Phaethon jumped down from the pedestal and began to push his way through the crowd, and away. For the Deep Ones did not give away their grand, sad music freely. Everyone who did not exclude the music from his sense filter would have a fee charged to his account; and, when the computers detected that Phaethon could not pay, he would be unmasked. Once Phaethon was unmasked, no one, of course, would help him. Not to mention that the performance would be delayed, and the afternoon spoiled for everyone. (He was amazed to discover that he still cared about the convenience and pleasure of his fellow men, even though they had ostracized him. But the wonder of that first Deep One symphony he had once heard still haunted his memory. He did not want to diminish the joy of folk happier than he.)
The crowd thinned as he rounded the space elevator, and came to the side facing away from the lake. Several dirigible airships, as large as whales themselves, were docked with their noses touching the towers rising from the balcony sides. They had dragon-signs in the air, displaying their routes and times in a format Phaethon could not read.
Phaethon stopped a passerby, a woman dressed as a pyretic. “Pardon me, miss, but my companion and I are looking for the way to Talaimannar.” He gestured toward the hooded and cloaked figure of his armor, standing silently behind him. He spoke what was not quite a lie: “My companion and I are involved in a masquerade game of hunt-and-seek, and we are not allowed to access the mentality. Could you tell me how to find the nearest smart road?”
She cocked her head at him. Her dancing eyes were surrounded by wreaths of flame, and smoke curled from her lips when she smiled. When she spoke, Phaethon had no routine to translate her words into his language and grammar and logic.
He tried more simply: “Talaimannar…? Talaimannar…? Smart road?” He pantomimed sliding along a frictionless surface, hands waving, so that she giggled.
By her emphatic gesture he understood she meant that the smart roads were not running; she pointed him toward a nearby airship and pushed him lightly on the shoulder, as if to say, Go! Go!
Phaethon froze. Had she just helped him, or offered him passage on some ship owned by her? There was no alarm in her eyes; to judge from her expression, there was no secret voice from Aurelian warning her. And the woman was turning away, drawn by the movement of the crowd. Evidently she was not the owner.
Phaethon moved up the ramp. Closer, he saw the airship bore the heraldic symbol of the Oceanic Environmental Protectorate. It was a cargo lifter, perhaps the very one that had brought one or more Deep Ones from the Pacific to Lake Victoria.
The throngs began to fall silent. Out on the lake, Deep Ones were sailing to position, raising and unfurling their singing-fans. A sense of tension, of expectancy, was palpable in the air. Phaethon stepped reluctantly across the gilt threshold of the hatch and into the ship’s interior, his eyes turned over his shoulder.
Giant magnifier screens, focused on the distant Deep Ones, floated up over the edge of the huge balcony. The images showed the Deep Ones, sails wide and high, motionless on the surface of the lake, all their prows pointed toward the Deep One matriarch-conductor, who floated like a mountain above her children, her million singing-flags like an Autumn forest seen along a mountainside.
Phaethon’s feet were slow. He wanted so desperately to hear this one last song. Except for tunes he might whistle himself, or music shed from advertisements passing by, Phaethon would not hear songs again: no one would perform for him; no one would sell him a recording.
He steeled himself and turned his back. The hatch shut silently behind him.
The deck was deserted. The place was empty.
Before him, carpeted in burgundy, set with small tables and formulation rods of glass and white china, was an observation deck. Antique reading helmets plated with ornamental brass nested in the ceiling. A line of couches faced tall windows overlooking the prow, with seeing rings in little dishes to one side. The privacy screens around the couches were folded and transparent at the moment, but Phaethon could still see ghostly half-images of creatures from Japanese mythology depicted in the glassy surface.
He did not recognize the aesthetic. Something older than the Objective period perhaps? Whatever it was, it was opulent and elegant.
Phaethon stepped aboard; his armor stepped after him. Phaethon raised his hand to make the open-channel gesture, then stopped himself, looked at his hand sadly, and lowered it. He could not access any information just by directing a thought or gesture at it, not ever again. But it would not be hard to adapt, he told himself. He was a Silver-Grey; and speaking out loud was one of the traditions Silver-Greys diligently practiced.
