As Birds Bring Forth the Sun (4 page)

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Authors: Alistair MacLeod

I must not think too much of death and loss, I tell myself repeatedly. For if I am to survive I must be as careful and calculating with my thoughts as I am with my tools when working so far beneath the earth’s surface. I must always be careful of sloppiness and self-indulgence lest they cost me dearly in the end.

Out on the ocean now it is beginning to roughen and the southwest wind is blowing the smallish waves into larger versions of themselves. They are beginning to break upon the beach with curling whitecaps at their crests and the water that they consist of seems no longer blue but rather a dull and sombre grey. There are no longer boats visible on the once-flat sea, neither near at hand nor on the horizon’s distant line. The sun no longer shines with the fierceness of the earlier day and the sky has begun to cloud over. Evening is approaching. The sand is whipped by the wind and blows into our faces and stings our bodies as might a thousand pinpricks or the tiny tips of many scorching needles. We flinch and shake ourselves and reach for our protective shirts. We leave our prone positions and come restlessly to our feet, coughing and spitting and moving uneasily like nervous animals anticipating a storm. In the sand we trace erratic designs and patterns with impatient toes. We look at one another, arching our eyebrows like bushy question marks. Perhaps this is what we have been waiting for? Perhaps this is the end and the beginning?

And now I can feel the eyes of the men upon me. They are waiting for me to give interpretations of the signals, waiting for my sign. I hesitate for a moment, running my eyes along the beach, watching water touching sand. And then I nod my head. There is almost a collective sigh that is more sensed than really heard. Almost like distant wind in far-off trees. Then suddenly they begin to move. Rapidly they gather their clothes and other belongings, shaking out the sand, folding and packing. Moving swiftly and with certainty they are closing down their summer even as it is closing down on them. MacKinnon’s miners are finished now and moving out. We are leaving the beach of the summer sun and perhaps some of us will not see it anymore. For some of us may not return alive from the Africa for which we leave.

We begin to walk. First along the beach towards the north cliff of Cameron’s Point, and then up the steep and winding zig-zagged trail that climbs its face. When I am halfway up I stop and look back at the men strung out in single file behind me. We are mountain climbers in our way though bound together by no physical ropes of any kind. They stop and look back too; back and down to the beach we have so recently vacated. The waves are higher now and are breaking and cresting and rolling farther in. They have obliterated the outlines of our bodies in the sand and our footprints of brief moments before already have been washed away. There remains no evidence that we have ever been. It is as if we have never lain, nor ever walked nor ever thought what thoughts we had. We leave no art or mark behind. The sea has washed its sand slate clean.

And then the rain begins to fall. Not heavily but almost hesitantly. It is as if it has been hot and dry for so long that the act of raining has almost been forgotten and has now to be slowly and almost painfully relearned.

We reach the summit of the cliff and walk along the little path that leads us to our cars. The cars are dusty and their metal is still hot from the earlier sun. We lean across their
hoods to lift the windshield wipers from the glass. The rubber of the wiper blades has almost melted into the windshields because of heat and long disuse, and when we lift them slender slivers of rubber remain behind. These blades will have to be replaced.

The isolated raindrops fall alike on windshield and on roof, on hood and trunk. They trace individual rivulets through the layers of grime and then trickle down to the parched and waiting earth.

And now it is two days later. The rain has continued to fall and in it we have gone about preparing and completing our rituals of farewell. We have visited the banks and checked out all the dates on our insurance policies. And we have gathered our working clothes, which when worn continents hence will make us loom even larger than we are in actual life. As if we are Greek actors or mastodons of an earlier time. Soon to be replaced or else perhaps to be extinct.

We have stood bareheaded by the graves and knelt in the mud by the black granite stones. And we have visited privately and in tiny self-conscious groups the small white churches which we may not see again. As we have become older it seems we have become strangely more religious in ways that border close on superstition. We will take with us worn family rosaries and faded charms and loop ancestral medals and crosses of delicate worn fragility around our scar-lashed necks and about the thickness of our wrists, seemingly unaware of whatever irony they might project. This too seems but a further longing for the past, far removed from the “rational” approaches to religion that we sometimes encounter in our children.

We have said farewells to our children too and to our wives and I have offered kisses and looked into their eyes and wept outwardly and inwardly for all I have not said or done and for
my own clumsy failure at communication. I have not been able, as the young say, “to tell it like it is,” and perhaps now I never shall.

