The Mysteries of Udolpho (96 page)

Read The Mysteries of Udolpho Online

Authors: Ann Radcliffe

‘It is extraordinary,' observed Emily, ‘that no person has yet discovered the musician.'

‘Aye, ma'amselle, if it had been anything earthly it would have been discovered long ago, but who, could have courage to follow a spirit, and if they had, what good could it do? – for spirits,
you know
, ma'am, can take any shape, or no shape, and they will be here, one minute, and, the next perhaps, in a quite different place!'

‘Pray resume your story of the Marchioness,' said Emily, ‘and acquaint me with the manner of her death.'

‘I will, ma'am,' said Dorothé, ‘but shall we leave the window?'

‘This cool air refreshes me,' replied Emily, ‘and I love to hear it creep along the woods, and to look upon this dusky landscape. You was speaking of my lord, the Marquis, when the music interrupted us.'

‘Yes, madam, my lord, the Marquis, became more and more gloomy; and my lady grew worse and worse, till, one night, she was taken very ill, indeed. I was called up, and, when I came to her bed-side, I was shocked to see her countenance – it was so changed! She looked piteously up at me, and desired I would call the Marquis again, for he was not yet come, and tell him she had something particular to say to him. At last, he came, and he did, to be sure, seem very sorry to see her, but he said very little. My lady told him she felt herself to be dying, and wished to speak with him alone, and then I left the room, but I shall never forget his look as I went.

‘When I returned, I ventured to remind my lord about sending for a doctor, for I supposed he had forgot to do so, in his grief; but my lady said it was then too late; but my lord, so far from thinking so, seemed to think lightly of her
disorder – till she was seized with such terrible pains! O, I never shall forget her shriek! My lord then sent off a man and horse for the doctor, and walked about the room and all over the chateau, in the greatest distress; and I staid by my dear lady, and did what I could to ease her sufferings. She had intervals of ease, and in one of these she sent for my lord again; when he came, I was going, but she desired I would not leave her. O! I shall never forget what a scene passed – I can hardly bear to think of it now! My lord was almost distracted, for my lady behaved with so much goodness, and took such pains to comfort him, that, if he ever had suffered a suspicion to enter his head, he must now have been convinced he was wrong. And to be sure he did seem to be overwhelmed with the thought of his treatment of her, and this affected her so much, that she fainted away.

‘We then got my lord out of the room; he went into his library, and threw himself on the floor, and there he staid, and would hear no reason, that was talked to him. When my lady recovered, she enquired for him, but, afterwards, said she could not bear to see his grief, and desired we would let her die quietly. She died in my arms, ma'amselle, and she went off as peacefully as a child, for all the violence of her disorder was passed.'

Dorothé paused, and wept, and Emily wept with her; for she was much affected by the goodness of the late Marchioness, and by the meek patience, with which she had suffered.

‘When the doctor came,' resumed Dorothée, ‘alas! he came too late; he appeared greatly shocked to see her, for soon after her death a frightful blackness spread all over her face. When he had sent the attendants out of the room, he asked me several odd questions about the Marchioness, particularly concerning the manner, in which she had been seized, and he often shook his head at my answers, and seemed to mean more, than he chose to say. But I understood him too well. However, I kept my remarks to myself, and only told them to my husband, who bade me hold my tongue. Some of the other servants, however, suspected what I did, and strange reports were whispered about the neighbourhood, but nobody dared to make any stir about them. When my lord heard that my lady was dead, he shut himself up, and would see nobody but the doctor, who used to be with him alone, sometimes for an hour together; and, after that, the doctor never talked with me again about my lady. When she was buried in the church of the convent, at a little distance yonder, if the moon was up you might see the towers here, ma'amselle, all my lord's vassals followed the funeral, and there was not a dry eye among them, for she had done a deal of good among the poor. My lord, the Marquis, I never saw any body so melancholy as he was afterwards, and sometimes he would be in such fits of violence, that we almost thought he had lost his senses.

