"Omigod—you looked like your were two seconds away from closing the blinds, lighting a candle, and pulling the Ouija board out from under the bed!" She shakes her head and looks at me.
"Oh jeez, I feel like an idiot," I say, my face turning red.
"You kind of looked like an idiot." She laughs. "Okay, so let me get this straight, you want to corrupt your little sister by making her spy on your boyfriend?"
"How'd you know?" I stare at her, amazed.
"Please." She rolls her eyes and plops down on my bed.
"You think you're the only one around here who can read minds?"
"And how'd you know that?" I ask, wondering what else she might know.
"Ava told me. But please don't be mad, because it really does explain some of your more recent fashion blunders."
"And what about your more recent fashion blunders?" I say, motioning to her Star Wars getup.
But she just shrugs. "So you wanna know where to find your boyfriend or not?"
I move to the bed and sit down beside her. "Honestly? I'm not sure. I mean, yeah I want to know; but I don't feel right about involving you."
"But what if I already did it? What if I already know?" she says, wiggling her brows.
"You broke into the school?" I ask, wondering what else she's been up to since we last talked.
But she just laughs. "Even better, I followed him home," I gape at her. "But when? And how?" she shakes her head.
"Come on, Ever, it's not like I need wheels to get where I want to go. Besides, I know how you're all in love with him, and it's not like I blame you, he is pretty dreamy. But remember that day when he acted like he saw me?" I nod. I mean, how could I forget?
"Well, it freaked me out. So, I decided to do a little investigation."
I lean toward her. "And?"
"And, well, I'm not sure how to say this, and I hope you won't take it the wrong way, but—he's a little odd." She shrugs. "I mean, he lives in this big house over in Newport Coast, which is strange enough considering his age and all. I mean where does he get the money? Because it's not like he works."
I remember that day at the track. But decide not to mention it.
"But that's not even the strangest part," she continues.
"Because what's really weird is that the house is completely empty. Like, no furniture whatsoever."
"Well, he is a guy," I say, wondering why I feel the need to defend him.
She shakes her head. "Yeah, but I'm talking seriously weird. I mean, the only things in there are one of those iPod wall docks and a flat-screen TV. Seriously. That's it. And believe me, I checked the whole house. Well, other than this one room that was locked."
"Since when do locked rooms stop you?" I say, having seen her walk through plenty of walls this past year.
"Believe me, it wasn't the door that stopped me. It was me that stopped me. I mean, jeez, just because I'm dead doesn't mean I can't get scared," She shakes her head and scowls at me.
"But, he hasn't really lived here all that long," I say, rushing to make more excuses, like the worst kind of codependent fool. "So maybe he just hasn't gotten around to furnishing it yet. I mean, that's probably why he doesn't want me to come over; he doesn't want me to see it like that." And when I replay my words in my head, I can't help but think: Oh, God, I'm even worse than I thought.
Riley shakes her head and looks at me like she's about to let me in on the truth behind the tooth fairy, the Easter bunny, and Santa, all in one sitting. But then she just shrugs and says, "Maybe you should see for yourself."
"What do you mean?" I ask, knowing she's holding something back.
But she gets up from the bed and goes over to the mirror, gazing at her reflection and adjusting her costume.
"Riley?" I say, wondering why she's acting so mysterious.
"Listen," she says, finally turning toward me. "Maybe I'm wrong. I mean, what do I know; I'm just a kid."She shrugs.
"And it's probably nothing, but..."
She takes a deep breath. "But I think you should see for yourself"
"So how do we get there?" I ask, already up and reaching for the keys.
She shakes her head. "No way. Forget it. I'm convinced he can see me."
"Well we know he can see me," I remind her.
But she stands firm. "So not happening. But I'll draw you a map."
Since Riley's not so great at drawing maps, she settles for making a list of street names instead, indicating their left and right turns, since north, south, east, and west always confuse me.
"Sure you don't want to come?" I offer, grabbing my bag and heading out of my room.
She nods and follows me downstairs. "Hey; Ever?" I turn.
"You could've told me about all the psychic stuff. I feel bad about making fun of your clothes."
I open the front door and shrug. "Can you really read my mind?"
She shakes her head and smiles. "Only when you're trying to communicate with me. I figured it was just a matter of time before you'd want me to spy on him." She laughs.
"But, Ever?"
I turn to look at her again.
"If I don't come around for a while, it's not because I'm mad at you or trying to punish you or anything like that, okay? I promise I'll still look in and make sure you're all right and stuff, but, well, I might be gone for a while. I might be kind of busy."
I freeze, the first hint of panic beginning to stir. "You are coming back though, right?"
She nods. "It's just, well..." She shrugs. "I promise I'll be back, I just don't know when." And even though she smiles, it's obviously forced.
"You're not leaving me, are you?" I hold my breath, exhaling only when she shakes her head.
