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26
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34
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35
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43
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Chapter 6: Music at play

1
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2
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Psychology of Music
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3
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, 930, 232–258.

4
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Music Education
(pp. 1–38). Hauppauge, NY: Nova Science Publishers.

5
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, 14(1), 21–51.

6
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, University of Jyvaskyla. Senn, O., and Kilchenmann, L. (2011), ‘The secret ingredient – State of affairs and future directions in groove studies’, in Antonio Baldassarre (ed.),
Musik, Raum, Akkord, Bild – Festschrift for Dorothea Baumann’s 65th Birthday
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7
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8
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) detect rhythmic groups in music, but not the beat’,
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9
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10
Fitch, W.T. (2013), ‘Rhythmic cognition in humans and animals: distinguishing meter and pulse perception’,
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, 31, 7:68.

11
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, 19(10), 831–836.

12
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Scientific Reports 3
, 1566. Cook, P., Rouse, A., Wilson, M., and Reichmuth, C. (2013),
‘A California Sea Lion (
Zalophus californianus
) Can Keep the Beat: Motor Entrainment to Rhythmic Auditory Stimuli in a Non Vocal Mimic’,
Journal of Comparative Psychology
.

13
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Proceedings of 12th International Conference on Music Perception and Cognition
(Thessaloniki, Greece).

14
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15
Guéguen, N., Jacob, C., and Lamy, L. (2010), ‘“Love is in the air”: Effects of songs with romantic lyrics on compliance with a courtship request’,
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, 38(3), 303–307.

16
Guéguen, N., Meineri, S., and Fischer-Lokou, J. (2013), ‘Men’s music ability and attractiveness to women in a real-life courtship context’,
Psychology of Music
, published online 1 May 2013.

17
North, A.C., Tarrant, M., and Hargreaves, D.J. (2004), ‘The effects of music on helping behaviour: a field study’,
Environment and Behaviour
, 36(2), 266–275.

18
Lamy, L., Fischer-Lokou, J., and Guéguen, N. (2009), ‘Induced reminiscence of love and chivalrous helping’,
Current Psychology
, 28(3), 202–209.

19
LeDoux, J.E. (2000), ‘Emotion circuits in the brain’,
Annual Review of Neuroscience,
23, 155–184.

20
Koelsch, S., et al. (2006), ‘Investigating emotion with music: an fMRI study’,
Human Brain Mapping
, 27(3), 239–250. Blood, A.J., and Zatorre, R.J. (2001), ‘Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion’,
Proceedings of the National Academy of Sciences,
98(2), 11818–11823.

21
Griffiths, T.D., Warren, J.D., Dean, J.L., and Howard, D. (2004), ‘“When the feeling’s gone”: a selective loss of musical emotion’,
Journal of Neurology, Neurosurgery & Psychiatry,
75, 344–345.

22
Gosselin, N., et al. (2005), ‘Impaired recognition of scary music following unilateral temporal lobe excision’,
Brain
, 128(3), 628–640.

23
Eldar, E., et al. (2007), ‘Feeling the real world: limbic response to music depends on related content’,
Cerebral Cortex
, 17(12), 2828–2840.

24
Boltz, M.G. (2001), ‘Musical soundtracks as a schematic influence on the cognitive processing of filmed events’,
Music Perception
, 18:427–454.

25
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, 16(2), 331–348.

26
Cohen, A.J. (2001), ‘Music as a source of emotion in film’, in Juslin, P.N., Sloboda, J.A. (eds.),
Music and emotion
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27
Austin, A., Moore, E., Chordia, P., and Gupta, U. (2010), ‘Characterization of Movie Genre Based on Music Score’, in
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28
Baumgartner, T., Lutz, K., Schmidt, C.F., and Jäncke, L. (2006), ‘The emotional power of music: how music enhances the feeling of affective pictures’,
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, 23, 1075(1), 151–164

29
Huron, D. (2011), ‘Why is sad music pleasurable? A possible role for prolactin’,
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30
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31
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33
The British Association of Sport and Exercise Sciences statement on the use of music in exercise:
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34
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35
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