Authors: Natsume Soseki
“Ever since my school days I’ve always taken a scunner to businessmen. They’ll do anything for money. They are, after all, what they used to be called in the good old days: the very dregs of society.” My master, with a businessman right there in front of him, indulges in tactlessness.
“Oh, have a heart. They aren’t always like that. Admittedly, there’s a certain coarseness about them; for there’s no point in even trying to be a businessman unless your love for money is so absolute that you’re ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress and none of her lovers are let off lightly. As a matter of fact, I’ve just been visiting a businessman and, according to him, the only way to succeed is to practice the ‘triangled technique’: try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame. Try-an-geld. You get it? Jolly clever, don’t you think?”
“What awful fathead told you that?”
“He’s no fathead. Smart as a whip, in fact. And increasingly respected in business circles. I rather fancy you know him. He lives up a side street just around the corner.”
“You mean that frightful Goldfield?”
“Goodness me, but you’re really getting worked up. He only meant it, you know, as a kind of joke. It’s simply a way of summarizing the fact that to make money one must go through hell. So please don’t take a joke too seriously.”
“His ‘triangled technique’ may, I grant, be a joke: let’s say it’s screamingly funny. But what about his wife and her nauseating nose? If you’ve been to their house you could hardly have avoided colliding with that beak.”
“Ah, Mrs. Goldfield. She seems a sensible woman of broad understanding.”
“Damn her understanding. I’m talking about her nose. Her nose, Suzuki, it’s a positive monstrosity. Only the other day I composed a
haitai
poem about it.”
“What the dickens is a
haitai
poem?”
“Do you mean to say you’ve never heard of the current experiments in the composition of extended
haiku
?You do seem cut off from what’s going on in the world.”
“True. When one is as busy as I am, it’s absolutely impossible to keep up with things like literature. Anyway, even when a lad, I never liked it much.”
“Are you aware of the shape of Charlemagne’s nose?”
“You are indeed in a whimsical mood.” Suzuki laughed quite naturally. “Of course I haven’t the faintest idea of the shape of Charlemagne’s nose.”
“Well, what about Wellington then? His troops used to call him Nosey. Did you know that?”
“Why on earth are you so batty about noses? Surely it doesn’t matter if a nose happens to be round or pointed.”
“On the contrary, it matters very much. D’you know about Pascal?”
“Questions, questions! Am I supposed to be taking an exam or something? No, I don’t know about Pascal. What did he do?”
“He had this to say.”
“What to say?”
“‘Had Cleopatra’s nose been a little bit shorter, the history of the world would have been changed.’”
“Did he now!”
“Perhaps now you see why one can’t afford to underestimate the importance of noses.”
“All right, I’ll be more careful in future. By the way, I dropped in today because there’s something I’d like to ask you. It’s about a chap you used to teach. Avalon something or other. I can’t remember his other name, but I understand that you and he see a lot of each other.”
“You mean Coldmoon?”
“That’s it, Coldmoon. Well, I’ve really come to make enquiries about him.”
“About a matrimonial matter?”
“One might say that. You see, I called in earlier on the Goldfields. . .”
“The Nose herself came sniffing round here only the other day.”
“Did she? Well, as a matter of fact she mentioned that she’d called. She said she’d paid a visit in order to present her respects to Mr. Sneaze and to entreat his assistance in a matter of information, but that Waverhouse was present and made so many and such frivolous interruptions that she just got muddled.”
“It was all her own fault. Coming round here with a nose like that.”
“She spoke of you with the deepest respect. She’s just regretful that the performance put on by Waverhouse made it impossible to ask you certain personal questions about Coldmoon, and she has therefore asked me to speak on her behalf. For what it’s worth, I’ve never before played the part of an honest broker in matters of this sort, but if the two parties most directly concerned are not against the idea, it’s not a bad thing to serve as a go-between and so bring about a marriage. Indeed, that’s the reason for my present visit.”
