the Moonshine War (1969) (24 page)

When Miley walked into the yard, looking around, frowning in the sunlight, she said, "What am I suppose to do out here? I can't shoot a gun and I never was a campfire girl."

Dr. Taulbee smiled at her and said, "As soon as you finish being a little sour-mouth smart-ass, I'll tell you."

Miley shrugged and waited, and Dr. Taulbee said, what she was going to do, she was going to march down the hill and tell Son Martin he had one last chance to give up and save his life.

And, if he acted at once on this offer, h
e w
ould be paid a dollar a gallon for his whiskey.

Miley thought about it, picturing Son Martin. "And what do I do when he says no?"

"You come on back here."

"If you know what he's going to say, then what's the good of asking him?"

"Because of what you say when you get back."

"What is it I say?"

"In front of the men, you tell them all three of them down there are shot up and in pain, just barely dragging theirselves around with blood all over everything. They look to you like they won't last till night."

"Yeah," Miley said, "then what?"

"Then our brave boys, smelling easy victory, storm the house to finish them off."

Miley shook her head. "You sure are a thinker."

"You cute thing," Dr. Taulbee said, "give us a kiss before you go."

"They all out there again," Aaron said. "More than yesterday."

Son looked out across the pasture to the cars parked on the open ridge. "Come to see the show."

"I don't understand them people." Son made no comment.

"Something else I don't understand," Aaron said. "Why you told him about the grave." "He figured it out."

"He was guessing,"

"But he was right. Whether I said anything or not, he was right. If he gets out of this he'll dig for the whiskey and find it. But we can't shoot him because he knows where it is, can we?"

"I don't know," Aaron said. "Maybe you can't."

Son looked over at him, then at the ceiling. "There's something we can do if he stays up there long enough." He edged closer to Aaron at the window. "The light switch--"

"Hey, what're you two whispering about?" Frank Long's voice came from the hole drilled in the ceiling. Son's eyes raised. "We were just talking about you, Frank. Arguing which one of us is going to shoot you."

They heard him laugh. "Son, you wouldn't shoot an old buddy."

"You ain't an old buddy of Aaron's."

"What're you talking about?" Long said. "Hey, Aaron, I meant to tell you. I'm giving you a cut of the whiskey take, boy, so don't be having any dark thoughts. You hear?"

Looking up at the ceiling, Aaron didn't answer. He said to Son, "You want him with you?"

"No."

Son had made up his mind. He could say yes, thinking about the whiskey, the work and the years that had gone into it. He could say, all right, Frank Long is a partner. Finish this with his help. Maybe. Get the whiskey out and sell it with half the county knowing an
d w
atching and split the profit with a crooked federal agent he used to know in the Army. Do all that before another gang like Dr. Taulbee's heard about the whiskey and came down with their guns to start another war. Or before the Prohibition agents heard and started busting stills all over again. Forty-five hundred gallons of eight-year-old whiskey was a good idea at one time. Now it was a dream a man would have with his head under the covers, while he wished all the trouble it caused would go away.

He knew he wasn't going to drink forty-five hundred gallons himself and it didn't look like he was going to sell the whiskey. So if he didn't want anybody else to have it, there was only one thing left to do.

Blow it up. Splice the dynamite wire to the electrical system and turn on the switch.

If he could think of a way to keep Frank Long busy while he made the splice.

Walk up to him and knock him cold; that was one way. Hit him with a gun stock or a hunk of kindling if he had to. Then wire the charge and blow it and hope Dr. Taulbee would look at the smoke and go home.

That was the trouble. Son couldn't be sure what Dr. Taulbee would do. He was a scary son of a bitch, with his big smile. He might look at the smoke and go right out of his head.

Frank Long came downstairs with the BAR under his arm. "What I want to know," he said, "is who you expect will be coming next? Look-it out there."

Miley looked up from the porch steps to the house. "You got a ladder or is somebody going to pull me up?" She could see Son in the window. She didn't know Long was here until he opened the door and stepped out. When he leaned down to give her a hand, Miley continued to stare at him. Finally she let herself be pulled up. On the porch she brushed at the front of her skirt before looking at him again.

"It doesn't appear you're being held for ransom."

"I switched over, honey, seeing the error of my ways. That's a terrible person you're playing house with."

"He must have thrown you out," Miley said.

Long grinned at her. "How about yourself?"

"I've come with a message."

"Well, come in, honey; we want to hear it."

Miley looked around the room before her gaze settled on Son Martin. "You look all right to me," she said.

"We're getting along." Son realized he was glad to see her. He couldn't help smiling and she smiled back at him.

"Emmett says if you all want to quit now he'll pay you a dollar a gallon for the whiskey." "We're asking five," Long said.

"We are." Miley raised her eyebrows. "We fit ourselves right in, don't we?"

"You want to be on our side?"

"It's a thought, isn't it?" Miley looked at Son. "I doubt if he can pay your price."

"Even if he could," Son said, "and was willing, the whiskey's not for sale. Tell him that. Not for a dollar, not for ten dollars."

"So you're still the one to talk to," Miley said.

"Tell him if he wants it he'll have to come get it."

"I expect he will. Though he's running out of people."

"How many we get?" Long asked her.

"Four, I think. Maybe five by now."

"Hey, Son, that ain't bad, is it?" Long looked at Miley again. "You sure you don't want to be on our side?"

"I'd have to think about it," Miley said. "It looks to me like the odds are still way against you."

"But changing all the time."

"That's true." Miley nodded. "But I still think he's going to win."

