“Oh, lovely, lovely,” Hans Castorp breathed. “How joyous and winning they are, how fresh and healthy, happy and clever they look! It is not alone the outward form, they seem to be wise and gentle through and through. That is what makes me in love with them, the spirit that speaks out of them, the sense, I might almost say, in which they live and play together.” By which he meant the friendliness, the mutual courteous regard these children of the sun showed to each other, a calm, reciprocal reverence veiled in smiles, manifested almost imperceptibly, and yet possessing them all by the power of sense association and ingrained idea. A dignity, even a gravity, was held, as it were, in solution in their lightest mood, perceptible only as an ineffable spiritual influence, a high seriousness without austerity, a reasoned goodness conditioning every act. All this, indeed, was not without its ceremonial side. A young mother, in a brown robe loose at the shoulder, sat on a rounded mossy stone and suckled her child, saluted by all who passed with a characteristic gesture which seemed to comprehend all that lay implicit in their general bearing. The young men, as they approached, lightly and formally crossed their arms on their breasts, and smilingly bowed; the maidens shaped the suggestion of a curtsy, as the worshipper does when he passes the high altar, at the same time nodding repeatedly, blithely and heartily. This mixture of formal homage with lively friendliness, and the slow, mild mien of the mother as well, where she sat pressing her breast with her forefinger to ease the flow of milk to her babe, glancing up from it to acknowledge with a smile the reverence paid her—this sight thrilled Hans Castorp’s heart with something very close akin to ecstasy. He could not get his fill of looking, yet asked himself in concern whether he had a right, whether it was not perhaps punishable, for him, an outsider, to be a party to the sunshine and gracious loveliness of all these happy folk. He felt common, clumsybooted. It seemed unscrupulous.
A lovely boy, with full hair drawn sideways across his brow and falling on his temples, sat directly beneath him, apart from his companions, with arms folded on his breast—not sadly, not ill-naturedly, quite tranquilly on one side. This lad looked up, turned his gaze upward and looked at him, Hans Castorp, and his eyes went between the watcher and the scenes upon the strand, watching his watching, to and fro. But suddenly he looked past Hans Castorp into space, and that smile, common to them all, of polite and brotherly regard, disappeared in a moment from his lovely, purely cut, half-childish face. His brows did not darken, but in his gaze there came a solemnity that looked as though carven out of stone, inexpressive, unfathomable, a deathlike reserve, which gave the scarcely reassured Hans Castorp a thorough fright, not unaccompanied by a vague apprehension of its meaning.
He too looked in the same direction. Behind him rose towering columns, built of cylindrical blocks without bases, in the joinings of which moss had grown. They formed the façade of a temple gate, on whose foundations he was sitting, at the top of a double flight of steps with space between. Heavy of heart he rose, and, descending the stair on one side, passed through the high gate below, and along a flagged street, which soon brought him before other propylæa. He passed through these as well, and now stood facing the temple that lay before him, massy, weathered to a grey-green tone, on a foundation reached by a steep flight of steps. The broad brow of the temple rested on the capitals of powerful, almost stunted columns, tapering toward the top— sometimes a fluted block had been shoved out of line and projected a little in profile. Painfully, helping himself on with his hands, and sighing for the growing oppression of his heart, Hans Castorp mounted the high steps and gained the grove of columns, it was very deep, he moved in it as among the trunks in a forest of beeches by the pale northern sea. He purposely avoided the centre, yet for all that slanted back again, and presently stood before a group of statuary, two female figures carved in stone, on a high base: mother and daughter, it seemed; one of them sitting, older than the other, more dignified, right goddesslike and mild, yet with mourning brows above the lightless empty eye-sockets; clad in a flowing tunic and a mantle of many folds, her matronly brow with its waves of hair covered with a veil. The other figure stood in the protecting embrace of the first, with round, youthful face, and arms and hands wound and hidden in the folds of the mantle.