“Who is here? What is this place? Is there anyone aboard?”
No answer. He stepped forward toward the couches, sat down gingerly.
The privacy screen to his left was half-open, so that one transparent panel was between him and the left-hand windows looking down on the balcony. Within the frame of this screen, the scene had more color and motion than elsewhere. Every gray mannequin within this frame was suddenly colored and costumed and bestowed with an individual human face. Overhead, banners and displays curled through the air, drifting. But any mannequin who stepped out of the frame turned gray again, and any banner vanished.
The privacy screen must have been tuned to the Surface Dreaming, Phaethon realized. It was an antique of some sort that translated mental images into light images. He amused himself for a moment by moving his head left and right, so that different parts of the balcony, now to the right and now to the left, were touched with extra color and pageantry. Gray mannequins were transformed to breathtaking courtiers, splendid in dress, and then, with another move of his head, back into gray mannequins again.
Then he saw, amid the pageantry, a figure in white and rose lace with a tricorn hat, face disfigured by a hook nose and hook chin. It was Scaramouche. Behind him were Columbine in her harlot’s skirts and Pierrot, pale-faced and in baggy white. The three pantomime figures were moving against the flow of the crowd with deliberate haste; their heads moved in unison, back and forth, scanning the crowd with methodical sweeps.
They closed in on a figure dressed in gold armor; but no, it was merely someone dressed as Alexander the Great, in a gilt breastplate. Alexander the Great stared at them in confusion; the three pantomime clowns bowed and frolicked, and Alexander turned away. Scaramouche and his two confederates stood a moment, motionless, as if hearing instructions from some remote source.
Phaethon tried to tell himself that this was some coincidence of costuming. Xenophone’s agent would not be so foolish as to continue to dress in the same costume as before. No doubt these were merely Black Manorials, looking for Phaethon to taunt or humiliate him, and dressed in the way Phaethon had said his enemy had dressed. It would have been easy to copy the costume from the public records of the Hortators’ inquest.
Except that Black Manorials could have simply found out from the mentality where Phaethon was. The Hortators, without doubt, would have posted conspicuous notices telling everyone what Phaethon had done, and where he was, and how to avoid him. Only someone who did not want to leave a trace would attempt to find Phaethon by eye.
As if stimulated by a silent signal, the three pantomime clowns now turned toward the airship docks. Their eyes seemed to meet Phaethon’s own, staring up at the windows where he stood. The eyes moved to Phaethon’s left, where the armor stood, covered by a hooded robe.
Phaethon said to himself: Surely they are not looking for two figures, one in black, one in a robe.
But the three figures began pushing through the crowd toward the airship dock. They passed outside the range of the frame of the privacy screen, and suddenly they were merely three anonymous gray mannequins lost in a throng of similar mannequins.
Phaethon squinted, but, separated from the mentality, he could not amplify his vision, make a recording, or set up a motion-detection program to discover which of the moving bodies lost in the crowd were the ones he sought. Disconnected, he was blind and crippled. His enemies were coming, and he was helpless.
He could not send out a responder-pulse to discover the serial numbers of the mannequins involved; he could not call the constables. If he logged on to the mentality to make the call, descendants of the enemy virus civilizations would come out from hiding and strike him down the moment he opened a channel.
Was there a way to send a voice-only signal from the circuits in his armor? Phaethon jumped off the couch and pushed back the hood on the figure behind him. He looked at the contact points and thought-ports running along the shoulder boards of the armor. There was an energy repeater that could be tuned to the radio frequencies set aside for the constabulary; here was a sensitive plate that could react to voice command. All he needed was a carrier wire to run from the one to the other.
That wire was not something his nanomachinery cape could produce. He could have bought it for a half-second coin at any matter-shop … had he been allowed. As it was, he could broadcast a loud, meaningless noise. A scream. A scream to which no one would listen.
