Steven Rogers prided himself on his youthful appearance. At forty-five and with a head full of curly brown hair that he dyed regularly, the handsome theatre professor was still sometimes carded at the bars along with his graduate student girlfriend—a rare but flattering enough experience to which he actually looked forward, specifically, the patented double take from the doorman or waitress upon seeing the age on his driver’s license. Blessed in part with good genes, it was really his deep-seated sense of vanity that kept him looking so young—coupled with an unconscious desire to always be appealing to the opposite sex. Yes, Steven Rogers ran six miles five times a week; watched his fat and carb intake; still used the Bowflex that his ex-wife bought him for his fortieth birthday; and still lived whenever possible by the old adage his doting mother hammered into him as a child:
“Early to bed, early to rise, Steven, makes a man healthy, wealthy, and wise.”
Healthy? Yes. Wealthy? He couldn’t really complain. But wise? Well, even Steve Rogers would have to agree that the jury was still out on that one.
Yes, Rogers had done a lot of dumb things in his forty-five years on this planet—the dumbest of all, perhaps, leaving those e-mails from Ali on his computer. It had been an honest mistake. He had to uninstall then reinstall his AOL software, forgot to change the “save mail to computer” setting, and his wife found everything a few months later.
That was the worst part
, Steve thought: The e-mails had been on there for months before Cathy happened to come across them.
Stupid stupid stupid
.
No, Ali Daniels was not Steve Rogers’s first indiscretion during his twelve-year relationship with Cathy Hildebrant—his first
student
, yes, but not his first affair. There had been a handful of others of which his ex-wife was entirely unaware: a summer theatre actress here and there and a regular fling with an old girlfriend he ran into twice a year on the conference circuit. The latter had been going on since before both of them got married, so Rogers did not feel the slightest bit guilty about that one. Besides,
she
was the one with the kids.
In fact, Rogers was actually proud of himself for the degree to which he had remained “faithful” to Cathy Hildebrant over the course of their twelve-year relationship—for in his bachelor days he had been quite the satyr. Indeed, Steve Rogers always had a sneaking suspicion that if he had put as much effort into his acting career as he had into getting laid, he might have been the next Brando—or at least the next Burt Reynolds. He had often been compared to the latter in his youth—a comparison that he downright resented while at Yale; and later, one that he used to his advantage in his early thirties as a second-rate regional theatre actor.
Oh yes, Rogers was very, very vain. But more than his vanity, Rogers carried with him an unconscious yet subtle resentment for the hand that life had dealt him. True, on paper he had much to be proud of—after all, he was a graduate of the prestigious MFA in Acting Program at Yale University, and he was a tenured faculty member and
the
senior acting instructor in the Department of Theatre, Speech, and Dance at Brown University. Nonetheless, Rogers secretly felt like something of a failure—felt that for some reason the deck had been stacked against him from the beginning. It really had nothing to do with his mediocre acting career. No, even before entering Yale at the age of twenty-two, Rogers had already begun to feel as if he was somewhat unappreciated by his constituents, as if nobody
really understood
the depth of his talent. But rather than grow into a sense of bitterness, Steve Rogers’s perception of his place in the world evolved over the years into a sense of entitlement, of being owed something—so much so that when he cheated on Cathy Hildebrant, he actually felt like he
deserved
some recreational pussy for giving in to the concept of marriage in the first place.
Yes, cheating was one thing—
getting caught was another
. It was as if for Rogers only an acknowledgment of the act itself by the betrayed could
really
define it as adultery—
If a tree falls in the forest and no one is there to hear it, yada yada yada
.
And so, more than the hurt he had caused his ex-wife, more than the guilt of his failed marriage, Rogers would forever curse himself for being
so stupid
as to let fate get the best of him once again. Sure, Cathy could have screwed him; she could have really taken him for a bath if she had wanted to—so yeah, he had to concede his good fortune with regard to the painlessness of his divorce. However, Steve Rogers could not help but feel somewhat the victim—could not help but feel somewhat abandoned. When it came right down to it, Rogers hated to admit to himself that he wished Cathy had fought just a little bit harder, been just a little bit more aggressive and spiteful to him over the last four months—for that would have proven that he really had meant something to her.
Yes, as his career as a second-rate actor had taught him, the only thing worse than hate was
indifference
.
