The Mysteries of Udolpho (95 page)

Read The Mysteries of Udolpho Online

Authors: Ann Radcliffe

He once more bade Emily adieu, pressed her hand to his lips, looked at her, for the last time, and hurried out of the room.

Emily remained in the chair, where he had left her, oppressed with a pain at her heart, which scarcely permitted her to breathe, and listening to his departing steps, sinking fainter and fainter, as he crossed the hall. She was, at length, roused by the voice of the Countess in the garden, and, her attention being then awakened, the first object, which struck her sight, was the vacant chair, where Valancourt had sat. The tears, which had been, for some time, repressed by the kind of astonishment, that followed his departure, now came to her relief, and she was, at length, sufficiently composed to return to her own room.

CHAPTER III

‘This is no mortal business, nor no sound

That the earth owes!'_____

S
HAKESPEARE
[
The Tempest
]
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We now return to the mention of Montoni, whose rage and disappointment were soon lost in nearer interests, than any, which the unhappy Emily had awakened. His depredations having exceeded their usual limits, and reached an extent, at which neither the timidity of the then commercial senate of Venice, nor their hope of his occasional assistance would permit them to connive, the same effort, it was resolved, should complete the suppression of his power and the correction of his outrages. While a corps of considerable strength was upon the point of receiving orders to march for Udolpho, a young officer, prompted partly by resentment, for some injury, received from Montoni, and partly by the hope of distinction, solicited an interview with the Minister, who directed the enterprise. To him he represented, that the situation of Udolpho rendered it too strong to be taken by open force, except
after some tedious operations; that Montoni had lately shewn how capable he was of adding to its strength all the advantages, which could be derived from the skill of a commander; that so considerable a body of troops, as that allotted to the expedition, could not approach Udolpho without his knowledge, and that it was not for the honour of the republic to have a large part of its regular force employed, for such a time as the siege of Udolpho would require, upon the attack of a handful of banditti. The object of the expedition, he thought, might be accomplished much more safely and speedily by mingling contrivance with force. It was possible to meet Montoni and his party, without their walls, and to attack them then; or, by approaching the fortress, with the secrecy, consistent with the march of smaller bodies of troops, to take advantage either of the treachery, or negligence of some of his party, and to rush unexpectedly upon the whole even in the castle of Udolpho.

This advice was seriously attended to, and the officer, who gave it, received the command of the troops, demanded for his purpose. His first efforts were accordingly those of contrivance alone. In the neighbourhood of Udolpho, he waited, till he had secured the assistance of several of the condottieri, of whom he found none, that he addressed, unwilling to punish their imperious master and to secure their own pardon from the senate. He learned also the number of Montoni's troops, and that it had been much increased, since his late successes. The conclusion of his plan was soon effected. Having returned with his party, who received the watch-word and other assistance from their friends within, Montoni and his officers were surprised by one division, who had been directed to their apartment, while the other maintained the slight combat, which preceded the surrender of the whole garrison. Among the persons, seized with Montoni, was Orsino, the assassin, who had joined him on his first arrival at Udolpho, and whose concealment had been made known to the senate by Count Morano, after the unsuccessful attempt of the latter to carry off Emily. It was, indeed, partly for the purpose of capturing this man, by whom one of the senate had been murdered, that the expedition was undertaken, and its success was so acceptable to them, that Morano was instantly released, notwithstanding the political suspicions, which Montoni, by his secret accusation, had excited against him. The celerity and ease, with which this whole transaction was completed, prevented it from attracting curiosity, or even from obtaining a place in any of the published records of that time; so that Emily, who remained in Languedoc, was ignorant of the defeat and signal humiliation of her late persecutor.

