Authors: Clemens J. Setz
â But in their case the men have the young.
â Really?
â Yes, Cordula had said, the male seahorses don't just carry the young to full term, the way some other animal species do. No, they really get pregnant. With all that goes with it, before and after.
â Fuck!
â Yeah, exactly. And that was also the reason Kurt Cobain killed himself. Didn't you know that?
He had probably laughed at that.
â No, really, Cordula had said, burying a finger between his buttocks. Honestly, look it up in his journals. He was a total psycho. Birds for him were reincarnated old men with Tourette's syndrome. And every morning they scream at the world in their bird language, which usually only old men . . . wait, bend forward a little, that way I can . . .
Her middle finger.
Fuck.
Robert realized that he was standing with a huge hard-on in front of the sink in the kitchen. It wasn't exactly the most pain-relieving sight in the world. His gaze shifted to the doorframe, the Mondrian on the wall, senseless cabinets.
Congratulations! Way to go!
Her last words before she had left. Robert had the feeling that he had only imagined them. But they were there, in his head, in the corner where usually only memories were cold-stored.
Yes, you know, Robin . . .
(The rest is silence.)
With his autumn jacket on he always looked enormously puffy. Like a penguin dressed up as a zookeeper. He went into the courtyard to break his bicycle. It was really a shame, but just now he had taken a brief look at it from the window and thought:
Yes, you.
It was a loss heavy enough to be able to assuage his despair, his guilt, his great misery.
In the yard he was seized, as so often, by the strong suspicion that the garbage men were trying, through the way they left the garbage cans at the front entrance after emptying them in the morning, to communicate something to the occupants of the building. A coded message about the state of the world. Today the cans were lined up as nicely as the slot machines in a casino.
Outside it was surprisingly warm. A fever relapse of the season.
When Robert stood in front of the bicycle, he had the sensation that it was staring at him from the side. Like a horse or a bird.
I know exactly what you're planning to do.
He would have liked best to spread a white sheet over the handlebars and then pound them with a large hammer. But he had neither hammer nor sheet, only a screwdriver and a pair of pincers.
Behind him he heard rattling. A plastic bucket full of clothespins was put down on the concrete floor of the courtyard. The rack on which the wet clothes and linens were hung was two heads taller than the short, stout woman. One warm autumn day, and this weird female thing went outside to pretend it was summer. Hanging the laundry in the yard.
â Hello, Herr Tätzel!
She shielded her face with her hands in a silly way as she turned to him. Okay, not so silly after all, a sunbeam shone directly on her. Apart from that the yard was in the shade.
â Good morning, he said.
â How are you doing?
He looked at his neighbor. In his hand was the screwdriver. He took a step forward, she smiled, the edge of the Great Bubble slid into emptiness, didn't catch the woman. Misjudged by a few yards anyway. He didn't even remember where his zone boundary had been, autumn and shadows, the voices of the other dingos, vegetables rolling adrift on the shady side of a mountain in the Semmering region.
â Sorry about last time, he said.
No, he hadn't said that aloud. He hadn't even thought it, so his mouth couldn't possiblyâ
â It's okay, she said.
A clothespin was held, its mouth opened, led like a tame piranha to the right spot, and there was allowed to bite. Frau Rabl performed these movements with a certain grace. Probably she was a single mother. Robert had never seen her with a man. The boy was also . . .
â How's your son?
Okay, I'm shutting off
, he thought.
Do what you please, you bastard. You filthy dingo.
â Thanks. He's fine. School has started again, thank God.
â Ah, yes.
â Where did you go to school, Herr Tätzel?
Robert opened his mouth. His brain had crossed its arms in an offended way over its chest and looked elsewhere.
Do what you please
.
â At Helianau, that'sâ
â Oh, said his neighbor. Of course, sorry.
â No, it's okay. I . . . you know, my girlfriend . . . she . . .
He made a gesture.
â Oh, dear, what happened?
â She left.
Why are you telling her this?
His neighbor dropped the little colorful piranhas back in the bucket and approached him. She grasped him by the shoulder.
Why did you have to tell her that?