Ironically, it was with a certain amount of indifference that Rogers held Ali Daniels—that great piece of graduate student ass whose
MySpace
generation
I-have-to-get-an-e-mail-from-you-every-day-now-that-we’ve-fucked
neediness ruined his good thing with Cathy. True, Steve Rogers had loved Cathy Hildebrant as much as he could possibly love someone other than himself—probably still did, in a way. And true, he was self-aware enough to realize that he had been jealous of her at times—of her PhD, of the success of her book and, most recently, of the attention she had received as a consultant
or whatever-the-fuck-she-was
on that nutbag Michelangelo case. Nevertheless, Rogers understood that he would miss Cathy and the routine, the security, the practical convenience of the life they had carved out as a couple. If only he had heeded his working-class father’s advice like he did his mother’s; if only he had lived by
that
credo, perhaps none of this nonsense would have happened to begin with.
“Remember, Steven, you don’t shit where you eat.”
Looks like all that shit is blowing over now, anyway
, Rogers said to himself, his feet pounding the pavement.
And so, despite his brief moment of weakness the week earlier, Rogers peacefully resigned himself to the fact that it was now time to move on for good—from both Cathy Hildebrant and the annoyingly needy, pseudo-intellectual Ali Daniels.
Now that she’s graduated
, Steve thought,
now that she’s got her fucking useless Masters it’ll be easier to just let it drop. Won’t say anything unless I have to—maybe tomorrow when she calls from her new digs in New York City. Or maybe I’ll break the news to her in an e-mail. Wouldn’t that be a little poetic justice?
Rogers checked his time and kicked his pace into high gear as he usually did during the last mile of his morning run. He was ahead of schedule—might even make it home before it was light.
That was good
. More than anything else—
even more than sex
—Steve Rogers loved that feeling of having finished his run before most people were even awake; of having a leg up on the day ahead of him—a leg up on all those fat lazy slobs who stayed up the night before watching Letterman. It was a feeling that helped to ease the unconscious but palpable resentment that fate had forced him to be an actor; moreover, that fate had forced him into the actor’s schedule, into those late hours at the theatre which sometimes prevented him from staying ahead of the game the next morning.
“Early to bed, early to rise, Steven, makes a man healthy, wealthy and wise.”
Rogers rounded the corner onto the street that would loop him back to Garden City Center—the outdoor shopping mall in Cranston to which he made a special seven-minute drive from his house five mornings a week, and where he always parked his BMW Z4 roadster by the big gazebo at its center. Rogers had been coming here for years; the uneven terrain and low traffic of the surrounding middle-class neighborhood was ideal for his strict running regimen. Yes, he was making
incredible
time today, would make it back to the big gazebo, would sit on the bench, and breathe the cool May air and drink his Gatorade before any of the other runners even arrived—perhaps even without having seen a single light flick on in the kitchens of the houses as he passed. It was Monday morning. The people in this neighborhood worked. And it gave Steve Rogers a great sense of satisfaction to know that he had already accomplished more in a little over an hour than they would all week.
Depending on what time he started, the last leg of Steve Rogers’s run had the potential to be the darkest—especially in the winter, when he would reach the poorly lighted loop around Whitewood Drive well before sunrise. On this particular morning, Steve had risen at 4:00
A.M
., was on the pavement by 4:15, and thus hoofed it onto the heavily tree-lined street just as the sky was beginning to change color out of sight beyond a jagged curtain of oaks and pines. Now that the semester was over, now that he had made the decision to move on from
both
the women in his life, Rogers kicked off his first official summer as a bachelor right on schedule. He had honored his pact with himself that he would have to work extra hard to get himself back on the market for some younger pussy. Yeah, he was going to take his buddy back in Chicago’s advice: he was going to try the Internet dating scene; would make a profile and shave ten years off his age and play the field of late-twenty-to-early-thirty-somethings in Boston for a while. Yeah, better to play that game on the road than to damage his reputation on his home turf any further.
“Remember, Steven, you don’t shit where you eat.”
His heart pumping powerfully, his thoughts clear and precise, Steve Rogers was deep in the zone when he came upon the blue Toyota Camry. The car was parked between the streetlights, at the side of the road in the shadow of a large oak tree—just one of the many cars he had passed that morning. No, the avid runner and born-again bachelor did not even give the blue Toyota Camry a second glance as his Nike Air Max sneakers carried him into the shadows and straight into the arms of The Sculptor.