By four o’clock we are ready to go. Our cars are gathered with their motors running and we will drive them hard and fast and be in Toronto tomorrow afternoon. We will not stop all night except for a few brief moments at the gleaming service stations and we will keep one sober and alert driver at the wheel of each of our speeding cars Many of the rest of us will numb ourselves with moonshine for our own complex and diverse reasons: perhaps to loosen our thoughts and tongues or perhaps to deaden and hold them down; perhaps to be as the patient who takes an anaesthetic to avoid operational pain. We will hurtle in a dark night convoy across the landscapes and the borders of four waiting provinces.

As we move out, I feel myself a figure in some mediaeval ballad who has completed his formal farewells and goes now to meet his fatalistic future. I do not particularly wish to feel this way and again would shake myself free from thoughts of death and self-indulgence.

As we gather speed the land of the seacoast flashes by. I am in the front seat of the lead car, on the passenger side next to the window. In the side mirror I can see the other cars stretched out behind us. We go by the scarred and abandoned coal workings of our previous generations and drive swiftly westward into the declining day. The men in the back seat begin to pass around their moonshine and attempt to adjust their long legs within the constricted space. After a while they begin to sing in Gaelic, singing almost unconsciously the old words that are so worn and so familiar. They seem to handle them almost as they would familiar tools. I know that in the other cars they are doing the same even as I begin silently to mouth the words myself. There is no word in Gaelic for goodbye, only for farewell.

More than a quarter of a century ago in my single year at
university, I stumbled across an anonymous lyric from the fifteenth century. Last night while packing my clothes I encountered it again, this time in the literature text of my eldest daughter. The book was very different from the one that I had so casually used, as different perhaps as is my daughter from me. Yet the lyric was exactly the same. It had not changed at all. It comes to me now in this speeding car as the Gaelic choruses rise around me. I do not particularly welcome it or want it and indeed I had almost forgotten it. Yet it enters now regardless of my wants or wishes, much as one might see out of the corner of the eye an old acquaintance one has no wish to see at all. It comes again, unbidden and unexpected and imperfectly remembered. It seems borne up by the mounting, surging Gaelic voices like the flecked white foam on the surge of the towering, breaking wave. Different yet similar, and similar yet different, and in its time unable to deny:

I wend to death, knight stith in stour;
Through fight infield I won the flower;
No fights me taught the death to quell –
I wend to death, sooth I you tell
.

I wend to death, a king iwis;
What helpes honour or worlde’s bliss?
Death is to man the final way –
I
wende to be clad in clay
.

Winter Dog

I
AM WRITING
this in December. In the period close to Christmas, and three days after the first snowfall in this region of southwestern Ontario. The snow came quietly in the night or in the early morning. When we went to bed near midnight, there was none at all. Then early in the morning we heard the children singing Christmas songs from their rooms across the hall. It was very dark and I rolled over to check the time. It was 4:30 a.m. One of them must have awakened and looked out the window to find the snow and then eagerly awakened the others. They are half crazed by the promise of Christmas, and the discovery of the snow is an unexpected giddy surprise. There was no snow promised for this area, not even yesterday.

“What are you doing?” I call, although it is obvious.

“Singing Christmas songs,” they shout back with equal obviousness, “because it snowed.”

“Try to be quiet,” I say, “or you’ll wake the baby.”

“She’s already awake,” they say. “She’s listening to our singing. She likes it. Can we go out and make a snowman?”

I roll from my bed and go to the window. The neighbouring houses are muffled in snow and silence and there are as yet no lights in any of them. The snow has stopped falling and its whitened quietness reflects the shadows of the night.

“This snow is no good for snowmen,” I say. “It is too dry.”

“How can snow be dry?” asks a young voice. Then an older one says, “Well, then can we go out and make the first tracks?”

They take my silence for consent and there are great sounds of rustling and giggling as they go downstairs to touch the light switches and rummage and jostle for coats and boots.

“What on earth is happening?” asks my wife from her bed. “What are they doing?”

“They are going outside to make the first tracks in the snow,” I say. “It snowed quite heavily last night.”

“What time is it?”

“Shortly after 4:30.”

“Oh.”

We ourselves have been nervous and restless for the past weeks. We have been troubled by illness and uncertainty in those we love far away on Canada’s east coast. We have already considered and rejected driving the fifteen hundred miles. Too far, too uncertain, too expensive, fickle weather, the complications of transporting Santa Claus.