She was really a very short woman. And round as a ball, especially in her face. Robert felt her shape, the space she took up on earth, bulging gently against him.
Why are you such a pathetic idiot?
â Hold on, let's go inside, she said. That's terrible.
He let her escort him into the building. Clearly a single mother. Careful steps. Happy to have company.
â So you were at the Helianau Institute, huh? I'd figured that you . . .
â Why?
â Well, because you . . . um . . .
â It's okay, he said. I'm just teasing.
â It's a terrible affair, don't you think?
â What?
â Well, the teacher from there. Who killed a man.
â Ah, yes.
â He was actually a teacher at Oeversee High School for years, but he never mentions that! It's always just: Helianau, Helianau. I think he blames that school for his crimes.
â Aha, said Robert.
He was beginning to like the woman.
â I'm sorry that I immediately sprang that on you, his neighbor said with a laugh. But I was pretty sure that you had been at that school.
She took a step toward him:
â Did you know him?
I just tried to visit him yesterday. Unannounced. Putting my own skin on the line, so to speak.
â No, said Robert.
â Oh, said the woman.
She seemed a bit disappointed.
â I know only that he writes books. And flayedâ
â But they acquitted him! Didn't you read about it?
â Yes.
â Yeah, I think it's a scandal too. You don't just send people who do something like that back into society as if nothing had happened! The fact that a man like that dealt with children for years. Look, here!
She held a book out to Robert. He took it.
â I haven't read it yet. But of course I immediately bought it, you know. Because in an interview he has now claimed that the book contains a code. He wrote it back when he . . . ah, what was it? . . . he . . . he claims that it somehow proves his innocence.
â This here?
â Yes. If you ask me, he's sick. Simply sick. Is talking for his life. Even more so now that he's free.
â What does the title mean?
â No idea. But the novel wasn't at all easy to get. Sold out everywhere, because of the case. The acquittal! It's a scandal, what kind of a world we live in. As a mother, I . . . I don't even want to imagine what kind of a world my son will live in one day.
â So what is the book supposed to have to do with his innocence?
â No idea, some sort of code or something. But if you ask me, it's total nonsense, a sales gimmick. Ashes.
â Ashes?
â Well, yeah, ashes, she said.
And pointed to her forehead, as if a corresponding mark were there.
â What's it about?
â Oh, I have no idea. It's so muddled. A young man who kills himself, and then his father publishes a posthumous manuscript by his son. And this manuscript is at the end somehow bur . . . no, that's a different one, oh, the book is totally . . .
She took an apple, put it on her head, and made shooting movements with her forefinger (
p'tshoo, p'tshoo
) to illustrate her impression of the book. Then she laughed, and Robert laughed too. Yes, he liked the woman.
â Did that man actually find you the other day? she asked, still laughing.
â What man?
â A man, he was here . . . in the courtyard, and he asked me whether I knew you, and I saidâ
â Hold on a second, a man? What did he look like?
â Oh, I don't know, like . . . the head bald and about this tall and quite thin. Especially here at the shoulders. Did he find you?
Robert felt how rigid his face was. He couldn't make up his mind to move any muscle.
â Yes, he finally said.
â Great, said the woman. That sets my mind at ease. Because I didn't tell him where your apartment is. That annoyed him a bit, I think.
â Did the man . . . , Robert began.
But then it occurred to him that he had just claimed that the man had visited him.
â Did the man . . . for you, I mean, in your eyes, didn't he have a rather . . . lightbulb-like head?
The woman laughed. Then she said:
â Yeah. I guess so. Didn't look at it that way, but . . . yes.
â So it was round, in your view, really lightbulb-shaped?
â Heeheehee . . .
With the book in his hand he had run out of the apartment. Frau Rabl hadn't even protested or tried to hold him back. He ran across the street, passed a garbage can, but didn't throw the book in. The taxi stand was empty. It would most likely take only two or three minutes for the cars to return. But then it took fourteen minutes. In the city an augmented reality conference was taking place, and there were masses of foreign visitors staggering around in disorientation, getting lost in price tags visible only to them or in the thicket of tourist information bubbles floating around, who wanted to be picked up by all available taxis on various street corners of the city.
