The Tidewater Sisters: Postlude to The Prayer Box

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The Tidewater Sisters

Copyright © 2014 by Wingate Media, LLC. All rights reserved.

Cover photograph of girl copyright © Norbert Schaefer/Corbis. All rights reserved.

Cover photograph of fence copyright © Paul Souders/WorldFoto/Corbis. All rights reserved.

Designed by Stephen Vosloo

Edited by Sarah Mason

Published in association with Folio Literary Management, LLC, 630 9th Avenue, Suite 1101, New York, NY 10036.

The Tidewater Sisters
is a work of fiction. Where real people, events, establishments, organizations, or locales appear, they are used fictitiously. All other elements of the novel are drawn from the author’s imagination.

ISBN 978-1-4143-9638-5 (Apple)

ISBN 978-1-4143-9637-8 (ePub)

ISBN 978-1-4143-8829-8 (Kindle)

and the old farm,

where the memories of brothers, sisters, and cousins

live on.

He comes in summer, when the air is still and the bullfrogs sing in the sedges and the nightjars wail their quick, haunting calls:
Chuck Will’s widow, Chuck Will’s widow
. . .

He dances over the fog with the birdsong, featherlight. He is young and strong like a warrior crossing the Scottish moors, but the mist smells of Pamlico Sound and saltmeadow cordgrass and Spanish moss hanging like endless veils of torn lace.

He carries the scents of all these things—of the Carolina Tidewater and the earthy spaces beneath the willow trees and the high places atop barn roofs. He wears the melted asphalt of old country roads on the bottoms of his long, slim feet, and on the pads of his fingers there are mulberry stains.

That is the way I remember him. Always and forever in mulberry season.

The stains are the reason I know he isn’t real. The reason I know he’s only something conjured from old wishing aches, things left unsaid, and hopes that went unrealized. There are no sun-melted roads in heaven, no mulberry stains. He’s come here again in a dream.

Part of me still believes there must be a way to change everything that happened. Part of me, the part that’s well over thirty years old, knows how foolish and childish that is.

But you never forget your first love, no matter how much time passes. You never completely stop wondering,
what if
. . .

He smiles, and for a moment he seems more boy than vapor—sixteen, arrogant, silly, sweet, indestructible. He whispers my name, and I hear his voice.

Tandi
. . .
Hey, Tandi Jo
. . .
Tandi Jo from Kokomo
. . .
He tips his head back a little, his eyes a bright, sparkling blue, his body long and loosely muscled. Not quite a boy. Not quite a man. Newly licensed to drive and feeling his oats this year. Everything has changed since our last summertime visit to my grandparents’ farm. The boy down the road has changed, and so have I.

I reach out to him. I want to say,
I thought you were gone. I thought you died a long time ago.

Suddenly I am once again the thirteen-year-old girl who fell hopelessly in love, hidden amid the mulberry trees and muscadine vines. Hopelessly, innocently, unbreakably.
It’s real,
my mind whispers.
All the rest was only a dream. A long, strange dream.

Tandi,
he says again, his voice deeper. The laughter is still there, but he no longer sounds the same.

I reach out to grab him by that old, sloppy T-shirt he loves. I want to hang on the way I would have while climbing the creek bank in the mud, taking advantage of his strength, his agility, using him as a towrope.

I feel his hand close over mine. He kisses it, says, “Well, hello to you, too. I guess you missed me.”

I jerk awake, look up, and the eyes aren’t blue but soft brown. The hair not silky golden curls, but reddish-brown. The skin not suntanned ruddy, but freckled, with a little burn on the end of the nose.

“Paul.” I gasp his name like it’s a surprise.

A wrinkle crosses his forehead, one eyebrow rising, the other lowering. “You were expecting someone else?”

Sitting up, I blink and look around, find myself in a rocking chair on the porch of Iola Anne Poole’s big white house—the house where she left decades’ worth of mementos from the Benoit shipping empire, along with eighty-one prayer boxes that contained the story of her long life here on Hatteras Island. The letters in those boxes changed everything. They’re the reason I’m here on this porch.

“An electrician,” I say, with one foot still in the dream. It feels odd, waking in this grown-up skin. Luke Townley has been dead for over twenty years. My grandparents’ old farm across the Pamlico Sound in the Carolina Tidewater is long gone. The gummy tar-and-gravel road has probably been paved over with something better by now. Yet all of a sudden, I can feel its sticky warmth on my feet. “I was waiting for an electrician.”

