The Warmth of Other Suns (74 page)

Read The Warmth of Other Suns Online

Authors: Isabel Wilkerson

ROBERT
, a widower nearing sixty now, had landed what would seem the perfect position. He was doing precisely what had been denied him back in Louisiana. He was on staff at a hospital. And not just any hospital. He was physician to the staff of the West Los Angeles Veterans Administration Medical Center in Brentwood. It took up twenty-two acres between UCLA and the Brentwood Country Club. Its curving drives were named after the great generals of history—MacArthur, Patton, Pershing, the name he had gone by for the first half of his life. It was bigger and better than St. Francis, the small-town hospital that had rejected doctors who looked like him during the days of Jim Crow and had given him one more reason to leave the South. It would be vindication for all that he had endured back home.

He would make less than when he was in private practice, when he was limited only by the hours in the day and the energy he could muster. But he no longer had to concern himself with patient billing and office leases and could concentrate on what he loved most—doting on his patients, the employees at the VA hospital. Immediately, he set about getting to know everyone.

Some of the staff took to him right away, especially the few black ones who had migrated from the South like he had. Before long, he was car-pooling with some of them to get to work. They quickly learned that his other love was gambling, and they could tell when he had just gotten back from Vegas. They would drive up to his mansion early in the morning and toot the horn. Robert would scramble down the walkway, silk suit pressed and necktie in place, limping in his stocking feet with his dress shoes in his hand.

He brought his crushed velvet, jitterbug demeanor to the gray, humorless bureaucracy of a government hospital. He put his feet up on his desk as he always had and asked about his patients’ complaints and worries before pulling out his stethoscope. He had built an entire practice on understanding his patients’ personal troubles so that he could get to the bottom of their medical ailments, as he saw one as being connected to the other.

Migrants from the South treasured his bedside manner and had made up the majority of the patients in his private practice. But Robert was now in a world more like the one he worked in as an army doctor in Austria during the Korean War. Most of the patients, meaning the hospital staff members, were bureaucrats or military and not of his background. Some had come from the South in the parallel migration of whites seeking their own fortune in the wide-open world of California during the years of the Great Migration.

The whole enterprise was an adjustment for Robert. He was used to being in charge and the center of attention, running his office as he pleased. Now he had to be at work by eight in the morning. Bureaucrats wouldn’t put up with what his adoring working-class patients would accept. They wouldn’t put up with him coming in on a morning flight from Vegas, rushing in late with his silk suits and sacks full of money. He couldn’t charm his way into everyone’s good graces by offering to pick up everybody’s lunch tab with his winnings.

“That didn’t work when you working for another man,” said Limuary Jordan’s wife, Adeline, one of Robert’s sometime critics. “You got to follow his orders. You just don’t come and walk over them like that.”

His breezy airs did not sit well with some of the bureaucrats and their assistants. His being one of the few blacks in authority could have put him under perhaps even greater scrutiny. The bureaucrats began complaining about him, and soon he clashed with one hospital worker in particular. It may never be known precisely what happened. The military would not disclose details of the dispute, and Robert took the Hippocratic oath so literally that he rarely spoke of the specifics of any one patient. There were no legal charges against him, and he received workers’ compensation for the distress he suffered. But trouble flared, his colleagues said, after a white woman patient at the hospital complained about an examination. Robert had managed to survive decades in the Jim Crow South without crossing a white woman and had actually won the gratitude of one from Kentucky when he interceded in her delivery and helped her avoid a cesarean section.

Now, decades later, after he had built a name for himself and had taken a job he did not need, he was running into the very thing he had come to California to escape. There were whispers within the hospital of professional incompetency, perhaps the one thing he had never been accused of in his life.

Robert refused to give up his position. But it would be only a Pyrrhic victory. The hospital, he reported, moved him from the offices that he and the white doctors who preceded him had worked out of. It transferred him to an older building “in a cramped examining room next to a loud lavatory reeking with urine and feces,” he wrote in the mid-1990s in a letter of complaint to the Labor Department.

