"In a few minutes, all will be revealed," I said, driving easily with one hand. "I have a secret plan, m'dear."
"You do?" she asked, eyes a touch playful. "And what's that?"
I squeezed her hand. "If I told you, it wouldn't be a secret, now, would it."
She shook her head, muttered "you" and looked out the window.
But she didn't take her hand away.
After a while of driving, I turned right into the parking area of a small airport. The familiar sign said FEARLESS FERN'S FLYING SERVICE. She looked over at me, surprised. "What are we doing here?"
"You'll see soon enough," I said.
We got out of my truck and I grabbed her hand again as we walked around a small hangar. A Cessna was waiting, engine grumbling, propeller turning, and a bearded man standing under the wing nodded at me and I nodded back. Miriam tried to say something, but I pretended the noise of the engine was too loud. A few minutes later, seated in the rear and with earphones on and seat belts fastened, we were in the air, the bearded man piloting.
"Owen," she said to me, her voice static-filled over the intercom system. "What's this all about?"
I gently reached over and grasped her hand. "It means a number of things. It means you and I are going to Portland tonight, for dinner and to see a musical. We'll also be spending the night at a beautiful bed-and-breakfast near the harbor."
And savoring the new agreement I had with Cameron, I added, "Why don't we plan on getting away at least once every month? And you can name the place."
She nodded, blinked hard a few times and then looked out the side window. She held my hand all the way until we landed.
* * *
Some nights later I was in my pickup, engine idling. Next to me, a small ruck-sack in his lap, sat Len Molowski— or Leonid Malenkov, if you prefer.
"My ears are still ringing from when you shot at me," he said, looking out across at the barn where he had lived in the upstairs loft for the better part of a week.
"You're a farmer. Ever hear the proverb of how a farmer gets a mule to pay attention?"
Even in the darkened truck cab, I could tell that he was grinning. "Yes, I have. You strike him over the head with a wooden plank."
"So consider those shots two whacks over the head, Len. I had to make you understand that you'd been noticed, and that the next guy to come to your farm wouldn't be as thoughtful or as charming as I was. Frankly, all that talk about being a good Soviet soldier was a bit boring."
The man sighed. "Perhaps you are right. But after decades of keeping such a secret, I had to talk and talk, and I had to convince you and myself that what I did was right. I had to know that these years had a purpose. That they were not a waste."
"Did it work?"
Another sigh. "No, I do not think so. When you spread your blood on the floor, told me to play dead so you could put me in the truck in a feed bag, and when you dumped your camping gear in another feed bag and threw it into the river, I was humiliated. A man who was supposed to be my enemy was trying to help me. Why did you do that?"
I rubbed at the steering wheel. "It was a long war, the Cold War. There had to be an end to it, the last two old soldiers coming to an understanding. It just made sense. That's all I can say."
I reached into my coat pocket, pulled out a thick envelope and passed it over. "Here. Inside's a goodly amount of cash. Pay me back whenever you can. About a half mile down this road is the center of town. There's a Greyhound bus station, bus leaves in an hour to Portland. From there… well, you can go anywhere you want. But if I were you, I might head to New York City. Go to a place called Brighton Beach. There's a lot of Russian émigrés who live there. You might find a way to get home if you ask the right people."
"This money, this is charity, and I cannot—"
"Oh, shut up. You're still a marked man, and it's in both our interests that you get the hell out of here. All right? Now, get. Before you miss the bus."
Len waited for a moment, and then the envelope rustled as he packed it into his rucksack. He held out his hand to me. "I never forget.
Da svidaniya
."
"
Da svidaniya
to you, too."
He got out of the truck, a stranger in an odd land, and I watched him as he walked down the road, rucksack on his back. I thought about what lay ahead of him. A bumpy bus ride to Portland. Then another long ride to New York, to a city full of strangers. Then… who knows. Perhaps he would try to make a living with the rest of the émigrés in that crowded city. Perhaps he would go home, try to adjust to a motherland that had changed so much. It seemed inevitable that he would face poverty and loneliness, with no one to care where he went or where he stayed.
I started up my truck and headed back home.
God, how I envied him.
Ed McBain
The Victim
ED MCBAIN
is Evan Hunter. Hunter wrote
The Blackboard Jungle
and the screenplay for Alfred Hitchcock's classic suspense movie "The Birds." McBain is the author of the 87th Precinct series. Taken together, McBain/Hunter have had lasting effects on their society and their times. Perhaps the most inspiring aspect of his/their whole career is that the books continue to get better, richer, deeper in every way. His recent novel
Candyman
, written as a collaboration between Hunter/McBain, is a tour de force and one of the most stunning literary gambits of the year. In "The Victim," published in the collection
Running from Legs and Other Stories
, Ed/Evan are both in top form.
The Victim
Ed McBain
A
n afternoon in October, ten years ago. She was nineteen years old, and a storm broke just as she was leaving the Columbia campus. She tried to cover her head with her notebook, but she was soaked to the marrow within minutes. Standing helplessly in the middle of the sidewalk, not knowing whether to run back for the shelter of one of the buildings or ahead to the subway kiosk, she noticed a red Volkswagen at the curb, its door open. A young man was leaning across the front seat.
"Hey!" he shouted. "Get in before you drown!" Then, seeing the look of hesitation on her face, he immediately added, "I'm not a weirdo, I promise."
She got into the car.
"My name's Bobby Hollis," he said.
"How do you do, Bobby?"
"What's
your
name?"
"Laura Pauling."
"Laura and Bobby."
"Yes. Laura and Bobby."
