The Papers of Tony Veitch (21 page)

Macey stood up and walked away. He had made his. He would have to put it into operation with care. When you were jay-walking among juggernauts, you had to pay attention.

 

 

 

 

27

O
pening on Sunday evenings was an experiment for the Tea Tray. It wasn't working.

Harkness, who had been here a few times with Mary, could understand why. Its customers weren't exactly night people. It was a place for morning coffee, afternoon tea, for making small rituals out of the boredom of lives which were ‘successful' without ever having found the self-doubt to examine the terms of that success. The voices he had heard here seemed to him to go round and round the same pre-occupation – family, friends, possessions – like well-kept poodles being taken for a walk. It always gave him a quiet dose of the creeps, Madame Tussaud's with words.

The place had been Alma Brown's choice. Having eventually contacted her in Pollokshields, they had found her talking as if the phone was bugged. After much devious finagling, she had fixed a time later than they wanted and a place more boring than Harkness imagined anybody could want.

It reminded him mysteriously of a couple of rugby clubs he had been in, places of raucous masculinity measured by the gullet, where the sexual ravings had a distinctly hysterical tone to them. The connection, he decided, was that this place
was the female counterpart of those ones, cliché calling to cliché and wanting to mate in mutual unawareness. He thought, not for the first time, that he must be a people's liberationist. (His mind avoided the word ‘libber' because where he came from to lib meant ‘to geld'.) This was as good a place as any to set up his standard.

It was quiet. Two well-off ladies in late middle-age were massaging each other's egos over the coffees, listing which of the other's dresses each liked best. The only other people were Harkness and Laidlaw. Harkness was leafing through the
Sunday Mail
. Laidlaw, with the
Observer
, had done the sport, the arts and the news skimpily in that order.

‘Maybe the fish is articled to the Church,' Laidlaw said. Harkness looked at him.

‘Nine letters.'

‘Thought you'd been putting bennies in your coffee.'

Alma Brown came in. They had only seen her before in the context of Veitch's house in Pollokshields, where she had learned to fit. Here she looked slightly vulnerable, a woman who must have been in her late thirties and still looked almost gawky with her own sexuality. She was flushed with haste or nervousness and when she opened her coat as she sat down the front of her black wool dress was distractingly busy. Harkness caught Laidlaw glancing at him and remembered Laidlaw saying once, ‘How many times is that you've fallen in love today? It's been a quiet one.' Harkness ordered more coffees.

While they waited for the coffee to come, she went through a protective routine of checking her handbag for cigarettes and gold lighter, putting them on the table, laying the bag on the floor beside her chair, placing her silk scarf over the back of
the chair. Harkness and Laidlaw declined one of her cigarettes, which were menthol. Like inhaling cottonwool, Laidlaw felt. He took one of his own.

‘Well,' she said to Laidlaw when she was ready. ‘What is this about?'

‘D'you know Eck Adamson?' Harkness asked.

Something very small happened, no more than a stutter in her coffee-spoon, and a little coffee shipped into the saucer.

‘Eck? What's that short for?'

‘Alec. Alexander.'

‘Alec Adamson. No. Who is he?'

‘Was,' Laidlaw said. ‘He's dead.'

She made to lift the cup and didn't bother. It was very full and her hand didn't seem too steady. Laidlaw drank from his.

‘What's the Eck short for?' he said. ‘Some case this. It's more full of liars than the House of Commons. Maybe we'll find out the truth about Tony Veitch in time to put it on the headstone. Drink your coffee, Miss Brown. It's all you came to do.'

The atmosphere at their table belied the place. Harkness was having a familiar feeling. Why was it that sometimes just making contact with Laidlaw was like trying to shake hands with a hedgehog? It was happening again. Laidlaw seemed bent on pursuing his career as a kind of interior desecrator, going about Glasgow laying quite pleasant rooms with wall-to-wall tension. He was doing a good job this time. She stared at her coffee for a while before looking at Laidlaw.

‘I think you'd better explain that remark.'

