I traveled a lot in those months. I was invited here and there not only because of my book but also because of the articles I was writing, which in turn forced me to travel to see close up the new kinds of strike, the reactions of the owners. I never thought of trying to become a freelance journalist. I did it because doing it I was happy. I felt disobedient, in revolt and inflated with such power that my meekness seemed a disguise. In fact it enabled me to join the pickets in front of the factories, to talk to workers, both men and women, and to union officials, to slip out among the policemen. Nothing frightened me. When the Banca di Agricoltura in Milan was bombed I was in the city, at the publisher’s, but I wasn’t alarmed, I didn’t have dark presentiments. I thought of myself as part of an unstoppable force, I thought I was invulnerable. No one could hurt me and my child. We two were the only enduring reality, I visible and he (or she: but Pietro wanted a boy) for now invisible. The rest was a flow of air, an immaterial wave of images and sounds that, whether disastrous or beneficial, constituted material for my work. It passed by or it loomed so that I could put it into magic words in a story, an article, a speech, taking care that nothing ended up outside the frame, and that every concept pleased the Airotas, the publishing house, Nino, who surely somewhere was reading me, even Pasquale, why not, and Nadia, and Lila, all of whom would finally have to think: Look, we were wrong about Lena, she’s on our side, see what she’s writing.
It was a particularly intense time, that period of the pregnancy. It surprised me that being pregnant made me more eager to make love. It was I who initiated it, embraced Pietro, kissing him, even though he had no interest in kissing and began almost immediately to make love in that prolonged, painful way of his. Afterward he got up and worked until late. I slept for an hour or two, then I woke up, found him gone, turned on the light, and read until I was tired. Then I went to his room, insisted that he come to bed. He obeyed, but he got up early: sleep seemed to frighten him. Whereas I slept until midday.
There was only one event that distressed me. I was in my seventh month and my belly was heavy. I was outside the Nuovo Pignone factory when scuffles broke out, and I hurried away. Maybe I made a wrong movement, I don’t know, I felt a painful spasm in the center of my right buttock that extended along my leg like a hot wire. I limped home, went to bed, and it passed. But every so often the pain reappeared, radiating through my thigh toward my groin. I learned to respond by finding positions that alleviated it, but when I realized that I was starting to limp all the time I was terrified, and I went to the gynecologist. He reassured me, saying that everything was in order, the weight I was carrying in my womb tired me out, causing this slight sciatica. Why are you so worried, he asked in an affectionate tone, you’re such a serene person. I lied, I said I didn’t know. In reality I knew perfectly well: I was afraid that my mother’s gait had caught up with me, that she had settled in my body, that I would limp forever, like her.
I was soothed by the reassurances of the gynecologist; the pain lasted for a while longer, then disappeared. Pietro forbade me to do other foolish things, no more running around. I admitted that he was right, and spent the last weeks of my pregnancy reading; I wrote almost nothing. Our daughter was born on February 12, 1970, at five-twenty in the morning. We called her Adele, even though my mother-in-law kept repeating, poor child, Adele is a terrible name, give her any other name, but not that. I had atrocious labor pains, but they didn’t last long. When the baby emerged and I saw her, black-haired, a violet organism that, full of energy, writhed and wailed, I felt a physical pleasure so piercing that I still know no other pleasure that compares to it. We didn’t baptize her; my mother screamed terrible things on the telephone, she swore she would never come to see her. She’ll calm down, I thought, sadly, and anyway if she doesn’t it’s her loss.
As soon as I was back on my feet I telephoned Lila, I didn’t want her to be angry that I hadn’t told her anything.
“It was a wonderful experience,” I told her.
“What?”
“The pregnancy, the birth. Adele is beautiful, and very good.”
She answered: “Each of us narrates our life as it suits us.”
What a tangle of threads with untraceable origins I discovered in myself in that period. They were old and faded, very new, sometimes bright-colored, sometimes colorless, extremely thin, almost invisible. That state of well-being ended suddenly, just when it seemed to me that I had escaped Lila’s prophecies. The baby became troublesome, and the oldest parts of that jumble surfaced as if stirred by a distracted gesture. At first, when we were still in the clinic, she attached herself easily to my breast, but once we were home something went wrong and she didn’t want me anymore. She sucked for a few seconds, then shrieked like a furious little animal. I felt weak, vulnerable to old superstitions. What was happening to her? Were my nipples too small, did they slip out? Did she not like my milk? Or was it an aversion toward me, her mother, had she been inoculated remotely with an evil spell?
