“Per Adonai Eloim, Adonai Jehova,
verbum pythonicum, mysterium salamandrae,
conventus
[555]
sylvorum, antra gnomorum,
daemonia Coeli Gad, Almousin,
[556]
Gibor, Jehosua,
[557]
This had been going on for two hours without change or intermission when over all the neighbourhood a pandaemoniac
[560]
howling of dogs set in. The extent of this howling can be judged from the space it received in the papers the next day, but to those in the Ward household it was overshadowed by the odour which instantly followed it; a hideous,
[561]
all-pervasive odour which none of them had ever smelt before or have ever smelt since. In the midst of this mephitic flood there came a very perceptible flash like that of lightning, which would have been blinding and impressive but for the daylight around; and then was heard
the voice
that no listener can ever forget because of its thunderous remoteness, its incredible depth, and its eldritch dissimilarity to Charles Ward’s voice. It shook the house, and was clearly heard by at least two neighbours above the howling of the dogs. Mrs. Ward, who had been listening in despair outside her son’s locked laboratory, shivered as she recognised its hellish import; for Charles had told her of its evil fame in dark books, and of the manner in which it had thundered, according to the Fenner letters, above the doomed Pawtuxet farmhouse on the night of Joseph Curwen’s annihilation. There was no mistaking that nightmare phrase, for Charles had described it too vividly in the old days when he had talked frankly of his Curwen investigations. And yet it was only this fragment of an archaic
[562]
and forgotten language: “DIES MIES JESCHET BOENE DOESEF DOUVEMA ENITEMAUS.”
Close upon this thundering there came a momentary darkening of the daylight, though sunset was still an hour distant, and then a puff of added odour
[563]
different from the first but equally unknown and intolerable. Charles was chanting again now and his mother could hear syllables that sounded like “Yi-nash-Yog-Sothoth-he-lgeb
[564]
-fi-throdog”
[565]
—ending in a “Yah!” whose maniacal force mounted in an ear-splitting
[566]
crescendo. A second later all previous memories were effaced by the wailing scream which burst out with frantic explosiveness and gradually changed form to a paroxysm of diabolic and hysterical laughter. Mrs. Ward, with the mingled fear and blind courage of maternity, advanced and knocked affrightedly at the concealing panels, but obtained no sign of recognition. She knocked again, but paused nervelessly as a second shriek arose, this one unmistakably in the familiar voice of her son,
and sounding concurrently with the still bursting
[567]
cachinnations of that other voice.
Presently she fainted, although she is still unable to recall the precise and immediate cause. Memory sometimes makes merciful deletions.
[568]
Mr. Ward returned from the business section at about
[569]
quarter past six; and
[570]
not finding his wife downstairs, was told by the frightened servants that she was probably watching at Charles’s door, from which the sounds had been far stranger than ever before. Mounting the stairs at once, he saw Mrs. Ward stretched at full length on the floor of the corridor outside the laboratory; and realising that she had fainted, hastened to fetch a glass of water from a set bowl
[571]
in a neighbouring alcove. Dashing the cold fluid in her face, he was heartened to observe an immediate response on her part, and was watching the bewildered opening of her eyes when a chill shot through him and threatened to reduce him to the very state from which she was emerging. For the seemingly silent laboratory was not as silent as it had appeared to be, but held the murmurs of a tense, muffled conversation in tones too low for comprehension, yet of a quality profoundly disturbing to the soul.
It was not, of course, new for Charles to mutter formulae; but this muttering was definitely different. It was so palpably a dialogue, or imitation of a dialogue, with the regular alternation
[572]
of inflections suggesting question and answer, statement and response. One voice was undisguisedly that of Charles, but the other had a depth and hollowness which the youth’s best powers of ceremonial mimicry had scarcely approached before. There was something hideous, blasphemous, and abnormal about it, and but for a cry from his recovering wife which cleared his mind by arousing his protective instincts
[573]
it is not likely that Theodore Howland Ward could have maintained for nearly a year more his old boast that he had never fainted. As it was, he seized his wife in his arms and bore her quickly downstairs before she could notice the voices which had so horribly disturbed him. Even so, however, he was not quick enough to escape catching something himself which caused him to stagger dangerously with his burden. For Mrs. Ward’s cry had evidently been heard by others than he,
[574]
and there had come in response to it from behind the locked door the first distinguishable words which that hushed
[575]
and terrible colloquy had yielded. They were merely an excited caution in Charles’s own voice, but somehow their implications held a nameless fright for the father who overheard them. The phrase was just this:
“Sshh!—write!”
[576]
Mr. and Mrs. Ward conferred at some length after dinner, and the former resolved to have a firm and serious talk with Charles that very night. No matter how important the object, such conduct could no
[577]
longer be permitted; for these latest developments transcended every limit of sanity and formed a menace to the order and nervous well-being of the entire household. The youth must indeed have taken complete leave of his senses,
[578]
since only downright madness could have prompted the wild screams and imaginary conversations in assumed voices which the present day had brought forth. All this must be stopped,
[579]
or Mrs. Ward would be made ill and the keeping of servants become an impossibility.