Hans Castorp stood looking at the group, and from some dark cause his laden heart grew heavier still, and more oppressed with its weight of dread and anguish. Scarcely daring to venture, but following an inner compulsion, he passed behind the statuary, and through the double row of columns beyond. The bronze door of the sanctuary stood open, and the poor soul’s knees all but gave way beneath him at the sight within. Two grey old women, witchlike, with hanging breasts and dugs of fingerlength, were busy there, between flaming braziers, most horribly. They were dismembering a child. In dreadful silence they tore it apart with their bare hands— Hans Castorp saw the bright hair blood-smeared—and cracked the tender bones between their jaws, their dreadful lips dripped blood. An icy coldness held him. He would have covered his eyes and fled, but could not. They at their gory business had already seen him, they shook their reeking fists and uttered curses—soundlessly, most vilely, with the last obscenity, and in the dialect of Hans Castorp’s native Hamburg. It made him sick, sick as never before. He tried desperately to escape; knocked into a column with his shoulder—and found himself, with the sound of that dreadful whispered brawling still in his ears, still wrapped in the cold horror of it, lying by his hut, in the snow, leaning against one arm, with his head upon it, his legs in their skis stretched out before him.
It was no true awakening. He blinked his relief at being free from those execrable hags, but was not very clear, nor even greatly concerned, whether this was a hay-hut, or the column of a temple, against which he lay; and after a fashion continued to dream, no longer in pictures, but in thoughts hardly less involved and fantastic. “I felt it was a dream, all along,” he rambled. “A lovely and horrible dream. I knew all the time that I was making it myself—the park with the trees, the delicious moisture in the air, and all the rest, both dreadful and dear. In a way, I knew it all beforehand. But how is it a man can know all that and call it up to bring him bliss and terror both at once? Where did I get the beautiful bay with the islands, where the temple precincts, whither the eyes of that charming boy pointed me, as he stood there alone? Now I know that it is not out of our single souls we dream. We dream anonymously and communally, if each after his fashion. The great soul of which we are a part may dream through us, in our manner of dreaming, its own secret dreams, of its youth, its hope, its joy and peace—and its blood-sacrifice. Here I lie at my column and still feel in my body the actual remnant of my dream—the icy horror of the human sacrifice, but also the joy that had filled my heart to its very depths, born of the happiness and brave bearing of those human creatures in white. It is meet and proper, I hereby declare that I have a prescriptive right to lie here and dream these dreams. For in my life up here I have known reason and recklessness. I have wandered lost with Settembrini and Naphta in high and mortal places. I know all of man. I have known mankind’s flesh and blood. I gave back to the ailing Clavdia Chauchat Pribislav Hippe’s lead-pencil. But he who knows the body, life, knows death. And that is not all; it is, pedagogically speaking, only the beginning. One must have the other half of the story, the other side. For all interest in disease and death is only another expression of interest in life, as is proven by the humanistic faculty of medicine, that addresses life and its ails always so politely in Latin, and is only a division of the great and pressing concern which, in all sympathy, I now name by its name: the human being, the delicate child of life, man, his state and standing in the universe. I understand no little about him, I have learned much from ‘those up here,’ I have been driven up from the valley, so that the breath almost left my poor body. Yet now from the base of my column I have no meagre view. I have dreamed of man’s state, of his courteous and enlightened social state; behind which, in the temple, the horrible blood-sacrifice was consummated. Were they, those children of the sun, so sweetly courteous to each other, in silent recognition of that horror? It would be a fine and right conclusion they drew. I will hold to them, in my soul, I will hold with them and not with Naphta, neither with Settembrini. They are both talkers; the one luxurious and spiteful, the other for ever blowing on his penny pipe of reason, even vainly imagining he can bring the mad to their senses. It is all Philistinism and morality, most certainly it is irreligious. Nor am I for little Naphta either, or his religion, that is only a
guazzabuglio
of God and the Devil, good and evil, to the end that the individual soul shall plump into it head first, for the sake of mystic immersion in the universal. Pedagogues both! Their quarrels and counter-positions are just a
guazzabuglio
too, and a confused noise of battle, which need trouble nobody who keeps a little clear in his head and pious in his heart. Their aristocratic question! Disease, health! Spirit, nature! Are those contradictions? I ask, are they problems? No, they are no problems, neither is the problem of their aristocracy. The recklessness of death is in life, it would not be life without it—and in the centre is the position of the
Homo Dei
, between recklessness and reason, as his state is between mystic community and windy individualism. I, from my column, perceive all this. In this state he must live gallantly, associate in friendly reverence with himself, for only he is aristocratic, and the counter-positions are not at all. Man is the lord of counterpositions, they can be only through him, and thus he is more aristocratic than they. More so than death, too aristocratic for death—that is the freedom of his mind. More aristocratic than life, too aristocratic for life, and that is the piety in his heart. There is both rhyme and reason in what I say, I have made a dream poem of humanity. I will cling to it. I will be good. I will let death have no mastery over my thoughts. For therein lies goodness and love of humankind, and in nothing else. Death is a great power. One takes off one’s hat before him, and goes weavingly on tiptoe. He wears the stately ruff of the departed and we do him honour in solemn black. Reason stands simple before him, for reason is only virtue, while death is release, immensity, abandon, desire. Desire, says my dream. Lust, not love. Death and love—no, I cannot make a poem of them, they don’t go together. Love stands opposed to death. It is love, not reason, that is stronger than death. Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilization, friendly, enlightened, beautiful human intercourse—always in silent recognition of the bloodsacrifice. Ah, yes, it is well and truly dreamed. I have taken stock. I will remember. I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to humankind, so soon as we give it power over thought and action.
