Authors: Martin Duberman
and gay press,
75–76
lesbians and ACT-UP agenda,
85
,
189–90
and mainstream assimilationism,
x
,
82
,
239
,
256
,
263
organizational transformations of the 1970s,
10
and popular equation of homosexuality and disease,
14
racism within,
76
,
79–83
,
115–16
,
142
,
169–71
,
212–16
response to
Bowers
decision,
123–24
See also
gay sexual liberation
Gay Men of African Descent (GMAD),
112–13
,
303
Gay Men with AIDS (GMWA),
67–68
,
90
Gay Men’s Health Crisis (GMHC)
AIDS crisis response in NYC,
61–64
and AZT controversy,
160
Callen and safe-sex poster campaign,
63–64
,
93
Callen’s clashes with,
62–65
,
67
,
90
,
120
,
134
,
195
creation of,
50
and people of color,
90
,
119
,
120
and promiscuity issue,
62–65
spreading panic of coming heterosexual epidemic,
57
,
95–96
Gay Music Guide
,
160
gay sexual liberation,
10
,
12
,
56
,
66
,
91–92
,
95
,
186
,
218
debate about separation of love and sex,
91–92
O Boys and group-based sexuality,
251–53
and promiscuity issue,
56–59
,
62–65
,
95
,
218–19
See also
gay liberation movement
Gay Student Alliance (University of Maryland),
27–28
gay-affirmative therapy,
284–85
Gaylord, Lisa,
8
Gerald, Gil,
17
,
88–89
,
110
,
112
,
213
,
215
Getty Center for the History of Art and the Humanities (Santa Monica),
117
,
244–46
,
262
,
291
Gilbert, Walter,
317n14
Gilliam, Dorothy,
37
Giovanni’s Room (Philadelphia gay bookstore),
75
,
110
,
114
Givnish, Gerry,
40
Glide Memorial Church (San Francisco),
157
Glory Hole Church (San Francisco club),
220
GMAD (Gay Men of African Descent) (New York),
139
,
215
GMHC.
See
Gay Men’s Health Crisis (GMHC)
Goldin, Frances,
xii
,
237
,
241
,
243–46
,
262
,
309n6
,
325n12
Goldsmith, Judy,
88–89
Gonsalves, Roy,
173
Goode, Wilson,
106
Goodstein, David,
57
Gottlieb, Michael,
145
Gould, Deborah,
188
Gran Fury,
185
Graselli, Diane,
278–79
Greater Mount Zion Missionary Church (Washington, D.C.),
86–87
GRID (Gay-Related Immune Deficiency),
49–50
,
55
Grimes, Tammy,
60
group-based sexuality,
251–53
Hackett, Harley,
73–74
Haitian Coalition on AIDS,
55
Hamilton, Ohio,
1–4
Handy, John,
157
Hannan, Tom,
133
Hansberry, Lorraine,
207
Hardwick, Michael,
122–23
Harlem Renaissance (1920s),
30
,
32
,
141
,
167
,
172
Harlem Renaissance, second,
xi
,
32
,
141
,
172–75
Harpe, Charles,
177
Harris, Craig G.,
36
,
79
,
110
,
112–13
,
115
,
179
,
204
Hay, Harry,
253
Hay House,
131–32
Helms, Jesse,
60
hemophiliacs,
55
,
56
,
71
,
95
,
122
,
149
,
201
Hemphill, Essex,
xi–xii
,
18–42
,
77–85
,
116–19
,
166–82
,
209–16
,
231–46
,
261–62
,
264–69
,
291–304
and AIDS crisis in black gay artistic community,
112
,
113–14
,
140
,
141–42
,
170
,
212–13
,
216
AIDS onset and symptoms,
112
,
140
,
234
,
245–46
,
261–62
,
264
,
297–301
attitudes toward his AIDS/handling AIDS,
291–93
,
300
and Beam,
76–77
,
107–12
,
142–43
,
166–69
Brother to Brother
anthology,
167–72
,
175–82
,
232–34
,
240–41
,
321n14
censorship challenges,
117–18
collaborations with Jones and Parkerson,
37–38
,
40
,
77–78
,
106–7
,
112
,
140–41
,
155
critique of Mapplethorpe,
169–71
,
239
,
240
and D.C.’s black gay and lesbian community,
17
,
28–42
,
79–85
,
112
,
140–42
employment and financial hardships,
111
,
116–17
,
119
at ENIKAlley coffeehouse,
35–37
European trip and readings (1987),
118–19
final days and death,
300–304
and Frances Goldin Agency,
241
,
243
,
245
,
262
friendship with Wayson Jones,
26–28
,
32–35
,
38–42
,
140
,
296
,
299–300
friendship with Michelle Parkerson,
30
,
37
,
77
,
118
,
245
funeral service and alternate ceremony,
302–3
Getty Center residency,
117
,
244–46
,
262
,
291
grants,
116–17
influence on black gay community,
119
,
303
on interracial gay relationships,
207–8
and Kennedy Center screening of
Tongues Untied
,
206
,
209
In the Life
anthology,
76–77
,
109
,
167
and Million Man March,
209–11
mother, Mantalene,
18
,
22
,
241–43
,
268
,
302–3
,
309n6
national day of remembrance for,
303–4
and Parkerson,
30–32
,
37–38
,
40–42
,
77–78
,
106–7
,
112
on racial identity/sexual identity,
17
,
29
,
111
,
142
,
207–16
,
239–40
,
295
responses to racism,
39–40
,
79–83
,
141–42
,
169–70
,
212–16
and “second Harlem Renaissance,”
xi
,
32
,
141
,
172–75
at university,
26–27
yearning for “home” (coming home),
171–72
,
179
,
211–14
,
215
and white gay movement,
80–81
,
240
Hemphill, Essex (home, family, and early life),
18–26
,
78–79
feelings of “differentness,”
20–21
grandmother, “Miss Emily,”
19
parents/family dynamics,
18–24
,
78–79
,
211
poetry-writing,
19–25
sexual exploration/first homosexual encounters,
25–26