Authors: Joel Cobbs
“Y
o
u
a
l
w
a
y
s s
a
y
th
a
t,
”
sh
e
l
a
ug
h
e
d.
Th
is
w
as
a
g
oo
d
s
i
gn
,
h
e tho
u
ght.
She's
in
a
g
o
od mood.
“I
h
a
v
e
a
s
u
r
p
ri
se
f
o
r
yo
u
,
”
h
e
s
a
i
d
as
be
st
h
e
c
ou
ld,
t
r
y
i
n
g
no
t
t
o
see
m
ov
e
r
ex
ci
te
d
.
“
O
h
r
e
a
l
l
y
?
Y
o
u
go
t
d
et
e
nt
i
o
n
a
g
ai
n
?”
H
e
r
o
ll
e
d
h
i
s
e
ye
s
a
n
d
s
a
rc
as
t
i
c
a
lly
a
ns
w
e
r
e
d
“
n
o
.
”
He
'd
go
t
te
n
d
et
e
nt
i
o
n
on
ly
on
c
e
,
a
n
d
th
at
w
a
s
in
th
e
si
xt
h
g
r
ade
f
o
r
th
r
e
e
0s
in
ma
t
h
(
h
is
w
o
r
st s
u
b
j
e
c
t
).
No
w
the
y
expe
c
t
e
d
h
im
t
o
w
alk
in
at
a
n
y
t
ime
a
n
d
say
h
e
h
ad it
a
g
ai
n
.
“
T
h
a
t
's
a
r
e
li
e
f
.
”
“Y
o
u
m
ay
w
a
n
n
a
s
it
d
o
w
n.
”
S
h
e
l
oo
k
e
d
a
t
h
im
c
u
r
i
ou
sly
w
i
t
h
a
sly
s
m
ile
o
n
he
r
f
ac
e
,
the
n
s
at
d
o
w
n
.
“O
k
a
y
,
th
is
i
s,
li
ke
,
a
n
e
a
r
ly
C
h
ri
s
t
m
a
s
p
r
e
s
ent.
”
No
w
s
h
e
r
e
a
l
ly
w
a
s
c
u
r
i
ou
s.
S
h
e
h
ad
a
st
r
a
n
g
e
air
a
bou
t
he
r
.
R
o
b
pu
l
l
e
d
t
h
e
t
i
c
k
e
t
s
ou
t
a
n
d
s
l
ide
the
m
ac
r
os
s
th
e
t
a
b
l
e
.
“
M
a
'
am
,
”
h
e
s
a
i
d
i
n
a f
unn
y
p
i
c
k
u
p
li
n
e
m
etho
d
,
“
y
o
u
fr
e
e
th
i
s
F
r
ida
y
?
”
S
h
e
p
ic
ke
d
u
p
t
h
e
t
i
c
k
e
t
s
a
n
d
a
lm
o
st
sc
r
e
am
e
d.
“
Ho
w
did
y
o
u
ge
t
the
s
e
?
!
”
“
I
'
v
e
h
ad
the
m
f
o
r
a
w
h
il
e
.
I
l
e
a
r
n
e
d
th
e
y
w
e
r
e
c
o
mi
n
g
ne
ar
b
y
a
n
d
d
e
c
id
e
d
it
w
ou
ld
b
e
f
u
n
t
o
go.
”
“
Th
i
s
is
i
n
c
r
e
di
b
l
e
, R
ob
e
r
t.
”
The
n
h
e
r
m
oth
e
r
i
n
s
t
i
n
ct
s
ho
w
e
d i
t
s
e
lf.
“
Ho
w
m
u
ch
d
id
the
se
c
o
s
t
?
”
“
Don
't
w
o
r
ry
a
bou
t
th
a
t,
”
a
n
d
wa
ve
d
o
ff
th
e
q
ue
s
t
i
on
. “R
ob
e
r
t
,
I
'm
s
e
r
i
ou
s.
I
w
a
n
t
t
o
p
ay
y
o
u
b
ac
k
.
Y
o
u
s
hou
ld
n
't
h
a
v
e
spent that
money on th
i
s.”
“So
y
o
u
w
a
nn
a
p
ay
me
b
a
c
k
?”
“Y
e
s
.
”
H
e
l
e
a
n
e
d
b
ack
a
n
d
t
a
pp
e
d
h
is
c
h
i
n
,
m
o
c
k
i
ng
ly
t
r
y
i
n
g
t
o
l
oo
k
a
s
i
f
h
e
w
a
s
d
e
e
p
in
th
o
ugh
t
.