An ordeal began, as we went from doctor to doctor, she and I alone; Pietro was always busy at the university. My bosom, swollen uselessly, hurt; I had burning stones in my breasts; I imagined infections, amputations. To empty them, to get enough milk to nourish the baby with a bottle, to alleviate the pain, I tortured myself with a breast pump. I whispered, coaxing her: come on, sweetie, suck, such a good baby, so sweet, what a dear little mouth, what dear little eyes, what’s the matter. In vain. First I decided, regretfully, to try mixed feeding, then I gave up on that, too. I tried artificial milk, which required lengthy preparations night and day, a tiresome system of sterilizing nipples and bottles, an obsessive check of her weight before and after feeding, a sense of guilt every time she had diarrhea. Sometimes I thought of Silvia, who, in the turbulent atmosphere of the student gathering in Milan, breast-fed Nino’s child, Mirko, so easily. Why not me? I suffered long secret crying spells.
For a few days the baby settled down. I was relieved, hoping the moment had arrived to get my life back in order. But the reprieve lasted less than a week. In her first year of life the baby barely closed her eyes; her tiny body writhed and screamed for hours, with an unsuspected energy and endurance. She was quiet only if I carried her around the house, holding her tight in my arms, speaking to her: Now mamma’s splendid creature is good, now she’s quiet, now she’s resting, now she’s sleeping. But the splendid creature wouldn’t sleep, she seemed to fear sleep, like her father. What was wrong: a stomach ache, hunger, fear of abandonment because I hadn’t breast-fed her, the evil eye, a demon that had entered her body? And what was wrong with me? What poison had polluted my milk? And the leg? Was it imagination or was the pain returning? My mother’s fault? Did she want to punish me because I had been trying all my life not to be like her? Or was there something else?
One night I seemed to hear the sound of Gigliola’s voice, faint, repeating throughout the neighborhood that Lila had a tremendous power, that she could cast an evil spell by fire, that she smothered the creatures in her belly. I was ashamed of myself, I tried to resist, I needed rest. So I tried leaving the baby to Pietro, who thanks to his habit of studying at night wasn’t so tired. I said: I’m exhausted, call me in a couple of hours, and I went to bed and fell asleep as if I had lost consciousness. But once I was wakened by the baby’s desperate wailing, I waited; it didn’t stop. I got up. I discovered that Pietro had dragged the crib into his study and, paying no attention to his daughter’s cries, was bent over his books, taking notes as if he were deaf. I lost all my manners, and regressed, insulting him in my dialect. You don’t give a damn about anything, that stuff is more important than your daughter? My husband, distant, cool, asked me to leave the room, take away the crib. He had an important article to finish for an English journal, the deadline was very near. From then on I stopped asking him for help and if he offered I said: Go on, thanks, I know you have things to do. After dinner he hung around me uncertain, awkward, then he closed himself in his study and worked until late at night.
I felt abandoned but with the impression that I deserved it: I wasn’t capable of providing tranquility for my daughter. Yet I kept going, doggedly, even though I was more and more frightened. My organism was rejecting the role of mother. And no matter how I denied the pain in my leg by doing everything possible to ignore it, it had returned, and was getting worse. But I persisted, I wore myself out taking charge of everything. Since the building had no elevator, I carried the stroller with the baby in it up and down, I did the shopping, came home loaded down with bags, I cleaned the house, I cooked, I thought: I’m becoming ugly and old before my time, like the women of the neighborhood. And naturally, just when I was particularly desperate, Lila telephoned.
