling with words. I can’t depend on them—not only the first thought that comes into my head, but even the second one, the correction which my reason tries to make upon the first—more’s the pity. ‘
Son crayon!’
That means her pencil, not his pencil, in this case; you only say
son
because
crayon
is masculine. The rest is just a pretty feeble play on words. Imagine stopping to talk about that when there is a much more important fact; namely, that my left leg, which I am using as a support, reminds me of the wooden leg on Settembrini’s hand-organ, that he keeps jolting over the pavement with his knee, to get up close to the window and hold out his velvet hat for the girl up there to throw something into. And at the same time, I seem to be pulled, as though with hands, to lie down in the snow. The only thing to do is to move about. I must pay for the Kulmbacher, and limber up my wooden leg.”
He pushed himself away from the wall with his shoulder. But one single pace forward, and the wind sliced at him like a scythe, and drove him back to the shelter of the wall. It was unquestionably the position indicated for the time; he might change it by turning his left shoulder to the wall and propping himself on the right leg, with sundry shakings of the left, to restore the circulation as much as might be. “Who leaves the house in weather like this?” he said. “Moderate activity is all right; but not too much craving for adventure, no coying with the bride of the storm. Quiet, quiet— if the head be heavy, let it droop. The wall is good, a certain warmth seems; to come from the logs—probably the feeling is entirely subjective.—Ah, the trees, the trees! Oh, living climate of the living—how sweet it smells!”
It was a park. It lay beneath the terrace on which he seemed to stand—a spreading park of luxuriant green shade-trees, elms, planes, beeches, birches, oaks, all in the dappled light and shade of their fresh, full, shimmering foliage, and gently rustling tips. They breathed a deliciously moist, balsamic breath into the air. A warm shower passed over them, but the rain was sunlit. One could see high up in the sky the whole air filled with the bright ripple of raindrops. How lovely it was! Oh, breath of the homeland, oh, fragrance and abundance of the plain, so long foregone! The air was full of bird song—dainty, sweet, blithe fluting, piping, twittering, cooing, trilling, warbling, though not a single little creature could be seen. Hans Castorp smiled, breathing gratitude. But still more beauties were preparing. A rainbow flung its arc slanting across the scene, most bright and perfect, a sheer delight, all its rich glossy, banded colours moistly shimmering down into the thick, lustrous green. It was like music, like the sound of harps commingled with flutes and violins. The blue and the violet were transcendent. And they descended and magically blended, were transmuted and re-unfolded more lovely than before. Once, some years earlier, our young Hans Castorp had been privileged to hear a world-famous Italian tenor, from whose throat had gushed a glorious stream to witch the world with gracious art. The singer took a high note, exquisitely; then held it, while the passionate harmony swelled, unfolded, glowed from moment to moment with new radiance. Unsuspected veils dropped from before it one by one; the last one sank away, revealing what must surely be the ultimate tonal purity—yet no, for still another fell, and then a well-nigh incredible third and last, shaking into the air such an extravagance of tear-glistening splendour, that confused murmurs of protest rose from the audience, as though it could bear no more; and our young friend found that he was sobbing.—So now with the scene before him, constantly transformed and transfigured as it was before his eyes. The bright, rainy veil fell away; behind it stretched the sea, a southern sea of deep, deepest blue shot with silver lights, and a beautiful bay, on one side mistily open, on the other enclosed by mountains whose outline paled away into blue space. In the middle distance lay islands, where palms rose tall and small white houses gleamed among cypress groves. Ah, it was all too much, too blest for sinful mortals, that glory of light, that deep purity of the sky, that sunny freshness on the water! Such a scene Hans Castorp had never beheld, nor anything like it. On his holidays he had barely sipped at the south, the sea for him meant the colourless, tempestuous northern tides, to which he clung with inarticulate, childish love. Of the Mediterranean, Naples, Sicily, he knew nothing. And yet—he
remembered
. Yes, strangely enough, that was recognition which so moved him. “Yes, yes, its very image,” he was crying out, as though in his heart he had always cherished a picture of this spacious, sunny bliss. Always—and that always went far, far, unthinkably far back, as far as the open sea there on the left where it ran out to the violet sky bent down to meet it.
The sky-line was high, the distance seemed to mount to Hans Castorp’s view, looking down as he did from his elevation onto the spreading gulf beneath. The mountains held it embraced, theiï tree-clad foot-hills running down to the sea; they reached in half-circle from the middle distance to the point where he sat, and beyond. This was a mountainous littoral, at one point of which he was crouching upon a sunwarmed stone terrace, while before him the ground, descending among undergrowth, by moss-covered rocky steps, ran down to a level shore, where the reedy shingle formed little blue-dyed bays, minute archipelagoes and harbours. And all the sunny region, these open coastal heights and laughing rocky basins, even the sea itself out to the islands, where boats plied to and fro, was peopled far and wide. On every hand human beings, children of sun and sea, were stirring or sitting. Beautiful young human creatures, so blithe, so good and gay, so pleasing to see—at sight of them Hans Castorp’s whole heart opened in a responsive love, keen almost to pain.
Youths were at work with horses, running hand on halter alongside their whinnying, head-tossing charges; pulling the refractory ones on a long rein, or else, seated bareback, striking the flanks of their mounts with naked heels, to drive them into the sea. The muscles of the riders’ backs played beneath the sun-bronzed skin, and their voices were enchanting beyond words as they shouted to each other or to their steeds. A little bay ran deep into the coast line, mirroring the shore as does a mountain lake; about it girls were dancing. One of them sat with her back toward him, so that her neck, and the hair drawn to a knot above it smote him with loveliness. She sat with her feet in a depression of the rock, and played on a shepherd’s pipe, her eyes roving above the stops to her companions, as in long, wide garments, smiling, with outstretched arms, alone, or in pairs swaying gently toward each other, they moved in the paces of the dance. Behind the flute-player—she too was white-clad, and her back was long and slender, laterally rounded by the movement of her arms—other maidens were sitting, or standing entwined to watch the dance, and quietly talking. Beyond them still, young men were practising archery. Lovely and pleasant it was to see the older ones show the younger, curly-locked novices, how to span the bow and take aim; draw with them, and laughing support them staggering back from the push of the arrow as it leaped from the bow. Others were fishing, lying prone on a jut of rock, waggling one leg in the air, holding the line out over the water, approaching their heads in talk. Others sat straining forward to fling the bait far out. A ship, with mast and yards, lying high out of the tide, was being eased, shoved, and steadied into the sea. Children played and exulted among the breaking waves. A young female, lying outstretched, drawing with one hand her flowered robe high between her breasts, reached with the other in the air after a twig bearing fruit and leaves, which a second, a slender-hipped creature, erect at her head, was playfully withholding. Young folk were sitting in nooks or the rocks, or hesitating at the water’s edge, with crossed arms clutching either shoulder, as they tested the chill with their toes. Pairs strolled along the beach, close and confiding, at the maiden’s ear the lips of the youth. Shaggyhaired goats leaped from ledge to ledge of the rocks, while the young goatherd, wearing perched on his brown curls a little hat with the brim turned up behind, stood watching them from a height, one hand on his hip, the other holding the long staff on which he leaned.