“How kind of you to call,” commented my master somewhat acidly.
But, though he could not explain his feeling, he was inwardly a little moved by that phrase about “the two parties most directly concerned.”
Its slightly sentimental appeal made him feel as though a wraith of cool air had drifted through his sleeves on a hot and humid summer’s night.
It is true that my master’s character is based on so firm an inborn bedrock of cold reserve and obstinacy that he is, by nature, one of this world’s wet blankets. Nevertheless, his nature is of a completely different type from that of the vicious, heartless products of modern civilization. The antique mold of his nature is clearly evidenced in the way in which he flares up at the slightest provocation. The sole reason for his barney with Madam Conk was that he could not stand her modern-day approach. But his flat dislike of the mother was no fault of her daughter.
Similarly, because he abominates all businessmen, he finds Goldfield acutely distasteful: yet here again, no blame can be laid on the daughter.
Sneaze bears no real ill-will toward her, and Coldmoon is his favorite pupil and he loves that lad more deeply than he would a brother. If Suzuki is correct in his statement that the two parties most directly concerned do, in fact, love each other, then it would be an act unworthy of a gentleman even indirectly to hinder true love’s course. Sneaze is quite convinced that he himself is a gentleman, so his only remaining question is whether Coldmoon and Miss Goldfield are in love. He must, if he is to amend his attitude, first be sure of the facts.
“Tell me, does that girl really want to marry Coldmoon? I don’t care what Goldfield or the Nose feel about the matter, but what are the girl’s own feelings?”
“Well, you see. . . that is, I understand. . . well, yes, I suppose she does.” Suzuki’s answer is not exactly clear-cut. Thinking that all he had to do was to find out more about Coldmoon, he came unbriefed on Opula’s view of the match; so even this slippery lad now finds himself in a bit of a jam.
“The word ‘suppose’ implies some measure of uncertainty.” My master, tactless as ever and not a man to be put off, goes in again like a bull at a gate.
“True enough. Perhaps I should have expressed myself more clearly.
Now, the daughter certainly has a certain inclination. Indeed, that’s true.
What? Oh yes, Mrs. Goldfield told me so herself, though I gather she sometimes says some awful things about Coldmoon.”
“Who does? D’you mean the daughter?”
“Yes.”
“What impudence! That snip of a girl disparaging Coldmoon! Well, it can hardly mean that she cares for him.”
“But that’s just it. Odd you may think it, but sometimes people do run down precisely those they love.”
“I can’t conceive that anyone could be so deranged as to behave like that.” Such intricate convolutions of human nature are quite beyond my master’s blunt and simple mind.
“In fact the world is full of such people. Certainly that’s how Mrs.
Goldfield interprets her daughter’s comments. She said to me ‘My daughter must be quite taken with that young Coldmoon, for I’ve even heard her say he looks like a bewildered gourd.’”
These revelations of the strangeness of the human heart leave my master dumbstruck. Wide-eyed and wordless, he stares in astonishment at Suzuki as though he were some soothsayer wandered in from the street. Suzuki seems to have the mind to sense the danger implicit in my master’s unbelief and, fearful lest further discussion should wreck his whole approach, quickly changes the subject to aspects of the matter which even my master cannot fail to understand.
“Consider these facts,” he said. “With her good looks and money that girl can marry almost where she chooses. Now Coldmoon may be a splendid fellow, but comparing their relative social positions. . . No, such comparisons are always odious and could be taken as offensive. So let me put it this way: that, in terms of personal means, the couple are obviously ill-matched. Surely then, you can see that if the Goldfields are so worried that they ask me to come round here and talk to you, that very fact indicates the strength and nature of their daughter’s yearnings?” One can’t deny Suzuki’s clever. He is relieved to notice that my master seems impressed by his latest line of argument, but realizing that the question of the degree of bleeding in Miss Goldfield’s heart is likely to be re-opened if he allows the conversation to loiter on her feelings about Coldmoon, he concludes that the best way to complete his mission is to drive the discussion forward as quickly as possible.