As soon as I heard her voice I felt like yelling at her: What have you done to me, everything was going smoothly and now, suddenly, what you said is happening, the baby is sick, I’m limping, it’s impossible, I can’t bear it anymore. But I managed to restrain myself in time, I said quietly, everything’s fine, the baby’s a little fussy and right now she’s not growing much, but she’s wonderful, I’m happy. Then, with feigned interest, I asked about Enzo, Gennaro, her relations with Stefano, her brother, the neighborhood, if she had had other problems with Bruno Soccavo and Michele. She answered in an ugly, obscene, aggressive dialect, but mostly without rage. Soccavo, she said, has to bleed. And when I run into Michele I spit in his face. As for Gennaro, she now referred to him explicitly as Stefano’s son, saying, he’s stocky like his father, and she laughed when I said he’s such a nice little boy. She said: You’re such a good little mamma, you take him. In those phrases I heard the sarcasm of someone who knew, thanks to some mysterious secret power, what was really happening to me, and I felt rancor, but I became even more insistent with my charade—listen to what a sweet voice Dede has, it’s really pleasant here in Florence, I’m reading an interesting book by Baran—and I kept going until she forced me to end it by telling me about the IBM course that Enzo had started.
Only of him did she speak with respect, at length, and right afterward she asked about Pietro.
“Everything’s going well with your husband?”
“Very well.”
“And for me with Enzo.”
When she hung up, her voice left a trail of images and sounds of the past that stayed in my mind for hours: the courtyard, the dangerous games, the doll she had thrown into the cellar, the dark stairs we climbed to Don Achille’s to retrieve it, her wedding, her generosity and her meanness, how she had taken Nino. She can’t tolerate my good fortune, I thought fearfully, she wants me with her again, under her, supporting her in her affairs, in her wretched neighborhood wars. Then I said to myself: How stupid I’ve been, what use has my education been, and I pretended everything was under control. To my sister Elisa, who called frequently, I said that being a mother was wonderful. To Carmen Peluso, who told me about her marriage to the gas-pump owner on the
stradone
, I responded: What good news, I wish you every happiness, say hello to Pasquale, what’s he up to. With my mother, the rare times she called, I pretended I was ecstatic, but once I broke down and asked her: What happened to your leg, why do you limp. She answered: What does it matter to you, mind your own business.
I struggled for months, trying to keep at bay the more opaque parts of myself. Occasionally I surprised myself by praying to the Madonna, even though I considered myself an atheist, and was ashamed. More often, when I was alone in the house with the baby, I let out terrible cries, not words, only breath spilling out along with despair. But that difficult period wouldn’t end; it was a grueling, tormented time. At night, I carried the baby up and down the hall, limping. I no longer whispered sweet nonsense phrases, I ignored her and tried to think of myself. I was always holding a book, a journal, even though I hardly managed to read anything. During the day, when Adele slept peacefully—at first I called her Ade, without realizing how it sounded like Hades, a hell summed up in two syllables, so that when Pietro pointed it out I was embarrassed and began calling her Dede—I tried to write for the newspaper. But I no longer had time—and certainly not the desire—to travel around on behalf of
l’Unità
. So the things I wrote had no energy, they were merely demonstrations of my formal skill, flourishes lacking substance. Once, having written an article, I had Pietro read it before dictating it to the editorial office. He said: “It’s empty.”
“In what sense?”
“It’s just words.”
I felt offended, and dictated it just the same. It wasn’t published. And from then on, with a certain embarrassment, both the local and the national editorial offices began to reject my texts, citing problems of space. I suffered, I felt that everything that up to a short time earlier I had taken as an unquestioned condition of life and work was rapidly collapsing around me, as if violently jolted from inaccessible depths. I read just to keep my eyes on a book or a newspaper, but it was as if I had stopped at the signs and no longer had access to the meanings. Two or three times I came across articles by Nino, but reading them didn’t give me the usual pleasure of imagining him, of hearing his voice, of enjoying his thoughts. I was happy for him, certainly: if he was writing it meant that he was well, he was living his life who knows where, with who knows whom. But I stared at the signature, I read a few lines, I retreated, as if every one of his sentences, black on white, made my situation even more unbearable. I lost interest in things, I couldn’t even bother with my appearance. And besides, for whom would I bother? I saw no one, only Pietro, who treated me courteously, but I perceived that for him I was a shadow. At times I seemed to think with his mind and I imagined I felt his unhappiness. Marrying me had only complicated his existence as a scholar, and just when his fame was growing, especially in England and the United States. I admired him, and yet he irritated me. I always spoke to him with a mixture of resentment and inferiority.