It was as if he had been hurled back fifty years to the Paramount Theater back in Monroe. It was nearing the eve of the twenty-first century, and it seemed as if Jim Crow would not die. His every move was scrutinized and the stress of the isolation weighed on him more heavily than anything in his life. He had made it to the paradise he had so believed in all those decades ago that he had bragged about it before even seeing it. Now, it had betrayed him in ways he could not have imagined.

He told his friends and family of his plight and the plight of co-workers who had also migrated from the South and were now helpless as they witnessed what was happening to him. He was so incensed that he complained to the Labor Department about the “personal isolation, professional and personal slights, rumors, [and] professional slander” he was enduring.
18
He described “a continuous racist and stressful environment,” language that he rarely used in all his descriptions of life in the South.

He had given his life over to his patients to the detriment of his own family, a decision that would weaken his ties to his daughters and grieve him later in life when his choices could not be undone. He had sat at the bedside of patients who loved him for his devotion. And now a new one had turned on him and threatened the reputation that had taken him a lifetime to build.

Things only got worse. In seeking workers’ compensation, Robert was required to be evaluated by a psychiatrist with ties to the VA hospital. The psychiatrist seemed to dismiss what Robert told him and directed Robert to prove to him the difference in the size of Robert’s old office and the smaller one to which he had been demoted.

The psychiatrist “proceeded to command me to step forward,” Robert wrote, “pick up a commercial tape from his desk and stoop down in a servile manner to measure his office for square footage.” Something about a surgeon being commanded by anyone to stoop to the floor and take measurements brought back memories of the sirring and ma’aming back in the South and made him feel lower than at any time since perhaps his migration through the desert.

“I am humiliated and ensnared in an evaluation process which is untenable,” Robert wrote.

He had never wanted to make a federal case out of the times in his life he had been ill-treated because of the caste into which he had been born and the era in which he lived. But here he was making a plea to the government as he fought for his good name. The stress forced him to seek treatment from a cardiologist and from vascular and orthopedic surgeons and a psychiatrist. They told him he needed to quit to protect his health, but Robert did not want to go out that way, not after all he had been through, proving himself at every turn, starting with the decision to migrate in the first place.

The only good thing about the situation was that Rufus Clement had not lived to see it. Surely he would have told him that this was proof of what Clement had believed all along, that Robert would have been better off casting his lot in the South. Better, too, that big Madison hadn’t lived to see it either. Surely, he would have shed a tear for his little brother who so loved medicine and worked so hard at pleasing everyone.

The dispute dragged on for years as Robert sought relief through workers’ compensation for the toll the situation had taken on his health. One day in the middle of this episode in his life, he was walking down the red-carpeted aisle toward the club room at Santa Anita when it felt as if he were being stabbed in the chest. He was suffering a heart attack. He would require bypass surgery and would see his life slow down considerably.

He would soon take his own physicians’ advice and retire from the VA hospital. It was not how he wanted to end his career. The memory of what he felt was a forced ouster in his adopted home would stay with him for the rest of his life. He had seen roadblocks to black progress even in his beloved California. “And it’s harder and heavier the higher the paycheck,” he said.

As for Robert’s reputation, the one he fought so hard to maintain during his dispute with the hospital, it remained as it had always been. Patients from the VA hospital continued to see him, dropping by the house on Victoria to seek his advice. And many years later, the State Medical Board in Sacramento showed the record of Dr. Robert P. Foster to be free of any sanctions during the forty-four years he was licensed to practice medicine in the state of California.

But he would never see California the same. He would have many moments of joy from the old patients who consulted him and brought their children for him to examine and allay their worries long after he had retired. But he would never get over what befell him.

“He was dying on the inside,” his friend and patient Malissa Briley said.

R
EDEMPTION
For our light
and momentary troubles
are achieving for us
an eternal glory
that far outweighs them all
.
— 2 C
ORINTHIANS
4:17

1
CHICAGO, SUMMER 1996

IDA MAE GLADNEY IS EIGHTY-THREE YEARS OLD
when I first meet her. She is a churchgoing pensioner with time on her hands. She spends most of her days alone while everyone else is out working. She does word puzzles and crosswords, whole paperback books of them, to keep her mind sharp. She collects the funeral programs of the people she knew and loved in Mississippi and Chicago, who are, one by one, passing away, getting extras for other mourners the way young people collect business cards and email addresses. It is the currency of the old. In the meantime, she manages to keep up with the job pursuits and love lives of her grandchildren and great-grandchildren.