"Okay; well, good luck then," I say, wishing I could hug her, hold her, convince her to stay, but knowing that's not possible, I head for my car and start the engine instead.
Damen lives in a gated community. A detail Riley failed to reveal. I guess since the presence of big iron gates and uniformed guards could never stop someone like her, it didn't seem very important. Though I guess it doesn't really stop someone like me either, since I just smile at the attendant, and say, "Hi, I'm Megan Foster. I'm here to see Jody Howard." Then I watch as she scrolls down her computer screen, searching for the name I just happen to know is listed as entry number three.
"Leave this in your window, on the driver's side," she says, handing me a piece of yellow paper, the word VISITOR and the date dearly marked on its front. "And no parking on the left side of the street, right side only." She nods, returning to her booth as I drive through the open gate, hoping she won't notice when I pass right by Jody's street as I make my way toward Damen's.
I've almost reached the top of the hill when I see the next street on my list, and after making a left, quickly followed by another, I stop at the end of his block, kill the engine, and realize I've lost all my nerve.
I mean, what kind of psycho girlfriend am I? Who in their right mind would even think of enlisting their dead little sister to help spy on their boyfriend? But then again, it's not like anything in my life is remotely normal, so why should my relationships be any different?
I sit in my car, focusing on my breath, fighting to keep it slow and steady despite the fact that my heart is pounding like crazy and my palms are slick with sweat. And as I gaze around his clean, tidy, affluent neighborhood I realize I couldn't have picked a worse day to do this.
First of all, it's hot, sunny, and glorious, which means everyone's either riding their bikes, walking their dogs, or working in their gardens, which pretty much makes for some of the worst spying conditions you could ask for. And since I spent the entire drive just concentrating on getting here and not even considering what I'd do once I made it, it's not like I have a plan.
Though it probably doesn't matter much anyway. I mean, what's the worst that can happen? I get caught and Damen confirms I'm a freak? After my clingy, needy, desperate act this morning, he's probably already there.
I climb out of my car and head toward his house, the one at the very end of the cul-de-sac with the tropical plants and manicured lawn. But I don't creep, or skulk, or do anything that will draw unwanted attention, I just stroll right along, as though I have every right to be there, until I'm standing before his large double doors wondering what to do next.
I take a step back and gaze up at the windows, their blinds drawn, drapes closed, and even though I've no idea what I'll say, I bite down on my lip, push the bell, hold my breath, and wait.
But after a few minutes pass with no answer, I ring again.
And when he still doesn't answer, I turn the handle, confirm that it's locked, then I head down the walk, making sure none of the neighbors are watching as I slip through the side gate and slink around back.
I stay close to the house, barely glancing at the pool, the plants, and the amazing white water view, as I go straight for the sliding glass door, which, of course, is locked too.
Then just as I'm ready to cut my losses and head home, I hear this voice in my head urging—the window, the one by the sink. And sure enough, I find it cracked just enough to slip my fingers under and open the rest of the way. I place my hands on the ledge and use all of my strength to hoist myself in. And the second my feet hit the floor I've officially crossed over the line.
I shouldn't continue. I have no right to do this. I should climb right back out and make a run for my car. Get back to my safe quiet house while I still can. But that little voice in my head is urging me on, and since it got me this far, I figure I may as well see where it leads.
I explore the large empty kitchen, the bare den, the dining room devoid of table and chairs, and the bathroom with only a small bar of soap and a Single black towel, thinking how Riley was right—this place is vacant in a way that seems abandoned and creepy, with no personal mementos, no photos, no books. Nothing but dark wood floors, off-white walls, bare cupboards, a fridge stuffed with countless bottles of that weird red liquid, and nothing more. And when I get to the media room, I see the flat-screen TV
Riley mentioned, a recliner she didn't mention, and a large pile of foreign-language DVDs whose titles I can't translate. Then I pause at the bottom of the stairs knowing I should leave, that I've seen more than enough, but something I can't quite define urges me on.
I grip the banister, cringing as the stairs groan beneath me, their high-pitched protest alarmingly loud in this vast vacant space. And when I make my way to the landing, I come face to face with the door Riley found locked. Only this time it's left open, pushed slightly ajar.
I creep toward it, summoning the voice in my head, desperate for some kind of guidance. But the only answer I get is the sound of my own beating heart as I press my palm flat against it, then gasp as it opens to a room so ornate, so formal, so grand, it seems straight out of Versailles.
I pause in the doorway, struggling to take it all in. The finely woven tapestries, the antique rugs, the crystal chandeliers, the golden candelabras, the heavy silk draperies, the velvet settee, the marble-topped table piled with tomes. Even the walls, the entire area between the wainscoting and crown molding is covered by large gilt-framed paintings—all of them capturing Damen in costumes that span several centuries, including one of him astride a white stallion, silver sword by his side, wearing the exact same jacket he wore Halloween night.