For the sake of goodness and love
,
man shall let death have no sovereignty
over his thoughts.—
And with this—I awake. For I have dreamed it out to the end, I have come to my goal. Long, long have I sought after this word, in the place where Hippe appeared to me, in my loggia, everywhere. Deep into the snow mountains my search has led me. Now I have it fast. My dream has given it me, in utter clearness, that I may know it for ever. Yes, I am in simple raptures, my body is warm, my heart beats high and knows why. It beats not solely on physical grounds, as finger-nails grow on a corpse; but humanly, on grounds of my joyful spirits. My dream word was a draught, better than port or ale, it streams through my veins like love and life, I tear myself from my dream and sleep, knowing as I do, perfectly well, that they are highly dangerous to my young life. Up, up! Open your eyes! These are your limbs, your legs here in the snow! Pull yourself together, and up! Look—fair weather!”
The bonds held fast that kept his limbs involved. He had a hard struggle to free himself—but the inner compulsion proved stronger. With a jerk he raised himself on his elbows, briskly drew up his knees, shoved, rolled, wrestled to his feet; stamped with his skis in the snow, flung his arms about his ribs and worked his shoulders violently, all the while casting strained, alert glances about him and above, where now a pale blue sky showed itself between grey-bluish clouds, and these presently drew away to discover a thin sickle of a moon. Early twilight reigned: no snowfall, no storm. The wall of the opposite mountain with its shaggy, tree-clad ridge stretched out before him plain and peaceful. Shadow lay on half its height, but the upper half was bathed in palest rosy light. How were things in the world? Was it morning? Had he, despite what the books said, lain all night in the snow and not frozen? Not a member was frost-bitten, nothing snapped when he stamped, shook and struck himself, as he did vigorously, all the time seeking to establish the facts of his situation. Ears, toes, finger-tips, were of course numb, but not more so than they had often been at night in his loggia. He could take his watch from his pocket—it was still going, it had not stopped, as it did if he forgot to wind it. It said not yet five—it was in fact considerably earlier, twelve, thirteen minutes. Preposterous! Could it be he had lain here in the snow only ten minutes or so, while all these scenes of horror and delight and those presumptuous thoughts had spun themselves in his brain, and the hexagonal hurly vanished as it came? If that were true, then he must be grateful for his good fortune; that is, from the point of view of a safe home-coming. For twice such a turn had come, in his dream and fantasy, as had made him start up—once from horror, and again for rapture. It seemed, indeed, that life meant well by her lone-wandering delicate child.
Be all that as it might, and whether it was morning or afternoon—there could in fact be no doubt that it was still late afternoon—in any case, there was nothing in the circumstances or in his own condition to prevent his going home, which he accordingly did: descending in a fine sweep, as the crow flies, to the valley, where, as he reached it, lights were showing, though his way had been well enough lighted by reflection from the snow. He came down the Brehmenbühl, along the edge of the forest, and was in the Dorf by half past five. He left his skis at the grocer’s, rested a little in Herr Settembrini’s attic cell, and told him how the storm had overtaken him in the mountains. The horrified humanist scolded him roundly, and straightway lighted his spirit-kettle to brew coffee for the exhausted one—the strength of which did not prevent Hans Castorp from falling asleep as he sat.