Authors: Nadeem Aslam
Nothing is being done to captured terrorists that wasn’t done to the interrogators themselves. Nothing the body can’t recover from.
The crate is the size of a telephone booth three-quarters sunk into the lake bed. The small amount of air in each of the hundreds of bottles will be enough to lift the entire bundle to the surface once they have managed to loosen some of the lake’s grip. The desire of air to meet air will do the rest. But it’s too firmly embedded and one by one they surge up to the surface to replenish their lungs, inhaling noisily when they emerge into the air. Bubbles like loops of chains around their necks. From a minaret somewhere in the distance comes the call to worship, the muezzin summoning the faithful to the mosque five times every day. Allah is an insecure deity, he can’t help but remark to himself as he gets ready to go back down. Dead leaves from the surface sticking to his face and shoulders like a poultice.
The low bass of the depth is still in his ears. The hum from inside a grave. Before returning to the depths he looks around carefully. Remembering something his father had once quoted.
We in this country,
reads the speech that President Kennedy did not live to deliver in Dallas in November 1963,
are—by destiny rather than by choice—the watchmen on the walls of world freedom.
“
I
S IT TRUE THAT YOU
A
MERICANS
shot dead one of your presidents because he was a Muslim?”
Together it has taken David and Casa five hours to stitch the canoe.
“A Muslim?”
“Yes. Ibraheem Lankan.”
“His name was Abraham Lincoln.”
“He wasn’t a Muslim?”
“Who told you he was?”
He just shakes his head and looks away.
The edges of the lake are green with the high grass of March, the air above the jade and gold water alive with insects. “I’ll take you out to the other side of the lake when the canoe is built,” David had told Marcus. The boat the family had once owned has been eaten away by insects. It lies under the jacaranda tree, covered by its weightless blossom. The wood almost hollow, brittle as cinnamon sticks or dried-up orange peel. Asking David to remain near by, Marcus has attempted to swim in the lake but the missing hand, he says, makes him feel like a bird trying to get airborne with one of its wings clipped. So he remains in the shallows, the beard running in milky streaks over his chest.
A trickle of blood flows out from the base of David’s thumb and slides onto Casa’s wrist. Casa had become distracted and let the blade slip, sending it into David’s flesh, the small sound of pain alerting him to the wound.
On the path beside the lake and then along the high wall of the house that is covered with a vine like a child’s directionless scrawl—a young woman has arrived on foot from Usha, Casa’s eyes following her before she disappears towards the front door.
David looks up from the cut in his skin and follows his gaze, catching the last of the bright veil. A bowl of turquoise liquid flung into the air.
The distraction, the fascination, is short-lived however—the young man has averted his eyes. David read somewhere that if a Muslim doesn’t look at a beautiful woman here on earth, Allah will allow him to possess her in Paradise.
“What was that?”
But he seems abashed, having been caught displaying emotion. “Nothing,” he says somewhat icily, his eyebrows gathered.
“Shall we go and see who she is?”
“Who?”
To not know anything about women is a sign of decency in these lands. Muslim scholars to this day debate the permissibility of a second “deliberate” glance as opposed to the first “inadvertent” one.
David resists the temptation to say more.
The boy is serious and brisk, with his own sense of the maladroit, but untested virtue is no virtue at all, and it seems clear to David that his ideas have never been put to the test.
Almost as tall as a harp, the girl leans against the painted wall.
Marcus is preparing tea, and Lara sits at the kitchen table looking at Dunia, the twenty-two-year-old daughter of the doctor in Usha, the young teacher who is in charge of the small school. Thirteen days ago one of her pupils had tied the string of beads around Lara’s neck while she was waiting for Marcus at the doctor’s house.
“Today is the anniversary of a saint, so there’s no school. I thought I’d come see you before you went back to Russia.”