Robert waited on a bench under a tall tree, leafed through the teacher's book, and checked whether the first letters of the chapters perhaps yielded a sentence or at least an anagram.
Unnoticed by Robert, blackbirds were meanwhile flying out of the crown of the tree over him and plunging soundlessly into the nearby park, only to return immediately. They were bringing fresh twigs and threading them into the nest emerging not many yards above humanity, as if they were sewing up a wound in the tree.
[RED-CHECKERED FOLDER]
In 1934 a photographer named Ferenz Balkin discovered near Meiringen in the Swiss Alps an interesting, strangely shaped tree stump. After he had pressed his camera's shutter release, the strange tree stump stood up and ran away. The animal was probably the Tatzelwurm, the last of its kind in that region. The Tatzelwurm remained native to Austria for several decades, at the start of exploratory drilling for the Semmering base tunnel several smaller specimens were flushed out and chased away. After all the Tatzelwurms were gone, many workers complained of intense, persistent headaches and attacks of vertigo, which considerably slowed the progress of the excavation.
7.
Rue de la Loi
[GREEN FOLDER]
A few days before my departure for Brussels I received a spam e-mail with the subject line:
Going Belge?
The sender was a certain Merwin Thompson. When I opened the message, it contained only the well-known pitch for erection medication:
Wanna penis stay hard up all the time? Satisfy your wifes inner pleasure infinity! This really works have shown studies all around the world! Absolutely Powerful Unique Incredibly Penis-strength!
And so on. I read the e-mail through several times, in search of hidden messages. I printed it out and then deleted it from my inbox.
When Julia entered the room, I hid the sheet of paper from her. I put it in the green folder with the other documents about Magda T. Now and then I nibbled at them, when I felt unobserved.
The simultaneous fluttering of all the rolling letters on the display board at the Frankfurt airport updating itself automatically every few minutes: like a sudden gust of wind in the leaves of a tree.
On the airplane from Frankfurt to Brussels I read my favorite book,
Miss Lonelyhearts
by Nathanael West, which successfully distracted me from the compulsion to constantly figure out how horizontal or slanted the airplane was now as it hung in the air. At some point the plane plunged into a dense cloud layer, a uniform gray, into which the wings jutted. At the end of the wing, slightly blurred by the dense cloud mist, a light blinked, as if in proof that somewhere another pulse was beating. Inside a cloud it was possible to imagine that you were driving along on the ground. I put the book down and stared out a little,
Directly under us is grass
, I thought,
earth and grass, that's why the movement is so bumpy. A bumpy alpine meadow
. I couldn't help thinking of the article about Magda T. and tried to picture her face, but then the kind God-face of Leo Tolstoy intruded. I was particularly bothered by the passage in which Magda says she would like to be an astronaut because she thought that was a profession she could pursue without difficulty. Yet the long-term psychological damage from missions in outer space was still largely uninvestigated. The only thing that was certain was that the number of astronauts who in old age had to contend with severe hallucinations and unusually rapid progressive dementia was alarmingly high. (A short stretch of wild turbulence shook us.) An American woman astronaut had driven cross-country nonstop in adult diapers to kidnap a rival. Another astronaut had become incapable overnight of setting foot in his own house, so he slept for over a year in a garbage can and ate cockroaches and mice that he, as he said, squeezed like mustard packets to consume them. Another astronaut fell shortly after his return from his first space walk into a mania and, in an attempt to climb the façade of a hundred-story high-rise, broke several vertebrae. And the head of a training program for chimpanzees that had been sent on various missions succumbed in the seventies to a religious delusion and had his disciples wall him alive into a bridge pier somewhere in Oregon. The profession probably held a particular attraction for the sort of people who had always had a tendency to subject themselves to extreme situations, but it was also possible that the effects of the physical distance from earth had actually been previously underestimated. On a Mars mission the earth is no longer perceptible to the naked eye, and who knows what new forms of panic are born at that moment. The landing in Brussels was rough, the cabin lights went out twice, and an old woman took out her rosary and began, soundlessly, thank God, to finger the beads.
