The Transmigration of Timothy Archer (11 page)

To that I said nothing.

"Do you think it matters?" Kirsten said. "That Jesus was a fake?"

"Not to me it doesn't," I said.

"They haven't really published the important part. About the mushroom. They're keeping that secret for as long as they can. However—"

"What mushroom?"

"The
anokhi.
"

I said, incredulous, "The
anokhi
is a mushroom?"

"It's a mushroom. It was a mushroom back then. They grew it in caves, the Zadokites."

"Jesus Christ," I said.

"They made mushroom bread out of it. They made a broth from it and drank the broth; ate the bread, drank the broth. That's where the two species of the Host come from, the body and the blood. Apparently the
anokhi
mushroom was toxic but the Zadokites found a way to detoxify it, at least somewhat, enough so it didn't kill them. It made them hallucinate."

I started laughing. "Then they were a—"

"Yes, they turned on." Kirsten, too, now laughed, in spite of herself. "And Tim has to get up every Sunday at Grace and give Communion knowing that, knowing they were simply getting off on a psychedelic trip, like the kids in the Haight-Ashbury. I thought it was going to kill him when he found out."

"So then Jesus was in effect a dope dealer," I said.

She nodded. "The Twelve, the disciples, were—this is the theory—smuggling the
anokhi
into Jerusalem and they got caught. This just confirms what John Allegro figured out ... if you happened to see his book. He's one of the greatest scholars
vis-à-vis
Near Eastern languages ... he was the official translator of the Qumran scrolls."

"I didn't see his book," I said, "but I know who he is. Jeff used to talk about him."

"Allegro figured out that the early Christians were a secret mushroom cult; he deduced it from internal evidence in the New Testament. And he found a fresco or wall-painting ... anyhow, a picture of early Christians with a huge
amania muscaria
mushroom—"

"
Amanita muscaria,
" I corrected. "It's the red one. They are terribly toxic. So the early Christians found a way to detoxify it, then."

"That's Allegro's contention. And they saw cartoons." She began to giggle.

"Is there actually an
anokhi
mushroom?" I said. I knew something about mushrooms; before I married Jeff, I had gone with an amateur mycologist.

"Well, there probably was, but nobody today knows what it would be. So far, in the Zadokite Documents, there's no description. No way to tell which one it was or if it still exists."

I said, "Maybe it did more than cause hallucinations."

"Like what?"

A nurse came over to me, at that point. "You'll have to leave, now."

"Okay." I rose, gathered up my coat and purse.

Kirsten said, "Bend over." She waved me toward her; in a whisper directly into my ear she said, "Orgies."

After kissing her good-bye, I left the hospital.

 

When I arrived back in Berkeley and had made my way by bus to the little old farmhouse that Jeff and I had been living in, I saw, as I walked up the path, a young man crouched over in the corner of the porch; I halted warily, wondering who he was.

Pudgy, with light-colored hair, he bent stroking my cat Magnificat, who had curled up happily against the front door of the house. I watched for a time, thinking: Is this a salesman or something? The young man wore trousers too large for him, and a brightly colored shirt. On his face, as he petted Magnificat, was the most gentle expression I had ever seen on a human face; this kid, who obviously had never encountered my cat before, radiated a kind of fondness, a kind of palpable love, that in fact was something new to me. Some of the very early statues of the god Apollo reveal that sweet smile. Totally absorbed in petting Magnificat, the kid remained oblivious to me, to my nearby presence; I watched, fascinated, because for one thing Magnificat was a rough-and-tumble old tomcat who normally did not allow strangers to get near him.

All at once the kid glanced up. He smiled shyly and rose awkwardly to his feet. "Hi."

"Hi." I walked toward him, carefully, very slowly.

"I found this cat." The kid blinked, still smiling; he had guileless blue eyes, absent of any cunning.

"It's my cat," I said.

"What's her name?"

"It's a tomcat," I said, "and he's named Magnificat."

"He's very beautiful," the kid said.

"Who are you?" I said.

"I'm Kirsten's son. I'm Bill."

That explained the blue eyes and the blond hair. "I'm Angel Archer," I said.

"I know. We've met. But it was—" He hesitated. "I'm not sure how long ago. They gave me electroshock ... my memory isn't very good."

"Yes," I said. "I guess we did meet. I just came from the hospital visiting your mom."

"Can I use your bathroom?"

"Sure," I said. I got my keys from my purse and unlocked the front door. "Excuse the mess. I work; I'm not home enough to keep it neat. The bathroom is off the kitchen, in the back. Just keep on going."