He stepped back toward the privacy screen and tried to turn it on its hinges to face that part of the crowd near the bottom of the ramp leading up to this ship. The screen would not budge. He could not see where the mannequins controlled by the enemy might be.
Now what? If only he had been a character from one of his wife’s dream-dramas, he could find a convenient ax or bar of iron, and rush out to battle the foe, club swinging, his shirt ripped to display his manly shoulders and hairy chest. But strength would not serve against these mannequins; the mind motivating them was not even physically present.
And wit would not serve, not if there was, in fact, a Nothing Sophotech directing their actions, a Sophotech clever enough to move through the Earth mentality without coming to the notice of the Earthmind.
What was left? Spiritual purity? Moral rectitude?
And, if it was a moral quality involved, what could it be? Honesty? Forthrightness? Blind determination?
Phaethon thought for a moment, gathering his courage. Then he threw the robe off his armor and had the black material swirl around him, fitting the gold segments into place. He closed the helmet.
Phaethon stepped to the hatch of the airship and flung it open, but he was careful not to step over the threshold. He stood at the top of the ramp, somewhat above the nearby crowd. Three gray mannequins were stepping purposefully toward the foot of the ramp; the leader paused with one foot on the ramp, his blind, blank head turned up suddenly to see Phaethon standing, shining in his gold adamantine armor, at the end of the ramp above him.
A long low trembling note of haunting beauty, like the sigh of a sad oboe, came up from the surface of Lake Victoria, rose, gathered strength, and filled the wide sky. It was the first note of the overture, the first voice of the choir. Just that one note brought a tear to Phaethon’s eye. Except for the three mannequins facing him, all other spectators were turned toward the distant lake, looks of tense wonder and rapt enchantment on their features, like people swept up in a dream.
Phaethon touched the energy repeater on his shoulder board. He heard nothing, but he knew a loud pulse, like a shout, passed across nearby radio channels.
The note trembled and fell mute. Silence, not music, filled the air.
Phaethon had been noticed. The Deep Ones were not singing. Some signal inaudible to Phaethon swept through the gathered crowd. With a murmur of anger, and a long hissing, rustling noise, a thousand faces suddenly turned toward him. Every eye focused on the gold figure.
The three mannequins at the foot of the ramp paused, motionless. Whatever they had intended for Phaethon, they evidently did not wish to do in full and public view.
The murmur of anger rose to a shout. It was a horrible noise, one Phaethon had not heard before in all his life; the sound of a thousand voices all calling for Phaethon to get out, to leave, to let the performance ceremony continue. Instead of music, now, shouts of outrage, shrill questions, and sounds of hatred roared in the air.
The three gray mannequins were still motionless at the bottom of the ramp. Phaethon raised his hand and pointed a finger at these three. He knew no human ear could hear him or distinguish his words over the roar of the crowd; but he also knew that there were more than human minds listening to him now. Events like this rapidly filled the news and gossip channels; anything he did would be analyzed by mass-minds and by Sophotechs.
“The enemies to the Golden Oecumene are here among you. Who projects into these three mannequins here? Where are the constables to protect me from their violence? Nothing! For all your superior intellect, you cannot and you dare not strike at me openly; I denounce you as a coward!”
Another rustling murmur ran through the vast crowd there. Contempt and disbelief, disgust and anger were clear on every face. And then, just as suddenly, the eyes focused on him went glassy and dull. By an unspoken common consent, the crowd were tuning their sense-filters to ignore him; perhaps they were opening redaction channels to forget him, so that, in later years, their memories of this fine day would not be marred by the rantings of a madman. Like a wind blowing through a field of wheat, with one motion, every head in the crowd turned back toward the lake.
Phaethon smiled grimly. Here was the moral error of a society that relied too heavily on the sense-filter to falsify their reality for them. Reality could not be faked. The Deep Ones did not use anything like a sense-filter. If the Deep Ones had any channels open in the mentality, they would still be aware of Phaethon, and they would still refuse to offer their gift of song to one, like Phaethon, who would not and could not thank them, or repay them, or return the gift. The crowd could well ignore him; but the Deep Ones would not sing.