It all happened so fast—so fast that Steve Rogers barely had time to be afraid. Out of the corner of his eye he thought he saw movement, then the flash of a red dot. A man stepped out from the thicket, from behind the bushes next to the large oak tree.
Hiss-pop!
Rogers felt a sharp pain in his shoulder—his trapezius muscle. He whirled around but kept running—backward—his hand instinctively reaching for the pain. His fingers found something, tugged, and pulled it free just as he entered the pool from the streetlight. Between his thumb and forefinger he saw a small yellow dart—about the size of a house key. He was about to cry for help when suddenly—
Hiss-pop!
Another sting—this time in his neck, in his jugular—as if the big blue bug on top of the New England Pest Control building had suddenly swooped down from the dark and bitten him. Again Rogers reached for the pain—his fingers closing around the dart just as he saw the man coming for him—a man in a tight black T-shirt, a big
bald
man with funny goggles and a wide white-toothed smile.
And as the shadows and the light from the street lamp began to iris inward, as his fingers went numb and his knees began to buckle, Rogers thought of Mr. Clean—and that he needed to wash the bathroom floor and get rid of Ali’s blond hair before he brought any new women home.
Over a week and a half passed before Steve Rogers would finally be reported missing by his distraught girlfriend, who had hopped a bus from New York City after her repeated e-mails and telephone calls went unanswered. Ali Daniels arrived at Rogers’s home to find his mail piling up and the previous week’s issue of
The Providence Sunday Journal
lying in the middle of his unkempt front lawn. Rogers’s BMW Z4 roadster was nowhere to be found—had already been impounded after the groundskeeper who maintained the big gazebo in Garden City reported it abandoned, and Cranston’s finest simply hadn’t gotten around to notifying its owner yet.
To top things off, it would be twenty-four hours after Ali reported her boyfriend missing before the Cranston Police would finally connect the dots to Rogers’s impounded roadster. And although Rogers had long been dead by the time the authorities began treating him as a missing person, the self-centered theatre professor might have taken comfort in knowing that fate had been kind to him in the end. For if he had dumped Ali before his meeting with The Sculptor, who knows how long his disappearance might have gone unnoticed, as it was not unusual for his colleagues, his family, and his friends not to hear from him for weeks at a time—especially after the end of the semester, when he and Cathy would sometimes vacation before summer theatre rehearsals began at Brown.
The Cranston Police, of course, were entirely unaware that
another
man had been recently reported missing in Boston—a young man known as “Jim Paulson,” or simply as “Jim.” And despite the cryptic description of Mr. Paulson’s lifestyle given by the young man’s friends, it soon became clear to the Boston Police that lover boy Jim and his constituents dwelt in that world where people rarely ask your last name, let alone your
real
one. Yes, the Boston Police were very familiar with the way things worked on Arlington Street. And given that—wherever he had gone—Mr. Paulson had taken with him almost everything he owned, until anything told them differently the Boston Police would treat Mr. Paulson as they had treated so many other boys whose cruel fates led them down the great white way of drugs and prostitution: Mr. Paulson either moved on or jacked too much shit; either way, he’d turn up eventually; either way, it wasn’t their problem.
And even if Paul Jimenez’s friends had known about his online persona as RounDaWay17, The Sculptor had long ago taken care of that loose end—had long ago hacked into Jimenez’s e-mail account, the most recent activity of which would have shown Jimenez taking care of business as usual from an IP address at the public library in Dayton, Ohio.
Yes, The Sculptor was very, very thorough.
It was late in the afternoon when Cathy received the call from the Cranston Police on her cell phone—an unknown number she immediately muted into voice mail. She and Markham were on their way to an interview—a scenario she had become quite familiar with since Markham’s return from Quantico, one quite different than what she had expected via her television crime drama education. The people Cathy and Markham spoke to could use a good scriptwriter; they were not nearly as articulate or helpful as those witnesses on TV—who, after a string of three or four of them, always led the authorities straight to their man. Indeed, the handful of people who the FBI questioned with regard to the Gabriel Banford connection did not help at all. And the investigation into any other possible murders/disappearances that fit The Michelangelo Killer’s victim profile, as well the leads derived from the forensic evidence on which she and her new colleagues at the FBI Field Office in Boston had been briefed two weeks earlier, had all so far turned up nothing.
All, that is, except one curious clue: the Carrara marble dust found in The Michelangelo Killer’s paint.