‘Certainly. You were in the room when I mentioned Eck yesterday at Pollokshields. And he still comes as a surprise to
you. I'm not saying he's the most memorable name in the world, but under the circumstances I would have thought you would remember. Eck Adamson knew you but you didn't know him. How does that come about? Was he watching you through binoculars? You know nothing about Tony since he disappeared but Eck was an intermediary between Tony and you. Miss Brown, you talk such convoluted crap you must have a tongue like a corkscrew.'

After tapping her cigarette ineffectually against the base of the ashtray, she dropped it in, still smoking. The small bit of stage business seemed to give her the time she needed.

‘Uh-huh,' she said. ‘You can have my coffee as well. It costs too much for me.'

‘Maybe we'll meet at the funeral,' Laidlaw said, putting out her cigarette for her.

She had taken the scarf from the back of her chair but she didn't stand up.

‘What does that mean?'

‘Nothing, I hope. But somebody's looking for Tony. Judging by the way he's going about getting the information, it's not to give him a provident cheque. Tony's been mixing with a lot of rough people. The kind who could kill a man on the way to the cinema. And still enjoy the picture.'

Harkness could see her eyes trying to back off from the implications of what Laidlaw was saying.

‘Why?'

‘Maybe he did something they didn't like.'

‘But what?'

‘Or maybe he's got something they want. Like money. Tony does have a lot of money. Doesn't he, Miss Brown?'

She stared at him, nodding.

‘Money can get you anything. If you're careless enough with it, it'll get you dead.'

Harkness thought she was going to cry. Her eyelids flickered as if she had a mote. She let the scarf fall into her lap and seemed to be looking for something. He reached down and gave her the handbag. But after she had ferreted there it wasn't a handkerchief she came out with. It was a grubby piece of paper which she handed to Laidlaw. Opening the two folded sheets out, he skimmed them quickly.

‘Milton threw it out,' she said. ‘But I salvaged it. It feels like a part of Tony to me.'

Laidlaw passed it to Harkness and, while he read it, she was talking a gloss.

‘That's what Tony's been through. Only he understates it . . .'

Dear Father,

I'm conscious of how corny it is to be turning against your father so I'll try not to make this too long. But that's what I'm doing all right. I would say I was ‘rejecting your values' except that that seems too grandiose since I honestly don't think I've been able to locate a serious value of yours that was ever more than money.

What prompts me to write this just now is that I've packed up university, didn't finish my finals, and I've got a mental picture of you being convinced that I did it to spite you. That's not true. I did it for myself. What I have against you is a lot more than could be expressed by blowing the finals.

I'll clarify that. That was one weird childhood you gave me. I suppose they all are so I won't labour it. But what age was I
when my mother died? Eleven. Up till then the things that happened in the house had just been there like furniture. But when my mother went, the loss sent me looking. I used to spend a lot of time then opening up bits of the past and trying to see what was inside then, turning over memories to see if I could understand them. I suppose I was trying to keep some of my mother.

What I think slowly dawned on me was that they were all really memories of you or maybe of her hurt in relation to you. It was as if she couldn't reach me past you, your dominance of her, your dominance of both of us. I began to realise how badly you had treated her, how badly, it seemed to me, you treated everybody. I didn't rush to judgment. But I had my own sense of you now and I waited and watched and, I'm afraid, confirmed.

I apologise for that now. Who needs a witness for the prosecution in the house, taking notes? All I can say to lessen the rottenness of that is that I was also a witness for the defence. A lot of nights I used to lie in bed, unravelling my sense of you, and try to start again the next day. It didn't work too well.

Anyway, the last thing you need is that stuff. Don't misunderstand me. I don't think I've got any right to accuse you. But I think I've got the right to behave towards you according to the sense of you I have – it took me a lot of years to get it. And don't imagine Alma helped to make me lose respect for you. She always tried to defend you. I don't know how quickly I realised that Alma had been involved with you before my mother died. But, funnily enough, that only made me more sympathetic towards her, I suppose because you seemed to me to treat her the same way.