Wide grin, mischievous blue eyes, straight brown hair a bit too carelessly combed, falling onto his forehead, long and lanky Bobby— oh, how the girls on campus went for Bobby! Laura had hooked herself a big one out there in the rain. A young man who'd been on the dean's list for three successive semesters, wrote a column for the school newspaper, played the lead in the drama group's presentation of
Arsenic and Old Lace
, and also played the clarinet. "Would you like to hear the glissando passage at the beginning of 'Rhapsody in Blue'?" A young man who, most important of all, was absolutely crazy about—
Her.
Wow.
Little Laura Pauling. Five foot four, mousy brown hair that sort of matched her brown eyes. Fairly decent figure but not anything anyone in his right mind would rave about. Except Bobby Hollis, who maybe
wasn't
in his right mind.
Wow.
Laura had hooked herself the seventh wonder of the
world
out there in the rain. When at last he asked her to marry him, she accepted at once. Of
course
, she accepted! And before she knew it, she had two children who were surely the eighth and
ninth
wonders, and eventually she forgot what she'd been doing up there on that uptown campus. Forgot she'd been studying to… well, become something. Well, that wasn't important. Well, yes, it was important, but the hell with it.
Laura had been willing to go along with changing dirty diapers and wiping runny noses so long as she believed Bobby loved her. After all, somebody had to do those things while Bobby was busy making a career for himself. Somebody had to keep those old home fires burning while Bobby was out chasing—
Out chasing.
Period.
She learned about it from a well-meaning associate of his who'd had too many martinis.
"Laura," he'd said, "forgive me if I'm brutally frank, okay?"
"What is it, Dave?"
"I know a man's supposed to look the other the way and keep his mouth shut when a friend of his is… well… playing around. Supposed to nudge the guy in the ribs, wink at him, gee, you son of a gun. But I like you too much to…"
"I don't want to hear it," she'd said.
But he'd told her, anyway.
Five years ago.
Tonight, she watched her husband in action at her own dinner table.
A fierce September rain lashed the window panes of their sixth floor apartment, and far below she could hear the sound of automobile tires hissing on wet asphalt. The clock on the dining room wall read exactly ten o'clock. Over coffee and dessert, Bobby was telling a New York atrocity story to their guests. Laura watched him from the opposite end of the long table, listening only distractedly. She knew it was happening again, and that she was helpless to stop it.
Bobby's eyes twinkled as he told the story. He liked New York atrocity stories, especially those about cab drivers. A smile was forming on his mouth now in anticipation of his own punch line. She knew he would burst into immodest laughter the moment he finished the story. She knew him so well. She'd been married to him for nine years. He was her beloved Bobby. Her spouse. Her mate. The father of her two adorable children. Under the table, his left hand was resting on Nessie Winkler's thigh.
"By now, this is the
fi
fth
time we've circled the Plaza," he said. "Now even if I were fresh off the banana boat, I'd begin to recognize the same hotel going by five
times
, wouldn't you think? I'd begin to maybe
suspect
a little something?"
Had he just squeezed Nessie's thigh under the table?
If not, why had she turned to him in that quick conspiratorial way and looked dopily into his face? Nessie. For Agnes. But you could not call a lissome blonde Agnes. Agnes was for the comic characters of the world. There was nothing funny about Nessie Winkler or the fact that Bobby had his fingers spread on her thigh under the table.
"So finally I tapped on the glass— they're all so terrified of getting held up these days— and he slid open the partition, and I told him he'd better take me to Forty-seventh and Fifth
immediately
, and do you know what he said?"
Lucille came in from the kitchen just then, and stood immediately inside the swinging door, visibly nervous. She was a plain, brown-haired, pudding-faced woman of perhaps twenty-six and Laura suspected this was the first dinner party she'd ever served. Everyone at the table was watching Bobby, waiting to hear the end of his cab-driver story.
Lucille said, "Ma'am?" and Bobby turned to her immediately and snapped, "Would you
mind
, please?"
He leaned toward his guests then, and grinned, and in the heavy Brooklyn accent the cabby must have used, delivered the long-awaited zinger to his story.
"He looked me straight in the eye and said, 'Look, mister, you shoulda
tole
me you was a New Yorker!' "
He burst out laughing, just as Laura knew he would. Nessie burst out laughing, an instant later. Laura laughed, too. Politely. Everyone was laughing but Lucille, who was standing just behind Nessie's chair now, looking somewhat bewildered.
"Yes, Lucille?" Laura said.
"Ma'am, shall I start clearing?"
"Please."
Bobby's hand was still under the table. Laura watched him incredulously. A fork slid off the plate Lucille was lifting from the table, clattering to the floor. She flushed a deep red and immediately knelt beside Nessie's chair to retrieve it. When she rose again, her eyes met Laura's.
There was knowledge in those eyes.
She had seen.
"Delicious," Nessie said, and folded her napkin.
* * *
At five minutes to twelve, Laura went into the kitchen to pay Mrs. Armstrong and Lucille and to thank them for helping to make the dinner party such a success. Mrs. Armstrong accepted her check and told Laura what a pleasure it always was to work for such a fine lady. Lucille took her check and said nothing. Her eyes avoided Laura's.
Mrs. Armstrong and Lucille were wearing almost identical black topcoats and carrying black handbags. Mrs. Armstrong was carrying a red umbrella. Lucille had no umbrella, and when Laura asked her if she'd like to borrow one, she replied, "No, thank you, ma'am, I'm only catching a bus on Fifth," which was the longest sentence she'd uttered all night long.