She has little interest in soap operas and doesn’t need to watch police dramas on television. She has one right outside her window. Hers is a bow-front window, curved like a movie screen. She can monitor the street day or night from her box seat, which is actually a baby blue, plastic-covered easy chair by the front window, on the second floor of her three-flat. Things are happening that she never saw growing up in Mississippi, and she isn’t always certain of exactly what it is she is looking at. She is watching the street from her window the afternoon I meet her.

A man is selling drugs out of a trash can. She can see, plain as day, where he puts them and how he gets them out of the trash for the white customers in their SUVs with suburban license plates. Another hides his stash in his mouth. And when customers come up, he pulls a piece of his inventory from his tongue to sell to them. The police are on to it, too. “The police put flashlights down their mouth,” she says. “Sometimes the police make them stoop over.

A man is climbing out of an old Pontiac he sleeps in. He and the car have been outside her house for weeks. A teenage mother has just popped her son for something Ida Mae can’t make out because a car passes by just when the mother yells something at the boy. Usually it’s “M—f—” or “G—d—,” Ida Mae says, and it hurts her to see people do that to their children
.

The other night, she says, she was setting out the trash and saw a woman on her knees in the alley doing something to a man who was up against the garage. “I was looking for her head, and I never did see it,” Ida Mae says. She didn’t know exactly what the woman was doing but she knew they shouldn’t have been doing it and knew better than to say anything and thought it best to go back inside. “I just can’t get it out of my mind,” she says
.

When the police aren’t around, the people are out in the street like characters in a cable television drama and the drug dealers are up and down the block but mostly at the corner where there was once an ice cream parlor, back when she first moved here.

These are the lost grandchildren of the Migration who have grown hard in the big city and did not absorb the lessons of the past or the good to be found in the steadying rituals and folk wisdom of the South. Ida Mae and James and Eleanor can’t understand how they do the things they do, how they would rather trawl the streets than go to work every day and be able to hold their heads high.

Something about too many people packed together and nothing to guide them makes the children worse than they used to be, to her mind. At the moment, the city is in a crisis because two grade-schoolers, one of them only seven, have been accused of killing another child. Nobody knows for sure what happened and she certainly couldn’t say, but she knows one thing for sure: “They curse like sailors, they throw rocks, they do everything they big enough to do. They ain’t got no home training, and they mama can’t do nothing ’cause she on drugs. That seven-year-old, they say he was the ringleader. He know more than he telling. But they shouldn’t put them in the penitentiary. They too young. They not gone ever forget it.”

She keeps going. “I know kids ’cause I been one,” she says. “I used to tease this girl that her mama was dead. I think about that a lot sometimes. She held that against me the rest of her life. She used to cry when I said it. I didn’t know what it was to lose a mother. I had lost my father. I thought everyone should die. I was nine or ten years old. I was bad. Now they double worse. What go in the wash come out in the rain.
Watch what I say, now
. You got to start working on those little ones early. I ain’t got much education, but I sho’ know folks. I ain’t scared of these kids but I stay out of their way.”

The craziness has Ida Mae hemmed in on all sides. When she leaves to go to church, if she goes to buy groceries, if she takes a walk to get some exercise, the drug dealers and lookout boys greet her as she leaves and welcome her when she gets back. When she hears sirens or gunshots, she runs to the window to see what has happened now. She is an eyewitness to a war playing out on the streets below her. Staying on top of everything is how she makes peace with the craziness she cannot escape.

She would never dream of going outside at night by herself. But it is not because she is afraid of the gangbangers and the drug dealers. She speaks to them and prays for them, and in turn they look out for her. They call her “Grandma” and tell her not to come out on certain days.

“You better stay in the house,” they tell her. “Because we don’t know what time we gon’ start shootin’.”