“Except for the Carrara marble,” Markham said, pulling into the parking lot, “it seems almost as if The Michelangelo Killer had all that other stuff just lying around. The amount of formaldehyde, of acetone, the silicone rubber needed for the Plastination process—never mind the drugs—strange that we’re not able to get a lead from any of it, where this guy got hold of the large quantities of chemicals and equipment he would need to get his job done.”
“Unless he made the chemicals himself,” Cathy said. “Unless he distilled them from products that were much more readily available.”
“Yes. Like the acetone—the primary ingredient in paint thinner and nail polish remover. But then there’s the formaldehyde. Not something you can pick up at Lowes or Home Depot. And from what I’ve read, not only does it have a short shelf-life, it’s much more difficult to manufacture from other base products—that is, unless we’ve got a chemist with a large lab on our hands.”
“This man is very bright, Sam, and very thorough. He knew that the first thing the FBI would look into would be the unusual forensic evidence—wouldn’t have used anything that could be traced directly back to him. And given the fact that The Michelangelo Killer has been active for at least six years, he could have acquired his equipment and replenished his chemicals gradually. He could have even broken into any number of funeral parlors and stolen just enough formaldehyde here and there so it wouldn’t be noticed. I mean, the time and planning it took to prepare and display his figures—it’s almost as if The Michelangelo Killer also planned on what forensic evidence he would leave behind.”
“Nothing is left to chance.”
“The Carrara marble dust.”
“Yes. An interesting detail that I have a feeling The Michelangelo Killer wanted us to find. Let’s hope this interview turns up something.”
Despite the inconvenience that Carrara marble was still exported all over the world and in many forms—from blocks of raw material, to cheaply fashioned souvenirs, to large pieces of exquisite detail—Rachel Sullivan stumbled upon a police report from three years earlier that would eventually provide the FBI with their first real lead, their first big break in the strange case of The Michelangelo Killer.
Reverend Monsignor Robert Bonetti, who would be celebrating his eightieth birthday in less than a week, had served as resident pastor of St. Bartholomew’s Church in Providence longer than any other in parish history—twenty-nine years by his count—and had no plans on retiring anytime soon. This was
his
parish,
his
neighborhood, for not only had he grown up only a couple of miles away on Federal Hill, the Reverend Bonetti had over the years repeatedly turned down opportunities for promotion in order to remain among his people. And even though “St. Bart’s” was staffed by the Scalabrini Fathers—a Roman Catholic Holy Order that traditionally transferred its priests from parish to parish every ten years or so—because of Bonetti’s age, his impeccable record, his outstanding work within the community, his expansion of the church itself, and his desire to go on ministering to the masses long after he could have retired, the Scalabrini Fathers made an exception in his case and allowed him to stay on at St. Bart’s for as long as he wished.
The tall and lanky priest met Cathy and Markham on the front steps of St. Bart’s—a much more modern-looking structure than the traditional Romanesque Neo-Gothic churches that dotted the working-class neighborhoods in and around Providence. Cathy, as a professor in Brown University’s Department of History of Art and Architecture, immediately pegged the church as having been built—or at least renovated—in the late sixties or early seventies.
“You must be Agent Markham,” said the Reverend Bonetti, offering his hand. “Which means that you, my dear, are Doctor Catherine Hildebrant.”
“Yes, I am. A pleasure to meet you, Father.”
“Likewise—the both of you.”
“You spoke with Special Agent Rachel Sullivan on the phone,” said Markham. “She explained why we wanted to talk to you?”
“Yes,” smiled the priest. “Ostensibly about our
Pietà
. But you see, Agent Markham, I’ve been around long enough to know that things aren’t always what they seem. The FBI wouldn’t trouble themselves with a curious little theft that happened three years ago—that is unless they felt it was somehow connected to something much more important.”
There was nothing condescending in the priest’s tone; nothing sarcastic or off-putting. No, the Reverend Bonetti spoke with the simple sincerity of a man who did not wish to play games; a man whose gentle, bespectacled eyes and thick Rhode Island accent spoke of someone who had
indeed
been around long enough to know what’s what.
“This is really about that Michelangelo Killer, isn’t it?” asked the priest. “About what happened down there at Watch Hill?”
“Yes, it is,” said Markham.
For the first time the Reverend Robert Bonetti’s gaze dropped to the ground, his mind entirely somewhere else. And after what seemed to Cathy like an interminable silence, the priest once again met Markham’s eyes.
“Follow me,” he said.