Instead, we sleep uncertainly and toss in unbidden dreams. We jump when the phone rings after 10:00 p.m. and are then reassured by the distant voices.

“First of all, there is nothing wrong,” they say. “Things are just the same.”

Sometimes we make calls ourselves, even to the hospital in Halifax, and are surprised at the voices which answer.

“I just got here this afternoon from Newfoundland. I’m going to try to stay a week. He seems better today. He’s sleeping now.”

At other times we receive calls from farther west, from Edmonton and Calgary and Vancouver. People hoping to find objectivity in the most subjective of situations. Strung out in uncertainty across the time zones from British Columbia to Newfoundland.

Within our present city, people move and consider possibilities:

If he dies tonight we’ll leave right away. Can you come?

We will have to drive as we’ll never get air reservations at this time
.

I’m not sure if my car is good enough. I’m always afraid of the mountains near Cabano
.

If we were stranded in Rivière du Loup we would be worse off than being here. It would be too far for anyone to come and get us
.

My car will go but I’m not so sure I can drive it all the way. My eyes are not so good anymore, especially at night in drifting snow
.

Perhaps there’ll be no drifting snow
.

There’s always drifting snow
.

We’ll take my car if you’ll drive it. We’ll have to drive straight through
.

John phoned and said he’ll give us his car if we want it or he’ll drive – either his own car or someone else’s
.

He drinks too heavily, especially for long-distance driving, and at this time of year. He’s been drinking ever since this news began
.

He drinks because he cares. It’s just the way he is
.

Not everybody drinks
.

Not everybody cares, and if he gives you his word, he’ll never drink until he gets there. We all know that
.

But so far nothing has happened. Things seem to remain the same.

Through the window and out on the white plane of the snow, the silent, laughing children now appear. They move in their muffled clothes like mummers on the whitest of stages. They dance and gesture noiselessly, flopping their arms in parodies of heavy, happy, earthbound birds. They have been warned by the eldest to be aware of the sleeping neighbours so they cavort only in pantomime, sometimes raising mittened hands to their mouths to suppress their joyous laughter. They dance and prance in the moonlight, tossing snow in one another’s direction, tracing out various shapes and initials, forming lines which snake across the previously unmarked
whiteness. All of it in silence, unknown and unseen and unheard to the neighbouring world. They seem unreal even to me, their father, standing at his darkened window. It is almost as if they have danced out of the world of folklore like happy elves who cavort and mimic and caper through the private hours of this whitened dark, only to vanish with the coming of the morning’s light and leaving only the signs of their activities behind. I am tempted to check the recently vacated beds to confirm what perhaps I think I know.

Then out of the corner of my eye I see him. The golden collie-like dog. He appears almost as if from the wings of the stage or as a figure newly noticed in the lower corner of a winter painting. He sits quietly and watches the playful scene before him and then, as if responding to a silent invitation, bounds into its midst. The children chase him in frantic circles, falling and rolling as he doubles back and darts and dodges between their legs and through their outstretched arms. He seizes a mitt loosened from its owner’s hand, and tosses it happily in the air and then snatches it back into his jaws an instant before it reaches the ground and seconds before the tumbling bodies fall on the emptiness of its expected destination. He races to the edge of the scene and lies facing them, holding the mitt tantalizingly between his paws, and then as they dash towards him, he leaps forward again, tossing and catching it before him and zig-zagging through them as the Sunday football player might return the much sought-after ball. After he has gone through and eluded them all, he looks back over his shoulder and again, like an elated athlete, tosses the mitt high in what seems like an imaginary end zone. Then he seizes it once more and lopes in a wide circle around his pursuers, eventually coming closer and closer to them until once more their stretching hands are able to actually touch his shoulders and back and haunches, although he continues always to wriggle free. He is touched but never captured, which is the nature of the game. Then he is gone. As suddenly as he came. I
strain my eyes in the direction of the adjoining street, towards the house where I have often seen him, always within a yard enclosed by woven links of chain. I see the flash of his silhouette, outlined perhaps against the snow or the light cast by the street lamps or the moon. It arcs upwards and seems to hang for an instant high above the top of the fence and then it descends on the other side. He lands on his shoulder in a fluff of snow and with a half roll regains his feet and vanishes within the shadow of his owner’s house.

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