He did not stay long at the chateau, but joined his regiment, and, soon after, all the servants, except my husband and I, received notice to go, for my lord went to the wars, I never saw him after, for he would not return to the chateau, though it is such a fine place, and never finished those fine rooms he was building on the west side of it, and it has, in a manner, been shut up ever since, till my lord the Count came here.'

‘The death of the Marchioness appears extraordinary,' said Emily, who was anxious to know more than she dared to ask.

‘Yes, madam,' replied Dorothé, ‘it was extraordinary; I have told you all I saw, and you may easily guess what I think. I cannot say more, because I would not spread reports, that might offend my lord the Count.'

‘You are very right,' said Emily; – ‘where did the Marquis die?' – ‘In the north of France, I believe, ma'amselle,' replied Dorothée. ‘I was very glad, when I heard my lord the Count was coming, for this had been a sad desolate place, these many years, and we heard such strange noises, sometimes, after my lady's death, that, as I told you before, my husband and I left it for a neighbouring cottage. And now, lady, I have told you all this sad history, and all my thoughts, and you have promised, you know, never to give the least hint about it.' – ‘I have,' said Emily, ‘and I will be faithful to my promise, Dorothée; – what you have told has interested me more than you can imagine. I only wish I could prevail upon you to tell the name of the chevalier, whom you thought so deserving of the Marchioness.'

Dorothé, however, steadily refused to do this, and then returned to the notice of Emily's likeness to the late Marchioness. ‘There is another picture of her,' added she, ‘hanging in a room of the suite, which was shut up. It was drawn, as I have heard, before she was married, and is much more like you than the miniature.' When Emily expressed a strong desire to see this, Dorothé replied, that she did not like to open those rooms; but Emily reminded her, that the Count had talked the other day of ordering them to be opened; of which Dorothée seemed to consider much, and then she owned, that she should feel less, if she went into them with Emily first, than otherwise, and at length promised to shew the picture.

The night was too far advanced and Emily was too much affected by the narrative of the scenes, which had passed in those apartments, to wish to visit them at this hour, but she requested that Dorothé would return on the following night, when they were not likely to be observed, and conduct her thither. Besides her wish to examine the portrait, she felt a thrilling curiosity to see the chamber, in which the Marchioness had died, and which Dorothé had said remained, with the bed and furniture, just as when the corpse was removed for interment. The solemn emotions, which the expectation of
viewing such a scene had awakened, were in unison with the present tone of her mind, depressed by severe disappointment. Cheerful objects rather added to, than removed this depression; but, perhaps, she yielded too much to her melancholy inclination, and imprudently lamented the misfortune, which no virtue of her own could have taught her to avoid, though no effort of reason could make her look unmoved upon the self-degradation of him, whom she had once esteemed and loved.

Dorothé promised to return, on the following night, with the keys of the chambers, and then wished Emily good repose, and departed. Emily, however, continued at the window, musing upon the melancholy fate of the Marchioness and listening, in awful expectation, for a return of the music. But the stillness of the night remained long unbroken, except by the murmuring sounds of the woods, as they waved in the breeze, and then by the distant bell of the convent, striking one. She now withdrew from the window, and, as she sat at her bed-side, indulging melancholy reveries, which the loneliness of the hour assisted, the stillness was suddenly interrupted not by music, but by very uncommon sounds, that seemed to come either from the room, adjoining her own, or from one below. The terrible catastrophe, that had been related to her, together with the mysterious circumstances, said to have since occurred in the chateau, had so much shocked her spirits, that she now sunk, for a moment, under the weakness of superstition. The sounds, however, did not return, and she retired, to forget in sleep the disastrous story she had heard.

CHAPTER IV

‘Now it is the time of night,

That, the graves all gaping wide,

Every one lets forth his sprite,

In the church-way path to glide.'