Bill Lundborg did not close the bathroom door behind him; I could hear him urinating loudly. I filled the tea kettle and put it on the burner. Strange, I thought. This is the son she derides. As she derides us all.

Reappearing, Bill Lundborg stood self-consciously, smiling at me anxiously, quite obviously ill at ease. He had not flushed the toilet. I thought, then, very suddenly: He has just come out of the hospital, the mental hospital; I can tell.

"Would you like coffee?" I said.

"Sure."

Magnificat entered the kitchen.

"How old is she?" Bill asked.

"I have no idea how old he is. I rescued him from a dog. After he had grown, I mean, not as a kitten. He probably lived somewhere in the neighborhood."

"How is Kirsten?"

"Doing really well," I said. I pointed to a chair. "Sit down."

"Thanks." He seated himself; placing his arms on the kitchen table, he interlocked his fingers. His skin was so pale. Kept indoors, I thought. Caged up. "I like your cat."

"You can feed him," I said; I opened the refrigerator and got out the can of cat food.

As Bill fed Magnificat, I watched the two of them. The care he took in spooning out the food ... systematically, his attention deeply fixed, as if it were very important, what he had become involved in; he kept his gaze intent on Magnificat, and as he scrutinized the old cat he smiled again, that smile that so touched me, so made me start.

Batter me, oh God, I thought, remembering for some strange reason. Batter and kill me; they have injured this sweet kind baby until there is almost nothing left. Burned his circuits out as a pretense of healing him. The fucking sadists, I thought, in their sterile coats. What do they know about the human heart? I felt like crying.

And he will be back in, I thought, as Kirsten says. In and out of the hospital the rest of his life. The fucking sons of bitches.

Batter my heart, three person'd God; for, you
As yet but knocke, breathe, shine, and seeke to mend;
That I may rise, and stand, o'erthrow mee, and bend
Your force, to breake, blowe, burn and make me new.
I, like an usurpt towne, to'another due,
Labour to'admit you, but Oh, to no end,
Reason your viceroy in mee, mee should defend,
But is captiv'd, and proves weake or untrue.
Yet dearely' I love you, and would be loved faine,
But am betroth'd unto your enemie:
Divorce mee, untie, or breake that knot againe,
Take mee to you, imprison mee, for 1
Except you enthrall mee, never shall be free,
Nor ever chaste, except you ravish mee.

My favorite poem of John Donne's; it came up into me, into my mind, as I watched Bill Lundborg feed my worn old cat.

And I laugh at God, I thought; I make no sense out of what Tim teaches and believes, and the torment he feels over these various issues. I am fooling myself; in my own labored way, I do understand. Look at him serve that ignorant cat. He—this child—would have been a veterinarian, if they hadn't maimed him, shredded up his mind. What had Kirsten told me? He is afraid to drive; he stops taking out the garbage; he will not bathe and then he cries. I cry, too, I thought, and sometimes I let the trash pile up, and one time I nearly got sideswiped on Hoffman and had to pull over. Lock me up, I thought; lock up us all. This, then, is Kirsten's affliction, having this boy for her son?

Bill said, "Is there anything else I can feed her? She's still hungry."

"Anything you see in the fridge," I said. "Would you like something to eat?"

"No thanks." Again he stroked the awful old cat—a cat who never gave the time of day to any person. He has made this animal tame, I thought, as he himself is: tame.

"Did you come here on the bus?" I said.

"Yes." He nodded. "I had to surrender my driver's license. I used to drive, but—" He became silent.

"I take the bus," I said.

"I had a real great car," Bill said "A '56 Chevy. A stick shift with an eight, the big eight they made; it was only the second year Chevrolet made an eight; the first year was '55."

"Those are very valuable cars," I said.

"Yes; Chevrolet had changed to that new body-style. After the old higher, shorter body-style they used so long. The difference between a '55 and a '56 Chevy is in the front grille; if the grille includes the turn-signal lights, you can tell it's a '56."

"Where are you living?" I said. "In the City?"

"I'm not living anywhere. I got out of Napa last week. They let me out because Kirsten is sick. I hitched down here. A man gave me a ride in his Stingray." He smiled. "You have to take those 'Vettes out on the freeway every week or they build up carbon deposits in the mill. He was blowing carbon out the whole way. What I don't like about a 'Vette is the fiberglass body; you can't really repair it." He added, "But they certainly are good-looking. His was white. I forget the year, although he told me. We got it up to a hundred, but the cops pace you a lot when you're in a 'Vette, hoping you'll exceed the limit. We had a Highway Patrol after us part of the way but he had to turn his siren on and take off; an emergency of some kind, somewhere. We flipped him off as he went by. He was real disgusted but he couldn't cite us; he was in too much of a hurry."