I had developed a habit of thinking after every successful landing: In reality I've crashed, pain and chaos, death and descent into hell. But then I'm granted a second chance, permitted to return from the gray asphodel swamp, like a broken lamp I am carefully laid on the boat that brings me to the other shore, back into this world, there I'm given some time to recover my breath. Slowly and arduously I relearn all the skills that I forgot at one fell swoop, distinguishing left from right, doing mental arithmetic, speaking, recognizing people and faces, and reenter life exactly where I was torn out of it: The plane has landed, a miracle, and I'm really standing on the earth, the old, familiar ground, which I had actually lost forever. Even as colorless a being as the secretary at Oeversee High School, to whom I had complained about how bad my stomach flu was, which meant I would probably have to stay home this week, seemed to me at that moment a true miracle, a gift from heaven.
I had such thoughts as I took a taxi to my hotel, and then I thought: Despite that uplifting, wonderful fantasy, which can sweeten your whole day, it would be incredibly funny if on the return flight I crashed in actuality and not only in an imaginary parallel world, if I had through my fantasy made that disaster palatable for fate, had raised the irony ante on the game table, as it were . . . And already I was panicking.
I was not even capable of retracing the fatal train of thought in order to retroactively correct it. I told the taxi driver to stop, paid, and looked for a little café, that almost always worked, the darker the café, the stronger the effect, shortly after entering you feel pleasantly bodiless . . . Soon I was doing somewhat better, and to round it all off, I ordered a number of childish things like a large soda and a couple scoops of ice cream with whipped cream (which I hoped would come with a fan-shaped cone and a little glitter umbrella, the wooden handle of which I would lick off first).
I pulled the green folder out of my backpack and read indiscriminately from the documents compiled by Oliver Baumherr and his colleagues.
I found especially funny an article mentioning that the two abductors who eventually took Magda away from her father and her uncle to bring her home apparently must have been heavily under the influence of drugs, so that they didn't blame the symptoms on the presence of the Indigo child in the backseat, but rather on the effects of the narcotic. Smart. They let Magda T. out somewhere near a psychiatric clinic, drove away in the car, and left no further traces.
She had climbed a white flight of steps into the large building and had there told the first person she encountered who she was and where she lived. That hadn't worked right away, however, because the man had been quite slow on the uptake. He had just stared at her and shaken his head.
Then another man had come and had led her away from the first man. This second man had been considerably more receptive and understanding. He had asked her name, her address, the names of her parents, her birthday, her favorite ice-cream flavor, the name of her pillow, the exact age of her fingernails. They grew back completely every few weeks, he said, even if you pulled them off entirelyâthat was very painful, but you could be sure that they would eventually come back, as nice and long as before. She had not been able to answer all the man's questions, so she had asked him to take her to a telephone. The man had laughed and said it was
obviously prohibited
for them to use the phone, that only gave you radiation in your skull and a satellite loaded you up with electricity from outer space so that you would lie incapacitated in bed for several days, your head as big as the room and your hands as small as the red sulfuric heads of matches.
At some point she had been pulled away from this man too, finally people had listened to her and suddenly everything had happened very fast, a telephone had even been available, and they had called various agencies for her. After half an hour with the kind and understanding people she had been left alone again and after a while the understanding bearded man had returned, who had worn a white gown, and had said he felt somewhat nauseous and dizzy, he probably had an upset stomach from the
wretched muck they serve you here
.
Although I didn't entirely understand what exactly had happened and what I had just read, I had to laugh heartily.
To quell the excitement before the meeting with Herr Ferenz, I listened to a few songs by the British band Faithless on my iPod: “Mass Destruction,” “Insomnia,” and “Bombs.”
Besides, I was in the city in which Europe was made. Here you could distract yourself for at least a few hours. I looked at the little peeing man, the city's greatest attraction. A dense crowd of tourists surrounded the tiny sculpture. An Italian woman had burst into tears out of sheer amazement and was photographing it fervently from all sides.