S
HAKESPEARE
[
Midsummer Night's Dream
]
1

On the next night, about the same hour as before, Dorothé came to Emily's chamber, with the keys of that suite of rooms, which had been particularly appropriated to the late Marchioness. These extended along the north side of the chateau, forming part of the old building; and, as Emily's room was in the south, they had to pass over a great extent of the castle, and by the chambers of several of the family, whose observations Dorothé was anxious to avoid,
since it might excite enquiry and raise reports, such as would displease the Count. She, therefore, requested, that Emily would wait half an hour, before they ventured forth, that they might be certain all the servants were gone to bed. It was nearly one, before the chateau was perfectly still, or Dorothé thought it prudent to leave the chamber. In this interval, her spirits seemed to be greatly affected by the remembrance of past events, and by the prospect of entering again upon places, where these had occurred, and in which she had not been for so many years. Emily too was affected, but her feelings had more of solemnity, and less of fear. From the silence, into which reflection and expectation had thrown them, they, at length, roused themselves, and left the chamber. Dorothé at first, carried the lamp, but her hand trembled so much with infirmity and alarm, that Emily took it from her, and offered her arm, to support her feeble steps.

They had to descend the great stair-case, and, after passing over a wide extent of the chateau, to ascend another, which led to the suite of rooms they were in quest of. They stepped cautiously along the open corridor, that ran round the great hall, and into which the chambers of the Count, Countess, and the Lady Blanche, opened, and, from thence, descending the chief stair-case, they crossed the hall itself. Proceeding through the servants hall, where the dying embers of a wood fire still glimmered on the hearth, and the supper table was surrounded by chairs, that obstructed their passage, they came to the foot of the back stair-case. Old Dorothé here paused, and looked around; ‘Let us listen,' said she, ‘if any thing is stirring; Ma'amselle, do you hear any voice?' ‘None,' said Emily, ‘there certainly is no person up in the chateau, besides ourselves.' – ‘No, ma'amselle,' said Dorothé, ‘but I have never been here at this hour before, and, after what I know, my fears are not wonderful.'—‘What do you know?' said Emily.—‘O ma'amselle, we have no time for talking now; let us go on. That door on the left is the one we must open.'

They proceeded, and, having reached the top of the stair-case, Dorothé applied the key to the lock. ‘Ah,' said she, as she endeavoured to turn it, ‘so many years have passed since this was opened, that I fear it will not move.' Emily was more successful, and they presently entered a spacious and ancient chamber.

‘Alas!' exclaimed Dorothé, as she entered, ‘the last time I passed through this door – I followed my poor lady's corpse!'

Emily, struck with the circumstance, and affected by the dusky and solemn air of the apartment, remained silent, and they passed on through a long suite of rooms, till they came to one more spacious than the rest, and rich in the remains of faded magnificence.

‘Let us rest here awhile, madam,' said Dorothé faintly, ‘we are going into the chamber, where my lady died! that door opens into it. Ah, ma'amselle! why did you persuade me to come?'

Emily drew one of the massy arm-chairs, with which the apartment was furnished, and begged Dorothé would sit down, and try to compose her spirits.

‘How the sight of this place brings all that passed formerly to my mind!' said Dorothé; ‘it seems as if it was but yesterday since all that sad affair happened!'

‘Hark! what noise is that?' said Emily.

Dorothé, half starting from her chair, looked round the apartment, and they listened – but, every thing remaining still, the old woman spoke again upon the subject of her sorrow. ‘This saloon, ma'amselle, was in my lady's time the finest apartment in the chateau, and it was fitted up according to her own taste. All this grand furniture, but you can now hardly see what it is for the dust, and our light is none of the best – ah! how I have seen this room lighted up in my lady's time! – all this grand furniture came from Paris, and was made after the fashion of some in the Louvre there, except those large glasses, and they came from some outlandish place, and that rich tapestry. How the colours are faded already! – since I saw it last!'

‘I understood, that was twenty years ago,' observed Emily.

‘Thereabout, madam,' said Dorothé, ‘and well remembered, but all the time between then and now seems as nothing. That tapestry used to be greatly admired at, it tells the stories out of some famous book, or other, but I have forgot the name.'

Emily now rose to examine the figures it exhibited, and discovered, by verses in the Provençal tongue, wrought underneath each scene, that it exhibited stories from some of the most celebrated ancient romances.

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