"I'll tell you what," Long said. "You stay here awhile with us and see how you like it."

"If I don't get back he'll send them looking for me."

"He might at that. What if we tell him we'll shoot you if he doesn't clear out?"

Miley laughed. "Are you kidding?"

"That's what I thought," Long said. "So we'll just keep you here and won't say anything and see what happens."

Son almost overruled him. He almost took Miley by the arm to push her outside; but he saw something--the way Long was openly looking at her body, peeling her clothes off with his gaze. Son went over to the stove. "You'r
e g
oing to stay," he said, "you might as well fix us some thing to eat."

Miley followed him over. "If that's what you want." Long's eyes were on the nice little can moving in the tight skirt. Son noticed that too.

"I'd like to see them run in there with the cars again," Bud Blackwell said. "Jesus, the one car went right through the barn."

"You hear that gun they got?" Virgil Worthman said.

"Like a machine gun." Bud pulled the weed stem from his mouth and made a noise like a machine gun firing.

Lowell Holbrook looked over at him. "It was a BAR rifle," he said, "belongs to Frank Long. Doesn't anybody know a BAR rifle when they hear one?" Gazing off at the house he walked away from them, like he wanted to study the house from a different angle. He knew the people were watching him.

Let them wonder what he was thinking. He had been in that house all yesterday afternoon until dark and he knew things nobody else knew. Last night and earlier this morning, nobody would leave him alone, all the questions they asked. Why had he gone down there? Wasn't he scared? How were they doing? Had any of them been shot? Lowell told them the man was a guest of the hotel; the man had wanted his car and his suitcase, so he delivered them. That's all there was to it.

Now, every once in a while, somebody would ask what he thought was going to happen. Lowell would study the house with his cool gaze and say, "Don't worry about Son Martin." A couple of times he wanted to add, "If you're so worried, why don't you go help him?" But he never did. If anybody wanted to help Son, but didn't do anything about it, it was their own personal business. A person knew what he should do and what he shouldn't do.

Lowell had a feeling for a while that Mrs. Lyons was going to do something. It had surprised him to see her drive up this morning. He would watch her when he remembered her being here. She stood by herself most of the time. Once she had asked him if he thought Son was all right and he gave her the answer, "Don't worry about Son Martin." She had looked awful worried; maybe it was true they were going to bed together. She had talked to other people, maybe trying to get them to help. But Lowell didn't see anybody getting any guns out of their cars. After a while Mrs. Lyons sat down on the corner of a blanket that a couple of ladies had spread. Lowell watched her holding a cup as one of the ladies poured coffee in it from a Thermos.

Everybody was sure prepared today. They had picnic baskets and coffee and Coca-Colas, blankets and folding chairs and canvas awnings built out from some of the cars. There was even a cookfire for anyone who wanted to fix a hot meal.

"Somebody ought to sell tickets," Lowell sai
d t
o Mrs. Lyons, and got a strange, sorrowful look from her, like she might be going to cry. Though she didn't.

The heavy-set guy, Carl, came over through the brush to tell Dr. Taulbee there was no sign of her yet, she was still in the house.

"They think they're pulling a stunt," Dr. Taulbee said. He blew a stream of cigar smoke toward the edge of the roof over the porch. "We start down there shooting and they tie her to the front door."

"If that was to happen, what do we do?" the man asked.

"You'd keep shooting."

"We been shooting, mister, for two days."

"Now when was it," Dr. Taulbee said, "somebody told me he was going to bring the nigger out dead and the other with his hands in the air? It seems to me it was the night before last. Well, buddy, I have been waiting for that to happen. I been watching you hotshots with your tommy guns and high-powered rifles, but I haven't seen any results. I don't know with all the shooting you been doing one of them is even nicked. Can you tell me that? If all this shooting for two days has hit anybody? No, you can't, buddy, because you haven't been close enough to that house to find out. Now tell me again how you're going to bring them out."

Carl's thick shoulders were hunched. He stood sullenly, looking up at Dr. Taulbee
,
who was rocking the chair slowly back and forth. "We'll get them out," the man said.

"Yes, I know you will," Dr. Taulbee said. "Sometime. Tell me something, is there any hay in that barn?"

"Plenty of hay."

"And there's a car in the barn?"

"That's right."

"If you were to get down to that barn just as it's getting dark--start the car up and get it loaded with nice dry hay."

"Yeah?" The man's sullen expression came alive then. "Set the hay afar and run the car into the house!"

"That'd bring them out, wouldn't it?" "Goddamn if it wouldn't."

"Buddy," Dr. Taulbee said. "I think you got an idea."

"Miley," Frank Long said, stretching as he got up from the table, "You ain't much at the stove; but then a girl can't be an expert at everything, can she?"

Her eyes moved to Son at the window. "Some people like my coffee."

"Some hill boys will drink anything." Long grinned. "Hey, Son, I'm just kidding you. You got fine taste and good grub. I'll sit at your table any time."

Son looked over. "I'd appreciate you more at a window. You going back upstairs?"

"I guess I better."

"Well, see you later then."

Long reached for his BAR leaning against the table, then hesitated. "Hey, Miley, why don't you come up and keep me company?"

"I was going to do the dishes," she said, looking over at Son again.

"You can do them later. Son, you don't care if she does them later, do you?"

Crouching at the window, waiting for Long to get upstairs, Son shook his head. "I don't care."

"Honey, you can stretch out on the bed if you want, take a little rest."

"I'll bet," Miley said.

"What do you mean by that?" Long's tone was meant to sound offended.