Lara touches the beads, the token of a child’s affection. Something is there in children and the young that makes them trust others. The horrors of life haven’t yet perfected their aim. At times this seems to hold true even here in Afghanistan, in this land torn as though by God’s own hatred. The young everywhere, she suspects, would prefer to live in houses that consist only of doors. And Lara had detected it in Marcus also, in the way he welcomed her into his house, though he has seen the worst that life can offer. With him it’s not due to age, it’s his character.
Dunia takes the cup from Marcus with a smile. There is a dish containing dry white mulberries. Four years earlier when the doctor had arrived from Kabul to take over the practice here, the girl’s trimmed hair could have caused a scandal, but the situation was contained with the lie that she had had typhoid recently, that the hair had fallen out but was now in the process of growing back.
“Before I was born,” she tells Lara, “an aunt of mine used to work at the perfume factory out there. My father says the money she brought home as wages used to be fragrant.”
“Has your father returned from his trip to Kabul?” Marcus asks.
“No. The day after tomorrow.”
“He took your brother with him?”
Lara knows about the brother, the young man who stole objects from the house to feed his addiction to heroin, trying to take off his sister’s bangles while she slept.
The girl nods. “They say a new clinic has opened there. He could hardly walk when they left. I wished he would stand up straight, as correctly as possible, because I didn’t want Satan to make fun of Allah’s creations.”
“I hope he’ll make a full recovery.” Marcus places his hand on her head, an Asian elder person’s gesture of love towards someone young.
Casa enters at this point and greets them all courteously. Lara notices how Dunia’s self seems to withdraw, vacating the room and disappearing into her body. Her face slightly lowered. Women in this country are still anxious even though the Taliban are gone.
He says he has arrived to ask for a pair of scissors. “Something strong enough to snip this.” He indicates the small piece of birch bark that he has brought with him like a letter.
“I thought you were managing perfectly well with the blades and things you already have out there,” Marcus says, “but let’s see if I can find something.” He produces an old pair of scissors whose cutting edges are uneven because Qatrina used it to clip the nibs of pens for calligraphy.
When Dunia asks Lara—not him—about the bark, in a tentative lowered voice, he moves forward and places it before Lara, the gold-like side upwards. “I am building a boat.”
“Birch bark.” There is something experimental about the girl’s smile. “They found rolled-up pieces of it here in this region, stored in clay jars. The oldest known Buddhist texts were written on them.” She has been looking at Casa but now—suddenly remembering herself—turns her face to Lara and Marcus.
“The discourses of the Buddha,” Marcus nods. “Among them the Rhinoceros Horn Sutra. The clay jars preserved them otherwise they would have rotted away over the two thousand years.”
“I didn’t know they were that old,” says Dunia.
“Yes. Around the time of Christ. A long time before Muhammad.”
The boy takes the scissors from his hand and turns towards the door.
The roots of several trees have grown around a television set. The Englishman at some point must have tried to unearth it but then abandoned the effort, unable to unclasp the woody fingers that can still be seen gripping the half-buried machine. Casa goes past this small ditch in the orchard. Casa and others would sometimes watch Hollywood action movies at the training camps, searching for ideas and inspiration. The burning exploding American cities were their dreams made real on the screen, though later when he was alone the unearthly beauty of some of the actresses and actors would fill him with a disturbing and shameful pain.
The thought comes to him that tonight at Nabi Khan’s farm he would have known intimacy with a woman for the first time.
“You said you have made one of these canoes before?” he asks David, returning with the scissors and resuming work.
“I built one with my brother when I was young. And later also with James, the son of a friend, when he was a boy. Do you have a brother, Casa?”
“I have no family.”
“The war with the Soviets?”
“Probably.”
“I am sorry.”
“It wasn’t your fault . . . Now I must go and say my prayers . . .” It’s still early for worship but he needs to be alone. Who is she? Gul Rasool has sent her to the house to spy on him, he is sure, the Americans from yesterday having told Rasool of their encounter.
Tan butterflies rise up briefly from the muddy edge to allow him to pass and then come down again to settle in slightly different places, as though the letters of a word had been rearranged to spell a new word.