Her mind was now occupied with sufferings, which no effort of reason had yet been able to controul. Count de Villefort, who sincerely attempted whatever benevolence could suggest for softening them sometimes allowed
her the solitude she wished for, sometimes led her into friendly parties, and constantly protected her, as much as possible, from the shrewd enquiries and critical conversation of the Countess. He often invited her to make excursions, with him and his daughter, during which he conversed entirely on questions, suitable to her taste, without appearing to consult it, and thus endeavoured gradually to withdraw her from the subject of her grief, and to awake other interests in her mind. Emily, to whom he appeared as the enlightened friend and protector of her youth, soon felt for him the tender affection of a daughter, and her heart expanded to her young friend Blanche, as to a sister, whose kindness and simplicity compensated for the want of more brilliant qualities. It was long before she could sufficiently abstract her mind from Valancourt to listen to the story, promised by old Dorothé, concerning which her curiosity had once been so deeply interested; but Dorothé, at length, reminded her of it, and Emily desired, that she would come, that night, to her chamber.

Still her thoughts were employed by considerations, which weakened her curiosity, and Dorothé's tap at the door, soon after twelve, surprised her almost as much as if it had not been appointed. ‘I am come, at last, lady,' said she; ‘I wonder what it is makes my old limbs shake so, to-night. I thought, once or twice, I should have dropped, as I was a coming.' Emily seated her in a chair, and desired, that she would compose her spirits, before she entered upon the subject, that had brought her thither. ‘Alas,' said Dorothé, ‘it is thinking of that, I believe, which has disturbed me so. In my way hither too, I passed the chamber, where my dear lady died, and every thing was so still and gloomy about me, that I almost fancied I saw her, as she appeared upon her death-bed.'

Emily now drew her chair near to Dorothé, who went on. ‘It is about twenty years since my lady Marchioness came a bride to the chateau. O! I well remember how she looked, when she came into the great hall, where we servants were all assembled to welcome her, and how happy my lord the Marquis seemed. Ah! who would have thought then! – But, as I was saying, ma'amselle, I thought the Marchioness, with all her sweet looks, did not look happy at heart, and so I told my husband, and he said it was all fancy; so I said no more, but I made my remarks, for all that. My lady Marchioness was then about your age, and, as I have often thought, very like you. Well! my lord the Marquis kept open house, for a long time, and gave such entertainments and there were such gay doings as have never been in the chateau since. I was younger, ma'amselle, then, than I am now, and was as gay as the best of them. I remember I danced with Philip, the butler, in a pink gown, with yellow ribbons, and a coif, not such as they wear now, but plaited high, with ribbons all about it. It was very becoming truly; – my lord, the Marquis,
noticed me. Ah! he was a good-natured gentleman then – who would have thought that he!' —

‘But the Marchioness, Dorothé,' said Emily, ‘you was telling me of her.'

‘O yes, my lady Marchioness, I thought she did not seem happy at heart, and once, soon after the marriage, I caught her crying in her chamber; but, when she saw me, she dried her eyes, and pretended to smile. I did not dare then to ask what was the matter; but, the next time I saw her crying, I did, and she seemed displeased; – so I said no more. I found out, some time after, how it was. Her father, it seems, had commanded her to marry my lord, the Marquis, for his money, and there was another nobleman, or else a chevalier, that she liked better and that was very fond of her, and she fretted for the loss of him, I fancy, but she never told me so. My lady always tried to conceal her tears from the Marquis, for I have often seen her, after she has been so sorrowful, look so calm and sweet, when he came into the room! But my lord, all of a sudden, grew gloomy and fretful, and very unkind sometimes to my lady. This afflicted her very much, as I saw, for she never complained, and she used to try so sweetly to oblige him and to bring him into a good humour, that my heart has often ached to see it. But he used to be stubborn, and give her harsh answers, and then, when she found it all in vain, she would go to her own room, and cry so! I used to hear her in the anti-room, poor dear lady! but I seldom ventured to go to her. I used, sometimes, to think my lord was jealous. To be sure, my lady was greatly admired, but she was too good to deserve suspicion. Among the many chevaliers, that visited at the chateau, there was one, that I always thought seemed just suited for my lady; he was so courteous, yet so spirited, and there was such a grace, as it were, in all he did, or said. I always observed, that, whenever he had been there, the Marquis was more gloomy and my lady more thoughtful, and it came into my head, that this was the chevalier she ought to have married, but I never could learn for certain.'