Mr. Ward rose at the close of the meal and started upstairs for Charles’s laboratory. On the third floor, however, he paused at the sounds which he heard proceeding from the now disused library of his son. Books were apparently being flung about and papers wildly rustled, and upon stepping to the door Mr. Ward beheld the youth within, excitedly assembling a vast armful of literary matter of every size and shape. Charles’s aspect was very drawn and haggard, and he dropped his entire load with a start at the sound of his father’s voice. At the elder man’s command he sat down, and for some time listened to the admonitions he had so long deserved. There was no scene. At the end of the lecture he agreed that his father was right, and that his noises,
[580]
mutterings, incantations, and chemical odours were indeed inexcusable nuisances. He agreed to a policy of greater quiet, though insisting on a prolongation of his extreme privacy. Much of his future work, he said, was in any case purely book research; and he could obtain quarters elsewhere for any such vocal rituals as might be necessary at a later stage. For the fright and fainting of his mother he expressed the keenest contrition, and explained that the conversation later heard was part of an elaborate symbolism designed to create a certain mental atmosphere. His use of abstruse technical
[581]
terms somewhat bewildered Mr. Ward, but the parting impression was one of undeniable sanity and poise
[582]
despite a mysterious tension of the utmost gravity. The interview was really quite inconclusive, and as Charles picked up his armful and left the room Mr. Ward hardly knew what to make of the entire business. It was as mysterious as the death of poor old Nig, whose stiffening form had been found an hour before in the basement, with staring eyes and fear-distorted mouth.
[583]
Driven by some vague detective instinct, the bewildered parent now glanced curiously at the vacant shelves to see what his son had taken up to the attic. The youth’s library was plainly and rigidly classified, so that one might tell at a glance the books or at least the kind of books which had been withdrawn. On this occasion Mr. Ward was astonished to find that nothing of the occult or the antiquarian, beyond what had been previously removed, was missing. These new withdrawals were all modern items; histories, scientific treatises, geographies, manuals of literature, philosophic works, and certain contemporary newspapers and magazines. It was a very curious shift from Charles Ward’s recent run of reading, and the father paused in a growing vortex of perplexity and an engulfing sense of strangeness. The strangeness was a very poignant sensation, and almost clawed at his chest as he strove to see just what was wrong around him. Something was indeed wrong, and tangibly as well as spiritually so. Ever since he had been in this room he had known that something was amiss, and at last it dawned upon him what it was.
On the north wall rose still the ancient carved overmantel from the house in Olney Court, but to the cracked and precariously restored oils of the large Curwen portrait disaster had come. Time and unequal heating had done their work at last, and at some time since the room’s last cleaning the worst had happened. Peeling clear of the wood, curling tighter and tighter, and finally crumbling into small bits with what must have been malignly silent suddenness, the portrait of Joseph Curwen had resigned for ever
[584]
its staring surveillance of the youth it so strangely resembled, and now lay scattered on the floor as a thin coating of fine bluish-grey dust.
IV. A Mutation and a Madness
1.
In the week following that memorable Good Friday Charles Ward was seen more often than usual, and was continually carrying books between his library and the attic laboratory. His actions were quiet and rational, but he had a furtive, hunted look which his mother did not like, and developed an incredibly ravenous appetite as gauged by his demands upon the cook.
[585]
Dr. Willett had been told of those Friday noises and happenings, and on the following Tuesday had a long conversation with the youth in the library where the picture stared no more. The interview was, as always, inconclusive; but Willett is still ready to swear that the youth was sane and himself at the time. He held out promises of an early revelation, and spoke of the need of securing a laboratory elsewhere. At the loss of the portrait he grieved singularly little considering his first enthusiasm over it, but seemed to find something of positive humour in its sudden crumbling.
[586]
About the second week Charles began to be absent from the house for long periods, and one day when good old black Hannah came to help with the spring cleaning she mentioned his frequent visits to the old house in Olney Court, where he would come with a large valise and perform curious delvings in the cellar. He was always very liberal to her and to old Asa, but seemed more worried than he used to be;
[587]
which grieved her very much, since she had watched him grow up from birth.
[588]
Another report of his doings came from Pawtuxet, where some friends of the family saw him at a distance a surprising number of times. He seemed to haunt the resort and canoe-house of Rhodes-on-the-Pawtuxet, and subsequent inquiries by Dr. Willett at that place brought out the fact that his purpose was always to secure access to the rather hedged-in river-bank, along which he would walk toward the north, usually not reappearing for a very long while.
Late
[589]
in May came a momentary revival of ritualistic sounds in the attic laboratory which brought a stern reproof from Mr. Ward and a somewhat distracted promise of amendment from Charles. It occurred one morning, and seemed to form a resumption of the imaginary conversation noted on that turbulent Good Friday. The youth was arguing or remonstrating hotly with himself, for there suddenly burst forth a perfectly distinguishable series of clashing shouts in differentiated tones like alternate demands and denials
[590]
which caused Mrs. Ward to run upstairs and listen at the door. She could hear no more than a fragment whose only plain words were “must have it red for three months”,
[591]
and upon her knocking all sounds ceased at once.
[592]
When Charles was later questioned by his father he said that there were certain conflicts of spheres of consciousness which only great skill could avoid, but which he would try to transfer to other realms.
About the middle of June a queer nocturnal incident occurred. In the early evening there had been some noise and thumping in the laboratory upstairs, and Mr. Ward was on the point of investigating when it suddenly quieted down. That midnight, after the family had retired, the butler was nightlocking the front door when according to his statement Charles appeared somewhat blunderingly and uncertainly at the foot of the stairs with a large suitcase and made signs that he wished egress. The youth spoke no word, but the worthy Yorkshireman caught one sight of his fevered eyes and trembled causelessly. He opened the door and young Ward went out, but in the morning he presented his resignation to Mrs. Ward. There was, he said, something unholy in the glance Charles had fixed on him. It was no way for a young gentleman to look at an honest person, and he could not possibly stay another night. Mrs. Ward allowed the man to depart, but she did not value his statement highly. To fancy Charles in a savage state that night was quite ridiculous, for as long as she had remained awake she had heard faint sounds from the laboratory above; sounds as if of sobbing and pacing, and of a sighing which told only of despair’s profoundest depths. Mrs. Ward had grown used to listening for sounds in the night, for the mystery of her son was fast driving all else from her mind.