Once inside the dimly lit church, the good reverend led Cathy and Markham to a small chamber off the main church—the devotional chapel dedicated not only to a large pyramid of votive candles, but also to a series of marble statues that lined the surrounding walls. The statues were of various saints and were themselves also bordered by smaller stands of candles, and the sweet smell of scented wax made Cathy feel queasy. Behind the pyramid of votive candles, at the rear of the devotional chapel, Cathy and Markham were surprised by what they found: a large, exquisitely carved replica of Michelangelo’s
Rome Pietà
.
“Exactly like the one that was taken three years ago,” said the Reverend Bonetti. “That one had been donated by a wealthy family a number of years before I arrived here at St. Bart’s. It was hand carved to the exact proportions of the original, as well as from the same type of marble Michelangelo used five hundred years ago. Carrara marble, it is called. And as is the case with the statue you see before you, our other
Pietà
was made by a skilled artisan in Italy whose studio produces only a couple dozen statues per year—usually ranging in size, like this one, from about three to four feet high. His name is Antonio Gambardelli, and his statues are much more accurate, much more expensive than any other replicas on the market not only because of their attention to detail, but also because of their proportional accuracy. Indeed, at least three years ago, a Gambardelli
Pietà
of this size was valued at close to twenty thousand American dollars. I know this because whoever took our statue not only left us with instructions on how to replace it, but also left us the means to do so.”
“Wait a minute,” said Markham. “You’re telling me that the thief left you
twenty thousand dollars?
”
“Twenty-
five
thousand to be exact,” smiled the priest. “A little detail that I neglected to tell the Providence Police upon their initial investigation. You see, Agent Markham, when you’ve been around as long as I have, you begin to understand something of human nature. The person or persons who took our
Pietà
left the money in cash, in an envelope addressed to me right there on the pedestal, so that I could replace it—not so that I could redecorate the evidence room at the Providence Police Station, if you take my meaning.”
Sam Markham was silent, his mind spinning.
“The extra five thousand was undoubtedly intended for us to cover the shipping costs of the statue, as well as to repair the damage from the break-in and to compensate us for our trouble.”
“Why report the theft at all then?” asked Markham, his voice tight. “Why not just take the money, replace your statue, and not be bothered—that is, since you intended not to cooperate fully with the authorities to begin with?”
“I was the only one who knew about the money, Agent Markham, as I was the first one in the church on the morning after the break-in. However, the damage to the side door and the absence of the statue itself could not be hidden from my fellow Scalabrini, let alone the congregation. You see, Agent Markham, the money was addressed to me—twenty-five thousand dollar bills in a sealed envelope. There was no need to report it, as whoever took our
Pietà
seemed to want it, seemed to
need
it more than we did here at St. Bart’s. And even though I may not have understood that need, I took the gift of the money as an act of faith, as a confidential act of penance. And up until the telephone call from the FBI, took the person who left the twenty-five thousand dollars in the statue’s place as a man with a conscience.”
Sam Markham was silent again, his eyes fixed on the
Pietà
.
“But now,” the Reverend Bonetti continued, “I see that my silence may have been misguided, for now I see that the FBI thinks the man who took our
Pietà
three years ago might be the same man who murdered those two boys—the same man who made them into that horrific sculpture down at Watch Hill.”
“The envelope,” said Markham, turning to the priest. “The sheet of instructions on how to replace the statue—I don’t suppose you saved them?”
The Reverend Robert Bonetti smiled and reached into the inside pocket of his black blazer.
“I hoped this might help you forgive me for not telling the authorities about the money sooner. But now I hope even more that it’ll change your opinion of me being just a simple and foolish old man.”
The envelope that the priest handed Markham had scrawled across it in neatly looped cursive the words,
For Father Bonetti
. Inside, Markham found a brief handwritten note not only giving instructions on how to obtain another
Pietà
from Gambardelli, but also a short apology for any inconvenience the thief may have caused Father Bonetti and his parish. Markham showed the note to Cathy. She recognized the handwriting immediately.
Flowery. Feminine.
Precise
.
The same handwriting from the notes she received five and a half years earlier.
She nodded.
“The man we are looking for is tall, Father Bonetti,” said Markham. “About six-three to six-six. And very big, very
strong
—would have been able to lift the statue off its base and carry it from the church himself with no problem. Most likely a bodybuilder or someone who’s into power lifting. Anybody you know fit that bill, Father?”