‘What was the chevalier's name, Dorothé?' said Emily.

‘Why that I will not tell even to you, ma'amselle, for evil may come of it. I once heard from a person, who is since dead, that the Marchioness was not in law the wife of the Marquis, for that she had before been privately married to the gentleman she was so much attached to, and was afterwards afraid to own it to her father, who was a very stern man; but this seems very unlikely, and I never gave much faith to it. As I was saying, the Marquis was most out of humour, as I thought, when the chevalier I spoke of had been at the chateau, and, at last, his ill treatment of my lady made her quite miserable. He would see hardly any visitors at the castle, and made her live almost by herself. I was her constant attendant, and saw all she suffered, but still she never complained.

‘After matters had gone on thus, for near a year, my lady was taken ill, and I thought her long fretting had made her so, – but, alas! I fear it was worse than that.'

‘Worse! Dorothé,' said Emily, ‘can that be possible?'

‘I fear it was so, madam, there were strange appearances! But I will only tell what happened. My lord, the Marquis –'

‘Hush, Dorothé, what sounds were those?' said Emily.

Dorothé changed countenance, and, while they both listened, they heard, on the stillness of the night, music of uncommon sweetness.

‘I have surely heard that voice before!' said Emily, at length.

‘I have often heard it, and at this same hour,' said Dorothé, solemnly, ‘and, if spirits ever bring music – that is surely the music of one!'

Emily, as the sounds drew nearer, knew them to be the same she had formerly heard at the time of her father's death, and, whether it was the remembrance they now revived of that melancholy event, or that she was struck with superstitious awe, it is certain she was so much affected, that she had nearly fainted.

‘I think I once told you, madam,' said Dorothé, ‘that I first heard this music, soon after my lady's death! I well remember the night!'—

‘Hark! it comes again!' said Emily, ‘let us open the window, and listen.'

They did so; but, soon, the sounds floated gradually away into distance, and all was again still; they seemed to have sunk among the woods, whose tufted tops were visible upon the clear horizon, while every other feature of the scene was involved in the night-shade, which, however, allowed the eye an indistinct view of some objects in the garden below.

As Emily leaned on the window, gazing with a kind of thrilling awe upon the obscurity beneath, and then upon the cloudless arch above, enlightened only by the stars, Dorothé, in a low voice, resumed her narrative.

‘I was saying, ma'amselle, that I well remember when first I heard that music. It was one night, soon after my lady's death, that I had sat up later than usual, and I don't know how it was, but I had been thinking a great deal about my poor mistress, and of the sad scene I had lately witnessed. The chateau was quite still, and I was in a chamber at a good distance from the rest of the servants, and this, with the mournful things I had been thinking of, I suppose, made me low spirited, for I felt very lonely and forlorn, as it were, and listened often, wishing to hear a sound in the chateau, for you know, ma'amselle, when one can hear people moving, one does not so much mind, about one's fears. But all the servants were gone to bed, and I sat, thinking and thinking, till I was almost afraid to look round the room, and my poor lady's countenance often came to my mind, such as I had seen her when she
was dying, and, once or twice, I almost thought I saw her before me, – when suddenly I heard such sweet music! It seemed just at my window, and I shall never forget what I felt. I had not power to move from my chair, but then, when I thought it was my dear lady's voice, the tears came to my eyes. I had often heard her sing, in her life-time, and to be sure she had a very fine voice; it had made me cry to hear her, many a time, when she has sat in her oriel,
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of an evening, playing upon her lute such sad songs, and singing so. O! it went to one's heart! I have listened in the anti-chambers, for the hour together, and she would sometimes sit playing, with the window open, when it was summer time, till it was quite dark, and when I have gone in, to shut it, she has hardly seemed to know what hour it was. But, as I said, madam,' continued Dorothé, ‘when first I heard the music, that came just now, I thought it was my late lady's, and I have often thought so again, when I have heard it, as I have done at intervals, ever since. Sometimes, many months have gone by, but still it has returned.'

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