“And you didn’t want to wait in the cottage?” Paul glances next door to the caretaker’s cottage that has been
home to the kids and me for over a year now, while I’ve supervised renovations on the big house. The cottage will be an office and gift shop soon, and the main house a museum and a genealogy center for those with ties to the long and colorful history of the Outer Banks and its families.

“Listen, the electrical guy has stood me up three times already.” I rise stiffly to my feet, bracing my hands on my hips and looking down the driveway. “This time, I’m staying right here in plain sight until five o’clock so he can’t claim that he stopped by and knocked on the door and nobody answered.”

Paul leans close, threads his fingers into my hair in a way that momentarily distracts me, then kisses the little pout lip that’s forming on my face. The Benoit House Museum is so close to being ready to open, much of the renovation done by volunteers. This snafu with work we’re actually
paying
for is killing me. I need to be finished with all of this before the wedding, before Paul and I head off on the sort of honeymoon I never, ever thought I’d have.

“I can’t imagine anybody standing you up,” he whispers against my ear before pulling back to look at me.

“I know, right?” I hold up my paint-covered hands and display my gorgeous self. I can imagine what Paul is looking at—a stressed-out woman with bloodshot blue eyes and brown hair falling from a messy bun that’s covered in Sheetrock dust. His future bride. If he weren’t such an amazing guy, he’d be running for the hills.
I
wouldn’t marry me right now. “I’m seriously about to commit mayhem today.”

“Not on me, ’kay?” He backs away a step, grinning playfully, his mismatched Hawaiian shirt and camp shorts making him look like one of the Beach Boys on laundry day. His crazy fashion sense is a hit with his students. They wonder what the science guy will show up in next. “I’ve seen your mayhem. It scares me.”

A laugh presses through and loosens the jaw muscles that are seizing up as I watch the empty driveway. Paul can always make me laugh. He’s phenomenally unruffled, as if he has nothing—not one thing—to prove to the world.

I wish I could master that skill.

Through the windows of the rental cottage, I see Zoey and J.T. rummaging for food. They’re probably worn out after a day of marking turtle nests on the National Seashore with Paul and the other Summer Sea Camp kids. It’s not every activity that can occupy a fifteen-year-old and a ten-year-old equally well. They’ll be ready to tell me all about it when we finally sit down to dinner later.

I remind myself that there are worse problems to have than an absentee electrician. Just over a year ago, a life like this one was hopelessly out of reach. Just over a year ago, we were on the run from a man I was terrified could find us anywhere. Just over a year ago, I couldn’t have imagined someone like Paul, and a love that doesn’t hurt, and plans for a beach wedding and a dream honeymoon with the one person who makes me feel perfect, just the way I am.

But I can’t leave on that honeymoon until I’ve seen the Benoit House Museum project through. I owe Iola Poole’s memory that much and more. I owe the people of Hatteras Island and Fairhope that much. After two devastating hurricanes, they’re counting on the revenues Benoit House will bring in—tourist dollars plus the business from weddings, parties, and meetings in Benoit House’s grand ballroom. The place is already booked solid for six months.

I have to make sure it’s ready, but time is running out. We’re opening in eight days.

A week after that, Paul and I are supposed to be nestled in a remote Smoky Mountain cliff house—part romantic getaway, part research trip for Paul, who’s doing a study on native and invasive plants. We’re looking forward to cool, crisp air and not another person for miles. Compared to the hot, crowded, crazy-busy summer months on the Outer Banks, our secluded honeymoon destination sounds like heaven.

The renovations on Benoit House
will
be finished on time, if I have to crawl up in that big, third-story attic and run the wires myself. Unlike some of the volunteers here, I’m not afraid of the attic. This house is like an old friend—the kind who wraps arms around you in your worst moments and never lets go. Despite the house’s
difficult and tragic beginnings, Iola Poole’s kindly spirit seeps from the wood and warms every quiet corner and hidden space.

Right now, I have a feeling she’d like to wring the electrician’s neck too.

“Can I do anything to help?” Paul asks, and knee-jerk resistance rises inside me. With Paul paying for most of the wedding and the honeymoon, and the girls from my part-time job at Sandy’s Seashell Shop pitching in with planning, decorations, and supplies, I’m leaning on people far too much already.

I still feel like I don’t deserve all of it. That’s the truth. If I can see to it that the Benoit House Museum is finished and open on time, maybe it will make me worthy of all this . . . love. That’s how I feel. Even though I know better.

Real love isn’t a payment. It isn’t a response to your accomplishments or anything else. It’s a gift without strings.

I learned this from the letters in Iola Poole’s prayer boxes, but it’s still slowly converting from head knowledge to heart knowledge. I’m not quite
there
yet.