On a July afternoon, she is telling her story about the ride up north and making her way in Chicago in those early days. We are in the middle of a conversation when something crashes outside the window. It rattles me, and I look toward the window to see what it might be. Ida Mae does not flinch. She has learned the difference between danger and mischief, between a gunshot and a rock through a window. Whatever it was, it’s as if it didn’t happen.

“Did you hear that?” I ask her. “Sounds like some glass broke.”

“Honey, they does that. They throw bottles at each other.”

“You didn’t even look up.”

“I hear too much of it,” she says. “I’d be lookin’ all day.” She lets out a big laugh.

Every day, there is something or other. On an otherwise quiet afternoon, we look out the window and see two police officers leading a black man in a white windbreaker and baseball cap, hands cuffed, down the sidewalk in front of the apartment building next door.

“That’s the janitor,” she tells me. “He works there. Wonder what did he do?”

He lopes along, head up, scanning the street like a politician on a tour of his district. He looks both ways before stepping off the curb to cross the street to the patrol car. He nods his respects to the teenage girls walking past.

Ida Mae doesn’t know what he has done, but figures she’ll find out in due course.

“People talk,” she says. “You don’t have to ask.”

She has an idea of what it was. There was a raid in the building a few weeks before. The police took seventeen or eighteen people out in handcuffs.

“Did it at night,” she says. “They carried them all out tied together. I got tired of counting. You know that still ain’t stop them? They still up in there. I don’t know what’ll stop ’em. I guess the Lord knows.”

She watches and makes note of what’s going on around her. Every month, there’s a neighborhood crime watch meeting, and she is sure to attend. Trouble is, she believes some of the police are not much better than the criminals. “The detectives are the ones doing the dirt,” she says. Somehow, some of the dealers are onto the police or get forewarning of their arrival. “They have a phone,” she says. “They know when the police coming.”

Still, she manages to stay out of everybody’s way. She may be stuck in her own home, but she has too much faith or stubbornness to let fear take over.

“I ain’t gone live nowhere scared,” she says. “I ain’t calling the police. Long as they don’t bother me. If I know what’s going on, they do, too.”

And she refuses to put bars on the windows. “My husband say, he never be behind no bars,” she says. “And neither am I.”

2
HARLEM, 1996

IT REQUIRES
descending down a narrow set of stairs into an airless vestibule in the basement of a three-story brownstone to get to where the owner lives. He has taken the dankest, darkest space for himself and given over the rest of the building, the rooms with light and space, to whatever tenants he has.

George Starling never cared about creature comforts and finery but about getting a square deal, which he on occasion achieved, and the right to exercise the free will he was not permitted in the South. His life is scattered in boxes all over his room, file folders stuffed with pictures of him and Inez as teenagers in Florida, mimeographed copies of his lawyerly letters to the railroad or union leaders about this or that provision or instance of inequity, and the funeral programs of loved ones who have passed away.

He is seventy-eight now, a grandfather and great-grandfather, a deacon in the church. He sits upright and stoic. He enunciates each syllable in this early conversation and speaks in the deliberate and formal manner of the professor he once wanted to be. But the longer he talks, the more comfortable he gets and the more he sounds like the southerner he is inside.

He feels it his responsibility to share what he knows and takes it upon himself to explain whatever he says in the greatest detail. He talks for forty-five patient and exacting minutes about what it takes to pick string beans and describes the difference between the walking buds, the junior buds, the uncle buds, and seedling trees he used to pick back in Florida.

A car pulls up. It’s his pastor, Reverend Henry Harrison, dropping by to see Deacon Starling. The pastor, hearing the topic of the South and the Migration, begins telling the story of how his father escaped from a labor camp in South Carolina by swimming through a swamp, and, eventually, in 1930, finding his way to New York.

Other books

Poetic Justice by Amanda Cross
The Dragons of Sara Sara by Robert Chalmers
The Grotesque by Patrick McGrath
The Unit by Terry DeHart
Windy City Blues by Marc Krulewitch
A Necessary End by Peter Robinson
HER CALLAHAN FAMILY MAN by TINA LEONARD