When I returned to the hotel, the man at reception said that someone had dropped something off for me.
â Voilà , he said softly, as he handed it to me.
A Jenga block. Somewhat scuffed, but still clearly recognizable.
â Merci, I said.
With the voice on the telephone I had arranged a meeting place near my hotel. In a small green and brown park full of ravens I waited for someone to approach me. I held the Jenga block out in front of me, clearly visible to anyone passing by.
The large birds with their completely black, eyeless-seeming heads stalked morosely across the meadow and rooted around with their beaks between the blades of grass for food. At some distance stood a steel structure that obviously claimed to be art, and thus seemed so completely disengaged and dissociated from all present and future problems of the Brussels population that it was almost offensive.
â Jenga.
Herr Ferenz was a peculiar figure. Long sideburns adorned his face, although the hair on his head had already thinned considerably. He was strikingly thin, and had little more shoulders than an egg. When he laughed, his expression had something quietly content and open like that of a sloth.
On the way out of the park we crossed a meadow on which a large oak chest stood, next to it two men wearing silvery colorful stage clothing as if for a magic show leaned against a tree and smoked cigarettes. Three stone steps led us from the green space down to the sidewalk of the Avenue des Azalées. We followed it southward and eventually entered a small restaurant, in which Herr Ferenz was greeted with a bow.
â Thank you for making time, I said.
Herr Ferenz only nodded.
â You have to excuse my German, he said. It's rusty.
He spoke with a very slight accent, which sounded Eastern European.
â How did you get the name Ferenz?
â Oh, he said. On the black market.
He laughed.
â There's a black market for everything. Even names. Even appearances. A gigantic one. A monstrous one. But the problem is never the production in itself. That is, no one knows the formula. How it works. You understand? A proper, a functioning name.
I let the cream of pumpkin soup drip from my spoon back into the bowl, put the spoon down, and looked at him. His facial expression changed, became softer, more compassionate. He shook his head and said:
â Terrible, isn't it?
I nodded.
â But that's just how people are, he said, stuck a fork coiled with spaghetti in his mouth, chewed. Mmm . . . mm . . . They simply see their fellow human beings as tools . . . mm . . . Some tools stand around ready to harvest, you only have to stuff them into a van at the right time and drive away with them. Others you first have to plant, such as . . . let's say you need a little . . . a name for an experiment, then it hardly makes sense to locate this name somewhere, to memorize the times of day when it's attainable, that is, when a controlled extraction can take place and so on. No. It would be much easier if you simply paid a woman from Eastern Europe who is unintentionally pregnant with a name, so that you can have her name. The name isn't registered anywhere, so it won't be missed, if itâ
I raised a finger.
â A question, I said. What exactly are you telling me here?
He laughed. Then he said:
â The world is a sick place. It does no good to stick your fingers in your ears and say
mimimimi
.
â Okay, I said.
He propped both elbows on the table, rested his chin on his fists, and looked at me. For three, perhaps four seconds.
â You're not naïve, he said in a tone as if he wanted to declare,
Check!
You know exactly what I mean. For most people the world is a . . .
un hypermarché du bricolage
. A DIY superstore. Shelves, shelves, shelves everywhere, and every single one full of tools that you can use until they break. Just think of animals. As soon as we discover a new animal, the first thing we're interested in is the question of whether we can eat it. And with us it's exactly the same. When a baby is born, people start thinking:
What might it be good for? In what way might it serve me?
After the meal, during which I mainly had to tell Herr Ferenz about Oliver Baumherr, how he was doing, how he treated his colleagues, we went to his apartment. He led me up the Kunstberg to a building with a small shop on the ground floor that had abstract bird sculptures and hats in its display window. Little sculptures and hats, only these two things were sold there, at extremely high prices. The bird sculptures seemed archaic and could have stood next to many-armed god statuettes and erotic carvings on Dr. Freud's desk on Berggasse in Vienna, while the hats floated ownerless through his dreams and meant all sorts of things, anxieties about the future or geometrically impressive family constellations, or whatever, there was no salvation from interpretation, no more than there was an emergency exit from history.