I move toward it, my eyes seeking the hole on the shoulder, the frayed spot he jokingly blamed on artillery fire. Startled to find it right there in the picture, as I run my finger along it, spellbound, mesmerized, wondering what kind of freaky elaborate ruse he's concocted as my fingertips graze all the way down to the small brass plaque at the bottom that reads:
DAMEN AUGUSTE ESPOSITO, MAY 1775
I turn to the one beside it, my heart racing as I gaze at a portrait of an unsmiling Damen, cloaked in a severe dark suit, surrounded by blue, its plaque bearing the words:
DAMEN AUGUSTE AS PAINTED BY PABLO PICASSO IN I902
And the one next to that, its heavily textured swirls forming the likeness of
DAMEN ESPOSITO AS PAINTED BY VINCENT VAN GOGH
And on it goes, all four walls displaying Damen's likeness painted by all the great masters, I sink onto the velvet settee, eyes bleary, knees weak, my mind racing with a thousand possibilities, each of them equally ridiculous. Then I grasp the book nearest to me, flip to the title page, and read:
For Damen Auguste Esposito. Signed by William Shakespeare.
I drop it to the floor and reach for the next,
Wuthering Heights, for Damen Auguste, signed by Emily Bronte.
Every book made out to Damen Auguste Esposito, or Damen Auguste, or just Damen. All of them signed by an author who's been dead for more than a century. I close my eyes, trying to concentrate on slowing my breath as my heart races, my hands shake, telling myself it's all some kind of joke, that Damen's some freaky history buff, antique collector, an art counterfeiter who's gone too far. Perhaps these are prized family heirlooms, left from a long line of great, great, great, grandfathers, all bearing the same name and uncanny resemblance.
But when I look around again, the chill down my spine tells the undeniable truth—these aren't merely antiques, nor are they heirlooms. These are Damen's personal possessions, the favored treasures he's collected through the years. I stagger to my feet and stumble into the hall, feeling shaky, unstable, desperate to escape this creepy room, this hideous, gaudy, overstuffed mausoleum, this crypt-like house. Wanting to put as much distance between us as I possibly can, and to never, ever, under any circumstances, come back here again.
I've just reached the bottom stair when I hear a loud piercing scream followed by a long muffled moan, and without even thinking, I turn and race toward it, following the sound to the end of the hall and rushing through the door, finding Damen on the floor, his clothes torn, his face dripping with blood, while Haven thrashes and moans underneath him.
"Ever!" he shouts, springing to his feet and holding me back as I lunge, fight, and kick, desperate to get to her.
"What have you done to her?" I shout, glancing between them, seeing her pale skin, her eyes rolling back in her head, and knowing there's no time to waste.
"Ever, please, stop," he says, his voice sounding too sure, too measured for the incriminating circumstances he's in.
"WHAT HAVE YOU DONE TO HER?!!" I scream, kicking, hitting, biting, screaming, scratching, using every ounce of my strength, but it's no match for him. He just stands there, holding me with one hand, while absorbing my blows with barely a grimace.
"Ever, please, let me explain," he says, dodging my furiously kicking feet that are aiming right for him.
As I stare at my friend who's bleeding profusely, grimacing in pain, a terrible realization sweeps right through me—this is why he tried to keep me away!
"No! That's not it at all. You've got it all wrong. Yes, I didn't want you to see this, though it's not what you think."
He holds me up high, my legs dangling like a rag doll, and despite all my punching and fighting, he hasn't even broken a sweat. But I don't care about Damen. I don't even care about me. All I care about is Haven, whose lips are turning blue, as her breath grows alarmingly weak.
"What have you done to her?" I glare at him with all the hate I can muster. "What have you done to her, you freak?"
"Ever, please, I need you to listen," he pleads, his eyes begging mine.
And despite all my anger, despite my adrenaline, I can stilt! feel that warm languid tingle of his hands on my skin, and I fight like hell to ignore it. Yelling and screaming and kicking my feet, aiming for his most vulnerable parts, but always missing since. he's so much quicker than me.
"You can't help her, trust me, I'm the only one who can."
"You're not helping her, you're killing her!" I shout.
He shakes his head and looks at me, his face appearing tired when he whispers, "Hardly."
I try to pull away again, but it's no use, I can't beat him. So I stop, allowing myself to go limp as I close my eyes in surrender. Thinking: So this is how it happens. This is how I disappear. And the moment he relaxes his grip, I kick my foot as hard as I can, my boot hitting its target as he loosens his grip and I drop to the floor.
I spring toward Haven, my fingers slipping to her blood covered wrist as I search for a pulse, my eyes fixed on the two small holes in the center of her creepy tattoo, as I beg her to keep breathing, to hang on. And just as I reach for my cell, intending to call 911, Damen comes up behind me, grabs the phone out of my hand, and says, "I was hoping I wouldn't have to do this."