I don't think we should have any contact from now on, at least not for a while. One of the things I'm trying to do is simply work things out for myself. For example, I've just decided what honour is for me: the refusal to relate to other people exclusively on your terms and the refusal to let them relate to you exclusively on theirs. On one of those counts, I think you're a dishonourable man. And the hypocrisy with which you've bought yourself a progress through the world appals me.

I was making a note for myself the other day and it was only when I had finished I realised I was trying to say something I believed about you: an image of authority: the priest talks steadily, dynamoed on unshakeable conviction. His voice is stern but kind, hardened on his understanding of the nature of the enemy, his thoughts rich with past analogies. The girl's head is lowered in the shame of being known. She is too ravelled in the mystery her body has become to notice that his voice goes momentarily blunt. The priest has seen a unique shard of sunlight, never before existent, never again to happen, caught in her hair. Under his cassock, he is masturbating.

Tony.

‘They had some terrible quarrels.' She was raving quietly, saying anything that came to mind. Coming from a person of such studied correctness, the passion of it shocked Harkness, as if they had put a coin in a drinks machine and it was dispensing a cataract. ‘Terrible quarrels. And Milton was wrong. He wouldn't give Tony room to breathe. Tony hates what Milton stands for. He once told Milton the only way he could make love to a woman was with a dildo made of tenners.'

She stopped suddenly, aghast at what she had said. She
thought it over, accepted that she had said it. She looked from one to the other, took a drink of her cooled coffee. She stared at the table.

‘I didn't even know what it meant at the time. When I did, I knew it meant something about me as much as Milton. And it does. Oh, it does. I wish it didn't.'

‘So why do you stay?' Harkness asked.

The expression she turned to Harkness made him feel naive. It was hurt and baffled, like someone looking through bars and resenting the freedom he had to ask such a question.

‘Because I can't see how to leave,' she said. ‘I've known him for nearly twenty years.'

The vague misgivings Harkness had had about her crystallised. He thought he understood something. He remembered the assurance of Milton Veitch, like something made of marble, and how long it must have been like that. He imagined her young. She must have been very beautiful. She must have thought how lucky she was having someone like Milton Veitch wanting her. He would give her so much, but only so much. And what he wouldn't give her, a sense of her own worth separate from him, was precisely what would nail her to him. Now she still looked good but not as good as she had looked, and somehow incomplete, like someone who had got herself in a correspondence course and couldn't keep up the payments. Harkness knew who were running that course. He expressed it to himself in a simple thought. Men are a bunch of bastards. Laidlaw confirmed it for him as he thought it.

‘Miss Brown,' he said quietly. ‘I understand how protective you feel towards Tony. But anything you know about him you should tell us. For his own good.'

‘I can't.'

Harkness winced for her because her refusal declared her knowledge and he knew that Laidlaw would make her give up her small pride in her loyalty. Harkness thought he did it harshly.

‘Well, if you don't, you could be protecting him to death. You could be putting six feet of ground between him and the nasty world. If that's what you want.'

She took the two sheets of paper, put them in her handbag, clicked it shut. Perhaps it was long practice that enabled her to give up her pride so gently.

‘Kelvin Drive,' she said. ‘Flat 8, 8 Kelvin Drive.'

Harkness lit her cigarette for her and paid the coffees, buying her another. They thanked her. Harkness would have lingered but Laidlaw was in a hurry. As they left her in a place where she didn't belong, Harkness wondered where she did. While Laidlaw drove, Harkness stared out the passenger window.

‘That felt pretty shitty.'

‘Yes,' Laidlaw said.

‘Very, very shitty.'

‘Come on, Brian. It's hard priorities.'

‘Is it?'

‘Yes, it is. Chivalry has its limits. Better a hurt woman than a dead man. Kelvin Drive. That's right beside those phone-boxes. If only we'd known. I hope we're not too late already.'

Harkness, in his anger, was looking for some way to get back at Laidlaw, no matter how petty.