“So, you see, as I’ve just explained, the Goldfields aren’t expecting money or property; what they’d like instead is that Coldmoon should have some status of his own, and by status they mean the public recognition of qualification that is symbolized in a senior degree. It’s not that they’re so stuck-up as to say that they’ll only consider giving him their daughter if he holds a doctorate. You mustn’t misunderstand them.
Things got jumbled up the other day when Mrs. Goldfield called on you purely because Waverhouse chose to amuse himself with his usual display of verbal fireworks and distorting mirrors. No, no, please don’t protest. I know it was none of your fault. Mrs. Goldfield spoke in admiration of you as a frank and honest man. I’m certain that the blame and any awkwardness that may have arisen must be laid at Waverhouse’s door. Anyway, you see, the nub of the matter is this: if Coldmoon can get a doctorate, he would have independent status. People would naturally look up to Dr. Coldmoon, and the Goldfields would be proud of such a son-in-law. So what are the chances of Coldmoon’s making an early submission of his thesis and receiving his doctorate? You see, so far as the Goldfields themselves are concerned, they’d be the last to demand a doctor’s degree, they wouldn’t even ask for a bachelor’s. But they have to consider what the world and his wife will say, and when dealing with the world one simply cannot be too careful.”
So presented, the Goldfields’ request for a doctorate seems not altogether unreasonable, and anything he deems not altogether unreasonable qualifies for my master’s support. He feels inclined to act as Suzuki suggests. Suzuki, it is clear, can twiddle my master around his artful little finger. I recognize my master as indeed a simple, honest man.
“Well, in that case, next time Coldmoon drops around, I’ll urge him to get on with his thesis. However, I feel that I must first question him closely to ascertain whether or not he really wants to marry that Goldfield girl.”
“Question him closely! If you act with such meticulous formality, the business will never get settled. The quickest way to a happy ending is to sound his mind, casually, in the course of an ordinary conversation.”
“To sound his mind?”
“Yes, but perhaps the word ‘sound’ is not quite right since it can be thought to smack of indirection. Of course I’m not suggesting deception of any kind. What I mean is that you would understand the drift of his mind in this matter from simply talking with him about generalities.”
“You might understand, but I wouldn’t unless I ask him point-blank.”
“Ah well, I suppose that’s up to you. But I don’t think it would be reasonable to ruin a romance by slinging cold water on it, quite unnecessarily and even for fun, like Waverhouse. Perhaps one doesn’t need actually to jostle them into marriage, but surely in matters of this sort, the two parties most directly concerned should be left undistracted by irrelevant outside influences to settle their future for themselves. So next time Coldmoon calls, try, please, not to interfere. Of course I don’t mean you yourself. I’m referring to Waverhouse; nobody emerges scatheless whom Waverhouse discusses.” Since Suzuki could not very well speak ill of my master, he spoke thus bitterly against Waverhouse, when, talk of the devil, who should come floating unexpectedly in on a spring breeze through the kitchen but Waverhouse himself.
“Hello,” he said, throwing the accent onto the second syllable, “a visitor from the past! I haven’t seen you in years. You know,” he rattled on,
“Sneaze treats intimate friends like me with scant ceremony. Shocking behavior! One ought to visit him roughly once a decade. Those sweets, for instance, you wouldn’t get those if you called here often.” Scanting all ceremony,Waverhouse reaches over and crams his mouth with a large piece of red-bean sugar-paste confection from the well-known Fujimura shop. Suzuki fidgets. My master grins. Waverhouse munches. As from the veranda I watched this interlude, I realized that good theater need not depend upon speech, that high dramatic effect can be achieved with mime. The Zen sect practices instantaneous mental communication of truth from mind to mind in dialogues of silence. The dumb show going on within the room is, no doubt, a version of that practice; and the dialogue, though brief is pretty sharply worded. It was, of course, Waverhouse who broke the silence.