Behind him the radio is on at the lake. A jail being expanded has been bombed by the Taliban and al-Qaeda forces in the neighbouring province. And the driver of a tanker supplying fuel to the NATO forces has been found butchered. The Americans have asked the Pakistani government to control the spread of what they call militant Islam within its borders—as though you can treat the government of a country as a friend but its people as an enemy.
As though, along with mere bodies, you can bomb ideas out of existence too. They have sent a few arrows towards the sky and think they have killed Allah.
As he passes the mulberry tree with its tiers of strong leaves there is a muffled noise from the ground, from the patch of grass where his foot has just landed. He freezes, then slowly shifts his weight onto the other leg, beginning to say in his head the verse of the Koran the believers must recite at the moment of death. Perhaps he felt it instead of hearing it, he is not sure. It is as though two adjacent rooms in Marcus’s house have had their common wall removed, the combining of two senses.
He takes a shovel from the glasshouse and begins to dig down. The implement is made of the beaten scrap metal of Soviet planes—faint Cyrillic script is visible at the back. He stops when the plastic sheet comes into view and uses his hands to brush away the earth. It’s a thin flat rectangle held in place by fibrous roots. Making a small tear in the plastic accidentally, he rips it all off in frustration. A young woman’s face is looking up at him from the pit, the glass in the frame shattered in two places by his weight.
He brings the image out—blowing away two coffin cutters, as woodlice are sometimes referred to in Afghanistan—and overcome with revulsion drops it back into the pit. Allah forbids photography. The only exception to this a Muslim must reluctantly make in today’s world is the photo needed for a passport: to go on the pilgrimage in Mecca, or to cross borders for the purposes of jihad. He drops a handful of soil onto her and then turns around, having heard Marcus approach.
“What did you find?”
He quickly pulls the image from the hole, letting the dry soil slide down the glass, and, smiling, stands up. He carries it towards Marcus, who tells him the photograph is of his daughter.
It’s like a large stone thrown at his breast when he looks up and sees that the girl Dunia is standing at a high window. If she has been there for a few minutes she must have seen him discover and then begin to rebury the photograph.
She is looking directly at him. Their eyes meet briefly and then she turns away.
T
HE
R
HINOCEROS
H
ORN
S
UTRA
advocates the merit of asceticism for pursuing enlightenment, as opposed to being a householder or living in a community of monks and nuns. Almost all the verses end with the admonition for seekers to wander alone, like a rhinoceros.
The perils of communal life. The benefits of solitude.
Dunia sits in an armchair in a half-revealed interior. They have persuaded her—she has let them think they have persuaded her—that she should spend the entire day here, stay for lunch and for the evening meal.
She has just said her prayers. When she turned around after finishing, she saw Casa sitting just outside the room. He pointed towards the prayer mat to indicate that he was waiting for it to be free so he could offer his own prayers. Walking away wordlessly when she handed it to him. Perhaps not hearing the apology she murmured for having delayed him.
She closes her eyes against the daylight.
Tomorrow is Friday so there is no school—but in fact classes won’t be held the day after either. As there have been none today. The cleric at the mosque has publicly accused her of being dissolute, and the school has been forcibly shut down. It is said that the night the
shabnama
appeared, a man was seen knocking on the window of her room. She doesn’t know who he was, but it’s the chance the cleric had long been praying for, to uproot the school. He had started a rumour about her which she had disregarded but a group of dog-headed thugs from the mosque had arrived at the school the day before yesterday to tell her they will not tolerate its continuing presence in Usha.
Last month the cleric—he is the son of the old cleric, the one banished from Usha for having killed two of his wives—had expressed the wish to marry her, take her as his third wife, but both her father and she had turned him down. Perhaps this is his revenge.
This cleric’s mother was the first woman his father killed—accidentally during a beating because she would not consent to him taking another wife. But after secretly burying her near the lake and spreading the story about the djinn, he realised he had got away with it: so the next murder was deliberate.