“You do too much already.” I bite my lip and smile at Paul apologetically.

“There’s no such thing as too much.” He comes close, takes me in his arms, and a gush of love washes over me, honey-sweet and warm. “Tell you what—why don’t the kids and I drive over to Buxton and forage for food? That way if the electrician runs late, we won’t have to worry about supper.”

“You think of everything.”

“Yeah, I know. I’m good.” He takes the time to kiss me for real then, and once again I find that I’m looking forward to the honeymoon. Maybe I’ll just abandon the museum project altogether and elope with Paul.

“And humble,” I add, teasing him. I watch as he strides off toward the cottage, stopping at the truck to snag his ever-present fishing hat and drop it on his head. An over-the-shoulder wink comes my way. He’s proud of the hat.

I wave, cross my arms over my chest, squeeze them tight, and wonder why, as he walks away, all of a sudden, it’s Luke Townley I see, crossing the patchy afternoon sunlight. Why is he on my mind today?

Why, when everything seems just short of perfect, has Luke come back to haunt me?

Is it pre-wedding jitters? Just me wondering how I could possibly be good enough for someone like Paul? Questioning whether, after so many bad choices and failed relationships, I should save Paul by just . . . running away? There’s a demon in my head, and it sounds a lot like my daddy, and it’s telling me there’s nothing in me worth having.

Luke Townley hated my daddy. Maybe he’s come to help me fight the demon. A battle against our common enemy.

I close my eyes and pray for the strength to let the past be the past.
You are not your mama or your daddy or your sister. You are you.
That’s what Sandy says down at the Seashell Shop. She’s been sensing the jitters when I’m there working my two afternoons a week.

A car pulls in and Paul hesitates on the cottage porch, then glances my way and yells across the lawn, “Hey, maybe that’s your guy?”

I shade my eyes, watch the dark-colored vehicle come up the drive. It doesn’t look like an electrician’s truck, and it’s awfully late in the afternoon to start on anything, but I hold out hope.
Borrowed his wife’s car for the day, maybe? As long as he has tools in there, I don’t care if he arrives by mule train.

He hurries past the caretaker’s house as if he knows he’s late, and that gives me hope, but there’s only one person in the car. How does he plan to pull wires without a helper? It’s a two-person job, at least. Someone has to wriggle through the crawl spaces and climb around the attic while the other person feeds the wire.

My stomach turns as he exits the car. The sense of dread that has been nagging me since I woke roars like a dragon. He’s wearing a white shirt and a tie, with some sort of official-looking nylon vest over the top. I hope
he’s not from the county, here to throw another monkey wrench in the plans. We’ve jumped through so many legal hoops already.

Paul leaves the cottage and starts my way.

I descend the mansion steps and meet the stranger at the bottom. He’s carrying papers. The patch on his vest reads,
Action Process Service
.

Maybe he’s here trying to sell something? Or arrange a booking for a company banquet? Or put in a bid on the landscaping?

“Are you Tandi Jo Reese?” His manner is businesslike in a way that demands a quick answer. He’s a big guy, with the air of a retired drill sergeant or a police officer.

“Yes, I am.” The part of me that remembers a life of running from Child Protective Services, debt collectors, and drug dealers shrinks instinctively. But I have nothing to hide now.

“I’ve got some papers for you.” He shoves them at me with enough force that I grab them out of reflex. I have a feeling that’s all part of the plan.

“What . . . I . . . ,” I stammer, blindsided. Paul reaches us and steps in beside me, hooking his thumbs in his pockets as he cocks his head to get a look at the documents now dangling in my hand.

“You are the Tandi Jo Reese who lives next door in the cottage?” the stranger confirms, backing away a step, intimidated by Paul.

“Yes, I am.”

“Then those are for you. No signature required.”

What’s going on here?
He’s leaving the scene before I can even get the question out of my mouth. The dark car makes a hurried three-point turn in front of Iola’s beautiful old house and speeds off down the oyster-shell driveway.

“What was that all about?” Paul watches the car disappear.

I stare at the papers, flip through them. Over the past year of supervising the museum project, I’ve practically earned my honorary paralegal degree. I can read through the official mumbo jumbo well enough to know what this document is saying. The problem is, it still doesn’t make any sense.

“That was a process server.” I look at Paul, and I’m relieved to the core of my being when I don’t see suspicion or accusation, only bafflement. “Someone’s taking me to court over . . . breach of contract, statutory fraud, and some other stuff I don’t understand on a . . . real estate sale. But I don’t even own any real estate.”