I asked him, then, as tactfully as I could, why he had come to see me.

"I wanted to ask you something," Bill said. "I met your husband one time. You weren't home; you were working or something. He was here alone. Was his name Jeff?"

"Yes," I said.

"What I wanted to know is—" Bill hesitated. "Could you tell me why he killed himself?"

"There are a lot of factors involved in something like that." I seated myself at the kitchen table, facing him.

"I know he was in love with my mother."

"Oh," I said. "You do know that."

"Yes, Kirsten told me. Was that the main reason?"

"Perhaps," I said.

"What were the other reasons?"

I was silent.

"Would you tell me one thing," Bill said, "one particular thing? Was he mentally disturbed?"

"He had been in therapy. But not intensive therapy."

"I've been thinking about it," Bill said. "He was mad at his father because of Kirsten. A lot of it had to do with that. See, when you're in the hospital—a mental hospital—you know a lot of people who've tried suicide. Their wrists are all sawed on. That's always the way you can tell. The best way, when you do that, is up the arm in the direction the veins run." He showed me his bare arm, pointing. "The mistake most people make is cutting at right angles to the vein, down at the wrist. We had this one guy, he laid open his arm for like about seven inches and—" He paused, calculating. "Maybe as much as a quarter inch wide. But they still were able to sew it up. He had been in for months. He said one time in group therapy that all he wanted to be was a pair of eyes bugging out from the wall, so he could see everyone but no one could see him. Just an observer, not a part of what was going on, ever. Just watching and listening. He would have to be a pair of ears, too, to do that."

For the life of me I could think of nothing to say.

"Paranoids have a fear of being looked at," Bill said. "So invisibility would be important to them. There was this one lady, she couldn't eat in front of anyone. She always took her tray off to her room. I guess she thought eating was dirty." He smiled. I managed to smile back.

How strange this is, I thought. An eerie conversation, as if it is not actually taking place.

"Jeff was real hostile," Bill said. "Toward his father and toward Kirsten both, and maybe toward you, but I don't think as much; toward you, I mean. We talked about you that day I came over. I forget when that was. I had a two-day pass. I hitched down then, too. It's not that hard to hitch. A truck picked me up, even though it had a
NO RIDERS
sign posted. It was carrying some kind of chemicals, but not the toxic kind. If they're carrying flammable material or toxic material they know not to give you a ride, because if there is an accident and you're killed or poisoned then sometimes it voids their insurance."

Again I could think of nothing to say; I nodded.

"The law," Bill said, "in case of an accident where a hitchhiker is injured or killed, is that it's presumed he rode at his own risk. He took the chance. So because of that when you hitch if something happens you can't sue. That's California law. I don't know how it is in other states."

"Yes," I said. "Jeff felt a lot of anger toward Tim."

"Do you feel animosity toward my mother?"

After a pause, after I had thought it over, I said, "Yes. I really do."

"Why? It wasn't her fault. Any time a person kills himself, he has to take full responsibility. We learned that. You learn a lot in the hospital. You know a whole bunch of things that people on the outside never find out. It's a crash course in reality, which is the ultimate—" He gestured. "Paradox. Because the people there are there because, presumably, they don't face reality, and then they wind up in the hospital, the mental hospital, a state hospital like Napa, and have to face a whole lot more reality all of a sudden than other people ever have to do. And they face it very well. I've seen things I have been very proud of, patients helping other patients. One time this lady—she was like about in her fifties—said to me, 'Can I confide in you?' She swore me to secrecy. I promised not to say anything. She said, 'I'm going to kill myself tonight.' She told me how she was going to do it. This was not a locked ward. She had her car parked out in the lot and she had an ignition key they didn't know she had; they—the staff—thought they had all her keys but she kept this one back. So I thought it over, about what I should do. Should I tell Dr. Gutman? He was in charge of the ward. What I did was, I sneaked outside onto the lot—I knew which car was hers—and I removed the coil wire that runs—well, you wouldn't know. It runs between the coil and the distributor. There's no way you can start an engine with that wire missing. It's easy to do. When you park your car in a really rough neighborhood and you're afraid someone will steal it, you can pull out that wire; it comes out real easy. She cranked it until the battery ran down and then she came back in. She was furious but later on she thanked me." He pondered and then said, half to himself, "She was going to ram an ongoing car on the Bay Bridge. So I saved him, too; the other car. It might have been like a station wagon full of kids."

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